Mary I: Queen of Sorrows by Alison Weir

This is the third novel in Alison Weir’s Tudor Rose trilogy, following Elizabeth of York: The Last White Rose and Henry VIII: The Heart and the Crown. You definitely don’t need to have read the previous two books before starting this one, although if you’re not very familiar with Tudor history it would probably be helpful to read them in order.

The novel begins in 1525, introducing us to nine-year-old Mary who has recently become betrothed to Charles V, Holy Roman Emperor and King of Spain. As the daughter of Henry VIII and his Spanish wife, Katherine of Aragon, a marriage between Mary and Charles would cement England’s alliance with Spain. Mary’s future looks bright, but things don’t go as planned and it’s not long before her whole life is thrown into turmoil. First, Charles decides he doesn’t want to wait for Mary to grow up and takes another bride, one who is richer and old enough to give him children. Then, Mary’s father becomes obsessed with the idea of marrying Anne Boleyn and casts Mary’s mother aside.

It would be difficult not to sympathise with the young Mary as she is put under pressure to betray her mother and denounce her Catholic faith, gains and loses one stepmother after another and, with the arrival of a younger half-sister and half-brother, becomes uncertain of her place in the succession. However, I did find these early sections of the book quite repetitive as having read all of Weir’s Six Tudor Queens series, as well as her novel on Henry VIII, I felt that there wasn’t much here that was new to me. The second half of the book interested me more as it moved on to Mary’s own reign as Queen, her marriage to Philip of Spain and her ‘phantom pregnancies’, and, of course, the persecution of Protestants that famously gained her the nickname ‘Bloody Mary’.

On finishing the book and reading the author’s note at the end, I was interested to find that Alison Weir herself felt that she and Mary shared some childhood experiences, such as the separation of their parents and dislike of the new woman in their father’s life; this probably explains why the chapters dealing with Mary’s early years are written with such sympathy and understanding. Later in the novel, however, Mary becomes a much more difficult character to like as she ignores advice and public opinion, makes some poor decisions, and those who don’t share her Catholic faith burn at the stake. Weir states that she found it hard to make the adult Mary sympathetic when the historical evidence tells us otherwise.

As I wouldn’t want anyone to accidentally buy the same book twice, be aware that the US title of this book is The Passionate Tudor: A Novel of Queen Mary I. Alison Weir’s next novel, coming in 2025, stays in the Tudor period and is about the rise and fall of Cardinal Wolsey. I’ve never read a book written from Wolsey’s perspective before, so that should be interesting.

Thanks to Headline for providing a copy of this book for review via NetGalley.

Book 43/50 for the Historical Fiction Reading Challenge 2024

Top Ten Tuesday: Books on my Autumn TBR

This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is: “Books on My Fall 2024 To-Read List”.

I have a lot more than ten books I’m hoping to read this autumn, but here’s a selection of them:

For the upcoming 1970 Club:

1. God is an Englishman by RF Delderfield
2. Passenger to Frankfurt by Agatha Christie

For Margaret Atwood Reading Month:

3. The Blind Assassin by Margaret Atwood

For Novellas in November:

4. Fire by John Boyne

Some review copies:

5. The Bells of Westminster by Leonora Nattrass
6. The Glassmaker by Tracy Chevalier
7. The Royal Rebel by Elizabeth Chadwick
8. The Voyage Home by Pat Barker
9. The Significance of Swans by Rhiannon Lewis
10. The Labyrinth House Murders by Yukito Ayatsuji

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Which books are on your autumn/fall TBR?

Historical Musings #87: HWA Crown Awards 2024

Welcome to my not-quite-monthly post on all things historical fiction!

This month, I want to highlight the HWA Crown Award longlists which were announced on X last Wednesday by the Historical Writers Association. There are three separate awards – one for debut novels, one for non-fiction and the other (the Gold Crown) for authors who have previously published. The shortlists are announced in October and the winner in November. I have no plans to try to read all of these books, but thought it would be interesting to look at what I’ve read so far from each list.

Gold Crown Award 2024 longlist

The Glutton by AK Blakemore
The Fox Wife by Yangsze Choo
Clear by Carys Davies
You Dreamed of Empires by Álvaro Enrigue, tr Natasha Wimmer
Disobedient by Elizabeth Fremantle
Loot by Tania James
The Book of Days by Francesca Kay
Quint by Robert Lautner
Cast a Cold Eye by Robbie Morrison
A Woman of Pleasure by Kiyoko Murata, tr Juliet Winters Carpenter
Cahokia Jazz by Francis Spufford
Absolutely and Forever by Rose Tremain

I enjoyed Disobedient, about the painter Artemisia Gentileschi, but I was a bit disappointed by the Yangsze Choo, which I found very slow. Absolutely and Forever (also shortlisted for this year’s Walter Scott Prize) and Cahokia Jazz are already on my TBR, and I’ll consider reading the two translated books as I’m making an effort to read more historical fiction in translation. I’m not familiar with any of the others on the list.

Non-fiction Crown Award 2024 longlist

I Seek a Kind Person by Julian Borger
Final Verdict by Tobias Buck
Messalina by Honor Cargill-Martin
Don’t Let’s Be Beastly to the Germans by Daniel Cowling
The Shoulders We Stand On by Preeti Dhillon
Survivors by Hannah Durkin
The Exiled by Lucy Fulford
Four Shots In the Night by Henry Hemming
Agincourt by Michael Livingston
The Picnic by Matthew Longo
A Dirty, Filthy Book by Michael Meyer
Impossible Monsters by Michael Taylor

I haven’t read any of these, but as I don’t read a lot of non-fiction in general, that’s not really surprising. I’ve investigated the titles on this list and I feel that there’s not a lot of variety this year, with most of the books dealing with either war or race and immigration. Still, I’m sure they are all interesting reads and if you’ve read any of them, I would like to hear your recommendations.

Debut Crown Award 2024 longlist

The Other Side of Mrs Wood by Lucy Barker
The Golden Gate by Amy Chua
Leeward by Katie Daysh
Colours of Siena by Judith May Evans
The Maiden by Kate Foster
The Painter’s Daughters by Emily Howes
All Us Sinners by Katy Massey
The Hideous Progeny by C.E. McGill
The Witching Tide by Margaret Meyer
The Beholders by Hester Musson
The Revels by Stacey Thomas
The Tumbling Girl by Bridget Walsh

I loved the Lucy Barker; the other two books I’ve read from this list were enjoyable enough but not necessarily books I would have expected to see nominated for awards. I was already interested in reading The Maiden after enjoying Kate Foster’s new book, The King’s Witches, earlier this year and The Tumbling Girl sounds fun, but I’m not sure if I’ll look for any of the others.

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What do you think of these longlists? Have you read any of these books or are there any you would like to read?

Ordeal by Innocence by Agatha Christie

The September choice for the Read Christie 2024 challenge is Ordeal by Innocence, a book which, along with Crooked House, Christie herself named as one she felt most satisfied with. It was first published in 1958 and is a standalone novel, with no Poirot, Miss Marple or any of Christie’s other recurring characters.

The novel begins with Dr Arthur Calgary visiting the Argyle family at their home, Sunny Point, to give them what he hopes will be some very welcome news. Two years earlier, Jacko Argyle was found guilty of the murder of his adoptive mother. Although he claimed to have an alibi, he was unable to prove it and was sentenced to life imprisonment. Now, Dr Calgary has come forward to confirm that he was with Jacko at the time of the murder, therefore he couldn’t have committed the crime. Calgary seems to have a valid reason for not speaking out sooner – a head injury affecting his memory, followed by a long trip to the Antarctic – but it’s now too late to help Jacko, who has died of pneumonia in prison. Still, Calgary hopes his belated evidence will bring some comfort to the family. However, it has the complete opposite effect…because if Jacko didn’t kill Mrs Argyle, who did?

This is a novel driven by characters, personalities and motives rather than one with a lot of plot. Most of the book is made up of conversations between various members of the Argyle household as they discuss amongst themselves and with Superintendent Huish the events that took place the night of Mrs Argyle’s murder and who they think could be responsible. There’s the dead woman’s husband, Leo Argyle, who is now planning to marry his secretary, Gwenda; there are the other four adopted Argyle children, Mary, Micky, Tina and Hester, all now adults who have had one reason or another to resent their adoptive mother; and Kirsten Lindstrom, their Swedish nurse who has been with the family for many years. It (unbelievably) doesn’t seem to occur to Dr Calgary, until it is pointed out to him, that by clearing Jacko’s name he has simply cast suspicion on the rest of the family again, but this becomes a major theme of the book – the idea that only the guilty person knows the truth, therefore it’s the innocent who suffer the most:

“The family would come under suspicion,” he said, “and it might remain under suspicion for a long time – perhaps for ever. If one of the family was guilty it is possible that they themselves would not know which one. They would look at each other and – wonder… Yes, that’s what would be the worst of all. They themselves would not know which…”

Another theme Christie tackles in this book is adoption and the question of nature vs nurture. Sadly, her opinion of adoption seems to be quite a negative one, with several characters stating that the relationship between a child and their adoptive mother can never be as strong as with their biological mother. It’s also strongly implied that some of the Argyle children have criminal tendencies because they’ve inherited those traits from their birth parents and are destined to be bad people regardless of how much love and attention they receive from their adoptive parents. These are not views I agree with, but clearly they are subjects Christie was interested in and wanted to explore in this novel.

As a standalone, I think this book suffers from not really having a character who does any ‘detecting’. Dr Calgary does take on this role eventually, wrapping things up for us in the final chapter, but otherwise we don’t see much of Superintendent Huish and the only member of the Argyle household who shows any interest in trying to solve the crime is Mary Argyle’s husband, Philip. There’s not much action until very late in the book, so most of the focus is on the characters discussing their memories of Mrs Argyle and what they were doing at the time of her death. In this respect, the book reminded me of Five Little Pigs, another Christie novel which deals with a mystery from the past.

Next month, and for the rest of the year, the Read Christie challenge will be moving on to books published in the 1960s and 1970s. I have plenty of those still to read!

I’m counting this as my first book towards this year’s RIP challenge.

Precipice by Robert Harris

Robert Harris became a must-read author for me after reading and loving An Officer and a Spy, the Cicero trilogy and Conclave, but some of his more recent books have left me feeling slightly disappointed. His new one, Precipice, sounded promising, but would it be a return to form?

The novel opens in London in the summer of 1914 and introduces us to Venetia Stanley, a twenty-six-year-old woman from a wealthy, aristocratic family. Venetia is growing bored with the aimlessness of her days and the spoiled, shallow group of friends, known as the Coterie, that she has fallen in with, so when Herbert Henry Asquith begins an affair with her she sees it as a welcome escape. Not only is Asquith more than twice her age, he is also the Prime Minister and Venetia finds it flattering that he seems to value her opinion on politics and includes her in discussions on important matters of state.

Asquith is currently preoccupied with the situation in Ireland where the Nationalists are campaigning for Home Rule, but soon he has an even bigger problem to deal with as tensions begin to escalate in Europe and it looks increasingly possible that Britain could be pulled into a war. At this crucial moment in British history, it seems that the security of the nation is being put at risk – several confidential documents giving details of the government’s military and diplomatic plans have been found by members of the public and handed to the police. Only a small number of high-ranking government ministers have access to this information so, unlikely as it seems, one of them must be responsible for the leaks. Detective Sergeant Paul Deemer is given the task of investigating and it’s not long before he makes a shocking discovery.

Although I’ve read many novels set during WWI, they’ve usually dealt with ordinary people rather than politicians and certainly haven’t been written from the perspective of the Prime Minister. I knew nothing about H.H. Asquith’s private life, what he was like as a person or how he was viewed by his friends, colleagues and the public, so I learned a lot from this book. Harris draws on Asquith’s published letters to Venetia Stanley as one of his main sources and quotes from them extensively throughout the novel (Venetia’s letters to Asquith were apparently destroyed, so Harris uses his imagination to recreate them).

The impression I got of Asquith from this book, as a politician, was of a generally well-meaning man who was competent enough as a peacetime Prime Minister (apart from where the challenge of Ireland was concerned) but definitely not the right person to lead the country through a war. His overly cautious approach in the early stages was very frustrating to watch; it’s likely that the outbreak of war was inevitable and nothing he could have done would have averted it, but he didn’t seem to grasp the seriousness of the situation at all and refused to commit Britain one way or the other when he was being pressed from all sides to take decisive action. Even when war did break out, it seemed to be of less importance to him than his relationship with Venetia and again it was frustrating to see him sitting composing letters to her during cabinet meetings and plotting ways to escape from political duties to go and visit her. Although the general public weren’t supposed to know about the affair, it was an open secret amongst their family members and I couldn’t help feeling sorry for Margot, Asquith’s wife.

The thriller element of the novel is weaker and although I was never bored, the book never quite became unputdownable either. There’s no real mystery surrounding the security breaches because both we and Paul Deemer know from very early on who is responsible, but it’s still interesting to see how Deemer approaches the situation and there’s an entertaining section where he goes undercover in Wales in search of more information. There’s also a small twist towards the end of the book, which I hadn’t really seen coming, although it had started to occur to me that something wasn’t quite right!

Precipice is definitely more historical fiction than thriller, which may or may not appeal depending on your personal taste. Although it hasn’t become one of my absolute favourites by Robert Harris, I really enjoyed it for the fascinating insights into Asquith and his government.

Thanks to Hutchinson Heinemann for providing a copy of this book for review via NetGalley.

Book 42/50 for the Historical Fiction Reading Challenge 2024

Hera by Jennifer Saint

In her previous novels, Jennifer Saint has retold the stories of several women from Greek mythology including Ariadne, Elektra and Atalanta. Her new book, Hera, as the title suggests, is a retelling of the life of Hera, Greek goddess of marriage.

The novel opens with Hera helping her brother Zeus to overthrow their father, the Titan Cronus, in a great war. With Cronus and the other Titans defeated and banished, Zeus divides control of the world between himself and his two brothers, Poseidon and Hades. Hera wants nothing more than to rule beside Zeus, so while her sisters Demeter and Hestia find new roles for themselves as goddesses of the harvest and the hearth respectively, Hera ends up marrying her brother. She isn’t able to gain the power she desires, however, and begins to grow increasingly resentful of Zeus.

Zeus makes Hera the goddess of marriage, presiding over weddings and childbirth, but their own marriage is far from perfect. Zeus is an unfaithful husband, cheating on Hera with nymphs, mortals and other goddesses, producing a multitude of children who either join the gods on Mount Olympus (such as Artemis and Apollo) or become heroes in the mortal world (Heracles and Perseus). Hera is determined to take revenge, but is this really her best route to happiness?

Hera is usually depicted in Greek myths as vengeful, jealous and vindictive and although Jennifer Saint has clearly set out to paint a more nuanced picture of her here, she doesn’t really do much to change that overall impression. I could certainly have sympathy for her as she’s repeatedly betrayed and treated badly by Zeus and struggles to achieve what she sees as her rightful position as his equal, but Saint’s Hera is still not an easy character to like. Her actions often seem petty and spiteful, taking out her frustrations not just on Zeus but on his children and their mothers, despite the fact that most of those women were actually raped or tricked by Zeus.

Hera is involved in many of the key moments and incidents from Greek myths and I felt that Saint tried to include absolutely everything in this book. Some episodes are fascinating and gripping, but I think others could probably have been left out. My favourite parts of the book were Hera’s visits to the caves inhabited by Ekhidna (usually spelled Echidna), the half woman-half snake who is mother to many of the most famous Greek monsters including Cerberus, the Hydra and the Chimera. In this version, Hera is the mother of Typhon, a monstrous snake-like giant, whom she gives birth to secretly and gives to Ekhidna to raise without Zeus’s knowledge.

This isn’t my favourite Jennifer Saint book – that would probably be Ariadne – but I did find it quite enjoyable and it was interesting to see Saint writing from the perspective of a goddess rather than a mortal woman for a change. Ultimately, though, I was left with a feeling of sadness because Hera seemed so bitter and unhappy; I wished she could have carved out her own path in life like Demeter and Hestia instead of allowing Zeus to do it for her. I’ll be interested to see who Saint writes about next; I would love a whole novel about Ekhidna and her monsters!

Thanks to Headline, Wildfire for providing a copy of this book for review via NetGalley.

Six Degrees of Separation: From After Story to The Testaments

It’s the first Saturday of the month which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month we’re starting with After Story by Larissa Behrendt. As usual, I haven’t read it, but here’s what it’s about:

When Indigenous lawyer Jasmine decides to take her mother, Della, on a tour of England’s most revered literary sites, Jasmine hopes it will bring them closer together and help them reconcile the past. Twenty-five years earlier the disappearance of Jasmine’s older sister devastated their tight-knit community. This tragedy returns to haunt Jasmine and Della when another child mysteriously goes missing on Hampstead Heath. As Jasmine immerses herself in the world of her literary idols – including Jane Austen, the Brontë sisters and Virginia Woolf – Della is inspired to rediscover the wisdom of her own culture and storytelling. But sometimes the stories that are not told can become too great to bear. Ambitious and engrossing, After Story celebrates the extraordinary power of words and the quiet spaces between. We can be ready to listen, but are we ready to hear?

I was drawn to the line ‘to rediscover the wisdom of her own culture and storytelling’, which reminded me of The Story Keeper by Anna Mazzola (1) in which a young woman applies for a job as assistant to a folklorist and travels to the Isle of Skye to collect folk tales from the local people. I enjoyed this book, with its wonderfully atmospheric setting.

To the Lighthouse by Virginia Woolf (2) is also set on the Isle of Skye, where the Ramsay family have a summer home. The novel begins with six-year-old James Ramsay being promised a trip to the lighthouse the next day if the weather is fine – but the weather is not fine and James won’t get to visit the lighthouse until ten years later. Although this is one of her best known books, it wasn’t really for me and I’ve enjoyed others by Woolf much more.

Another book featuring a lighthouse is The Light Between Oceans by ML Stedman (3). Tom Sherbourne is a lighthouse keeper on the island of Janus Rock, off the coast of Australia. When a boat is washed up on the shore with a baby girl inside, Tom and his wife decide to keep her and raise her as their own child. This is a beautiful, thought-provoking novel which perfectly captures the isolation endured by lighthouse keepers and their families, as well as the guilt experienced after making an impulsive decision that you know was wrong.

The Daughters of Mars by Thomas Keneally (4) is also set, at least partly, in Australia. It tells the story of two sisters who join the Australian Army Nursing Service during the First World War and serve on a hospital ship in the Dardanelles and on the Western Front. It’s a fascinating novel but was spoiled for me by the unconventional punctuation and the distance I felt from the two main characters.

Another book about nursing during the Great War is Testament of Youth by Vera Brittain (5). This is the only non-fiction book in my chain and is Brittain’s memoir covering the years 1900-1925 and describing her experiences as a VAD nurse during the First World War. I highly recommend reading this book if you haven’t already, but be warned that it’s completely heartbreaking in places!

My final book has a shared word in the title. Margaret Atwood’s The Testaments (6) is a sequel to her earlier novel, The Handmaid’s Tale and is again set in Gilead, a dystopian community ruled by a patriarchal regime. The novel is made up of the ‘testaments’ of three characters, giving us three different perspectives of life in Gilead. I didn’t like it as much as the first book, but still found it interesting.

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And that’s my chain for this month. My links have included: Collecting stories, the Isle of Skye, lighthouses, Australia in WWI, wartime nursing and the word ‘testament’. In October, we’ll be starting with Colm Tóibín’s Long Island.