By the Pricking of My Thumbs by Agatha Christie

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The August theme for the Read Christie challenge is ‘Beloved Duo’, so one of her Tommy and Tuppence books was the obvious choice for this month! I’ve read the first three in the series, which made this an ideal opportunity to pick up the next one, By the Pricking of My Thumbs.

Tommy and Tuppence Beresford, unlike Christie’s other detectives, age in real time throughout the series. When we first meet them in The Secret Adversary, published in 1922, they are young people in their early twenties; in By the Pricking of My Thumbs, published in 1968, they’re now in their sixties. Christie herself, of course, was also growing older and the topic of ageing forms a prominent part of this novel. It begins with a visit to Tommy’s elderly Aunt Ada at Sunny Ridge Nursing Home, where Tuppence falls into conversation with another resident, a Mrs Lancaster. She’s a sweet, friendly old lady and the two are getting along well – until Mrs Lancaster suddenly refers to something hidden behind the fireplace and asks Tuppence, “Was it your poor child?”

Tuppence is still thinking about those words several weeks later when Aunt Ada dies and she and Tommy return to Sunny Ridge to collect her belongings. Tuppence hopes to speak to Mrs Lancaster again, but is told that she has gone, having been taken away by a relative. Instinctively feeling that something is wrong, Tuppence tries to track down Mrs Lancaster but no one seems to know exactly where she could be. The only clue is a painting Mrs Lancaster gave to Aunt Ada before her death, showing a house by a canal. Tuppence is sure she’s seen that house before, possibly from the window of a train, so while Tommy is away from home attending a conference, Tuppence decides to find the house again in the hope that it will lead her to Mrs Lancaster.

This is a particularly dark Christie novel, which is to be expected considering the title comes from Shakespeare’s Macbeth (“by the pricking of my thumbs, something wicked this way comes”). I found it creepy and unsettling, with all the talk of dead or missing children, Mrs Lancaster’s complete disappearance, and the descriptions of the house, partially abandoned and, as one character says, ‘put to the wrong use’. The scenes at Sunny Ridge also show, quite disturbingly, how the concerns of elderly people can easily be dismissed as confusion or dementia. Tommy and Tuppence themselves, though, are a delight to spend time with, as always, especially Tuppence who has to learn to accept that although she may still be a lively, adventurous young woman at heart, her physical limitations are catching up with her and she can’t do all the things she used to do.

Although this book is maybe not as tightly plotted as some of Christie’s others and not one of her absolute best, it’s still very enjoyable. I found the ending quite chilling – I hadn’t guessed the solution and the culprit was someone I had never suspected. Now I only have one Tommy and Tuppence book left to read: Postern of Fate, which I’m hoping to read for the Read Christie challenge later this year.

Book 17/20 of 20 Books of Summer

Little Spark by Jess Kidd

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A new Jess Kidd book is always something to look forward to and this year we’ve had two of them: first, Murder at the Spirit Lounge, the second book in the Nora Breen Investigates series, and now Little Spark, a standalone novel set in Victorian England.

Little Spark is the story of Bodkin Bell, a young woman with the unusual ability to generate powerful currents of electricity within her body. Bodkin has no idea why she has this particular skill – or curse, as it often seems to be. In fact, she knows very little about herself at all, except that she’s an orphan who has been taken under the wing of Cornelius Bell, a travelling showman. Cornelius has taught Bodkin how to pick pockets and use her wits to survive and together they travel the country with a sideshow act so Bodkin can perform as ‘Little Spark’. One day, however, things go wrong and Bodkin finds herself arrested.

Separated from Cornelius, her only friend, Bodkin begins to serve a prison sentence until she is rescued by Lady Hesperia Haseley who is making a charitable visit to the prison and takes a liking to her. Bodkin is offered a position as a servant at Point Mote, the Haseley estate, but once she arrives at her new home, she begins to wonder whether Lady Hesperia may have had another motive for bringing her there.

Point Mote is a neglected, crumbling mansion situated in the Kent marshlands, an appropriately atmospheric setting for a novel like this one. The former owner, Spendlove Haseley, was an inventor of automata, and his work is being continued after his death by his son, Ramshaw. Almost the first thing Bodkin sees when she enters the house is a disembodied mechanical hand stirring a pot of stew in the kitchen – and there are other machines and devices like this all over the house and its grounds. I was reminded of Anna Mazzola’s The Clockwork Girl, another dark historical novel about a creator of automata, although the settings and plots are quite different. Bodkin’s new job is to assist Ramshaw with his inventions and as she does so, she makes some discoveries about her employer, his family and herself.

Bodkin herself is an engaging heroine and although I’d expected more focus on her strange powers, it was interesting to watch her trying to solve the various mysteries of Point Mote with the help (or hindrance) of its other inhabitants, the usual cast of colourful characters you would expect to find in a Kidd novel. I was particularly intrigued by the two maids, sisters Coralie and Claudine, who have each lost an eye, one on the left and one on the right, although they won’t say exactly how it happened. There’s also Huffkin the dog, who may or may not be real! It’s such a fascinating, imaginative story; my only criticism is that I guessed the twists too easily – one in particular is a twist I’ve come across in several other books. Still, I found this a very enjoyable, entertaining novel, probably my favourite by Jess Kidd since Things in Jars.

Thanks to Canongate for providing a copy of this book for review via NetGalley.

Classics Club Spin #45: The Result

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The result of the latest Classics Club Spin has been revealed today.

The idea of the Spin was to list twenty books from my Classics Club list, number them 1 to 20, and the number announced by the Classics Club represents the book I have to read before 4th October 2026. The number that has been selected is…

18

And this means the book I need to read is…

The Kraken Wakes by John Wyndham

It started with fireballs raining down from the sky and crashing into the oceans’ deeps. Then ships began sinking mysteriously and later ‘sea tanks’ emerged from the deeps to claim people…

For journalists Mike and Phyllis Watson, what at first appears to be a curiosity becomes a global calamity. Helpless, they watch as humanity struggles to survive now that water – one of the compounds upon which life depends – is turned against them. Finally, sea levels begin their inexorable rise…

The Kraken Wakes is a brilliant novel of how humankind responds to the threat of its own extinction and, ultimately, asks what we are prepared to do in order to survive.

~

Although I would have preferred something by one of the other authors on my list, purely because I read another Wyndham novel just a few months ago for Spin #43, this is still a great result for me. I love Wyndham and I’m sure I’ll enjoy this one.

Have you read it? And if you took part in the spin, what did you get?

The Story of Tudor Art by Christina J. Faraday

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In this interesting and ambitious book, Christina J. Faraday explores the history of Tudor England through its art and objects. The artwork of a particular period can tell us a lot about key historical events, how important figures chose to be portrayed and how people lived, worked and worshipped. Faraday looks at all of these things, moving chronologically forward through time, beginning with art associated with Margaret Beaufort, mother of the first Tudor king, Henry VII, and ending with the reign of Elizabeth I.

Paintings and portraits are naturally given a lot of attention, but Faraday also includes many other types of art from sculptures, tapestries and clothing to jewels, embroideries and furnishings. To show the range of items discussed, some examples include the Dacre Beasts, four 6ft tall figures carved from a single oak tree, now on display at the V&A in London; the Great Bed of Ware, a huge, ornate four-poster bed so famous Shakespeare mentioned it in Twelfth Night; and Cope’s Cabinet of Curiosities, a collection of rare antiquities and artefacts from around the world, reflecting the increase in global exploration during Elizabeth I’s reign.

There’s a fascinating chapter on the emerging class of people known in the 16th century as ‘the middling sort’ – similar to today’s middle class. During the Tudor period, these people began to purchase artworks for their own homes to display their growing wealth and culture. Mostly, though, Faraday focuses on works of art produced for the Tudor monarchs and displayed at court or in churches.

The book looks at the work of the various court painters, many of whom came to England from other European countries, bringing different styles and techniques with them. Some, such as Hans Holbein the Younger, are very well known; others, for example, William (or Guillim) Scrots, are less famous. Little is known about Scrots, but he caused a sensation with his 1546 anamorphic portrait of Edward VI, which is distorted so it can only be viewed clearly from one particular angle. As you would expect, most of the artists at that time were men, but the contributions of female artists Susanna Horenbout and Levina Teerlinc are also discussed.

At first this appeared to be quite a long book, but I found that I got through it much more quickly than I’d expected as around half of the book is made up of notes, a bibliography, a list of image credits and an index. The actual text of the book moves quickly from one monarch’s reign to the next, covering a huge amount of art in each chapter, and it ended up feeling too short rather than too long as there’s not time to go into much depth on anything. Still, it’s a good introduction to the subject and succeeds in showing the overall scope of Tudor art and how things changed between the beginning of the period and the end. Lots of photographs are included, but as I was reading the ebook version I don’t think I could fully appreciate some of these and I’m sure a physical version of the book would work better visually. I think it would make a nice gift for someone studying art history, but for the general reader with an interest in art or the Tudors (or preferably both) there’s a lot to enjoy here as well.

Thanks to Head of Zeus for providing a copy of this book for review via NetGalley.

Book 16/20 of 20 Books of Summer

Classics Club Spin #45: My List

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It’s time for another Classics Club Spin! If you’re not sure what the Spins are, here’s a reminder:

The rules for Spin #45:

* List any twenty books you have left to read from your Classics Club list.
* Number them from 1 to 20.
* On Sunday 16th August the Classics Club will announce a number.
* This is the book you need to read by 4th October 2026.

And here’s my list:

1. Mrs Palfrey at the Claremont by Elizabeth Taylor
2. The Baron in the Trees by Italo Calvino
3. The Bamboo Blonde by Dorothy B. Hughes
4. The War of the Worlds by HG Wells
5. The Fortnight in September by R.C. Sherriff
6. Brat Farrar by Josephine Tey
7. The Circular Staircase by Mary Roberts Rinehart
8. A Woman of No Importance by Oscar Wilde
9. The Grapes of Wrath by John Steinbeck
10. The Duke’s Children by Anthony Trollope
11. Dandelion Wine by Ray Bradbury
12. Lolly Willowes by Sylvia Townsend Warner
13. The Talented Mr Ripley by Patricia Highsmith
14. The Sundial by Shirley Jackson
15. The Marquis of Carabas by Rafael Sabatini
16. The Moon and Sixpence by W Somerset Maugham
17. Mary Barton by Elizabeth Gaskell
18. The Kraken Wakes by John Wyndham
19. The Scarlet Letter by Nathaniel Hawthorne
20. Shadows on the Rock by Willa Cather

Have you read any of these? Which number should I be hoping for on Sunday?

Top Ten Tuesday: Books I Was Reading On This Day Over the Last Ten Years

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This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is: “Books I Was Reading On This Day Over the Last Ten Years”.

I’m not sure if my list is entirely accurate – I track my reading through Goodreads and found it easy enough to find the books I’d marked as finished on or just after 11th August each year, but that doesn’t mean I was necessarily actually reading them on that date. Anyway, I’m sure it’s close enough!

Here are my ten books, beginning with 2025 and going back through time to 2016.

2025 – One, Two, Buckle My Shoe by Agatha Christie – I’ve been taking part in the Read Christie challenge every year for the last few years, so it’s not surprising that there are two Agatha Christie novels on this list! The one I read last August is a Poirot mystery in which he investigates the murder of a dentist.

2024 – Eighteen: A History of Britain in 18 Young Lives by Alice Loxton – An entertaining nonfiction book containing biographies of eighteen historical figures, with a focus on how their first eighteen years shaped the rest of their lives.

2023 – Strangers on a Train by Patricia Highsmith – Only a small part of this psychological thriller is actually set on a train, but it’s the scene of a very significant meeting between a pair of strangers who find themselves discussing a plan to commit two perfect murders!

2022 – The Wolf Den by Elodie Harper – Ancient Rome is not usually a favourite setting of mine, but I found this novel about a group of prostitutes working in a Pompeii brothel completely absorbing.

2021 – The Sussex Downs Murder by John Bude – A British Library Crime Classic first published in 1936 and one of many John Bude novels to feature Superintendent William Meredith. I enjoyed it, but found the solution to the mystery too easy to guess – something I don’t say very often!

2020 – Sleeping Murder by Agatha Christie – The second Christie novel on my list and my favourite of the two. This time it’s a Miss Marple mystery – the final Miss Marple novel to be published, in fact – and I found it a particularly atmospheric one.

2019 – The Turn of the Key by Ruth Ware – our narrator Rowan Caine arrives at Heatherbrae House in Scotland to find that she is just the latest in a long string of nannies in a very short time period. Could the ghostly occurrences taking place in the house be the reason?

2018 – Post of Honour by RF Delderfield – The second book in Delderfield’s A Horseman Riding By trilogy is set during the First World War and explores the impact on the lives of the inhabitants of Devon’s Sorrel Valley.

2017 – Shadow of the Moon by M.M. Kaye – I read this as part of a readalong and loved it, which was no surprise as Kaye’s The Far Pavilions is one of my all-time favourite books. Both books are set in India but are completely separate novels and this one takes place before and during the Sepoy Mutiny of 1857.

2016 – Exposure by Helen Dunmore – I loved this book which on the surface is a Cold War spy novel but has so many extra layers it becomes something quite different, exploring the consequences of one decision on the lives of a man and his family.

~

Have you read any of these?

Troubled Waters by Ichiyō Higuchi – #WITMonth

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Translated by Bryan Karetnyk

August is Women in Translation Month and I’ve chosen to start with a collection of short stories by an author often described as Japan’s first professional woman writer of the modern era. Born Higuchi Natsuko in 1872, she was the daughter of a peasant who had just managed to achieve samurai status a year before the Meiji Restoration period began, leading to the samurai caste being abolished. After her father’s death, Higuchi and her mother and sister were left struggling financially and Higuchi decided to support her family through her writing. Using the pseudonym Higuchi Ichiyō (in Japanese, the first name comes last), she had her first story published in a magazine in 1892 and went on to write more stories, poems, essays and a diary before dying from tuberculosis at the age of just twenty-four.

This new collection from Pushkin Press contains five of her stories published between 1893 and 1895. The first, A Snowy Day (Yuki no hi), is a beautifully written story in which our narrator looks back on her school days, when she fell in love with an unsuitable man, and reflects on the disillusionment she now feels due to decisions made during that time. Although it’s the shortest story in the book, it has a powerful emotional impact and was the perfect introduction to Higuchi’s work. The second story New Year’s Eve (Ōtsugomori) was even better – probably my favourite of the five. It follows O-Mine, a young woman working as a maid in a rich household, who asks her employer for an advance on her salary so she can help her uncle who is ill and struggling financially. Her employer agrees then cruelly pretends to forget, leaving O-Mine contemplating stealing. I particularly loved the ending which is ambiguous but also very satisfying.

Growing Pains (Takekurabe) is a novella-length story and another I enjoyed. It tells the story of a group of young people living in Yoshiwara, Tokyo’s red light district, and revolves around a feud between two rival gangs, one led by Chōkichi, the son of a construction foreman, and the other by Shōtarō, a pawnbroker’s son. We also meet the shy, serious Nobu, whose father is the local priest, and fourteen-year-old Midori, a bright, lively girl who is being groomed to become a courtesan like her older sister. As this group of children grow older they begin to discover that their hopes and dreams for the future are unlikely to come true as their paths have already been laid out for them by their parents and society. I loved all the insights we get into Japanese culture and the summer and winter festivals, and because this is the longest story in the collection, there’s more time for character development as well.

Karetnyk states in his introduction at the beginning of the book that he has tried to preserve Ichiyō’s classical Japanese writing style, which means there are no quotation marks around dialogue, with sentences and paragraphs often running together into one long section of prose. I found the first three stories easy enough to follow, but for some reason the style was more of a problem for me with the fourth, Troubled Waters (Nigorie), and I sometimes struggled to tell where one person had finished speaking and another had started. For that reason, this story wasn’t one of my favourites, but it’s still a striking depiction of the fate of courtesans, focusing on O-Riki and one of her clients, who has become infatuated with her.

The final story is This Mortal Coil (Utsusemi) and it’s another very short one. It explores a young woman’s overwhelming feelings of guilt that cause her to descend into mental and physical illness. I found it the weakest of the five stories in the book, but it was still interesting and apparently this is the first time this particular story has been translated into English. I would definitely recommend this collection as a whole for what it tells us about Meiji-era Japan and the lives of women during that period. For me personally, most of the Japanese literature I’ve read has been crime, so it was good to have the opportunity to try something different!

Thanks to Pushkin Press Classics for providing a copy of this book for review via NetGalley.

Book 15/20 of 20 Books of Summer