Top Ten Tuesday: Books with water on the cover

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This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is: Cover Freebie (Pick any topic related to book covers. You can make up your own topic or pick one from the list of previous ones!)

I decided to find ten books with bodies of water on the cover – rivers, lakes, seas etc. It was more difficult than I expected but I got there eventually! I have written about all of these books on my blog and have linked to my reviews if you’d like to see my thoughts.

1. The Butterfly Picnic by Joan Aiken

2. Lyrical Ballads by Wordsworth and Coleridge

3. The Doctor of Thessaly by Anne Zouroudi

4. The Morning Gift by Eva Ibbotson

5. To the Lighthouse by Virginia Woolf

6. The Murder of My Aunt by Richard Hull

7. Zennor in Darkness by Helen Dunmore

8. The Man in the Brown Suit by Agatha Christie

9. The Woman in the Lake by Nicola Cornick

10. Master and Commander by Patrick O’Brian

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Have you read any of these? Can you think of any more books with water on the cover?

The Forever Summer by Lulu Taylor

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The first thing to say about this book is that it’s definitely not the light summer read you would probably expect from the cover and title. It’s actually a tale of lies, betrayal and treason set during the rise of the Nazis in 1930s Germany. It’s the first Lulu Taylor book I’ve read and I really enjoyed it.

The novel opens with a brief section set in the modern day, introducing us to Lottie Conway, a young woman who has grown up under the shadow of a family scandal – one linked with the actions of two women at the start of the Second World War. The Conway name has become tarnished by association, although the details have always been vague. When a new blockbuster film is made about the incident, Lottie decides it’s time to speak to the one person who knows exactly what happened: her grandmother, Dinah.

Dinah’s story begins in 1931 when her wealthy friend, Marina, invites her to a dinner party. Here she meets Marina’s cousin, William Conway, whom she hasn’t seen since they were children and they quickly fall in love and decide to marry. The marriage isn’t welcomed by everyone – William’s mother refuses to even speak to Dinah, which she assumes is due to her poor background – but the two are blissfully happy and head to Germany on their honeymoon. They’re planning to visit Rosemary, another of William’s cousins, at her school in Munich, but first William wants to visit the site of the Battle of Blenheim. However, they are not the only British tourists in the area that day…Winston Churchill is also visiting the battlefield, having some time on his hands after resigning from the Conservative shadow cabinet.

The Conways’ lives are changed forever by that chance meeting with Churchill, who believes that William, who works for the Foreign Office, can be of use to him in providing information on activity in Germany and the British government’s response to it. But they also make another new acquaintance in Munich who will have an equally big influence on their future fates: Ernst Hanfstaengl, known as Putzi, a close friend of Adolf Hitler, leader of the increasingly powerful Nazi Party.

The Forever Summer is quite a long book but was a faster read than I expected as I was so gripped by it. I loved the way the author obscures the true intentions of the characters from us, leaving us questioning who can and cannot be trusted. A good example of this is Victoria Gauntlett, one of the women who brought shame on the Conway family; it’s never quite clear whether Victoria is spying for Britain, spying for Germany, a double agent or just an innocent young woman. We only see her through Dinah’s eyes and Dinah is hardly an unbiased observer, as she is jealous of Victoria’s close friendship with William. By the time we reach the end of the book, then, there are lots of secrets to be revealed and some surprising twists to look out for along the way.

What I found most interesting, though, was the portrayal of the mood in Munich during the build to the war. When Dinah first visits for her honeymoon in 1932, she can sense a tension in the air even then; there are already men on the streets wearing brown uniforms with the swastika insignia and disturbing rumours of their plans for Jews. When she returns just three years later, the atmosphere has become much more oppressive; there’s a stronger military presence and Nazi flags line the boulevards and hang from shops and houses. I was also fascinated by the depiction of Putzi Hanfstaengl, a real person although I don’t think I’ve come across him in fiction before. Most poignantly of all, the book explores the question of whether another war was inevitable or if anything could have been done differently during that period that may have prevented it.

I’ll have to investigate some of Lulu Taylor’s other books; I had previously dismissed them as probably not being for me, but I’m interested in trying more of them now.

Thanks to Pan Macmillan for providing a copy of this book for review via NetGalley.

Book 12/20 of 20 Books of Summer

Six Degrees of Separation: From Land to Tea on Sunday

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It’s the first Saturday of the month which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month we’re starting with Land by Maggie O’Farrell. I haven’t read it, but am thinking about it. I didn’t love Hamnet as much as most people seem to have done, but would like to try more of her books and Land sounds interesting. Here’s what it’s about:

On a windswept peninsula stretching out into the Atlantic, Tomás and his reluctant son, Liam, are working for the great Ordnance Survey project to map the whole of Ireland. The year is 1865, and in a country not long since ravaged and emptied by the Great Hunger, the task is not an easy one. Tomás, however, is determined that his maps will be a record of the disaster.

The British soldiers in charge are due to arrive any day, expecting the work to be completed, but Tomás is sent off course by an unsettling encounter in a copse. His life, and those of his family, will never be the same again. Liam is terrified by the sudden change in his taciturn father. What was it that caused such cracks to open in Tomás and how is Liam, aged only ten, going to finish the mapping, and get them both home?

I’m going to use mapping as my first link. Harvest by Jim Crace (1) explores the reactions of a small rural community to the arrival of a ‘chart-maker’ who begins to measure and map their land – and their discovery that there are plans to enclose their fields and convert them to sheep farming. This is an unusual novel because we aren’t told exactly when or where it is set, leaving everything vague and timeless.

I have read another book with Harvest in the title: Random Harvest by James Hilton (2). This 1941 novel tells the story of Charles Rainier who is injured on a battlefield in France in 1917 and wakes up two years later in Liverpool with no memory at all of the intervening period. I loved this book and was completely taken by surprise by the ending.

Hilton, of course, is the name of a famous hotel chain. A book set in a hotel (though not a Hilton) is The Christmas Clue by Nicola Upson (3). Anthony and Elva Pratt, creators of the game Cluedo, are invited to host a murder mystery weekend at the Tudor Close Hotel – but before they even arrive, they find themselves with a real crime to solve. I found this an enjoyable Christmas read combining historical people and events with a fictional story.

Nicola Upson is better known for her series of novels featuring the classic crime author Josephine Tey in the role of a detective. My next link, then, is to a book by Tey herself: The Daughter of Time (4), in which Inspector Alan Grant has a broken leg and decides to investigate the alleged crimes of Richard III from his hospital bed. Reading everything he can find about Richard and the disappearances of the Princes in the Tower, Grant begins to discover that historical sources can’t always be trusted and that history is written by the victors.

Old God’s Time by Sebastian Barry (5) shares a word in the title. Set in Ireland, this novel follows retired police detective Tom Kettle as he looks back at his memories of a case from the 1960s which has been reopened. It involves one of the darkest episodes in the history of the Catholic Church and is not a comfortable book to read but Barry’s writing is as beautiful as ever.

The name Kettle makes me think of cups of tea, so my final book is Tea on Sunday by Lettice Cooper (6). Her only mystery novel, it was published in 1973 but feels like a much older book. The plot revolves around the death of Alberta Mansbridge, found strangled in her home as she waits for her guests to arrive for a tea party. Although the mystery isn’t very strong, the characters make this book worth reading.

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And that’s my chain for August! My links have included: Map making, the word Harvest, Hilton hotels, Josephine Tey, the word Time and kettles.

In September we’ll be starting with either our book group’s current selection or the book that we’re currently reading. As I’m not in a book group, for me it will have to be a current read!

My Commonplace Book: July 2026

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A selection of quotes and pictures to represent July’s reading:

commonplace book
noun
a book into which notable extracts from other works are copied for personal use.

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Put one foot in front of the other, and she would get to the other side. Now she knew there was no other side to grief, no other place to get to. You never got through it, not in the way you might get through an illness or a wild storm or an examination. It never went away. Instead, it became a part of you.

The Lost Château by Dinah Jefferies (2026)

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You can’t win when you’re fighting someone who doesn’t know there is a fight.

The Rose and the Yew Tree by Mary Westmacott (1948)

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Aphrodite and Adonis c. 410 BC

If Ares saw this, I think, if he were made to confront the consequences of his wars, would it stir any flicker of regret in his iron soul? He can fly away from the carnage, his chariot pulled by fire-breathing, bronze-hooved horses, and never have to think about it. It’s goddesses who hear the prayers of the grieving, just as Demeter said. Never the gods.

This Immortal Heart by Jennifer Saint (2026)

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‘Love is a precious thing and needs nurturing. The love you have is a good basis for the future, but sometimes you must work to keep it alive’.

The Boleyn Secret by Alison Weir (2026)

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This was the time when the rush for the spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.

The Kill by Émile Zola (1872)

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Detail from the Alexander Mosaic

“One must live as if it would be forever, and as if one might die each moment. Always both at once.”

The Persian Boy by Mary Renault (1972)

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Because the truth makes a kind of deep sense, even when it appears fantastic. Truth weaves the world together. Lies shatter things and the truth restores.

The Forever Summer by Lulu Taylor (2026)

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An illustration by Arthur Rackham of the goddess Hafren (Sabrina)

For no story is truly lost, as long as there’s someone willing to tell it. And someone willing to listen.

No Fair Maidens by Kim Willis (2026)

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They’d worked together, just like Bill taught them, and when else did women like them ever get the chance to do that? When the only thing you’re expected to achieve in life is a decent marriage, every other woman is your competition, not your collaborator.

The Scandalous Ladies Football Club by Frances Quinn (2026)

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Favourite books read in July:

The Rose and the Yew Tree, The Scandalous Ladies Football Club and The Forever Summer

Authors read for the first time in July:

Lulu Taylor and Kim Willis

Places visited in my July reading:

France, England, Greece, Germany, Switzerland, Persia, India, Wales, Scotland

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Reading notes: After a slow June reading-wise, July was a better month for me. It was also quite a busy month – I was away for a week visiting family in Lincolnshire, bought a new car and went to see The Odyssey, but still managed to find plenty of time for reading. I’ve now read 14 of my 20 Books of Summer and I’m sure I’ll be able to read the rest in August, especially as I’ve already started two of them. Fitting in all the reviews could be a problem as I still have some outstanding from this month as well, as you can see above, but I’ll do my best! August is also Women in Translation Month and I have at least one book lined up for that.

How was your July? Do you have any plans for August?

This Immortal Heart by Jennifer Saint

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This is the latest of Jennifer Saint’s novels telling the stories of female figures from Greek mythology. Previously she’s written about Ariadne, Elektra, Atalanta and Hera; now it’s the turn of Aphrodite, the goddess of love.

Beginning with the moment she’s born, the daughter of Uranus stepping fully formed from the sea, the novel takes us through many of the key events and myths associated with Aphrodite. Like the previous book, Hera, it has an episodic feel, but it’s all tied together by the overarching story of Aphrodite’s romance with Ares, the god of war. With love and war being opposites, Aphrodite and Ares seem an unlikely pairing, but maybe that’s why they’re attracted to each other – they represent the two sides of human nature, with passion the driving force behind both. Their relationship causes quite a stir on Mount Olympus, particularly when Aphrodite is forced into marriage with Ares’ brother Hephaestus, the god of fire and blacksmiths.

The triangle of Aphrodite, Ares and Hephaestus is the main focus of the novel, but we also see how Aphrodite becomes involved with various other characters from Greek myth: she brings to life Galatea, the statue of a woman created by Pygmalion; tries unsuccessfully to protect Pandora from the schemes of Zeus; and falls in love with the beautiful Adonis. I loved these glimpses we get into the world of the mortals and wished we could have explored some of these myths in more depth.

The whole book is narrated by Aphrodite herself and although I did like her, I felt that she was a bit too passive at times. It seemed that she spent a lot of time reacting to the actions of others rather than making things happen and I didn’t really get a sense of her being a strong, powerful goddess like the others on Mount Olympus. As for Ares, he’s not a popular god, being proud, angry and devoted to war and destruction, but a more tender side does begin to emerge later in the book. However, there’s no tender side to his companion Eris, the goddess of strife and discord, whom I found a fascinating but chilling character with her obvious delight in death, misery and suffering.

The parts of the book I found most interesting were those involving Hephaestus, a much more sympathetic character than Ares, being concerned with creating rather than destroying, and treated badly by Zeus. His marriage with Aphrodite comes about when he takes his revenge by binding Hera to a magical golden chair, leading Zeus to promise that the first god to free her will be given Aphrodite as a wife. There’s naturally some overlap here with Hera’s story in the previous novel but, interestingly, things don’t play out in exactly the same way. As Jennifer Saint explains in her author’s note, there’s more than one version of each myth so when writing her novels she chooses the one that feels most appropriate for the story she’s trying to tell – as well as keeping things fresh for the reader.

Although this isn’t my favourite Jennifer Saint novel, it was nice to have the opportunity to learn a bit more about Aphrodite as I’d never read a book specifically about her before. I’ll be interested to see which woman from Greek mythology she writes about next.

Thanks to Viking for providing a copy of this book for review via NetGalley.

Book 11/20 of 20 Books of Summer

The Persian Boy by Mary Renault

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First published in 1972, this is the second book in Mary Renault’s Alexander the Great trilogy, following Fire from Heaven, which I read last year. It was also the book chosen for me to read in the latest Classics Club Spin (the deadline was earlier this month, but I find that Mary Renault’s novels need a lot of concentration and shouldn’t be rushed, so I took more time to finish it).

Fire from Heaven covered Alexander’s childhood and early adult life, up to the death of his father, Philip II of Macedon, and his own accession to the throne; The Persian Boy takes us through the final seven years of his life and has a slightly different style and focus. Unlike the previous book, which was written in the third person, this one is narrated entirely by Bagoas, Alexander’s servant, friend and lover.

We first meet Bagoas as a young boy, the son of a Persian nobleman who is betrayed and killed by his enemies. Bagoas himself is captured, castrated and sold into slavery, eventually finding himself at the court of King Darius III. Having become a favourite of the king, his life is thrown into uncertainty again when Darius is defeated by the Macedonian army and Bagoas is presented to Darius’ conqueror, Alexander, as a gift. At first he is disgusted by what he sees as the barbaric ways of the Macedonians, but over time he becomes a trusted member of Alexander’s inner circle, with a close friendship and romantic relationship beginning to form between the two.

With the book being written from Bagoas’ perspective, the story has a more intimate feel than Fire from Heaven. As Bagoas is a courtier, not a soldier or a fighter, battles are seen from a distance; although he travels with Alexander and his men, Bagoas does not accompany them on the battlefield but waits in camp for them to return, sharing with us the outcome and some insights into the impact, both mental and physical, on the people involved in the battle. So although Alexander’s success as a great military leader is certainly not ignored, the focus here is more on Alexander as a human being. Through Bagoas’ eyes we see a more tender, vulnerable side of Alexander, a man who often feels lonely and isolated, so relies on Bagoas to provide love, warmth and friendship.

I do feel that because of the choice to tell this part of Alexander’s story from the perspective of someone who loved him, we get quite a one-sided view of him. It’s a very sympathetic, heroic portrayal and we don’t hear much of how his enemies viewed him or what his wife Roxane thought or felt – she is pushed completely to the sidelines of Bagoas’ account (understandably, as she tries to poison him, and he wants no more to do with her after that). Hephaistion, Alexander’s lifelong companion, also has a relatively small part in the novel as he and Bagoas mostly avoid each other, having an uneasy relationship as rivals for Alexander’s affection. Renault frequently compares Alexander and Hephaistion to Achilles and Patroclus, something they apparently publicly identified themselves with, but I felt that the emotional impact of Hephaistion’s death later in the novel was lost because of seeing so little of him, especially compared to the first book where he had a much bigger role.

One aspect of the book I found particularly interesting was seeing how both Alexander and Bagoas adapt to the differences between Greek and Persian culture. Alexander wishes to unite the Greek people with the Persian people he has conquered and as time goes by, Bagoas observes him wearing Persian dress and trying to introduce Persian customs such as prostration (which meets with strong opposition from his Macedonian men).

Although there’s obviously a limit to how much we can truly know about the world of the 4th century BC, Alexander’s life has been well documented and Renault discusses in her author’s note the sources she has used and decisions she has made. Bagoas himself only appears a few times in historical sources, but Renault is such a gifted writer she makes everything he says and does seem plausible. I’m looking forward to reading Funeral Games, the final part of the trilogy, which deals with Alexander’s death and its aftermath.

Book 10/20 of 20 Books of Summer

This is also book 6/50 from my third Classics Club list.

The Alchemist’s Secret by Clare Marchant

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The Alchemist’s Secret is the story of two women separated by four centuries but linked through one house – Woodham Hall in Suffolk. In 1672, Jeanne is living at the Hall with her older sister, Marie, and young niece, Hélène. Jeanne is still unmarried at the age of twenty-four and looks set to remain a spinster, but she doesn’t really care. She’s happy devoting her time to painting and practising her alchemy skills, and there’s no money for a dowry anyway. Marie, on the other hand, is very unhappily married; her husband, Sir Robert Woodham, is having an affair with a widowed neighbour who has given him the sons Marie has been unable to provide. Eventually, Sir Robert decides to move his mistress into the Hall and tells Marie and Jeanne he is sending them to a convent in France where they will stay for the rest of their lives.

Back in their home country – the two women had left France ten years earlier, when Marie married Sir Robert – they are determined to find a way to escape from their captivity and get back to England and Hélène. Their adventures take them to the court of the Sun King where they make some new acquaintances whom they hope can help them take revenge against Sir Robert and resume their rightful places at Woodham Hall.

Meanwhile, in 2026, we meet the current residents of Woodham Hall – Simon and his daughter, Paige, who has just returned home after the break-up of her marriage. Simon has been hiring the house out as a wedding venue but is starting to struggle financially and is in need of new ideas. Paige begins to research the history of the Hall and the Woodham family and comes across an intriguing painting which seems to depict a poisoning which took place in the house centuries earlier. But who was the artist – and, more importantly, who were the victims and why were they killed?

I liked The Alchemist’s Secret, although it’s yet another example of a book with dual timelines where most of the drama unfolds in one of them, leaving the other feeling a bit superfluous. The 17th century storyline dominates this book and I found it by far the most interesting. The plot was slightly far-fetched at times and there were moments when attitudes or actions didn’t quite ring true to the period, but otherwise I was much more absorbed in Jeanne and Marie’s story than I was in Paige’s. I loved the parts of the book set in Paris and at the Palace of Versailles (which is still under construction in 1672 – no Hall of Mirrors yet) and I thought this made a good contrast to the English country house that forms the setting for the majority of the novel.

There’s not a lot of mystery involved, as it’s obvious that the events depicted in the painting are connected to the historical storyline, but I enjoyed seeing how the characters get to that point and how things play out afterwards. I’m not sure if the title is really representative of the novel, though; alchemy is barely mentioned, although it doesn’t matter too much as the story is interesting enough even without it! This is the first book I’ve read by Clare Marchant but I’m planning to read her new one, The Curse of the Saltmarsh Girl, and am tempted to try some of her others as they all sound intriguing.

Thanks to Boldwood Books for providing a copy of this book for review via NetGalley.