The Kill by Émile Zola

July 21, 20265 Comments

Translated by Brian Nelson

This is the second book in Émile Zola’s Les Rougon-Macquart cycle, if reading in order of publication. A few years ago I read the first book, The Fortune of the Rougons, which lays the foundations for the rest of the series, but each novel is also designed to stand alone. The connection between them is that each book features characters who belong to rival branches of the same family, the Rougons and the Macquarts, all descended from Adelaïde Fouque, whom we met in the first novel. The Kill, or La Curée to give it its French title, was published in 1872 and is set during the Second French Empire (1852-1870).

The Kill follows Aristide Rougon, son of Pierre Rougon from the first book, as he leaves his home in Provence and settles in Paris, where he changes his name to Aristide Saccard. It’s a good time to arrive in Paris as the city is currently undergoing huge renovations with new boulevards, parks and landmarks being created under the supervision of Baron Haussmann. Ambitious and ruthless, Aristide starts buying up properties he has discovered are targeted for demolition then claiming compensation from the city at vastly inflated levels. He’s beginning to make a fortune through this corrupt scheme when his wife becomes terminally ill. Before she has even died, Aristide is already arranging his next marriage – to Renée, a girl from a rich family who will come with a large dowry.

The marriage is not a very happy one, with both husband and wife aware that it’s not much more than a business deal. Bored, Renée begins an affair with Maxime, Aristide’s son by his first wife. Maxime is several years younger and expected to marry the wealthy but consumptive Louise de Mareuil, but he is excited by the idea of a forbidden, incestuous relationship with his stepmother. In an interesting reversal of normal gender stereotypes, Zola portrays Maxime as delicate, feminine and beautiful while describing Renée as having masculine traits and being the stronger, more assertive of the two. Their affair forms one major thread of the novel; the other is concerned with Aristide’s business schemes and his attempts to get Renée to sign over the deeds to her family home.

The Kill, then, is a book that focuses on the lives of the rich and privileged. It’s a very descriptive book, as Zola brings to life the huge, opulent mansions, exquisite clothing, lavish banquets and luxurious carriages of the very wealthy. The title is a hunting term referring to the scraps of prey that are thrown to the hounds at the end of the hunt and Zola uses this as a metaphor for the greed of the businessmen who are fighting for money, power and influence and taking whatever they can from the rebuilding of the city. There wasn’t a single character I liked or had much sympathy for (although Aristide’s sister Sidonie was a great villain!) and I found all the descriptions of extravagance and waste overwhelming and distasteful, but I know that was the point of the novel so it certainly achieves its purpose. Apparently Zola himself was a poor journalist at the time of writing this book and had no personal experience of the sort of world he was describing, so everything had to be written purely from research, which makes it even more impressive.

I’m aware that there are several English translations of this book available, including an old one you can download free from Project Gutenberg, but I read a modern (2004) translation by Brian Nelson and do recommend it. I also found the introduction to my Oxford World’s Classics edition interesting as it discusses not just the story but also Baron Haussmann’s transformation of Paris. One of the projects that took place under Haussmann was the creation of the glass and iron structure that housed the Les Halles food market, which is the setting of the third book in the series, The Belly of Paris, and the next one I’m planning to read!

Book 8/20 of 20 Books of Summer

I’m also counting this towards Paris in July hosted by Emma of Words and Peace.

This is also book 5/50 from my third Classics Club list.

Around the World with 20 Books of Summer: A Mid-July Update

July 20, 20269 Comments

We’re just slightly past the halfway point in this year’s 20 Books of Summer challenge and our host, Annabel, has suggested that we look back at our reading so far in the form of a summer road trip:

Take a look at the books you’ve read so far and plan a road trip around them: put them in an order that makes sense – use locations, author nationalities, landmarks, key words – whatever works. Feel free to wax lyrical about how you’re travelling, your transport.

Then thinking ahead, to books you’re planning to read later in the challenge, where will the next stops be?

Here’s my attempt…

Our journey starts in the 1950s on a sheep station in Western Australia with A Far-flung Life by ML Stedman. We then take a trip north to Japan (and a short trip back in time to the 1940s) to solve a murder in Seishi Yokomizo’s She Walks at Night.

Next, The Persian Boy by Mary Renault takes us all the way back to the 4th century BC and a range of locations including Persia, India and Babylon. We stay in Ancient times for a while and head to Greece to hear the story of Aphrodite in Jennifer Saint’s This Immortal Heart. Then we’ll need to jump into the time machine again and travel forward many centuries to 1936 for The Lost Château by Dinah Jefferies which begins in Greece before quickly moving to the beautiful Dordogne region of France.

The Unicorn Hunters, Katherine Arden’s historical fantasy, is set further north in Brittany and features a visit to the enchanted forest of Brocéliande. After this, we spend some time in Paris during the late 19th and early 20th centuries with two books by French authors: The Kill by Émile Zola and Gigi and The Cat by Colette.

Crossing the Channel to England, The Boleyn Secret by Alison Weir is set in the Tudor period and tells the story of Kate Carey. Although the book moves around to several locations, including Switzerland and Germany, much of it is set in and around London. The Scandalous Ladies Football Club by Frances Quinn, inspired by the formation of the British Ladies’ Football Club in 1895, is also set in London. Heading south-west to Cornwall, an election campaign unfolds in The Rose and the Yew Tree by Mary Westmacott, before our journey comes to a temporary end in Haworth, West Yorkshire, home of Emily Brontë, the subject of Deborah Lutz’s biography, This Dark Night.

As you can see, although I’ve read twelve books for 20 Books of Summer so far, I’ve only reviewed seven of them. I’m hoping to catch up with the rest of the reviews soon. As for my plans for the second half of the challenge, my two current reads are No Fair Maidens by Kim Willis (nonfiction about British myths) and The Matchbox Girl by Alice Jolly (this year’s Walter Scott Prize winner, set in Vienna). After that I still have another three books on my list – The Crownless Queen by Elizabeth Chadwick, By the Pricking of My Thumbs by Agatha Christie and The Calamity Club by Kathryn Stockett – as well as three empty slots to fill with anything I choose.

Are you taking part in 20 Books of Summer this year? How are you doing? Which countries have you visited in your reading so far?

The Rose and the Yew Tree by Mary Westmacott

July 17, 2026July 17, 202627 Comments

This month’s theme for the Read Christie 2026 challenge is ‘Best-Kept Secret’ and we’re focusing on the six novels Christie wrote under the pseudonym Mary Westmacott. I have already read three of them – Giant’s Bread, Unfinished Portrait and A Daughter’s a Daughter – so I decided to read The Rose and the Yew Tree next as it’s also on my lists for both the Classics Club and the 20 Books of Summer challenge.

The Rose and the Yew Tree is narrated by Hugh Norreys, who breaks off his engagement to Jennifer after being badly injured in a car accident. Confined to a wheelchair, Hugh moves to St Loo in Cornwall to live with his brother and sister-in-law, Robert and Teresa. His condition has left him feeling bitter and worthless and he secretly keeps a bottle of pills to hand in case he decides to end his life. However, he finds several things in St Loo to distract him from thoughts of suicide…

First of all, Hugh is introduced to Lady St Loo, widow of the seventh baron, along with her sister, sister-in-law and granddaughter Isabella. Hugh has never met anyone quite like the beautiful, strange Isabella; she has a calmness and poise he’s never encountered before and several characters in the book refer to her as a fairytale princess. But Hugh is not the only man drawn to Isabella; she also catches the eye of John Gabriel, the Tory party candidate for St Loo in the upcoming elections.

Gabriel is the son of a plumber and has done his best to work his way up the social ladder, but still feels a sense of inferiority around people of a higher class, although this is masked by his confident, charismatic exterior. He’s not a natural Tory – in fact, he doesn’t have any strong political views one way or the other – but he wants a career in politics and thinks he’ll have more chance of standing out than he would in the Labour party. Gabriel’s campaign plays a large part in the novel, as does his complex relationship with Isabella, whom he both desires and resents (the resentment because she belongs to the aristocracy he despises so much).

First published in 1948, the novel takes its title from the poem, Little Gidding by TS Eliot: “The moment of the rose and the moment of the yew-tree Are of equal duration.” I won’t explain the significance here, but you’ll understand it once you’ve read the book. Compared to the other Westmacott novels I’ve read, I found this one particularly complex – not necessarily the plot, which is quite straightforward, but in terms of the psychology and the underlying messages. It’s also much more than a simple romance (the Westmacotts are often described as romances, but I think that’s misleading).

I enjoyed the political element of the novel, set during the build to the 1945 General Election, which would result in a landslide Labour win over Winston Churchill’s Conservatives. What’s striking is how many of the characters get caught up in the election campaign without actually having any particular political allegiances – Hugh admits to not really understanding politics, Teresa claims the parties are all the same, Gabriel is just interested in the power and social standing a political career will give him, and Isabella only cares because it’s important to Gabriel. We also see how a candidate’s personal actions can affect their reputation with the public, for better or worse (such as rescuing a child or becoming involved with a married woman). Christie doesn’t often write about politics on a smaller scale like this – although several of her books deal with international espionage and intrigue – so I found it fascinating.

Of the four Westmacotts I’ve now read, I think this one and A Daughter’s a Daughter are the best, but I still have The Burden and Absent in the Spring to come!

Book 7/20 of 20 Books of Summer

This is also book 4/50 from my third Classics Club list.

No Friend to This House by Natalie Haynes

July 14, 2026July 12, 202611 Comments

I’ve read and enjoyed two of Natalie Haynes’ previous novels, A Thousand Ships and Stone Blind – both Greek mythology retellings, inspired by the Trojan War and the story of Medusa, respectively – so I was looking forward to this one, No Friend to This House. It retells the myth of Medea and is based on Euripides’ classic play.

Medea, however, doesn’t appear until halfway through the book. The first half is devoted to describing the journey of the Argo, the ship which carries Jason and his men, the Argonauts, to Medea’s home in Colchis in search of the Golden Fleece. Rather than telling this part of the story through the eyes of the Argonauts, though, it’s told from the perspectives of the various women – both mortals and goddesses – whose lives are touched in some way by the Argo‘s journey. This narrative structure is similar to the other two Haynes novels I’ve read and in all three it’s very effective as the actions of those on the peripherals can be just as important as those at the centre of the story.

Some of the characters we hear from are names everyone will know, such as the goddesses Hera, Athena and Aphrodite, but others are less famous – for example, Erato the Muse, the priestess Iphias and even the dove, Peleia! One of these lesser known characters, Kleite, is particularly grateful to be given a voice at last…

That’s right, I’m just glossed over every time – Kleite with the beautiful hair – as if that tells you who I am or why I did what I did. So if you didn’t know me until I got your attention just now, well isn’t that more reason to include me, not less? What’s the point in telling the old stories all over again in the same way?

Once Medea makes her appearance, the book begins to feel different. We spend longer with Medea than with any of the other characters, seeing multiple chapters from her perspective, and I missed the wide range of voices we heard in the earlier sections of the book. Still, I found this retelling of the Jason and Medea story much more enjoyable than the last one I read (Savage Beasts by Rani Selvarajah). There were also some other little touches that I loved. For example, every chapter is headed with a word or string of words in italics which, taken on their own, make no sense at all, but when put together tell a story-within-a-story. There’s also a fascinating ‘interlude’ in the middle of the book which describes the origins of the Golden Fleece itself.

Overall, I think I enjoyed this book more than A Thousand Ships but not quite as much as Stone Blind, although all three are excellent. I still need to read her earlier novels and her non-fiction, but I would also like to hear any recommendations of other Jason and Medea retellings! Have you read any good ones?

The Lost Château by Dinah Jefferies

July 9, 202611 Comments

Last year I read and enjoyed Dinah Jefferies’ The Greek House. The Lost Château is a sequel of sorts, but it’s not necessary to have read the previous book first.

Most of the novel is set in 1936 and follows one of the characters from The Greek House, Thirza Caruthers, who is now living with her Italian husband, Emilio Bellini, at Merchant’s House in Corfu with their five-year-old daughter Romi and Emilio’s two twin daughters from his first marriage, Lucia and Valentina. When nineteen-year-old Lucia becomes a supporter of Mussolini’s Fascist movement and runs away to Spain to get involved in the Civil War, Emilio insists on going after her to bring her home, much to Thirza’s horror. However, Thirza will be kept busy during Emilio’s absence, because her great-aunt Berenice has been in hospital and needs someone to care for her when she returns home.

Berenice lives in France, in an old château in the Dordogne, leading a solitary existence since the death of her daughter, Sophie, and the disappearance of her husband many years earlier. Accompanied by Valentina and Romi, Thirza goes to stay with Berenice, where she continues to worry about Emilio but finds distractions in trying to keep the crumbling, neglected château clean and tidy and in delving into the mystery of Berenice’s past. Why is Berenice so hostile and withdrawn? Who is the mysterious Géraldine who once lived in a cottage on the estate? And what really happened to Sophie all those years ago?

I’m counting The Lost Château towards Paris in July hosted by Emma of Words and Peace as most of the book is set in France, mainly in the Dordogne region near Sarlat-la-Canéda. As usual with Dinah Jefferies, everything is beautifully described from the 17th century stone château surrounded by forest to the cobbled streets and busy shops of Sarlat. We also briefly see Paris when Thirza and Valentina are invited to visit Jean-Paul, a widower whose mother is hoping to buy Berenice’s château. Thirza is immediately attracted to Jean-Paul and spends the whole book battling with her feelings for him, a storyline which annoyed me as Thirza claims to love her husband but makes no attempt to understand why he’s prepared to enter a dangerous warzone to rescue his daughter and accuses him of being selfish. Thirza herself was the one who seemed selfish to me – although to give her some credit, she does start to think differently about things by the end of the book.

Although I loved the French setting, Lucia’s story sounded fascinating and I was sorry that we only hear about it from a distance as news from Spain reaches Thirza. I would have liked some chapters from Lucia’s point of view to see the Spanish Civil War unfold at first hand and to understand what drives a vulnerable young woman towards radical politics. I suppose that would have made the book too long! We do, however, get some chapters from Berenice’s perspective, set several decades earlier when she first comes to live at the château as a young wife and mother. Berenice’s story is sad and shocking and explains why she has become the unhappy, prickly person we meet in the 1930s timeline.

This isn’t my favourite book by Dinah Jefferies but I did find it interesting. I wonder if there will be a third novel about these characters; the way this one ended made me think that there could be, as various family members are now positioned in different places around Europe with the outbreak of the Second World War approaching.

Thanks to HarperCollins for providing a copy of this book for review via NetGalley.

Book 6/20 of 20 Books of Summer

Top Ten Tuesday: Books with Summer in the title

July 7, 202620 Comments

This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is: Book Titles That Include the Word “[insert word of your choice here]” (Pick a word and share ten book titles that include that word!)

Lots of possible choices here, but I’ve chosen the word ‘Summer’. These are all books that I’ve read and reviewed on my blog.

1. The Summer Queen by Elizabeth Chadwick – The first in a trilogy of historical novels telling the story of Eleanor of Aquitaine. I enjoyed all three books.

2. A Song for Summer by Eva Ibbotson – Not my favourite by Ibbotson but I still liked it. It follows the daughter of a suffragette who decides to become a housekeeper at a boarding school in Austria.

3. St Martin’s Summer by Rafael Sabatini – Sabatini’s novels are almost always a lot of fun and this one, set in early 17th century France, is no exception.

4. Arctic Summer by Damon Galgut – This is the only book I’ve read by Galgut and sadly I didn’t like it much at all. It’s a novel based on the life of the author E.M. Forster and focuses on his love affairs during his time in India and Egypt.

5. The Summer Tree by Guy Gavriel Kay – The first book in The Fionavar Tapestry, a fantasy trilogy published between 1984 and 1986. It’s very different from his later books, which feel much more like historical fiction.

6. Long Summer Day by RF Delderfield – The first in Delderfield’s A Horseman Riding By trilogy, a wonderful family saga set in a farming community in rural Devon during the first half of the 20th century.

7. Dark Summer in Bordeaux by Allan Massie – One of a quartet of dark, atmospheric crime novels set in Occupied France. I still haven’t read the final two.

8. The Summer Before the War by Helen Simonson – The war referred to in the title is the First World War and this moving novel follows the story of a young woman who starts a new job as a school Latin teacher in the summer of 1914.

9. The Last Summer by Judith Kinghorn – Also beginning with that same innocent summer of 1914, the novel shows us the effects the outbreak of war will have on society, class structure and the life of one seventeen-year-old girl.

10. The Year Without Summer by Guinevere Glasfurd – The stories of six people, some real and some fictional, whose lives were affected by the extreme weather that followed the eruption of Mount Tambora in 1816.

Have you read any of these? Can you think of any other books with Summer in the title?

Six in Six: 2026 Edition

July 6, 2026July 6, 202618 Comments

Six in Six was the idea of Jo of The Book Jotter, who sadly stopped blogging in 2025, and is now hosted by Emma of Words and Peace. I’ve been taking part in this every year since it began (I was shocked when I looked back through my posts and discovered that Jo started it in 2012!) so I’m pleased a new host has picked it up.

Six in Six is a great way to look back on our reading over the first six months of the year. The idea is to choose six categories (there’s a list of suggestions on Emma’s blog, but participants can come up with new topics of their own if they prefer) and then try to fit six books or authors we’ve read from January-June into each category.

My attempt for 2026 is below – as you’ll see, some of these books could have fit more than one category, but I only wanted to use each book once.

Six books in translation

The Blind Woman of Sorrento by Francesco Mastriani (Italian)
Embers by Sándor Márai (Hungarian)
Suspicion by Seichō Matsumoto (Japanese)
Gigi and The Cat by Colette (French)
Letter to My Judge by Georges Simenon (French)
The Final Problem by Arturo Pérez-Reverte (Spanish)

Six books involving a journey

West by Carys Davies
The Wandering Queen by Claire Heywood
Travel Light by Naomi Mitchison
Son of Nobody by Yann Martel
An Astronomer in Love by Antoine Laurain
The News from Dublin by Colm Tóibín

Six books with a mystery to solve

Murder at the Spirit Lounge by Jess Kidd
The Killer Question by Janice Hallett
Dead Men Don’t Ski by Patricia Moyes
Mrs McGinty’s Dead by Agatha Christie
Murder Like Clockwork by Nicola Whyte
A Deadly Episode by Anthony Horowitz

Six books set in countries other than my own

The House of Barbary by Isabelle Schuler (Switzerland)
A Far-flung Life by ML Stedman (Australia)
She Walks at Night by Seishi Yokomizo (Japan)
The Lost Orphans of Lyon by Helen Parusel (France)
Penitence by Kristin Koval (USA)
Brigid by Kim Curran (Ireland)