Appointment in Paris by Jane Thynne

1 Comment

This is a sequel to Jane Thynne’s Midnight in Vienna, which I read in 2024 and enjoyed. That book was set just before the beginning of the Second World War and followed two characters – former MI5 spy, Harry Fox, and a gifted linguist, Stella Fry – who team up to look into the suspicious death of a famous crime writer. Appointment in Paris brings Harry and Stella together again to investigate a second murder, but this one is a separate mystery so if you haven’t read the first book yet, it’s not completely essential.

The novel opens in April 1940 at Trent Park, a country house in Cockfosters, north London. The house has been requisitioned by the government as a facility for holding captured German pilots who have no idea that their rooms are bugged with microphones while a team of ‘listeners’ eavesdrop on their conversations. One night, a man in a Luftwaffe captain’s uniform is found dead in the grounds and the next morning, it’s discovered that one of the listeners has disappeared. Assuming that the missing man killed the German captain and then fled, the people in charge are desperate to catch him in case he gives away any of Trent Park’s secrets. This is where Harry and Stella come in…

Since the events of the previous novel, Stella Fry has settled into a new job making documentaries for the GPO Film Unit and is not very happy when she’s summoned by Maxwell Knight of MI5 who orders her to go and work at Trent Park as a listener. Stella is reluctant to go but her fluency in German and the fact that the suspected killer is an old friend from her university days means she’s the ideal choice to go undercover and try to find out what really happened. Meanwhile, Harry Fox has also been given orders by Knight – his mission is to stay in London and look for any information that could lead them to the missing man.

I enjoyed Appointment in Paris just as much as the first book, although I would have liked to have seen Harry and Stella working together more closely – they have very separate storylines in this book and their paths only cross occasionally. Stella’s story was the one that interested me most. I loved learning more about Trent Park and the work of the listeners, many of whom were German-Jewish refugees who had fled persecution and were assisting the British war effort. It was an emotionally difficult, often unpleasant job as the listeners would overhear all kinds of disturbing conversations between the German prisoners. As the title suggests, Stella’s investigations eventually take her to Paris, where she meets Noël Coward, who is running Britain’s Bureau of Propaganda. Although most of the characters in the book are fictional, inserting a real person here didn’t feel too forced or unnatural, especially as Coward had already been referenced several times via Stella’s actress friend, Evelyn, who is performing in one of his plays.

As she does in the previous novel, Thynne evokes the time period perfectly, describing the mood of the public during the eight months known as the Phoney War and how things abruptly changed in May 1940 with the invasion of France, Belgium, Luxembourg and the Netherlands, and the increased threat to Britain. It’s the little details that give the novel its colour – people hurrying home earlier than usual in the evenings because the blackout made it difficult to walk in the dark; newspapers shrinking in size because Scandinavian pulp supplies had been cut off; Parisian waiters taking payment before serving food because they are often interrupted by air raid sirens and the patrons forget to pay. The strong sense of time and place makes everything feel real and convincing.

Having enjoyed both books about Stella and Harry, I’m now hoping there’s going to be a third. The way this one ended definitely made me think that there will be – and as we’re still in 1940, there’s a lot more of the war to cover. I would also like to read some of her earlier novels, which also sound interesting.

Thanks to Quercus for providing a copy of this book for review via NetGalley.

Travel Light by Naomi Mitchison

5 Comments

What an unusual book this is! I’ve been interested in reading something by Naomi Mitchison for a long time (I did have The Corn King and the Spring Queen on my Classics Club list at one point, before replacing it), so when I spotted this novella on NetGalley, it seemed like a good opportunity to try one of her books.

Travel Light was published in 1952, two years before The Lord of the Rings, which Mitchison proofread for her friend Tolkien, and as you can probably guess from the cover, it’s one of Mitchison’s own contributions to the fantasy genre. It tells the story of Halla, a king’s daughter, who is cast out as a baby because the new queen resents her. She is rescued by her nurse, Matulli, who transforms herself into a black bear, picks up the baby in her mouth and carries her into the woods, where she is raised with a group of bear cubs. When Matulli and the other bears prepare for their winter hibernation, Halla is entrusted to the care of Uggi the dragon, who becomes her friend and mentor.

The book is divided into three sections and the first is devoted to Halla’s childhood with the bears and the dragons, as I’ve described above. I really liked this first section; it has the feel of a children’s fairy tale and I particularly enjoyed reading about Halla’s time with the dragons on Dragon Mountain, where she learns about their love of collecting gold and is told stories of heroes rescuing princesses from dragons. These stories lead Halla to question whether the damsels in distress really wanted to be rescued and whether the heroes are really so heroic after all!

Despite growing up feeling that she’s half bear/half dragon, Halla eventually has to accept that she is, in fact, a human, and in the second part of the book she ends up joining a group of men from the fictional land of Marob who are on their way to Micklegard (or Byzantium, later known as Constantinople) to ask the emperor for protection against their cruel governor. The book loses some of its charm after this; it becomes more grounded in reality, the politics and religion of men play a bigger part, and things happen that showed me that it’s not really the children’s fantasy I thought it was at first – or at least not one I would recommend for young children. There are still plenty of enjoyable moments, though – I loved the idea of racehorses deciding amongst themselves who should win the race – and I found the ending of the book quite satisfying.

Norse myth features heavily in the story, with references to the Norns and the weaving of fate, a Valkyrie who keeps popping up at various times throughout the book, and an encounter between Halla and the All-Father (Odin). It’s the All-Father who, just before Halla joins the world of humans, gives her a part of his night-blue cloak for protection and tells her to set aside the treasure-hoarding habits of the dragons and ‘travel light’, without material possessions or mental burdens, as she moves forward into her new life.

At 192 pages in the new Virago edition, this is a quick read. Although I found it uneven, as an example of an older fantasy novel written by a woman and featuring a female protagonist I think it’s well worth reading.

Thanks to Virago for providing a copy of this book for review via NetGalley.

Murder Like Clockwork by Nicola Whyte

8 Comments

This is the second in a series featuring the amateur detective duo Audrey Brooks and Lewis McLennon. I haven’t read the first, 10 Marchfield Square, but I enjoyed this one so much I’m planning to go back and read it, as well as looking out for any future books in the series.

Murder Like Clockwork is set in London and begins with cleaner Audrey Brooks arriving at the house she cleans every Thursday afternoon. She got the job through an agency and has never met the owner of the house, a Russian financier who is rarely in the country but wants someone to wind his collection of clocks and dust his antiques and expensive furniture. On this particular Thursday, Audrey arrives earlier than her usual time but it’s so cold she enters the house anyway and prepares to start work – only to find that she’s not alone. There’s a dead body in one of the bedrooms…with splashes of blood all over the walls and floor, showing that it wasn’t a natural death.

Audrey runs outside to call the police, who arrive twenty minutes later. To her shock, however, she finds herself accused of wasting police time, because there’s no dead body or blood to be seen. Audrey can’t believe it; how can an entire crime scene completely vanish in only twenty minutes? Convinced that she wasn’t imagining things, she contacts her friend, Lewis McLennon, who recently helped her solve another mystery. Lewis is excited to have a second crime to investigate, but how can they even prove that a crime has been committed when the victim and the evidence have disappeared?

I picked up this book after starting and temporarily abandoning two other books that didn’t immediately draw me in. I hoped this would be the quick, entertaining read I needed to help avoid a reading slump – and it was! The characters are well drawn and quirky, the mystery is cleverly plotted without being too difficult to follow and the overall tone is light and humorous. It didn’t really matter that I hadn’t read the previous book as this one works well as a standalone, but I did feel that I didn’t fully understand the role of one of the characters, Celeste, the owner of Marchfield Square, the residential complex where Lewis and Audrey both live. I’m sure I’ll get to know her better when I read the first book.

The novel is written from the points of view of Audrey, Lewis and occasionally Celeste, giving different perspectives on different aspects of the mystery. I found Lewis a particularly interesting character. As a struggling crime writer, he’s enthusiastic about having a real life crime to solve in the hope that it will give him inspiration for his books, but this often leads him to speak without thinking and many people find him annoying. He has a job at a recruitment agency, which he resents because he would rather spend his time writing, and is genuinely surprised when he discovers that other people also have lives outside work and are finding ways to balance their day jobs with pursuing their own dreams. Audrey is a very different personality – she’s warm, friendly and sociable and is happy with her cleaning jobs (although she wishes they were better paid). She and Lewis complement each other perfectly and form a good team.

Although Audrey and Lewis do most of the investigating, I loved the way the other residents of Marchfield Square also get involved. Somehow they all seem to know exactly what’s going on and everyone has an opinion to give or a piece of advice to offer. If you’ve ever watched Only Murders in the Building, that’s what this book reminded me of! I found it very entertaining overall and am looking forward to meeting Lewis and Audrey again.

Thanks to Raven Books for providing a copy of this book for review via NetGalley.

Top Ten Tuesday: Books with Ordinal Numbers in the Title

9 Comments

This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is: “Book Titles Featuring Ordinal Numbers (Ordinal numbers are numbers that define an item’s place in a series. For example: first, second, third, fourth, tenth, fourteenth, thirty-third, one hundredth, etc.) (submitted by Joanne @ Portobello Book Blog)”.

I was hoping I could find a book that I’d read with each of the ordinal numbers from first to tenth, but I was a few short so had to use some higher numbers as well.

1. First of the Tudors by Joanna Hickson – Historical fiction exploring the beginnings of the Tudor dynasty through the story of Jasper Tudor, uncle of the future Henry VII.

2. The Second Sleep by Robert Harris – At first this seems like a straightforward historical mystery set in the 15th century, but it soon becomes clear that what you’re reading is actually something completely different!

3. Third Girl by Agatha Christie – A Poirot mystery from 1966, which has a strong sixties feel, making it quite different from her earlier novels. One of my favourite Christie characters, Ariadne Oliver, plays a big part in this one too.

4. Fifth Business by Robertson Davies – The first book in Davies’ Deptford Trilogy. This one is set in a small Canadian town and follows the sequence of events triggered by the innocent act of a boy throwing a snowball.

5. Katharine Parr, the Sixth Wife by Alison Weir – As the title suggests, this is the story of Henry VIII’s sixth wife, Katharine Parr. It’s the final book in Alison Weir’s Six Tudor Queens series and probably my favourite.

6. The Eagle of the Ninth by Rosemary Sutcliff – A wonderfully vivid and gripping novel set in Roman Britain and telling the story of a young centurion whose father disappeared with the Ninth Legion.

7. The Tenth Gift by Jane Johnson – A dual timeline novel with the historical thread set in the 17th century and following the story of a woman sold into slavery in Morocco after being captured during a raid by Barbary pirates on the coast of Cornwall.

8. The Thirteenth Tale by Diane Setterfield – A Gothic novel about family secrets and the power of books and storytelling. I enjoyed this one.

9. The Fourteenth Letter by Claire Evans – A mystery set in Victorian London. I was disappointed because I felt there was no real sense of time and place, but the plot was interesting.

10. The Twentieth Wife by Indu Sundaresan – The first in a trilogy of novels set in Mughal India and describing the events that lead to the construction of the Taj Mahal. I still haven’t read the other two books.

~

Have you read any of these? Which other books with ordinal numbers in the title can you think of?

The Night Hag by Hester Musson

6 Comments

Have you ever suffered from sleep paralysis – the feeling that you’re awake but can’t move your body? Maybe it’s accompanied by a sensation of pressure on your chest, as if something is pinning you to the bed, or the impression that someone is in your room. It’s more common than you may think – many people will experience it at least once or twice in their life – and it inspired the famous painting, The Nightmare by Henry Fuseli. In fact, the word ‘nightmare’ itself (originally hyphenated as night-mare) comes from the idea of a mythological female demon (a ‘mare’ or ‘hag’) sitting on the chest of a sleeping person. Someone who has had a lot of experience of these terrifying night-mares is Lil Vincent in Hester Musson’s new novel, The Night Hag.

It’s 1886 and Lil Vincent has been free of the night-mares, as she calls them, for many years, but recently they have started again and are becoming increasingly intense. Frightened and desperate, Lil writes a letter to the renowned Edinburgh doctor, Dr Lachlan. Relieved to be able to open her heart to somebody at last, even somebody she’s never met, she finds herself telling him all about her childhood, growing up as the daughter of a medium who forced her to participate in fraudulent séances.

Her childhood has left scars that still persist, even today as she tries to build a new life for herself as an archaeologist. Lil is assisting Nils and Effie Jensen with a dig on what they believe is a Bronze Age burial mound in the fictional Scottish village of Pitcarden. When they come across two cinerary urns and a bronze knife, Lil thinks they are on the verge of a significant discovery, but it seems that the villagers are unhappy with their presence and they may not be allowed to complete their excavations.

This is the second novel I’ve read by Hester Musson, the first being The Beholders. Although I found this one a more original and intriguing story, I did have some of the same problems I had with the other book – mainly that the first half is very slow and it took me a long time to become immersed in it. It didn’t help that there are several different threads to the story – Lil’s sleep disturbances, the séances and the archaeological dig – and they all feel very separate, never really coming together until the end.

Once I did get into the story, I found it interesting. There’s a good sense of time and place, with the community of rural Pitcarden steeped in superstition and folklore. The second half of the book drew me in much more than the first half did, and I began to have a lot of sympathy for Lil as she discovers that almost everyone in her life has been lying to her or deceiving her in one way or another. The way one particular character betrays her trust is quite shocking and Lil is deeply affected by it all. But although it’s a dark book, there are some glimmers of hope in the final chapters and the ending is satisfying, so I’m glad I persevered with it.

If you read this book and enjoy it, I would also recommend reading The Hill in the Dark Grove by Liam Higginson, another book about archaeology and superstition in a rural setting. It has a similar tone and atmosphere and I think it may appeal to the same readers.

Thanks to 4th Estate and William Collins for providing a copy of this book for review via NetGalley.

Six Degrees of Separation: From Wuthering Heights to Midnight is a Lonely Place

31 Comments

It’s the first Saturday of the month which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month we’re starting with Wuthering Heights by Emily Brontë, one of my favourite classics. The book has been getting a lot of attention recently due to the new film adaptation (which I wrote about here), so it’s a perfect choice for this month’s Six Degrees.

For my first link, I’ve chosen a novel inspired by Wuthering Heights – Ill Will by Michael Stewart (1). Those of you who have read Wuthering Heights will remember that Heathcliff disappears for several years after overhearing a conversation between Catherine and Nelly. In Ill Will, Stewart gives a possible account of where Heathcliff may have gone during that period and what he could have been doing. I loved the setting and the historical detail, but the language felt inappropriate for a book inspired by a 19th century classic and pulled me out of the story.

The Tutor by Andrea Chapin (2) also attempts to fill in a ‘lost year’. Little is known about William Shakespeare’s life between the years of 1585 and 1592 and in this novel, Chapin imagines that in 1590 Shakespeare was employed as a tutor at a country estate in Lancashire (there’s no real evidence for this theory, although several people have suggested it). She uses this idea to show where some of the inspiration for his work may have come from, particularly the poem Venus and Adonis.

The word ‘tutor’ made me think of other books about teaching. John Williams’ 1965 novel Stoner (3) is about the life of a man who teaches English Literature at the University of Missouri for more than forty years. It’s not the most eventful of lives, yet I found the book completely gripping and would highly recommend it to anyone who enjoys fiction with academic settings.

Another book published in 1965 is Airs Above the Ground by Mary Stewart (4). I love Stewart’s novels – they all have a wonderful sense of place and this one is no exception. Set in Vienna, the book follows our heroine Vanessa as she searches for her missing husband and becomes caught up in a mystery involving the dancing Lipizzaner stallions of the famous Spanish Riding School.

Vienna is a setting I always enjoy reading about, so my next link is to Midnight in Vienna by Jane Thynne (5), the first in a new series of wartime spy thrillers featuring Stella Fry and Harry Fox. In this book, set in 1938, Stella travels to Vienna on the trail of a murder suspect. I loved Thynne’s portrayal of the mood of the Austrian people following the annexation of their country by Nazi Germany. I recently read the second book in the series and will be reviewing it soon.

I’m ending my chain with a simple link using the word Midnight. Midnight is a Lonely Place by Barbara Erskine (6) tells the story of an author who rents a cottage on the Essex coast to work on her new book. When strange things start happening at the cottage, she becomes convinced that she is being haunted by the ghosts of a Roman soldier and a Druid prince. I found it atmospheric but wished there had been more focus on the historical characters. Erskine always sounds like an author I should love, but I’m often left feeling a bit disappointed by her books.

~

And that’s my chain for March! My links have included fiction inspired by Wuthering Heights, ‘lost years’, teaching, the year 1965, Vienna and the word midnight.

In April we’ll be starting with Virginia Evans’s epistolary novel, The Correspondent.

The Strawberry House by Rachel Burton

11 Comments

It’s February 1952 and journalist Henry Aldridge is planning an article on the recent death of King George VI when his editor approaches him with a completely different assignment. He wants Henry to report on the restoration of Montagu Manor, a country house near Oxford that was partially destroyed by fire in the summer of 1938 and later requisitioned by the army after the outbreak of war. Henry reluctantly accepts the job, but doesn’t admit that he himself had been a guest at the house during that fateful summer.

In 1938, Montagu Manor was home to Sir Philip Kerrigan, his wife and four children. It was the son, Anthony, who invited Henry to spend the summer with them, relaxing, fishing in the river and contemplating their next steps, having both recently graduated from Oxford University. Henry, the son of a factory owner, is expected to go into the family business, but what he really wants to do is become a newspaper reporter, something he knows his father will never agree to. When he meets Anthony’s sister, Camilla, he discovers that she is in a similar position – she desperately wants to attend Oxford and study for a degree like her brother, but Sir Philip has refused, believing a woman’s duty is to marry and have children. Camilla is determined that she will never marry, but when she and Henry fall in love she begins to reconsider.

The 1952 thread of the novel tells us that something went wrong between Henry and Camilla and they haven’t seen each other since the year of the fire, but we won’t find out what happened until much later in the book. And there are other questions to be answered too. What caused the fire and what was the significance of the unfinished painting that went missing during it? Who exactly were the Kensington Circle, the group of artists staying at the house at the same time as Henry? By moving backwards and forwards between 1952 and 1938, the answers begin to emerge.

I really enjoyed The Strawberry House. I seem to have read a lot of historical novels about English country houses with secrets and at first I thought this one was going to be very similar. What set it apart, though, is how much I liked and cared about the characters, particularly Henry, who seemed like a genuinely nice person torn between following his own heart and trying to keep everyone else happy. I was also fond of his photographer friend, Frank, and Camilla’s little sister, Cassie, who has a talent for writing. Because I was so invested in the characters and their lives, it made me more eager to see how everything would unfold as the truth about the summer of 1938 started to become clear.

In case you’re wondering, the title of the book is inspired by Strawberry Thief, a beautiful design by William Morris. Morris and the Arts and Crafts Movement are referenced throughout the book and the fictional Montagu Manor is located close to Morris’s home, Kelmscott Manor in Oxfordshire. Although this is the first Rachel Burton novel I’ve read, many of her others seem to have a house at the heart of the story and I’ll look forward to exploring more of them.

Thanks to Boldwood Books for providing a copy of this book for review via NetGalley.