It’s 1926 and London’s newest, grandest hotel is opening its doors for the first time. Owner Diana Gold is getting ready to welcome her first guests, who include some of the richest and most powerful people in the world – millionaires, bankers, royalty, film stars, politicians and gamblers. But she’s also expecting two guests who are not so welcome – two people who took her under their wing as a young woman and led her into a life of crime. Now Diana has found herself in their debt and they’re due to arrive at midnight to take what they are owed.
From that fateful opening night, we jump forward one hundred years to 2026 and meet Joe, an out-of-work historian who is staying at that same hotel, the Hotel Artemis, on its final night before it closes down. Joe’s grandmother, a former journalist, has recently died, leaving behind her uncompleted research into the mystery of two unidentified dead bodies found in the vaults of the hotel in 1929. Seeing a chance to earn some money, Joe has decided to continue his grandmother’s research and write about a book about it – but tonight is his final opportunity to investigate inside the hotel itself before it closes its doors again forever.
The novel is written from the perspectives of both Diana in 1926 and Joe in 2026, but there are also some chapters written from another character’s point of view – Cleo van der Meer, a young American woman who is one of the first guests at the Hotel Artemis. We don’t know at first how Cleo fits into the story, but everything becomes clear eventually! Although the plot is quite complex, it moves along at a fast pace and there are some clever twists, including a great one halfway through which I hadn’t seen coming at all. Hotels are always interesting settings, I think, and although the Artemis doesn’t really exist, I loved Alex Hay’s descriptions of it – he really captures the feel of what it may have been like to stay in a luxury hotel in the 1920s.
Like Hay’s previous two novels, The Housekeepers and The Queen of Fives, The Midnight Guests is unusual in that it focuses on the lives of criminals – people we would usually see as villains. Through the stories of Diana, her assistant Silas, and several of the other characters we see how easily people can drift into a life of crime and how difficult it can be for them to get out of it again. This is not a book to be taken too seriously, though, and is clearly intended to be fun and entertaining. It does all become quite far-fetched, particularly towards the end – with such a high body count that the remains found in the vault could be almost anyone’s! – but if you’ve read Hay’s other work you’ll have known what sort of book to expect anyway.
I don’t want to say too much more about this book as I don’t want to risk spoiling a story that relies so much on suspense and surprises. I enjoyed it and will be looking out for his next one.
Thanks to Headline for providing a copy of this book for review via NetGalley.






















