All of Us Murderers by KJ Charles

KJ Charles is a new author for me. It seems she has written more than 30 books, most of which are historical romance or fantasy romance, but I’ve never come across them until now and probably wouldn’t have been drawn to them anyway. One of her recent novels, All of Us Murderers, looked and sounded like more of a Gothic mystery and something I might enjoy.

The book is set in Edwardian England and begins with Zebedee Wyckham arriving at Lackaday House, the home of his cousin Wynn. Zeb has met Wynn only twice before in his life and was surprised to receive an unexpected invitation to visit the house along with several other relatives. Soon after arrival, however, Wynn explains exactly why he has summoned them all there.

Due to a family curse which he believes will cause his death before the age of fifty, Wynn has been thinking about the future of his vast fortune and has decided to leave his money to the man who marries his young ward, Jessamine. This news comes as a particular shock to Zeb’s older brother, Bram, who had always expected to inherit and is inconveniently already married. Zeb himself has no interest in marrying Jessamine – he’s gay, although the others don’t know it – but that doesn’t stop Wynn from making it clear that he’s his preferred choice. With their slimy, blackmailing cousin Hawley also one of the party and Zeb’s bitter ex-lover Gideon newly employed as Wynn’s secretary, the whole thing seems a recipe for disaster.

I have to be honest and say that I didn’t enjoy this book as much as I’d hoped to. The title made me expect a murder mystery but there is no murder until late in the book and I felt as if I was just spending a lot of time waiting for something to happen. There was a lot of focus on the relationship between Zeb and Gideon, but as their initial romance and break-up had taken place before the book even begins, it was hard to get emotionally invested. There are also a lot of sex scenes, which aren’t really my thing, and I found myself skimming those.

The Gothic elements are well done and I did enjoy that aspect of the book. We have a large, isolated country house surrounded by high walls and locked gates, a heavy mist descending over the Dartmoor countryside, sightings of ghostly apparitions, and a series of bizarre events that mirror the novels of Walter Wyckham, the cousins’ grandfather, a Gothic novelist based on the real life William Beckford. There’s plenty of atmosphere, although I found it difficult to get a sense of the time period (it’s the Edwardian era but could easily have been earlier). Something else that was interesting was the author’s portrayal of Zeb as an adult with ADHD. As she explains in her author’s note, she can’t refer to the condition by name as it wasn’t recognised until much more recently, but she shows it through his actions and the way other people describe him.

Although I found this book entertaining at times, I’m not sure if Charles is an author for me. She clearly has a very large and loyal fanbase, though, so if you’ve enjoyed any of her books let me know and maybe I can be tempted!

Reviewed for RIPXXI hosted by @perilreaders

The Kraken Wakes by John Wyndham

This was the book selected for me in the recent Classics Club Spin. For once, I’ve managed to finish my book before the deadline (4th October).

The Kraken Wakes was published in 1953 and, like most of John Wyndham’s other books, is a classic science fiction novel. It’s narrated by Mike Watson, who works as a reporter for the EBC (a fictional rival to the BBC). At the start of the novel, Mike and his new wife Phyllis, also a reporter, are on their honeymoon on a cruise ship in the Atlantic when they spot something odd in the sky: five bright red lights descending towards the sea and disappearing beneath the water. As more and more sightings like this are reported, it becomes clear that these fireballs are not just falling at random – they are heading for the deepest waters in the world, which suggests that some kind of plan is under way.

When ships mysteriously begin sinking while trying to cross these deep sea areas, panic spreads across the world. Many people blame the Soviet Union, who in turn blame Western capitalist governments – the Cold War is ongoing, after all – but Mike and Phyllis support the theories of Professor Alastair Bocker, who is warning the public that an alien presence, one which can exist only at very high pressures, has settled beneath the sea and is targeting shipping and human life. The Watsons see evidence of this for themselves when they accompany Bocker to the Caribbean island of Escondida and witness strange mechanical ‘sea tanks’ emerging from the sea. Still, Bocker and his theories get very little support, being ridiculed by the media and ignored by governments…until the situation escalates to a point where it can no longer be ignored by anyone.

I enjoyed this book, although not as much as The Midwich Cuckoos or Chocky, which are my favourites by Wyndham. This is a more traditional alien invasion novel in many ways, although there are some unusual elements – for example, we don’t actually see the aliens and they don’t try to interact with humans or make their motivations clear. I don’t want to go into too much detail and spoil the whole plot, but there’s also an ecological thread to the story, mirroring modern climate change warnings, which makes it feel very relevant, probably more so today than in 1953.

I liked Mike and Phyllis and the way their marriage was portrayed as a true partnership based on mutual love and respect. Phyllis is a strong character and it’s good that, rather than being pushed into a minor role, she plays an important part throughout the novel and Mike may not have survived without her intelligence and resourcefulness. The most interesting thing for me, though, was seeing how governments, scientists and the public react to a threat affecting the whole world. I think we got a taste of this during the Covid pandemic – governments being slow to take action, advice and warnings being ignored, public denial and confusion. But this is where I think the decision to have the whole book narrated by Mike was a bit limiting. I would have liked to have seen the situation from other perspectives, to have heard conversations between various government ministers, to have seen what was happening in communities around the world, to have watched Professor Bocker and his fellow scientists trying to come up with answers.

Overall, this was a fascinating read. I’ve now read all of Wyndham’s major novels, but still have his short stories and his early work published as John Beynon to try.

This is book 7/50 from my third Classics Club list.

The Scholars by MacKenzie Common

Having enjoyed MacKenzie Common’s previous book, The Six Murders of Daphne St Clair, about a ninety-year-old woman looking back on her life as a serial killer, I was interested in trying her new one, another crime novel this time set at Oxford University.

The Scholars follows five students who are awarded Oxford’s coveted Shepherd Scholarship, an award given only to the most exceptional candidates each year, many of whom go on to become world leaders in their fields. This year’s Shepherd Scholars consist of Azelle, a social media influencer from South Africa; Mabel, a young Canadian woman who runs a charity providing clean water to remote villages in India; Hugo, the son of a prominent British politician; and two Americans, Hadley, a history academic who is researching pogroms and riots, and Finn, who is developing an AI grief counselling service.

The five students seem to have very little in common and tensions develop within the group almost immediately. When one of them is killed after falling from a roof, it’s unclear whether or not it was an accident, but rumours quickly begin to circulate that they were pushed – and that one of the other four Shepherd Scholars was responsible. Then it emerges that the dead student has left behind a proposal for a book they were planning to write, featuring four fictional characters with strong resemblances to the four remaining Scholars. If the book had been published, it would have revealed secrets the Scholars have been trying to keep hidden. All four have a strong motive for the murder, then, but which, if any, was the culprit?

The story unfolds from the perspectives of each of the four students, all of whom are unreliable narrators, hiding their pasts from each other and from the reader, until it becomes impossible to keep things secret any longer. Their secrets are terrible ones – the kind that can ruin reputations and careers – and this raises some interesting questions about the integrity of the scholarships, the vetting process and whether candidates should be judged on their current achievements or whether their personal histories should be taken into account. I didn’t like any of the four surviving students and we probably weren’t supposed to, but there were two that I eventually began to warm to slightly and two that I didn’t. I suspected one character of being the killer from early in the book and was correct to suspect them – although a twist right at the end turned everything on its head again!

Although there were things I liked about this book, there were also some things I had problems with. First, once the murder took place I would have expected more involvement from the police and the university, yet the four students just seem to be left to continue their studies as if nothing had happened and even after their secrets are exposed the police still don’t come to speak to them regarding motives etc. The only investigations we see being carried out are by the four students themselves and random people discussing the case on social media. I also felt that although there are some nice descriptions of the city of Oxford, the university setting never really comes to life.

After a slow start, I became drawn into the story, but I think I would have enjoyed it more if there had been even one character I could have liked or connected with in some way. I preferred MacKenzie Common’s previous book, but will still be looking out for her next one.

Thanks to Mountain Leopard Press for providing a copy of this book for review via NetGalley.

I’m counting this towards RIPXXI hosted by @perilreaders

The Strangers by Naomi Alderman

A few months after her mother’s death, the author Naomi Alderman tries to keep her grieving father occupied by setting up a camera to take photos of the foxes that visit his garden at night. Examining the photos the next morning, they discover that they’ve captured not only an image of the fox, but also another animal they’re unable to identify. Soon it emerges that other people all over the UK have also seen this new creature – a furry mammal, similar in appearance to a badger but with a flat face and a long nose almost like an elephant’s trunk. People begin referring to it as a mini mammoth, which is then shortened to ‘mimmoth’ and the name sticks.

As sightings of mimmoths spread across the world, scientists, the media and the public try to make sense of this strange new species. Where did the mimmoths come from? Are they as harmless as they seem or could they be a threat to humans? Alderman herself feels an affinity with the mimmoths, finding comfort in their presence, but when she starts to obsess over them, she begins to wonder whether she’s suffering from a condition known as ‘mimmoth psychosis”.

The Strangers is a strange book! It’s part science fiction but also part memoir, in which Alderman uses herself as the narrator and protagonist of the story. Although I’m new to Alderman’s work and I previously knew nothing about her as a person, it seems that she has drawn on incidents and experiences from her own life in the writing of this novel. She talks about the trauma of suffering a series of failed pregnancies, her complex relationship with her mother and learning to feel comfortable with her physical appearance, which I understand are things she has spoken or written about in the past.

I loved reading about the mimmoths. Alderman writes about them in a very convincing, matter-of-fact way that reminded me of John Wyndham’s books where one unusual, unexpected element is introduced into an otherwise normal setting. She goes into a lot of detail describing what the mimmoths look like, how they behave and, most importantly, how humans react to them. There’s a variety of opinions, ranging from those who believe the mimmoths are a nuisance and should be culled to those who welcome them and are happy to live alongside them. I started to wonder whether the book was intended as a political allegory in which the arrival of the mimmoths represents immigration and I think parts of the story could definitely be interpreted in that way.

The ending of the book disappointed me, though. I felt that we didn’t get a satisfying explanation for the mimmoths’ sudden appearance and what their intentions were; some fascinating threads start to emerge throughout the novel as researchers begin to notice some unusual population patterns seemingly connected with the mimmoths, but none of these ideas really seem to go anywhere and fizzle out towards the end when the focus moves almost entirely onto the narrator’s personal experiences of grieving and healing. For me, the memoir elements and the speculative fiction elements didn’t tie together very well and could almost have been two separate books.

I was left feeling let down by the final 20% or so of the book, but everything that came before that was fascinating so I think this was a worthwhile read overall. This was my first Naomi Alderman book and I would be happy to try another one.

Thanks to Penguin UK for providing a copy of this book for review via NetGalley.

Historical Musings #96: HWA Crown Awards 2026

Welcome to this month’s post on all things historical fiction!

This month, I want to highlight the books nominated for this year’s HWA Crown Awards. The longlists were announced last Wednesday by the Historical Writers Association (HWA) and you can find all the details here. There are three separate awards – one for debut novels, one for non-fiction and the other (the Gold Crown) for authors who have been previously published. The shortlists will be announced in October and the winner in November. Although I don’t have any plans to try to read all of these books, I thought it would be interesting to look at what, if anything, I’ve read so far from each list and what else I might like to read.

Debut Crown Award

The Daffodil Days by Helen Bain
Finding Ida by Marya Burgess
Splendour by Elizabeth Jane Burnett
The Show Woman by Emma Cowing
The Beheading Game by Rebecca Lehmann
A Mind Prone to Evil by PS Lynch
When Sleeping Women Wake by Emma Pei Yin
All That is Left is Life by Roberta Recchia translated by Antonella Lettieri
Soon Come by Shuba Shand-Baptiste
Blood Caste by Shylashri Shankar
Jamaica Road by Lisa Smith
The Visit by Neil Tully

Surprisingly, I haven’t read any of these! I’ve usually read at least one or two from the list. I’ve heard of The Show Woman and The Beheading Game but the others are all new to me.

Non-fiction Crown Award

Mad Tom’s Rising: The Revolutionary Mystic Sir William Courtenay and the Last Battle Fought on English Soil by Ian Breckon
Stay Alive by Ian Buruma
Deadwood by Peter Cozzens
Queer Georgians by Anthony Delaney
Margaret Beaufort: Survivor, Rebel, Kingmaker by Lauren Johnson
The Zorg by Siddharth Kara
Trafalgar: Battle & Aftermath by Paul O’Keeffe
Wreckers: Disaster in the Age of Discovery by Simon Park
Hotel Exile: Paris in the Shadow of War by Jane Rogoyska
A Day in the Life of a Gladiator: Those Who Are About To Die by Harry Sidebottom
The Surgeon, The Midwife, The Quack: How to Stay Alive in Renaissance England by Alanna Skuse
A Shellshocked Nation: Britain Between the Wars by Alwyn Turner

I haven’t read any of these either, although that’s less surprising as I read relatively little non-fiction. As I love reading about the Wars of the Roses, I should probably look for the Margaret Beaufort book, but some of the others also sound tempting, particularly Mad Tom’s Rising, Hotel Exile and The Surgeon, The Midwife, The Quack.

Gold Crown Award

The Bookbinder’s Secret by AD Bell
The Tarot Reader of Versailles by Anya Bergman
The Venetian Heretic by Christian Cameron
The Art of a Lie by Laura Shepherd-Robinson
Nonesuch by Francis Spufford
A Far-flung Life by ML Stedman
The Last Witch by CJ Cooke
A Scrooge Mystery by Andreina Cordani
The Pretender by Jo Harkin
Lion Hearts by Dan Jones
The Frozen River by Ariel Lawhon
The Winter Warriors by Olivier Norek translated by Nick Caistor

I’ve read two of these and enjoyed both, particularly A Far-flung Life which is one of my books of the year so far. I definitely want to read Nonesuch, although I still need to catch up on Spufford’s other recent books as well, and I already need to read The Pretender for my Walter Scott Prize Project. Of the others, I think the CJ Cooke and Anya Bergman appeal to me most.

~

What do you think of these longlists? Have you read any of these books or are there any you would like to try?

The Curse of the Saltmarsh Girl by Clare Marchant

This is my second Clare Marchant book, following The Alchemist’s Secret which I read earlier this year. It’s also my favourite of the two – although I enjoyed both books, I found this one darker, more atmospheric and more gripping. Although I’m often critical of dual timeline novels (which this is), I thought that format worked quite well here as the modern day character has a well developed storyline of her own rather than just providing a frame for the historical thread.

The first chapter sets the tone for the rest of the book as Angel drives through a heavy sea fog on her way to stay with her brother on the North Norfolk coast. Convinced first that an animal of some kind is running along beside her car and then that the vague, murky figure of a human is actually inside the car with her, Angel begins to question why Dan has chosen to live in such an isolated, unsettling place. His home is a converted barn on the outskirts of Saltmarsh, a ruined village abandoned during an outbreak of plague in the 17th century and although Angel had wanted a quiet place to escape from her personal problems for a while, this isn’t quite what she’d expected.

In 1665, however, Saltmarsh is still a busy, thriving village. Margery has just arrived there in search of her mother who left their home in nearby Kelveton five weeks earlier to visit her other daughter who lives in Saltmarsh. She never returned, so Margery has decided to walk to the village herself to look for her – but she’s not prepared for what awaits her there. Her sister is dead and no one can tell her what has happened to her mother; in fact, the villagers are so hostile, Margery is sure they know more than they’re admitting. Lodging with Bridget and Anne, two healers who live just outside Saltmarsh, Margery is determined to get to the bottom of her mother’s disappearance, but when bubonic plague reaches the village, Margery is blamed for bringing the disease with her in the form of the mythical black dog, Black Shuck.

Black Shuck – who, depending on the legend, can be either a malicious demon or a protective creature – appears in both the historical and present day threads of the novel. Other pieces of Norfolk folklore are also woven in, such as the legend of the Lantern Men, marsh spirits associated with ghostly lights and the sound of whistling. I found the book genuinely creepy in places and although there are rational explanations for some of the things that happen, others aren’t fully explained, leaving a sense of the supernatural. There are also lots of vivid, evocative descriptions of the Norfolk coastal landscape with its treacherous marshes, all adding to the atmosphere.

Although Margery’s story was more exciting, it was interesting to see Angel uncovering the secrets of Saltmarsh. I liked the idea of symbols carved into the altar of the ruined church describing what happened in the village and Angel trying to interpret them – at first I thought it seemed a bit too convenient that anyone would do that, but then I remembered that of course there are real cases of what’s known as ‘historical graffiti’ recording important events. There are several other things tying the two narratives together as well. First, there’s a mother/daughter theme in each one. Angel, who was abandoned as a baby and adopted by two loving parents, has been contacted by a woman claiming to be her sister; Angel now has to decide whether to meet her (and potentially get to know her biological mother) but is struggling with the decision. Meanwhile, Margery, who has lost her own mother, finds that her new friends, Bridget and Anne, have become as close to her as family. There’s also a hint of romance for both Angel and Margery, but I liked the way it was only briefly touched upon in both cases, rather than becoming a big part of the plot.

I’ll look forward to Clare Marchant’s next book and will try to investigate some of her earlier ones as well.

Thanks to Boldwood Books for providing a copy of this book for review via NetGalley.

Reviewed for RIPXXI hosted by @perilreaders

The Housekeeper by Rose Tremain

Daphne du Maurier’s Rebecca is one of my favourite books, so I was intrigued when I saw that it was the inspiration for Rose Tremain’s new novel, The Housekeeper. I’ve had mixed experiences with Tremain’s books in the past, but I knew I would have to try this one.

The Housekeeper is set in the 1930s at Manderville Hall, a large country house in Cornwall. Lilianne Maria Danowski has been housekeeper there for several years, having left Poland with her father as a young girl. Danni, as she is known – or sometimes Mrs D – is happy with her job and fond of her employer, Lord Grenville-Whithers, an elderly widower. However, the old man is starting to think about the future and as he has no heir of his own, he invites his niece Adelaide to come and stay, with the intention of leaving the house to her. Adelaide is an unpleasant, overbearing woman and Danni knows she will have to tread carefully around her, particularly as she’s currently in a relationship that could cost her her job if discovered…

Danni’s lover is the author Daphne du Maurier, who has come to research her new novel and has been given permission to use Lord Grenville-Whithers’ boathouse to do her writing. The two women are immediately drawn to each other; for Danni it’s a passionate love affair and she assumes Daphne feels the same, but when Daphne’s new novel is published, Danni is left feeling hurt and betrayed by what she reads.

Lilianne Maria Danowski was not a real person; she’s a fictional character invented by Rose Tremain, but if you’ve read Rebecca you’ll be able to see the parallels with Mrs Danvers, the housekeeper at Manderley, referred to by Rebecca as Danny. Tremain imagines that Danowski was du Maurier’s inspiration for Mrs Danvers and explores how she may have felt at seeing an unflattering portrayal of herself in a book. If you haven’t read Rebecca you’re probably wondering if you need to do so before reading The Housekeeper. My answer would be no, it’s not essential, but it would definitely be a good idea as then you would be able to spot all the little echoes of Rebecca that Tremain weaves into the story.

The Housekeeper is a beautifully written novel, but I did have a few problems with it. I felt that Danni and Daphne’s relationship began very suddenly with no real build and I just didn’t feel very convinced by it. I know quite a lot about Daphne du Maurier’s history and background, having read her autobiography Myself When Young, as well as Jane Dunn’s biography Daphne du Maurier and Her Sisters, and the impression I got from those books is that she was a complex person – shy, private and reclusive, which could make her come across as distant or aloof, but also loyal and affectionate towards her close friends. There’s not much of that complexity in Tremain’s novel; her Daphne is cold, manipulative and selfish, caring more about her reputation than Danni’s feelings.

Although I didn’t care for the portrayal of Daphne, I did like Danni. I loved the little glimpses we get of her childhood growing up as a Jewish girl in Radom, Poland, and I would have liked more of that. I also enjoyed the sections of the book set after Danni’s relationship with Daphne ends and she sets up her own business as a seamstress; there’s an interesting little subplot here involving a girl for whom Danni is asked to make a wedding dress, and another featuring two other former servants from Manderville Hall.

Apparently The Housekeeper, which began as a short story several years ago, is already being adapted for film and will star Caitriona Balfe and Emma Laird as Danni and Daphne, Anthony Hopkins as Lord Grenville-Whithers and Helena Bonham Carter as Adelaide.

Thanks to Chatto & Windus for providing a copy of this book for review via NetGalley.