The Gamester by Rafael Sabatini – #1949Club

This is my second book for this week’s 1949 Club (hosted by Karen of Kaggsy’s Bookish Ramblings and Simon of Stuck in a Book). I’ve loved some of Rafael Sabatini’s other novels, so I was pleased to find that he had one published in 1949. Sabatini was born in Italy to an English mother and Italian father; he was an accomplished linguist and wrote all of his novels in English even though it was actually his sixth language!

The Gamester was Sabatini’s final book, published a year before his death. It’s set in the early 18th century and tells the story of the Scottish financier and economist John Law, the Laird of Lauriston. Many people today probably haven’t heard of Law, but he was hugely important and influential in his time, establishing France’s first central bank, the Banque Générale, which issued the country’s first paper money. He also founded the Mississippi Company to manage France’s colonial trade in America. The word ‘millionaire’ was first used to describe the company shareholders who made their fortunes in what was known as the Mississippi Bubble (before it burst in 1720). You can see how his legacy still lives on today, then.

In The Gamester, Sabatini follows John Law from the time of his arrival in France in 1715. Having escaped from prison in England, after being sentenced to death for killing a man in a duel, Law has been wandering Europe for many years, making his fortune through cards and dice. Hearing of the death of King Louis XIV of France and the establishment of the regency of Philippe d’Orléans, Law sees a chance to make himself useful to the new regime and heads straight for Paris. The novel then covers his role in founding the Banque Générale and the Mississippi Company, as well as his long-running rivalry with Count Antoine-Joseph of Horn (the villain of the book).

John Law undoubtedly led a fascinating and eventful life, but I didn’t enjoy this book as much as I’d hoped to. I think Sabatini is at his best when he’s writing about fictional characters and creating his own storylines (definitely read Scaramouche if you haven’t already!) and his books about real people feel a bit dry in comparison. Although he does take some liberties with the real John Law’s character, for example involving him more heavily than he really was in the foiling of the treasonous plot known as the Cellamare Conspiracy, in general I felt he was too constrained by historical fact to make the story feel truly exciting. This is the same problem I noted with The Minion, his novel about the Overbury Affair.

There were still plenty of things that I did enjoy about the book, particularly the parts dealing with the relationship between Law and his wife, Catherine, whom he considers bitter and shrewish. It’s obvious to the reader that there’s much more to Catherine than Law sees or appreciates, but sadly his family seem to be very low on his list of priorities – he and Catherine have children but we barely see them and aren’t even told their names. When his fortunes eventually change again and he does begin to understand what’s really important in life, we can only hope it’s not too late. It’s an interesting novel, then, with a lot going on, but the focus on money, gambling, banking and dealing in stocks and shares just didn’t really appeal to me. I’ll continue to work through his novels and hope that I get on better with the next one I try.

Top Ten Tuesday: Book Covers Featuring Autumnal Colours

This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is: “Book Covers Featuring Autumnal Colors (submitted by Wordy Witterings).”

This was more difficult than I expected, but I’ve managed to find ten covers featuring shades of orange, gold, brown or dark red. These are all books I’ve read and I’ve provided links to my reviews.

1. The Autumn Throne by Elizabeth Chadwick

2. Case Histories by Kate Atkinson

3. Bring Up the Bodies by Hilary Mantel

4. Towers in the Mist by Elizabeth Goudge

5. Hallowe’en Party by Agatha Christie

6. Sugar Money by Jane Harris

7. Excellent Intentions by Richard Hull

8. The Haunting of Hill House by Shirley Jackson

9. Answer in the Negative by Henrietta Hamilton

10. The Invention of Fire by Bruce Holsinger

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Have you read any of these? Which other books with autumnal covers can you think of?

Brat Farrar by Josephine Tey – #1949Club

This week Karen of Kaggsy’s Bookish Ramblings and Simon of Stuck in a Book are hosting another of their clubs where we all read and write about books published in the same year. This time the chosen year is 1949, which seems to have been a particularly great year for literature – last week I posted a list of my previous 1949 reviews and there were eleven of them! I have some more reviews coming this week, starting with this one, Brat Farrar by Josephine Tey, which is also on my Classics Club list.

As a baby, Brat Farrar was abandoned on the steps of an orphanage on St Bartholomew’s Day (hence the name Brat, from Bartholomew or Bart). After spending some time in America working on a ranch, he returns as an adult to England where he is spotted by Alec Loding, an actor. Loding has mistaken Brat for Simon Ashby, a young man whose family he knows well. Simon’s twin brother, Patrick, went missing eight years earlier shortly after their parent’s deaths, and was believed to have drowned himself as his coat and a suicide note were found on a clifftop. Simon is now the sole heir to Latchetts, the family estate, and is due to inherit on his twenty-first birthday, which is almost here.

Brat allows himself to be persuaded to go to Latchetts and pretend to be Patrick Ashby so that he, as the elder twin will inherit everything. Loding coaches him on the family history, the layout of the house and everything else he needs to know to be able to successfully impersonate Patrick. I’m sure if I tried to do that, I would forget it all and get caught out immediately, but Brat does an amazing job and the Ashbys are completely fooled. Or are they?

I’ve been meaning to read this book for years, ever since I read The Ivy Tree by Mary Stewart, which has a very similar plot and even references Brat Farrar several times. My previous experience of Tey’s work has been mixed – I liked The Daughter of Time and found A Shilling for Candles boring – but I really enjoyed this one. I love a good impersonation story and even did a Top Ten Tuesday post on them a while ago! Tey is thought to have taken inspiration from the real life case of the Tichborne Claimant from the 1860s.

The really intriguing thing about this book is that even though we know from the start that Brat is a participant in a deliberate fraud and therefore a criminal, we find ourselves siding with him and rooting for him anyway. This is partly because Simon, the real Ashby heir, is so unlikeable, and partly because Brat, in contrast, is quiet, kind and thoughtful and his motives for going along with the impersonation scheme seem to be not so much for the money but more for the sense of belonging – and also the chance to work with the horses at Latchetts! Naturally, this leads to some internal conflict when he finds himself growing to like and care for the family he is deceiving.

This book does require some suspension of disbelief. I felt that the Ashbys and their friends and neighbours (apart from Simon, who is immediately sceptical) were very quick to accept that Patrick had returned from the dead and I found it unlikely that anyone could really carry on a deception like that for any length of time without making mistakes and giving themselves away. But apart from that – and the focus on horses, show jumping and racing, which I could have done without – this was an entertaining read and a great choice for 1949 Club!

This is also book 8/50 from my third Classics Club list.

The Witch Elm by Sally-Anne Martyn

Midwife Melissa Hendrix has bought a house in the small English village of Heredge, ready to start a new life after being embroiled in a scandal at her previous hospital. She is also trying to escape from her ex-boyfriend who has been stalking her and she hopes he won’t be able to track her down. As she settles into her new home and job, however, she quickly discovers that things are not quite right. She can’t believe that in such a small community there are twelve women all heavily pregnant and due at the same time – and every one of them is insisting on a home birth. And why does the sinister Lucien and his Open Arms Church seem to have such a hold over everyone in the village?

In 1656, Elizabeth Wade and her parents live in the same house, Elm Tree Cottage, that Melissa will move into almost four centuries later. Elizabeth works as a servant in the household of the wealthy Radcliffe family, but she also has a knowledge of herbal remedies and when she meets a company of travelling performers she is asked to tend to one of the party, who is an invalid.

You can probably guess what’s going to happen to Elizabeth, considering the title of the book and the way female healers were regarded in the 1650s as waves of witch hunting swept across the country. I’ve read other novels about historical witches and witch trials and expected this one to be very similar, but it actually turned out to be quite different and although some parts were predictable, others weren’t. There’s a lot of emphasis on horror elements – an ancient elm tree that seems to possess magical powers, rituals and curses passed down through the centuries, strange noises and ghostly presences. The dark atmosphere and creepy village setting kept reminding me of The Craftsman by Sharon Bolton.

Melissa’s narrative alternates with Elizabeth’s throughout the book and usually I would find myself drawn more to the historical timeline – this time, though, I preferred the present day one. Melissa came to life for me in a way that Elizabeth didn’t and I enjoyed seeing her navigating the various challenges she faces in the role of midwife in a community under the thumb of an influential cult leader. As an outsider she is viewed with suspicion and wariness at first, but slowly begins to form some friendships – including one with Grizzly, the stray cat who takes up residence in her house! I would have liked to have been told more about her backstory, though, as I felt that part of the book was incomplete.

Elizabeth felt less real to me, but her story was still compelling and I thought it was interesting to read about the travelling performers (although I was slightly bothered by the use of the term ‘circus’ throughout the book as it felt anachronistic). Obviously circuses didn’t exist then in the way they do today, but small groups of entertainers like the one in the novel did, despite the bans on public theatre in Puritan England. Elizabeth’s association with these people makes her situation more dangerous, especially as the woman she is caring for also appears to be a witch. I was intrigued by the village being referred to as Heathersage in the historical chapters and Heredge in the modern ones; I’m assuming a natural corruption of the name over time, although there’s no explanation given.

The Witch Elm turned out to be a perfect October read. Sally-Anne Martyn is a new author for me, but it seems she has written three other thrillers which also sound interesting, although quite different from this one.

Thanks to Boldwood Books for providing a copy of this book for review via NetGalley.

Reviewed for RIPXXI hosted by @perilreaders

The Death of Shame by Ambrose Parry

This is the fifth and final book in Ambrose Parry’s Raven and Fisher historical crime series set within the medical world of 19th century Edinburgh. I’m sorry that it’s the last one, as I’ve enjoyed all of the books and am disappointed there won’t be any more. If you’re new to the series, I recommend reading in order starting with the first novel, The Way of All Flesh, but it’s not completely essential as the books also work as separate mysteries.

As The Death of Shame opens, Dr Will Raven is trying to establish his own medical practice, away from his friend and mentor James Simpson, the famous obstetrician. He is assisted financially by Sarah Fisher and in return has agreed to give her some training in secret as she has been disappointed in her efforts to obtain a medical degree like the American female physicians, Elizabeth and Emily Blackwell. Sarah soon has more urgent matters to deal with, however; her young niece, Annabel, was due to arrive in Edinburgh to take up a position in service, but she has gone missing and Sarah fears she may have been lured into prostitution.

Meanwhile, Raven is also having problems of his own. His father-in-law, Dr Cameron Todd, has been found dead, believed to have committed suicide, and as Raven begins to dig into the circumstances of his death he makes some shocking discoveries. His wife, Eugenie, has seemed depressed and withdrawn since the birth of their second child and Raven feels he can’t burden her with anything else, so he continues his investigation alone, afraid of what else he might learn.

The Death of Shame, like the other books in the series, is both a mystery novel and a social commentary on the darker side of life in Victorian Edinburgh. Suicide, blackmail and the trafficking of young women are just some of the topics this book tackles, along with the growing trade in pornography made possible by new developments in photography. It’s a fascinating book, although obviously quite disturbing at times as well. The Historical Note at the end is definitely worth reading as it provides more information on some of the subjects covered in the book, as well as explaining which characters are real or inspired by real people.

Ambrose Parry is a pseudonym of the husband and wife writing team consisting of crime author Chris Brookmyre and consultant anaesthetist Dr Marisa Haetzman. With their different skills and areas of knowledge, they both bring something special to the writing of these novels. I felt that this particular book didn’t have as much medical detail in it, but with the inclusion of real life doctor Emily Blackwell it does explore the prejudice towards women in medicine and the lack of opportunities for study, as well as looking at the difficulties even qualified male doctors like Raven face in setting up a new medical practice and trying to convince patients to entrust them with their care.

This book brings the series to a satisfying conclusion, although I think there was still more that could have been written about Will and Sarah and I’m sorry that their story has come to an end. The good news is that there’s an Ambrose Parry short story I haven’t read yet, so at least I still have that to look forward to!

Reviewed for RIPXXI hosted by @perilreaders

#1949Club – Some previous reviews

1949 Club, hosted by Stuck in a Book and Kaggsy’s Bookish Ramblings, starts on Monday and we will all be reading and writing about books published in that year. It seems to have been a particularly great year for publishing – I have previously reviewed eleven books on my blog and thought I would list them before the week begins. If you haven’t decided what to read yet, maybe you can find some inspiration here!

The Parasites by Daphne du Maurier – After a slow start, I loved this book about three siblings looking back on their childhood and wondering whether they really were ‘parasites’, as a family member once described them. Since reading this book several years ago, I have read some biographies of du Maurier and can see how some elements of the novel were inspired by her own childhood.

Alice by Elizabeth Eliot – This is one of several Elizabeth Eliot novels published by Dean Street Press. Although the title is Alice, the story of Alice’s life actually unfolds through the eyes of her best friend, Margaret, the narrator. I found it dark in places but also amusing and entertaining and I’m sure I’ll be reading more books by Eliot.

The Noh Mask Murder by Akimitsu Takagi – I loved this Japanese crime novel, which is now available from Pushkin Press in a new English translation by Jesse Kirkwood. It’s a very enjoyable locked room mystery and I found it interesting to learn about Japan in the post-war period, as well as the different types of masks used in Japanese theatre.

The Hatter’s Ghosts by Georges Simenon – This is one of Simenon’s short psychological thrillers, which he referred to as romans durs, or ‘hard novels’. It’s an atmospheric, unsettling novel set in a rainy La Rochelle. I read it in an English translation by Howard Curtis.

Crooked House by Agatha Christie – You can always count on Agatha Christie to have had a book published in the relevant year! This is one of her standalones (no Poirot, Miss Marple or Tommy and Tuppence) and concerns the murder of Greek businessman Aristide Leonides. It’s a clever mystery with lots of suspects – and of course, I didn’t manage to solve it.

Gentian Hill by Elizabeth Goudge – I love Elizabeth Goudge’s novels, although this isn’t one of my favourites. It’s set in Devon during the Napoleonic Wars and revolves around the love story between Stella, an adopted girl who lives on a farm, and Zachary, a young sailor who deserts his ship and comes to the farm looking for work. Although the romance didn’t really convince me, I loved the setting and the local legends and folklore woven into the plot.

Vittoria Cottage by DE Stevenson – This is the first in Stevenson’s trilogy about the Dering family who live in Ashbridge, a quiet English village. Like many of Stevenson’s books, this is a gentle, comforting novel with a heroine – Caroline Dering – I liked immediately. I still need to read the other two in the trilogy.

Little Boy Lost by Marghanita Laski – This is one of my favourite books published by Persephone. It follows the story of Hilary Wainwright who is trying to track down his little boy who disappeared in Paris during the war. It’s such a suspenseful story – you hope there will be a happy ending for Hilary and his son but there’s no guarantee that there will be.

In a Dark Wood Wandering by Hella S Haasse – First published in Dutch, I read this in an English translation by Lewis C Kaplan. It’s a beautifully written historical novel set in France and England during the Hundred Years’ War and it follows the story of Charles of Orléans throughout this turbulent period of history.

Deadly Duo by Margery Allingham – This is a pair of novellas – Wanted: Someone Innocent and Last Act. As far as I can tell, the former was originally published in 1946 but Last Act appeared for the first time in this collection, which was published in 1949. Both of them are crime stories and I preferred the first one to the second.

Head of a Traveller by Nicholas Blake – Nicholas Blake was a pseudonym of the poet Cecil Day-Lewis and under this name he wrote a series of mysteries featuring Nigel Strangeways, a private investigator. Head of a Traveller is the ninth book in the series and in this one Nigel is investigating a murder at a country estate owned by a poet.

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Have you read any of these? Will you be taking part in 1949 Club and if so, what will you be reading?

The Well by Elizabeth Jolley

Elizabeth Jolley is not an author I’ve ever come across before, but when I saw The Well on NetGalley I decided to give it a try. It sounded intriguing and suitably dark for the RIP XXI challenge. Originally published in 1986, the book has recently been reissued by Virago with a new introduction by Alice Slater. I saved the introduction until the end in case of spoilers, but it’s definitely worth going back and reading it.

The novel opens late at night with two women driving home from a party. One is Miss Hester Harper; the other is her adopted daughter, Katherine. As Katherine is almost ready to take her driving test, Hester allows her to get behind the wheel for practice. Due to a combination of inexperience and recklessness, Katherine hits an object on a bend in the road. Hester gets out to investigate and, although she doesn’t say exactly who or what the car has hit, the implication is that it’s a person. Acting impulsively and out of desperation, Hester urges Katherine to continue driving home so they can throw the body down the well in their yard and pretend nothing has happened.

Home for Hester and Katherine is a wheat and sheep farm in rural Western Australia. The two women have lived there alone since Hester inherited the farm from her father and because it’s so isolated, they are able to successfully dispose of the body without anyone knowing what they’ve done. Hester hopes they can put the incident behind them and move on, but Katherine is haunted by what happened and begins to spend more and more time alone at the well…

The drive home, the accident and the decision to hide the body all happen within the first ten pages of the book; we then go back to an earlier period in time with Hester remembering how the teenage, orphaned Katherine first came to live with her and how their relationship developed. We also get some glimpses of Hester’s childhood and her infatuation with her German governess, Hilde Herzfeld.

When we meet Hester as an adult in the book’s present day, it’s not stated exactly how old she is but she describes herself as middle-aged and of ‘advancing years’. Her feelings for the much younger Katherine seem to mirror her obsession with Hilde all those years ago. Her love for Katherine is intense and possessive, she’s jealous of Katherine’s friendship with a girl from the orphanage, and she’s afraid that Katherine will go away and leave her. It seems likely that she’s a lesbian, but like a lot of things in the book it’s left open to interpretation.

Later in the novel we return to the story of the body in the well and the atmosphere becomes darker as Katherine, consumed by guilt, begins to have fantasies about what is really down there. Although there were times in the first half of the book when I felt bored, I found the second half more gripping and quite unsettling. I was a bit disappointed by the ending, though, as it’s very abrupt and, again, difficult to interpret. The only other problem I had with the book was Katherine’s way of speaking, which feels unrealistic and unnatural; it’s partially explained by Hester’s observation that Katherine likes to mimic the American celebrities she admires, but I was still irritated by it!

The story has a timeless feel; I’m not sure if we’re told exactly when the story takes place – Katherine’s favourite actor is John Travolta, so it’s presumably set around the time it was published in the 1980s, but otherwise it could easily have been much earlier in the 20th century. Overall, despite my criticisms, I found The Well a fascinating and unusual novel.

Thanks to Virago for providing a copy of this book for review via NetGalley.

Reviewed for RIPXXI hosted by @perilreaders