Charles Dickens’ Bleak House is a book that, like Middlemarch by George Eliot, I have attempted to read before but abandoned after a few chapters. This summer I took part in a Middlemarch readalong and finally finished the book (and ended up loving it) so I’m hoping that this Bleak House readalong will be equally successful. I’ve read Chapters 1-7 this week and have now passed the point where I lost interest and stopped reading the last time.

In Bleak House, Dickens divides the narrative between an orphan called Esther Summerson and an unnamed omniscient narrator, which is an interesting technique but one that isn’t really working for me. The book begins by telling us about a long-running court case called Jarndyce and Jarndyce, which has gone on for so many years that the original parties in the suit are now dead and nobody can remember what it was about. In the opening chapter Dickens tells us about the fog that is enveloping London, which can be seen as a metaphor hinting that the court case and much of the following story is going to be shrouded in fog as well.

“Fog everywhere. Fog up the river, where it flows among green aits and meadows; fog down the river, where it rolls defiled among the tiers of shipping and the waterside pollutions of a great (and dirty) city. Fog on the Essex marshes, fog on the Kentish heights. Fog creeping into the cabooses of collier-brigs; fog lying out on the yards, and hovering in the rigging of great ships; fog drooping on the gunwales of barges and small boats…”

When Ada and Richard, two wards of court, are sent to live with John Jarndyce in his home, Bleak House, Esther is asked to accompany them. At the moment we don’t know why this is, or how Esther is connected with the Jarndyce suit. On their way to Bleak House, they meet a variety of interesting people including Mrs Jellyby, who seems more interested in Africa than in her own family, an eccentric old lady who has been closely following the Jarndyce case, and the old lady’s landlord, Mr Krook.

The first seven chapters are concerned with setting the scene and not much has happened yet. I’m not really a lover of long descriptive passages but most of those were confined to the first two chapters. From the third chapter onwards, when the story really began, I started to enjoy it.

We are introduced to a huge number of characters in the first seven chapters. So far I’ve found it easy enough to remember who they all are, but I suspect that it might get more confusing later. One of the problems I had on my first attempt at reading this book was that Esther irritated me – and unfortunately she’s still irritating me this time. I hope I’m going to like her more as the book continues. I also dislike Mr Skimpole. He takes money from Richard and Esther to pay his debts, but everyone seems to think that’s okay because he’s such a harmless, childlike person.

“When you come to think of it, it’s the height of childishness in you — I mean me —” said Mr Jarndyce, “to regard him for a moment as a man. You can’t make him responsible. The idea of Harold Skimpole with designs or plans, or knowledge of consequences! Ha, ha, ha!”

So far I’m undecided about this book. I’m not loving it yet, but I’m not hating it either. Although Bleak House is a very long book (over 700 pages in my edition) and I’m only around 80 pages into it, I don’t think I’ll have any trouble finishing it. I found with the Middlemarch readalong that making a long classic my secondary book to read alongside several shorter books is a method that works perfectly for me.

I’ll try to post another progress update next Wednesday, when I hope to be able to tell you that I’ve started to love the book!

You can see other participants’ thoughts at The Zen Leaf.