Category: Historical Fiction

The Queen and the Countess by Anne O’Brien

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I’ve been looking forward to reading Anne O’Brien’s new novel as it’s set in one of my favourite periods of history, the Wars of the Roses. O’Brien has written about this period before, from the perspectives of Anne Neville in Virgin Widow (which I haven’t read) and Cecily Neville in The Queen’s Rival, but this book is slightly different because it focuses on not just one woman but two: Margaret of Anjou, wife of Henry VI, and Anne Beauchamp, Countess of Warwick.

The two women take it in turns to narrate their story, alternating chapter by chapter throughout the book and beginning in 1458 with the Loveday Parade – a procession through London intended to promote peace between York and Lancaster, the two feuding branches of the royal House of Plantagenet. In the parade, Queen Margaret walks hand-in-hand with the powerful Duke of York, while Anne watches her husband, Richard, Earl of Warwick, walk with his rival nobleman, the Duke of Exeter. The peace is very short-lived, however, and the following year York and Lancaster are at war again.

As the mental health of the Lancastrian king, Henry VI, goes into decline and he gradually retreats from real life into a world of prayer, Margaret does her best to rule in his place, aiming to keep the throne safe for Prince Edward, their young son. When Margaret’s army is defeated in battle and Warwick helps to put the Yorkist heir, Edward IV, on the throne, it seems that her life is in ruins, but it’s not long before Warwick falls out of favour with the new king and comes to her ready to form a new alliance with Lancaster. Meanwhile, Anne stays loyal to her husband throughout all of this but, with no real influence over his decisions, she can only hope that he’s picked the right side this time…

I was intrigued by O’Brien’s decision to pair Margaret of Anjou’s story with the Countess of Warwick’s in this book. There are so many other interesting women from this period – Margaret Beaufort, the mother of Henry Tudor; Edward IV’s wife Elizabeth Woodville and her mother Jacquetta, to name a few – it seemed like a bit of an arbitrary choice to put these two together, but as I read on and saw the shape the novel was starting to take it did make sense. Margaret and Anne are at first on opposite sides of the conflict, then on the same side, but in the difficult position of never fully being able to trust each other, which is an interesting dynamic for O’Brien to explore. Although they are two very different women, there are some parallels between them which begin to emerge as the novel progresses.

This is an eventful and dramatic period of history, so there’s always something happening in the novel – a battle to be fought, a marriage to be negotiated, a plan for invasion to be put into place. Using two narrators rather than one gives O’Brien a wider scope instead of being limited to one character’s personal experiences. However, the two threads of the story come together now and then through a series of fictional letters sent between Margaret and Anne. I’ve no idea if they really corresponded or not (I don’t think there’s any evidence of it, and if they ever did, I doubt it would have been as often as depicted in the book) but it’s a nice touch and makes the lives of the two characters feel less separate and disconnected.

The narrative voices of the two women sound almost identical, so I had to pay attention to the section headings, otherwise it sometimes took me a few paragraphs to decide which of them was narrating. Margaret of Anjou never really seems to be portrayed in a very positive light and she’s not very likeable here either, but I could at least have some sympathy for her. She was in a very challenging situation, trying to hold onto the throne for Lancaster with a husband who didn’t understand what was going on and who was by now completely incapable of ruling. Anne is a much easier character to like, but then, she doesn’t have the difficult decisions to make that Margaret does. Things aren’t easy for Anne either, though, as her fate is determined by the actions of her husband, Warwick, and while she does involve herself in politics to a degree, she has very little say in the course her life will follow.

This is ultimately quite a sad story – anyone familiar with the Wars of the Roses will know what happens to Margaret, her husband and her son, and how Anne’s later life plays out (at one point she’s declared legally dead while still alive in order to settle an inheritance dispute) – but I enjoyed reading it. It was nice to see some links to O’Brien’s previous novel, A Court of Betrayal, whose heroine, Johane de Geneville, was an ancestor of Anne Beauchamp’s – something I wasn’t aware of until I started reading this book and Anne mentioned her great-great-grandmother! I’ll look forward to O’Brien’s next book, whatever it may be, but I should probably try to find time to go back and read the earlier ones that I’ve missed as well.

Thanks to Orion for providing a copy of this book for review via NetGalley.

The Heart in Winter by Kevin Barry – #ReadingIrelandMonth25

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When I first heard about The Heart in Winter last year, despite seeing some very positive reviews I decided I wasn’t interested in reading it as it didn’t sound like my sort of book. After it was longlisted for the Walter Scott Prize earlier this year, I wondered if I’d been too quick to dismiss it and as Kevin Barry is an Irish author, I decided to try reading it for Reading Ireland Month (hosted this month by Cathy of 746 Books).

When I started reading, it seemed that my fears about it were justified. It’s a western, set in 1890s Montana, with lots of drinking, lots of swearing and lots of sex. Worse, there are no quotation marks to indicate speech, something I always dislike and find distracting. Still, I was prepared to give it a chance and persevere…

Tom Rourke is an Irishman living in Butte, Montana, where he works as a photographer’s assistant and a writer of love letters for illiterate men hoping to find wives. He’s also a drunk and an opium addict, drifting through life with no real aim or direction. Everything changes for Tom when Polly Gillespie arrives in town. Polly is newly married to an older man, Anthony Harrington, the fanatically religious captain of a copper mine. She’s already having doubts about her marriage, so when she and Tom fall in love, they decide to run away together. Stealing a horse, they head out across Montana and Idaho, hoping to make it all the way to California, but Harrington won’t let his bride escape that easily and soon a posse of gunmen are in pursuit.

Once Tom and Polly left Butte and set out on their journey, I started to feel much more engaged with the story. Although their romance was very sudden (literally love at first sight, with no time to show how their relationship developed), I still found it convincing and could easily believe that these two flawed, lonely people would form an instant connection. The narrative is split between Tom and Polly on the run and Harrington’s men who are hunting them down and although it seems that the odds are against the young lovers, I still hoped things would work out for them and they would find the happiness they deserved.

I wish I could say I loved this book the way everyone else has, but that wouldn’t be true. However, I did find a lot of things to admire in it, particularly the way Barry’s use of language brought the setting so vividly to life. There are also some very colourful supporting characters, both in Butte and among the people Tom and Polly meet on their travels. As I mentioned earlier, though, I really hate the current trend for not using punctuation correctly. If the idea is to make the prose feel more immersive, it does the exact opposite for me. Apart from that, I think I’m just not a fan of westerns in general. I did enjoy Patrick deWitt’s The Sisters Brothers, but the other westerns I’ve tried since then haven’t really worked for me, not even Days Without End by Sebastian Barry, whose work I usually love.

I won’t be at all surprised if this book is shortlisted for the Walter Scott Prize next month or even if it turns out to be the eventual winner. I just wasn’t the right reader for it, but I’m still glad I tried it and got to know Tom and Polly.

Moonfleet by John Meade Falkner

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I added Moonfleet to my Classics Club list after seeing some very positive reviews from other bloggers and thinking it sounded like something I might enjoy. It’s an adventure story and was apparently very popular when it was published in 1898, although it seems to have been overshadowed by similar books like Treasure Island and Kidnapped. Modern authors are still influenced by it, though, such as Alex Preston, who named it as the inspiration for his 2022 novel, Winchelsea.

Moonfleet is set in the 18th century and is narrated by John Trenchard, a fifteen-year-old orphan who lives with his aunt in the village of Moonfleet on the south coast of England. The village takes its name not from the moon but from a prominent local family, the Mohunes. Generations of Mohunes are buried in the family vault under the church, including the notorious Colonel John ‘Blackbeard’ Mohune who once stole a diamond from King Charles I and hid it in a secret location. According to legend, his ghost now walks the churchyard trying to find the hidden jewel.

One night, John Trenchard finds himself accidentally locked in the Mohune vault where he discovers a locket containing a scrap of paper with what appear to be clues to the location of the missing diamond. He also makes another discovery: a group of local smugglers are using the vault as a hiding place for their contraband. He is rescued by two of the smugglers – the innkeeper Elzevir Block and Master Ratsey, the church sexton – and now that he knows their secret, he becomes involved in their smuggling operations. When an encounter with the excisemen ends in violence, John and Elzevir are forced to flee and as they’re unable to return to Moonfleet, they decide to go off in search of Blackbeard’s diamond.

Although this is usually described as a children’s book, like most classics it can also be enjoyed by adults. As it was published in the 19th century, the writing style is naturally very dated now, but I think there should still be enough to keep both older and younger readers interested – as well as the smugglers, hidden treasure and haunted churchyards, there are sea voyages, shipwrecks, coded messages, curses and even a touch of romance (John is in love with Grace, daughter of the novel’s villain, the magistrate Maskew). Later in the book, there’s also a surprising amount of emotional depth as a relationship forms between John, who has grown up without a father, and Elzevir, who has lost a son.

Moonfleet itself is a fictional village, but is based on East Fleet near Chesil Beach in Dorset. The geography of the area plays a big part in the book, with descriptions of the high cliffs, secluded bays and hidden coves that make the coastline ideal for smuggling. It’s just as important to the story as the characters and the plot. I enjoyed the book, although I don’t think it would have been a favourite classic even if I’d read it as a child. Still, I found it entertaining and perfect escapism, which is something I think most of us need now and then! It seems Falkner only wrote two other novels, The Lost Stradivarius and The Nebuly Coat; if you’ve read them, I’d love to know what you thought.

This is book 46/50 from my second Classics Club list.

Murder at Gulls Nest by Jess Kidd

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I’ve read three books by Jess Kidd and so far they’ve all been completely different. This new one, though, is described by the publisher as ‘the first in a sparkling new 1950s seaside mystery series’, so presumably she’s going to stick with one style and genre for her next few books. The series stars Nora Breen, a former nun who has left the convent that has been her home for the last thirty years. She’s an interesting and unusual character and I enjoyed meeting her in this first novel, Murder at Gulls Nest.

Gulls Nest is a guest house in the seaside town of Gore-on-Sea on the southeast coast of England. It’s also the last known address of Frieda, who was once a novice at Nora’s convent before leaving the order and promising to keep in touch. Frieda had been a good friend of Nora’s and when her letters stop arriving, Nora becomes so worried that she also decides to leave and travel to Gore-on-Sea to find out what has happened. Once at Gulls Nest, Nora learns that Frieda disappeared one night without explanation, yet no one else seems to be concerned about it, including the police. Convinced that something bad must have happened to her friend, Nora takes the room that was once Frieda’s and begins to investigate.

As Nora gets to know the other lodgers, she discovers that some of them are not what they seem and appear to be hiding secrets. Then a murder takes place, which may or may not be linked to Frieda’s disappearance. Nora is sure that if she can solve one crime it could provide clues to the other, but Inspector Rideout makes it clear that the police don’t want or need the assistance of a middle-aged ex-nun. Of course, Nora isn’t going to give up that easily!

Murder at Gulls Nest is as entertaining as I’ve come to expect from Jess Kidd’s books, with her usual array of colourful, quirky characters. Some of the most memorable are Professor Poppy, an elderly puppeteer who runs a Punch and Judy show; Dinah, the young daughter of the Gulls Nest landlady, who never speaks but sees everything that’s going on; and the exasperated Inspector Rideout, who wants Nora kept away from his investigation at all costs. I loved Nora’s relationship with Rideout and look forward to seeing how it continues to develop in the next book. As for Nora herself, although I couldn’t quite believe that she had until recently been a nun, I did like her as a character and enjoyed seeing her interacting with the other residents of Gore-on-Sea. I particularly loved the chapter where she’s invited to afternoon tea with the vicar and his ‘family’ – and I won’t spoil the fun by telling you what happens there!

At times this felt like a parody of a mystery novel rather than one to be taken too seriously, but at other times it became surprisingly dark, which kept things interesting all the way through. There’s also a good sense of time and place, bringing the 1950s British seaside setting to life. I hope we don’t have to wait too long for the second book.

Thanks to Faber & Faber for providing a copy of this book for review via NetGalley.

Clear by Carys Davies – #ReadingWales25

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Clear is a book I hadn’t really considered reading until it appeared on the Walter Scott Prize longlist in February and I was pleased that I was still able to get a copy through NetGalley. Carys Davies is also a Welsh author, which is perfect for Reading Wales Month ’25, hosted this year by Karen at BookerTalk.

Clear is a beautifully written novella set in 1843 and telling the story of a friendship that forms between two men who should be enemies. John Ferguson is one of many evangelical ministers who have broken away from their church to form the Free Church of Scotland. Having given up his job and his home to establish this new church, John is struggling financially and, out of desperation, accepts an offer of work from a landowner who wants him to travel to a remote Scottish island and evict the last remaining tenant from the land. Forced evictions like these, known as Clearances, have been happening all over the Scottish Highlands as landlords remove the people living on their estates so that they can use the land for other purposes such as sheep farming. It’s a traumatic and often cruel process and not something John is looking forward to being part of.

The man John will have to evict is Ivar, who has lived alone on his island in the far north of Scotland since the deaths of his remaining family members. It’s an isolated life, but Ivar is content and has his horse, Pegi, for company. One day, he finds a man unconscious on the beach under the cliffs and takes him to his home to nurse him back to health. This is John Ferguson, who has met with an accident soon after arriving on the island. Ivar finds a picture of John’s wife, Mary, in his belongings and becomes infatuated with her, the first woman he’s seen for a long time – but as the injured man begins to recover, Ivar switches his affections to John himself. He has no idea why John is there, however, and because the two men speak different languages, he’s unable to ask.

Language forms an important part of the novel. Ivar speaks only Norn, a now extinct language once spoken in Shetland and Orkney, and John speaks English with a small amount of Scots. Over the course of the book, we see how two men unable to communicate in words are still able to bond and connect until eventually they do begin to learn each other’s language. In her author’s note Davies explains how the novel was inspired by Jakob Jakobsen’s Etymological Dictionary of the Norn Language in Shetland and she scatters Norn words throughout the book with a glossary at the back. Norn appears to have been a fascinating language; John is surprised to discover how descriptive it is and how many different words there are for mist, fog, wind and other types of weather.

Some parts of the novel are written from the perspective of Mary, John’s wife, who becomes concerned about the work her husband has been sent to do – she’s heard that the evictions can be unpleasant and violent – and decides to follow him to the island. I enjoyed reading Mary’s story and thought her sections of the book perfectly complemented Ivar and John’s. Mary’s thread of the novel comes together with the others near the end, and although I’m not going to tell you how the book ends I can say that it wasn’t what I expected but I was quite happy with it!

Carys Davies’ writing is beautiful and also very readable and I found this a quick, absorbing read. For such a short book, there’s a lot packed inside it. It reminded me a lot of Claire Keegan’s novella Small Things Like These, so if you enjoyed one book I would recommend trying the other.

Thanks to Granta Publications for providing a copy of this book for review via NetGalley.

The Lost Passenger by Frances Quinn

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Frances Quinn’s That Bonesetter Woman was one of my books of the year in 2022 and I didn’t really expect her new one, The Lost Passenger, to live up to it. Well, I’m pleased to say that I thought it was even better!

The novel begins in England in 1910. Nineteen-year-old Elinor Hayward is the daughter of a wealthy Manchester mill owner known as ‘the cotton king’, but when she marries Frederick Coombes, the son and heir of Lord and Lady Storton, she finds herself being looked down upon by her aristocratic in-laws. It seems that nothing she says or does is good enough for them and although Frederick himself is not unkind, it quickly becomes obvious that he doesn’t love her and it’s not going to be the happy marriage she had dreamed about. Worse still, when their first child, Teddy, is born, he is immediately taken away to be raised by a nanny and it is made clear to Elinor that she’s to have very little involvement in his upbringing.

After two unhappy years, Elinor is thrilled when her father buys tickets for the Titanic and invites her to join him on the ship’s maiden voyage, along with Frederick and Teddy. It’s a chance to see more of the world, but also to finally spend some precious time with her little boy. Of course, the voyage ends in tragedy but Elinor and Teddy are lucky enough to be rescued after the ship goes down. When asked for her name so a list of survivors can be compiled, it occurs to Elinor that this is the only opportunity she’s ever going to have to escape from her old life. Before she has time to really think about the consequences, she finds herself giving another woman’s name and taking on a fake identity. But will she be able to avoid being caught – and will the new life she builds for herself in New York be worth the deception?

Frances Quinn has a real gift for creating characters the reader can get behind and root for. I liked Elinor from the beginning and she had my full sympathy in having to deal with the vicious snobbery of Lady Storton and the disappointment of a loveless marriage. Her life with Frederick and his family is so stifling and unhappy that even though the decision she makes after the sinking of the Titanic is questionable, it’s also very understandable. Although this first section of the novel is quite slow, I think it was necessary for Quinn to spend plenty of time showing us how trapped Elinor felt and how desperate she had become.

Many books have been written about the Titanic, but this one is different. The Titanic is not the main focus of the story but is a starting point to explore how Elinor makes the most of the second chance she has been given. However, I still felt that Quinn handles the disaster sensitively and with respect for the victims. She writes about the failings of the evacuation process, the conditions experienced by those who make it into a lifeboat and the realisation that there’s no hope for the hundreds left on board, but she doesn’t go into too much detail on any of these things. Instead of concentrating on the disaster itself, she focuses more on the survivors and how they try to cope with the trauma they’ve suffered and move forward with their lives.

The second half of the book is devoted to Elinor’s arrival in New York and how she goes about trying to build a happier future for herself and Teddy. I’m deliberately not saying much more because I want you to enjoy discovering the rest of Elinor’s story for yourself (everything else I’ve talked about so far is already touched on in the publisher’s blurb for the book). It’s both fascinating and inspirational to see how Elinor is able to create a whole new life out of the ruins of her old one, but at the same time there’s always the risk that someone who knew her before could see her and give her away her secret.

I loved this book and as I haven’t read her first one, The Smallest Man, yet, I still have something to look forward to!

Thanks to Simon and Schuster UK for providing a copy of this book for review via NetGalley.

The Impossible Thing by Belinda Bauer

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I loved this! I remember enjoying Belinda Bauer’s first two books, Blacklands and Darkside, around the time they were published in 2009 and 2011 respectively, but I seemed to lose track of her work after that. When this one caught my eye, I decided to give it a try and I’m very pleased that I did. The plot is completely different from any other crime novel I’ve read.

The Impossible Thing is a novel set in two different periods almost one hundred years apart and linked by the same crime – the theft and illegal trading of wild birds’ eggs. In 1926, gangs of ‘egg-climmers’ gather on the Yorkshire coast and lower each other from ropes over the cliffs to steal eggs from the seabirds nesting there. Traders and collectors are willing to hand over large sums of money for the most rare and beautiful eggs, so when little Celie Sheppard from Metland Farm makes the dangerous descent through a crack in a ledge of rock and obtains a perfect red guillemot egg, it creates a sensation.

In the present day, in rural Wales, Patrick Fort decides to visit his friend, Nick, and arrives just in time to discover that both Nick and his mother have been tied up and robbed. The only thing stolen is an old wooden box containing a red egg. Nick had found the egg in the attic and put it on eBay, only for it to be taken down almost immediately for breaching eBay’s policy on selling illegal items. It seems that, even in the short space of time it was advertised, someone saw it, tracked it down to Nick’s address and decided they must have it no matter what. Although Nick had no idea that owning birds’ eggs was illegal, he is afraid to admit to the police that he had one, so he and Patrick set out to find the thief themselves.

This is definitely the first book I’ve read about egg trafficking! It’s an unusual subject for a crime novel, but Bauer builds a story around it that I found completely fascinating and unexpectedly exciting. I assumed that everything in the book was fictional, so I was interested to learn that the red Metland Egg really existed – or to be more accurate, Metland Eggs, as one was collected every year for over twenty years from the same location on the Bempton Cliffs near Bridlington. Something I learned from the novel is that female guillemots lay only one egg a year and if it is stolen, they will return to the same spot the following year to lay an almost identical egg. It made me feel sad to think of the bird that laid the red eggs never actually getting to see one hatch and I’m so glad that the Protection of Birds Act 1954 made egg theft illegal in the UK – even though it hasn’t stopped it completely, it’s a big step in the right direction.

Patrick Fort, the main character in the present day sections of the novel, was apparently introduced in a previous Belinda Bauer novel, Rubbernecker, which I haven’t read. I can see why she decided to bring him back for a second book, because he’s a very engaging, intelligent and likeable character. Patrick has a form of autism which affects his social interactions, but he has a good friend in Nick, who understands why he sometimes behaves the way he does. I loved seeing them work together to hunt down the egg thieves and I must go back and read about their earlier adventures in Rubbernecker!

The historical sections are also very well done and the scenes where young Celie Sheppard is dangled over the cliff in search of the eggs are very dramatic; I can’t imagine how dangerous and terrifying that would be, yet Celie did it year after year from such an early age. At least she was rewarded financially for her efforts, at a time of poverty when her family desperately needed the money. It was interesting to see how big and well organised the egg trafficking industry was in those days, with collectors and traders prepared to go to great lengths – and great expense – to obtain the rarest and most unusual eggs.

I picked a great book for my return to Belinda Bauer after such a long time and am looking forward to reading the others that I’ve missed.

Thanks to Bantam for providing a copy of this book for review via NetGalley.