Water by John Boyne – #NovNov23

Water is the first in a planned quartet of novellas named after the four elements and linked by some shared characters and themes. I’ve enjoyed many of John Boyne’s longer novels so I was intrigued to see what he could do with a shorter format.

We begin with Vanessa Carvin arriving on an island off the coast of Ireland where she has rented a cottage in the hope of escaping from her past and starting a new life for herself. The first thing she does when she gets there is cut her hair and change her name to Willow, before settling into a quiet existence, going for walks, attending church and trying not to attract too much attention to herself.

The whole book is narrated by Willow and she reveals her secrets to the reader slowly, when she is ready to do so, but we know from the start that something has gone badly wrong with her marriage to Brendan Carvin, Director of the National Swimming Federation. Where is he now? What happened to their eldest daughter, Emma? Why is Willow estranged from her younger daughter, Rebecca, who refuses to answer her texts and keeps blocking Willow’s number? It takes a while for the truth to emerge but, once it does, it gives Boyne the opportunity to return to the themes he has explored in other books such as A History of Loneliness and All the Broken Places (Father Odran Yates, protagonist of the former, is even referred to once or twice as a friend of Brendan’s, strengthening the tie between the two books). These themes include the questions of whether we can be considered complicit in another person’s crimes just by choosing to look the other way when our instincts tells us something is wrong and whether there is always more we could and should have done.

Water is the title of the book, but that element is also worked into the novel in a variety of different ways. Not only is Willow’s husband a swimming coach, but the sea has a role to play in the fate of one of the other characters and Willow’s own name refers to a tree that grows by water. And of course, the island itself is surrounded by water, both physically and metaphorically separating Willow from her old life in Dublin. For such a short book (176 pages in the hardback edition) it’s a very powerful one. It deals with some difficult and uncomfortable topics but, as I’ve come to expect from Boyne, there are also some humorous moments to lighten the mood. I can’t wait to see how he tackles the other three elements; I’m already looking forward to the second book in the series, Earth, which is due in May 2024.

Thanks to Doubleday for providing a copy of this book for review via NetGalley.

The Progress of a Crime by Julian Symons

Remember, remember, the Fifth of November,
Gunpowder, treason and plot,
I see no reason why gunpowder treason,
Should ever be forgot

It’s the fifth of November today, so no better time to review one of my recent reads, Julian Symons’ The Progress of a Crime, first published in 1960 and subtitled A Fireworks Night Mystery. For those not in the UK or familiar with British culture, this is the night when people traditionally light bonfires and set off fireworks to mark the anniversary of when Guy Fawkes was caught preparing to blow up Parliament with gunpowder in 1605. The Progress of a Crime, the first book I’ve read by Julian Symons, deals with a murder committed at a Bonfire Night celebration.

Hugh Bennett, reporter with the Gazette, has been covering a news story in the village of Far Wether on November the fifth and decides to stay on to watch the lighting of the bonfire on the village green. However, he witnesses more than just a fire that evening when a gang of youths arrive and begin throwing fireworks and causing a disturbance. Things escalate and a man is stabbed to death, but although there are many witnesses, in the darkness nobody is able to say with any certainty which of the boys was the culprit.

All of the group are arrested and questioned, but two quickly emerge as the most likely suspects: the leader, Jack ‘King’ Garney, and his most faithful friend, Leslie Gardner. There’s enough evidence to bring the two to trial and Hugh Bennett is drawn into the investigations due to both his role as a local journalist and as a witness to the crime. Hugh has his own opinions on what happened in Far Wether that night, but when he begins to fall in love with Jill Gardner, Leslie’s sister, things become more complicated.

The Progress of a Crime is an interesting portrayal of society in the early 1960s, but will probably disappoint anyone looking for a more conventional mystery novel. There’s very little suspense and not much actual ‘detecting’ as there are only really two suspects and we know who they are from the beginning. The most exciting part of the book comes in the second half when Garney and Gardner stand trial and we are given some insights into the preparations for the court case, the cross examining of the witnesses and the tensions between family members as they worry over what will happen in court.

According to Martin Edwards’ introduction, Symons took his inspiration for this novel from a real crime, and the book as a whole does feel realistic and gritty. It explores a range of topics including the causes and consequences of juvenile crime, the methods of extracting information used by the police, and the role of the press in reporting on the investigations and maybe even influencing the outcome. This British Library Crime Classics edition also features a short story by Symons, The Tigers of Subtopia, which has obviously been selected for inclusion because it covers similar themes. I can’t really say that I enjoyed either the novel or the short story as I found them quite bleak and depressing, with some very unlikeable characters, but they are interesting from a social history perspective and I would be happy to read some of Symons’ other books.

Benighted by J.B. Priestley

This is the first book I’ve read by J.B. Priestley and a great choice for this time of year. Published in 1927, it was filmed as The Old Dark House in 1935, although I don’t think I’ve seen it so can’t comment on how similar or different it is from the book.

The novel begins as married couple Philip and Margaret Waverton, accompanied by their friend Roger Penderel, get caught in a storm as they try to drive home through the Welsh countryside one night. The rain is torrential and with the roads starting to become impassable, they decide to seek shelter in an old, crumbling mansion, the only house they can see for miles around. It doesn’t look very inviting…

It was the house itself that was so quiet. Driving up like this, you expected a bustle, shadows hurrying across the blinds, curtains lifted, doors flung open. But so far this house hadn’t given the slightest sign in spite of its lighted windows. It seemed strangely turned in upon itself, showing nothing but a blank face in the night. You could hardly imagine that great front door ever being opened at all.

The door is eventually opened by a huge, silent butler and as the trio step inside their sense of unease continues to grow. The house is home to the Femms – the strange and nervous Horace and his fanatically religious sister, Rebecca. The Femms reluctantly allow them to stay for the night, but it quickly becomes obvious to the visitors that they’re unlikely to get much sleep in such an eerie, unwelcoming house. After a while, they are joined by two more people looking for shelter – Sir William Porterhouse, a wealthy businessman, and Gladys du Cane, a chorus girl. The rest of the novel describes the unpleasant, frightening experiences the five guests undergo during their night in the Femm household. It seems that there are other members of the Femm family who haven’t made an appearance yet – and when they do, the guests begin to wish they had stayed outside in the storm after all!

Benighted is a short, quick read and one that I enjoyed, with a few reservations. By the standards of modern horror novels it’s quite tame – I would describe it as creepy and unsettling rather than terrifying – but as a book from the 1920s, it has clearly had a huge influence on what Orrin Grey in the introduction describes as the ‘old dark house’ subgenre. There’s nothing supernatural going on in the novel; the creepiness comes entirely from the portrayal of the odd, sinister characters, the descriptions of the dark, desolate house and the mystery surrounding a locked door upstairs and what lies behind it. I was intrigued to learn that the Addams Family creator, Charles Addams, drew the illustrations for the opening sequence of a 1963 remake of The Old Dark House, because there are some unmistakable similarities between the Addams and Femm families!

Perhaps the real horrors being described in Benighted are the effects of the First World War, which ended less than ten years before the book was published. Priestley himself is quoted as saying that the novel’s characters are “forms of postwar pessimism pretending to be people”. This leads to some long passages in which Priestley explores the mental states of the characters and how they are affected by their night in the Femm house, most notably Roger Penderel who has experienced various traumas during the war, including the loss of his brother at the Battle of Passchendaele, and has been left disillusioned and cynical. These passages added depth to the novel, but at the same time I felt that they slowed down the pace of the plot and pulled me out of the story. In the end, this book didn’t quite work for me either as a horror novel or a psychological study, but it was still an interesting read and has definitely piqued my interest in reading more books by Priestley.

Scarlet Town by Leonora Nattrass

Scarlet Town is the third book in Leonora Nattrass’s Laurence Jago series set in the final decade of the 18th century. I enjoyed the first two books – Black Drop and Blue Water – and this one is another strong entry in the series.

It’s 1796 and Laurence Jago, accompanied by his friend, the journalist William Philpott, has just returned from his voyage to America (described in Blue Water). Jago, once a clerk in the Foreign Office, is now apprenticed to Philpott and is grateful to his friend for the opportunity, while at the same time angry with him for causing his beloved dog, Mr Gibbs, to be left behind in Philadelphia! Back in England again, they head for Jago’s home town of Helston in Cornwall, intending to visit his cousin Pythagoras (affectionately known as Piggy). On arrival in Helston, however, they are shocked by what they find. Not only does wig-wearing appear to have fallen out of fashion during their absence, but the entire town seems to be caught up in the fever of the upcoming election.

Helston is known as a ‘rotten borough’, where only two men in the town are allowed to vote – and one of these two electors has died under suspicious circumstances. It seems that someone is also attempting to kill the remaining elector, so the town’s patron, the Duke of Leeds, asks Laurence to investigate – but to Laurence’s dismay, his own beloved cousin Piggy begins to emerge as the number one suspect. Will he be able to prove Piggy’s innocence and find the real culprit? And who will win the election if both of the Duke’s electors are unable to vote?

According to the author’s note, the situation described in the book (without the deaths/murder attempts) is based on an election that actually did take place in Helston in the 1790s. Several of the characters are people who really existed, including Sir James Burges, the Duke’s candidate for Parliament, and Stephen Lushington (chairman of the East India Company), the alternative candidate put forward by the town’s mayor – and the novel’s title refers to the red ribbons and silks worn by supporters of the mayor’s candidate as opposed to the blue worn by supporters of the Duke’s. I remember learning about the rotten boroughs at school and the events portrayed in this book perfectly illustrate why electoral reform was so desperately needed. Many people complain about today’s electoral system, but the people of Helston were dealing with a system so corrupt that only a tiny minority were making decisions that affected everyone else, where there was no secret ballot and votes could be bought and sold, leaving the electors open to bribery and blackmail.

As well as the fascinating historical setting, I also found the murder mystery quite compelling; it was maybe not as enjoyable as the mystery in Blue Water, and there were times when I felt it became a bit too complicated, but it was intriguing and kept me guessing until the end. Nattrass also lightens the mood with some humour in the form of Toby the Sapient Hog (based on a real performing pig). I love the 18th century world she has created in this series – everything feels so authentic and thoroughly researched. I’m not sure if there’s going to be a fourth book, but if there is then I can’t wait to read it.

Thanks to Viper for providing a copy of this book for review via NetGalley.

This is book 44/50 for the 2023 Historical Fiction Reading Challenge.

Once a Monster by Robert Dinsdale

Novels inspired by Greek mythology seem to have become very popular in recent years, but Robert Dinsdale’s new book, Once a Monster, is something slightly different. More reimagining than retelling, it’s set in Victorian London and owes as much to Charles Dickens’ Oliver Twist as it does to Greek myth.

Ten-year-old Nell Hart is a mudlark, one of a small group of children, orphaned or otherwise neglected and vulnerable, who spend their days searching through the mud of the River Thames for ‘treasures’ – pieces of coal or iron – to give to their master, Benjamin Murdstone. It’s a difficult life for a child, but Nell has a pair of satin ballet slippers hidden inside her straw mattress, a gift left to her by her seamstress mother, and she is sustained by dreams of one day becoming a ballerina.

One morning, Nell is the first down to the river to begin another day of mudlarking and so she is the first to discover a body washed up on the shore. At first she’s unmoved by the sight – it’s not the first dead body she’s seen – but on closer inspection she discovers that this is the body of no ordinary man. Unusually tall, with enormous hands and feet, there are strange growths on each side of the head, almost like the beginnings of horns. The other mudlarks have arrived and are urging Nell to steal the man’s boots, when she makes another shocking discovery – he is still alive.

His name is Minos and as he returns to consciousness, memories slowly begin to surface of a time long ago and another life as a Minotaur in a labyrinth. But is Minos really the Minotaur of Greek myth or is he just a man after all? What will Murdstone do when he sees what Nell has found for him – and will Nell ever break free of her mudlark existence and learn to dance?

This is the first book I’ve read by Robert Dinsdale so I didn’t know what to expect, but I found it beautifully written and atmospheric. As I’ve mentioned, there’s a strong Dickens influence, from the descriptions of the poorer parts of Victorian London to the portrayal of Mr Murdstone, who is obviously inspired by Fagin, the leader of the gang of pickpockets in Oliver Twist. As the villain of the novel, he’s a very human monster and it quickly becomes clear that a central theme of the story is that every one of us can have a monster inside us as well as a hero. Dinsdale uses the myth of the Minotaur to explore and develop this theory:

“The mythographers were a cowardly lot. Just storytellers, trying to make sense of a world too complex to be distilled in mere words…But when it came to chronicling these stories for the ages, the Minotaur presented them with the thorniest of problems. To look him in the eye and see him for anything other than a base beast must have been like peering into a looking glass. They would have had to acknowledge the monstrosity in all of us.”

I found the relationship between Nell and Minos slightly disturbing; it wasn’t really a romantic relationship but it felt like more than just a platonic friendship or a father/daughter relationship and I kept forgetting that while Minos was an adult (possibly many hundreds of years old), Nell was only a ten-year-old child. The interactions and conversations between the two of them felt more what I would have expected if Nell had been a teenager or young woman rather than a little girl. Apart from that, I did think both characters were interesting; I enjoyed following Nell as she took her first steps towards becoming a ballerina and although I found Minos harder to connect with, I was intrigued by his story and by his memories of his time as the Minotaur.

My main problem with this book was the length; there were too many long and repetitive sections where the pace slowed and nothing really happened to advance the plot. I read the ebook but the print version has over 500 pages and I think that could easily have been cut down to 400 without losing anything important. Still, I did find this an interesting novel overall and would consider trying one of Robert Dinsdale’s earlier books.

Thanks to Pan Macmillan for providing a copy of this book for review via NetGalley.

This is book 43/50 for the 2023 Historical Fiction Reading Challenge.

The Nonesuch by Georgette Heyer – #1962Club

When looking for books to read for this week’s 1962 Club (hosted by Karen and Simon), I hoped there would be a Georgette Heyer I hadn’t read yet – and there was! Like Agatha Christie and Georges Simenon, you can nearly always rely on Heyer to have had at least one book published in whatever the current club year is. The Nonesuch was published in 1962 and I’ve managed to read it just in time to squeeze in my review on the final day!

A nonesuch can be defined as ‘a person or thing without equal’ and Sir Waldo Hawkridge, hero of Heyer’s novel, certainly fits that description – at least in the eyes of fashionable Regency society. Being rich, handsome, athletic and an eligible bachelor, his sudden arrival in the quiet Yorkshire village of Oversett causes quite a stir. He has recently inherited the estate of Broom Hall and has come to inspect it, accompanied by his younger cousin, Lord Lindeth. Ancilla Trent, governess to the beautiful Tiffany Wield, has already formed an opinion of the Nonesuch before she even meets him, but is surprised to find that he’s not really what she expected at all. Ancilla is quickly won over by Sir Waldo’s kindness and calm, sensible nature and he in turn is drawn to the quiet, unassuming governess. However, they are both alarmed when Lindeth seems to be falling for the charms of the lovely but spoiled Tiffany!

The Nonesuch doesn’t really have a lot of plot – unlike many of Heyer’s other novels, there are no encounters with highwaymen, no duels, no masked balls, no abductions or elopements – and the focus instead is on country life and the relationships between the two or three Yorkshire families at the heart of the story. Heyer is often compared to Jane Austen, of course, but I found this book particularly reminiscent of Pride and Prejudice. I tend to prefer her livelier, funnier stories, like The Corinthian or Sprig Muslin, but I did still enjoy following Ancilla and Sir Waldo and watching their relationship develop. Heyer does throw in a misunderstanding to stir things up, but otherwise their romance is completely believable and it’s easy to see why each would be attracted to the other.

In contrast to Ancilla Trent, whom I liked very much, Tiffany Wield is an awful character – selfish, vain, and prone to throwing tantrums when things don’t go her way. It was such a relief when it became clear that she wasn’t going to be the novel’s ‘heroine’, so I didn’t need to try to like her. And I did find myself enjoying her storyline later in the book, after Sir Waldo’s other young cousin, Laurence Calver, arrives from London and Tiffany finds she has met her match!

The Nonesuch doesn’t rank as a favourite by Heyer, but I’m still pleased I managed to fit it in for 1962 Club. I did love the rural Yorkshire setting, which made a change from the more common Regency novel settings of London or Bath.

This is book 42/50 for the 2023 Historical Fiction Reading Challenge.

The Wolves of Willoughby Chase by Joan Aiken – #1962Club

I’ve read and enjoyed several of Joan Aiken’s adult novels over the last few years – my favourite so far is Castle Barebane – but until now I’ve never read the book for which she’s most famous, The Wolves of Willoughby Chase. It was first published in 1962, which makes it a perfect choice for this week’s 1962 Club hosted by Simon and Karen.

This is obviously a book aimed at younger readers and I’m sure I would have loved it if I’d read it as a child; however, I was pleased to find that it also has a lot to offer an adult reader. I’m definitely planning to continue with the next book in the series.

The Wolves of Willoughby Chase is set in England in an alternate history where the Stuarts are still on the throne in the 19th century. It’s 1832, early in the reign of King James III, and a tunnel between Dover and Calais has recently been completed, allowing the migration of a large number of wolves from Europe. In reality, of course, the Channel Tunnel wouldn’t open until 1994, so Joan Aiken really was ahead of her time – although obviously the idea had existed in theory for much longer! Other than the tunnel and the presence of wolves, the world described in this book doesn’t seem very different from the real world of 1832, but I’m assuming the alternate history element becomes more significant later in the series.

Being a children’s book, the story is told from the perspectives of two children – Bonnie and Sylvia Green. Sylvia, an orphan, lives in London with her elderly Aunt Jane, but at the beginning of the novel she travels north by train to Willoughby Chase to stay with her cousin Bonnie. Bonnie’s parents, Sir Willoughby and Lady Green, are going abroad for health reasons and have engaged a governess, Miss Letitia Slighcarp, to take care of the children while they are away.

Left alone with Miss Slighcarp, the girls discover that their new governess is not what she claims to be and has another motive for coming to Willoughby Chase. Soon Bonnie and Sylvia are sent off to a horrible school for orphans run by the cruel Gertrude Brisket. Hungry and miserable, they begin to plan a daring escape, but will they succeed – and if so, where will they go? Will their friend, Simon the goose-boy, be able to help them? And what exactly is Miss Slighcarp planning to do now that she is in full control of Willoughby Chase?

Now that I’ve read this book I can see why it is considered a children’s classic and has been so popular with generations of younger readers over the years. It has an exciting plot, child protagonists to relate to, kindly adult characters to love and villainous ones to hate, and an atmospheric setting with snowy, icy landscapes and packs of wolves roaming the countryside. Speaking of the wolves, they play a big part in two memorable scenes near the beginning of the book, but are barely mentioned after that as the human ‘wolves’ come to the forefront of the story instead. The influence of Victorian literature on Aiken’s writing is also very obvious, from the Dickensian names of the characters – Letitia Slighcarp, Josiah Grimshaw, Mr Gripe, Mr Wilderness – to the portrayal of Mrs Brisket’s school, surely inspired by Lowood School in Jane Eyre.

I thoroughly enjoyed this book and just wish I hadn’t come to it so late! I’m already looking forward to reading the second one in the series, Black Hearts in Battersea.

This is book 41/50 for the 2023 Historical Fiction Reading Challenge.