Nonfiction November: Week 4 – Diverse Perspectives

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The host for week 4 of Nonfiction November is Rebekah of She Seeks Nonfiction and here is this week’s topic:

Nonfiction books are one of the best tools for seeing the world through someone else’s eyes. They allow us to get an idea of the experiences of people of all different ages, races, genders, abilities, religions, socioeconomic backgrounds, or even just people with different opinions than ours. Is there a book you read this year from a diverse author, or a book that opened your eyes to a perspective that you hadn’t considered? How did it challenge you to think differently?

I’ve only read seven nonfiction books this year and sadly only one of them includes diverse perspectives – so that’s the book I’m going to focus on here. It’s A History of England in 25 Poems by Catherine Clarke. In this book, Clarke selects twenty-five poems and uses them to explore England’s history, culture and identity, taking us from the 8th century right through to the modern day. As you would expect, many of the poems, particularly the older ones, are written by white Englishmen, but Clarke has also included some written by women and people of other nationalities and backgrounds. Here are some that stood out:

To the Right Honourable William, Earl of Dartmouth by Phillis Wheatley (1773)

Phillis Wheatley was the first African American woman to have her poems published. She was born in West Africa, where she was sold into slavery and bought by the Wheatley family of Boston. She was later emancipated after her first book of poetry was published. In 1773, the Earl of Dartmouth had recently been appointed secretary of state for the colonies and Phillis wrote him this poem to express her hope that he would be supportive of freedom and justice.

Hurricane Hits England by Grace Nichols (1996)

Grace Nichols is a Guyanese poet who moved to Britain in 1977. This poem is about the Great Storm of 1987, which she experienced while living in England, and how it brought back childhood memories of hurricanes in the Caribbean, helping her to form a connection between life in her new country and her homeland.

England’s Glory by Fleur Adock (1986)

Fleur Adcock spent most of her adult life in England but was born in New Zealand. In this poem, she looks at England’s north-south divide and explores cultural differences and stereotypes in a humorous way, using two different brands of matches to represent the characteristics of northerners and southerners.

Crumble-Hall by Mary Leapor (1751)

Mary Leapor is an English poet who, unusually for her time period, came from a working class background and worked as a kitchen maid. She died from measles at the age of just twenty-four but two volumes of her poetry were published posthumously. Crumble-Hall is a satire on the 18th century country house poem, written from a servant’s perspective.

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Do you know any of these poems? And have you read any nonfiction this year that is written by a diverse author or includes unusual perspectives?

Seascraper by Benjamin Wood – #NovNov25

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Several bloggers have been reading Benjamin Wood’s Booker Prize longlisted novella Seascraper for Novellas in November after our co-hosts Cathy and Rebecca named it their ‘buddy read’ for the month. I hadn’t decided whether to read it myself but when I discovered that it’s also going to be the starting point for Six Degrees of Separation in December, that helped me make up my mind!

Seascraper is set in an unspecified time period, which I managed to identify as the early 1960s (there are some references to Lawrence of Arabia, which was released in 1962). However, it feels much earlier than that due to the protagonist leading a life largely free of technology and doing a job that was done by his grandfather before him. His name is Thomas Flett and he’s a twenty-year-old man living with his mother in the fictional town of Longferry on the North West coast of England. Thomas has taught himself to play the guitar and dreams of becoming a folk singer, but that seems unlikely to happen because he and his mother rely on the money he makes through his work as a shanker, someone who catches shrimp by scraping the sand at low tide.

Thomas comes home one day to find his mother with a stranger, a man who introduces himself as the American director Edgar Acheson. Edgar is planning to make a new film with the Longferry beach as its setting and he offers to pay Thomas to guide him around the coastline, looking for suitable filming locations. Thomas accepts, as the money is too good to turn down, but when he and Edgar head out to the sea something happens which sets his life on a new course.

This is a quiet, simple story but also a powerful and atmospheric one. The author devotes a lot of time to describing the small, mundane details of Thomas’s daily routines, such as how he prepares his horse and cart for his early mornings shrimp fishing on the beach, so when Edgar Acheson arrives there’s a real sense of something momentous happening. The whole story takes place over a period of less than two days, but the events of those two days change everything for Thomas. Previously his whole world has revolved largely around his mother, who became pregnant with him at fifteen and has been shunned by the community as a result, but his new friendship with Edgar and an unexpected encounter with another person makes him reconsider what he really wants to do with his life.

Seascraper is a beautifully written novella and the coastal setting, with fog hanging over the sea and treacherous sinkpits in the sand, is vividly described. There’s a development later in the book that I would love to talk about, but I can’t really say any more about the plot without spoiling it. I wasn’t sure about this development at first, as it sent things in a direction I wasn’t anticipating, but now that I’ve finished I think it was the perfect way to move Thomas’s story forward. I’m so impressed by this book overall, particularly as it’s not one I was planning to read and I didn’t expect to enjoy it as much as I did.

Air by John Boyne – #NovNov25

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This is the fourth book in John Boyne’s Elements quartet. Having enjoyed Water, Earth and Fire, I’ve been very much looking forward to Air and the short length made it an obvious choice to read during Novellas in November (hosted by Cathy of 746 Books and Rebecca of Bookish Beck). Although each book has a different narrator and can be read as a standalone, there are links between all four, sometimes obvious and sometimes more subtle. It’s not essential to read them in order, but I would save this one until last if possible as it ties together some of the loose ends and provides closure for the characters. I’ve avoided spoilers for the first three books in the rest of my review, so don’t worry if you haven’t started the series yet!

Air tells the story of Aaron Umber and his fourteen-year-old son, Emmett, and a large part of the book is set onboard a plane (hence the title). The Umbers also have a family member who is a pilot – Boyne always works the relevant element into the story in multiple ways. At the start of the novella, Aaron and Emmett are at Sydney Airport, preparing to board a flight that will take them from their home in Australia across the world to Ireland, where Aaron hopes to reconnect with his ex-wife – and Emmett’s mother. The only problem is, he hasn’t told her that they’re coming.

As it’s such a long flight from Australia to Ireland (with a change in Dubai), Aaron has plenty of time to think and reflect on the circumstances that have brought him to this point. He looks back on his first encounters with the woman who would become his wife, the problems they experienced during their marriage and the reasons it ultimately ended in divorce. He also confronts his memories of the abuse he suffered as a teenager and his knowledge of the similar ordeals his wife went through before they met. Emmett has grown up unaware of any of this, but he’s beginning to ask questions and Aaron wonders if now could be the right time to tell him the truth.

Like the other books in the quartet, Air is a dark and sometimes disturbing read – although not as much so as the previous books as this one is concerned with moving on from trauma rather than describing the traumatic events themselves. Also, while the previous three narrators were morally ambiguous at best, completely evil at worst, Aaron is much easier to like and have sympathy for. I loved his relationship with his son, Emmett; it felt so real and believable and also very moving, though not in an overly sentimental way.

I have deliberately not revealed the name of Aaron’s ex-wife because she appears in one of the other books and I don’t want to spoil the surprise for anyone wanting to read the series through from the beginning. Other characters also appear again or are referred to, mainly those from Water and Fire. Earth feels less well integrated into the series as a whole, which is slightly disappointing as the other three books tie together so perfectly.

All four novellas are now available in one volume, published under the title Elements, but can still be bought separately as well.

Monstrous Tales: Haunting Encounters with Britain’s Mythical Beasts

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This is a great new collection of short stories inspired by British folklore. I was drawn to it because it included several authors whose work I’ve previously enjoyed, but I was pleased to find that the stories by authors who were new to me were just as strong. The book has also given me the opportunity to learn about lots of creatures from British myth that I’d never come across before; only one or two of them were familiar to me.

I’ll start with the three stories by authors I hadn’t tried before. I particularly enjoyed Jenn Ashworth’s Old Trash, set in the Pendle area of Lancashire where a mother has taken her troubled teenage daughter camping for the weekend, hoping to keep her away from the bad influence of an older boyfriend. Ashworth does a wonderful job of creating a creepy atmosphere as darkness falls over the hills and Rachael and Mae listen to tales of the gytrash, a huge black dog thought to be an omen of death. Abir Mukherjee’s The Doctor’s Wife is another highlight, following a doctor and his wife who move to a small village in the Highlands of Scotland. Once there, the doctor becomes obsessed with the fate of his predecessor and a mysterious woman dressed in red. This story combines a British setting with elements of Hindu mythology, which is fascinating and adds some diversity to the book.

Sunyi Dean’s Eynhallow Free didn’t work for me quite as well as the others, which I think is due to the story being written in second person (addressing the reader directly as ‘you’, putting us in the position of the protagonist, a style I never really get on with). I did love the Orkney setting, though; it’s a very eerie story, incorporating figures from Orkney folklore such as the Goodman of Thorodale and the Finfolk. There’s one more story also set in Scotland: These Things Happen by Dan Jones. I’ve read some of Jones’ history books, but this is my first experience of his fiction. I disliked the main character which put me off the story a little bit, but I was fascinated by the descriptions of the Cat Sith, the large black cat of Scottish mythology that walks around on its hind legs.

Welsh folklore is represented by the Fad Felen, or yellow plague, which appears in Rosie Andrews’ story, The Yellow Death. The story is set at the end of the First World War and the Fad Felen can be seen as a metaphor for the yellow of mustard gas. This is one of only two stories in the book with historical settings. The other is Rebecca Netley’s Mr Mischief, in which ten-year-old Bessie moves to a big house on the Yorkshire moors with her Uncle Kit who has a job as gamekeeper. Here she learns about a mysterious being known only as Mr Mischief and the lengths the superstitious locals go to in order to keep him happy.

I think my favourite story in the book was probably Boneless by Janice Hallett, about a writer investigating reports of a giant slug in Derbyshire. Written in Hallett’s usual style incorporating emails, articles, texts etc, it explores issues such as climate and habitat change and how animals are forced to adapt and evolve. The ending is great – I hadn’t expected the story to go in that direction at all. I also liked The Beast of Bodmin by Jane Johnson, which is set, like a lot of Johnson’s work, in Cornwall. Gina moves into a cottage on the edge of Bodmin Moor, hoping to make a new start in life, and almost immediately her black cat, Roxy, goes missing.

The collection is completed by Stuart Turton’s Deaths in the Family. It follows the story of Ben and his family, who gather together for Christmas every year, barricading themselves indoors while an army of grotesque and murderous Redcaps amasses outside. I wasn’t sure what to make of this story as it was so strange and felt different in tone from the others in the book, but it was certainly entertaining!

Nine stories in this collection, then, and although I inevitably enjoyed some more than others, there wasn’t a single bad one here. I’m looking forward to exploring more of Ashworth, Mukherjee and Dean’s work now, so if you can recommend anything please let me know.

Thanks to Raven Books for providing a copy of this book for review via NetGalley.

The Ice Palace by Tarjei Vesaas – #NovNov25

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Translated by Elizabeth Rokkan

After reading my first Tarjei Vesaas book, The Birds, in September, I couldn’t wait to read more of his work. Like The Birds, The Ice Palace has recently been reissued by Pushkin Press and as it’s a very short book I decided it would be perfect for this year’s Novellas in November (hosted by Cathy of 746 Books and Rebecca of Bookish Beck).

First published in 1963, The Ice Palace is the story of two young Norwegian girls, Siss and Unn. Siss is popular, outgoing and the leader of her group of friends at school, yet when the shy, quiet Unn arrives in the village to live with her aunt, Siss is immediately drawn to this girl who seems to be her complete opposite. Soon, Unn invites her back to her house after school and Siss accepts – but when she arrives, the evening doesn’t go quite as she expected. The two girls look at each other in a mirror, then Unn persuades Siss, without explanation, that they should both undress. Unn then confesses that she has a secret, something she’s not able to tell her aunt, but she doesn’t say what it is. Uneasy and uncomfortable, Siss quickly leaves and goes home, feeling disturbed by the experience.

The next day, Unn feels embarrassed and decides not to go to school. Instead, she visits the huge frozen waterfall known as ‘the ice palace’. The last we see of her is when she enters the icy caverns behind the frozen water – she doesn’t return to school or to her aunt’s house and no one has any idea what has happened to her. As Unn’s only friend, Siss is put under pressure to tell the adults anything she knows, but Siss is still confused by her own emotions and struggling to come to terms with the whole situation.

This is a beautifully written novel and the cold, icy imagery is hauntingly atmospheric. The chapter in which Unn discovers the ice palace – ‘an enchanted world of small pinnacles, gables, frosted domes, soft curves and confused tracery’ – is particularly vivid and eerie. The book also has a lot to say about grief, loss and loneliness, exploring the impact of Unn’s disappearance on her aunt, on the community and particularly on Siss.

I did find the book very ambiguous, with a lot left open to interpretation. For example, we are never told what the secret was that Unn was trying to share with Siss and it’s not quite clear what exactly happened between the two girls the evening before Unn disappears. It’s strongly implied, of course, that their interactions have sexual connotations, although I found that a bit unsettling as the girls are only supposed to be eleven years old. I felt it would have worked better if they had been a few years older – but on the other hand, Vesaas obviously intended this to be an uncomfortable book to read, so he achieved his aim there.

Of the two Vesaas books I’ve read, I preferred The Birds as I felt a stronger connection with the main character and found his story more moving, but both are excellent. This one is also a novella, which means I’m counting it as my first read for this year’s Novellas in November!

Thanks to Pushkin Classics for providing a copy of this book for review via NetGalley.

Top Ten Tuesday: Stepping out of my comfort zone

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This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is “Books I Enjoyed that Were Outside My Comfort Zone”.

When I first saw this topic I thought I would struggle to put a list together as I tend to stick to the sort of books I know I’ll enjoy. However, after thinking about it I was able to come up with ten books I enjoyed that are definitely out of my comfort zone – for ten different reasons! Here they are:

1. Persepolis by Marjane Satrapi – A graphic novel

2. The Dog Stars by Peter Heller – Post-apocalyptic fiction

3. The Sisters Brothers by Patrick DeWitt – A Western

4. The Silver Pigs by Lindsey Davis – Audiobook

5. The Importance of Being Earnest by Oscar Wilde – A play

6. The Twyford Code by Janice Hallett – Written in an unusual style

7. Amours de Voyage by Arthur Hugh Clough – A narrative poem

8. Live Alone and Like It by Marjorie Hillis – Self-help nonfiction

9. The Epic of Gilgamesh – An ancient epic

10. Master and Commander by Patrick O’Brian – Nautical fiction

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Have you read any of these? Which books have you read that are out of your comfort zone – and did you enjoy them?

Nonfiction November: Week 3 – Book Pairings

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I’m taking part in Nonfiction November this month and this week’s topic is one I always enjoy: book pairings! Our host for Week 3 is Liz of Adventures in Reading, Running and Working from Home and here is the prompt:

This week, pair up a nonfiction book with a fiction title. Maybe it’s a historical novel and the real history in a nonfiction version, or a memoir and a novel, or a fiction book you’ve read and you would like recommendations for background reading. Or maybe it’s just two books you feel have a link, whatever they might be. You can be as creative as you like!

For my nonfiction book, I’ve chosen Come, Tell Me How You Live by Agatha Christie, which I read earlier this year. It’s her memoir describing her trips to Syria in the 1930s accompanying her archaeologist husband, Max Mallowan, on digs. I can think of three fiction books that would make good pairs, so I have listed all three below.

Murder in Mesopotamia by Agatha Christie is the most obvious choice. It’s a Poirot mystery published in 1936 and is set on the site of an archaeological dig near Hassanieh, Iraq. Apparently Christie drew on her own experiences of visiting an excavation at Ur and she based some of the characters on people she and Max knew.

Crocodile on the Sandbank by Elizabeth Peters is the first in the Amelia Peabody mystery series and also features a narrator who participates in archaeological digs, this time in 19th century Egypt. I’ve enjoyed the first three books in the series and am looking forward to the next one.

The Gabriel Hounds by Mary Stewart isn’t about archaeology, but it is set in Syria – and also in Lebanon, where our narrator, Christy, goes to visit her eccentric Great-Aunt Harriet, a character based on the real-life adventurer and explorer Lady Hester Stanhope. I love Mary Stewart’s books and this is a very entertaining one!

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Have you read any of these? Can you think of other novels about archaeology or set in Syria?