A Caribbean Mystery by Agatha Christie

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This month for the Read Christie 2025 challenge, the theme is ‘amateurs’ and although I’ve read the suggested title, Crooked House, quite recently, there were some alternatives that I haven’t already read – including this one, A Caribbean Mystery. Published in 1964, it’s one of the later entries in the Miss Marple series and not one that had really appealed to me; Miss Marple belongs in St Mary Mead and it seemed incongruous to put her in a Caribbean setting! Now that I’ve read it, though, I can say that although it’s maybe not one of my absolute favourite Christie novels, I did really enjoy it.

You may be wondering why Miss Marple is in the Caribbean. Well, it seems she has been ill and her nephew Raymond has paid for her to spend some time recuperating in the sun on the island of St Honoré. Miss Marple is grateful, of course, and is enjoying the warmth and the scenery, but she’s also beginning to feel bored – every day is the same as the one before and nothing ever really seems to happen! This all changes when she falls into conversation with Major Palgrave, an elderly man staying at her hotel, who tells her a story about a man who got away with murder several times. He asks her if she wants to see a picture of a murderer but as he begins to dig out the snapshot, he suddenly stops abruptly and changes the subject as other people approach.

The next day, Major Palgrave is found dead in his room. High blood pressure is blamed, but Miss Marple is convinced he’s been murdered and that there’s some connection with the photo he was about to show her. To add to her suspicions, the photo now seems to have disappeared from the Major’s belongings. It seems likely that the murderer is one of the other guests, but which one? The most likely suspects seem to be the Dysons, Greg and Lucky, and their friends Edward and Evelyn Hillingdon, two nature loving couples who often travel together and who had been walking up the beach towards Major Palgrave as he told Miss Marple his story. But there are others who can’t be ruled out, including the Kendals, who own the hotel; Canon Prescott and his sister; and Mr Rafiel, an old man confined to a wheelchair, visiting the island with his masseur and his secretary.

I found this a very enjoyable mystery; it’s not one of Christie’s more complex plots but there’s some clever misdirection to send the reader along the wrong track. The first murder takes place early in the novel and the story continues to unfold at a steady pace after that, so it held my interest from beginning to end. Miss Marple also plays a big role, in contrast to some of the other books where we see very little of her. This time, she’s present for the entire novel, interacting with the suspects and victims and sharing her thoughts and deductions with the people she believes she can trust. As usual, people underestimate Miss Marple, dismissing her as a ‘fluffy old lady’, but in time some of them come to see that there’s far more to her than meets the eye!

Some of the characters in this book reappear or are referred to again in the later novel Nemesis, published in 1971. I read that one a few years ago, so it was nice to see how those characters were originally introduced and how Miss Marple gained her nickname ‘Nemesis’. I should probably have read the two books in the correct order as it also meant that I could quickly discount those two recurring characters as serious suspects, but it didn’t really matter. Now I’m looking forward to reading Christie’s memoir Come, Tell Me How You Live for Read Christie in July!

Book 4/20 for 20 Books of Summer 2025.

Top Ten Tuesday: Most anticipated books releasing in the second half of 2025

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This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is “Most Anticipated Books Releasing in the Second Half of 2025”.

These are not technically my ‘most anticipated’ books, as I already listed some of those in my recent Historical Musings post just a few weeks ago. However, I only included historical fiction in that post. The ten books listed below are some more books I’m hoping to read and are from a range of genres.

1. The Killer Question by Janice Hallett – I’ve enjoyed all of Janice Hallett’s books, although I know her unusual style isn’t for everyone. This new one sounds great!

2. Rainforest by Michelle Paver – I was unaware that Michelle Paver had a new book coming out until I saw this one on NetGalley. I enjoyed her last one, Wakenhyrst.

3. The Shapeshifter’s Daughter by Sally Magnusson – I’ve read all of Magnusson’s previous adult novels but this one, based on the Norse myth of Hel of the underworld, sounds completely different.

4. The Token by Sharon Bolton – I don’t read a lot of contemporary crime but a new Sharon Bolton book is always something I look forward to!

5. Miss Winter in the Library with a Knife by Martin Edwards – I’m hoping this murder mystery will be as entertaining as it sounds.

6. No Friend to This House by Natalie Haynes – Yes, it’s another Greek retelling, but Natalie Haynes is an author I’ve particularly enjoyed in the past, so I’m sure this reimagining of the Jason and Medea story will be a good one!

7. The Clock House Murders by Yukito Ayatsuji – I loved one of this author’s books (The Labyrinth House Murders) and disliked another (The Decagon House Murders) so I’m curious to see what this one will be like!

8. Queens at War by Alison Weir – I haven’t read all of the earlier books in Weir’s non-fiction series about medieval queens of England, but this one covers some of my favourite periods – the Hundred Years’ War and the Wars of the Roses.

9. Murder at the Black Cat Cafe by Seishi Yokomizo – The latest book in the Kosuke Kindaichi series to be translated into English. I’ve enjoyed all of the others but this one sounds a bit different.

10. The Twelve Days of Christmas by Susan Stokes-Chapman – I’ve only read a short story by Stokes-Chapman but would like to try one of her novels.

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Are you interested in any of these? Which other books being published in the second half of the year are you planning to read?

A Schooling in Murder by Andrew Taylor

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I love Andrew Taylor’s books and over the last few years I’ve been enjoying his Marwood and Lovett series, set in the 17th century in the aftermath of the Great Fire of London. His new novel, A Schooling in Murder, is not part of the series and leaves that setting behind entirely, taking us instead to the 1940s and a girls’ school near the border of England and Wales.

The novel has a very unusual narrator and when I sat down to write this review I wondered if it would be possible to avoid giving away too much about her. However, the publisher’s own blurb reveals her secret, as do most of the other reviews I’ve seen (and to be fair, she tells us herself in the first chapter anyway): Annabel Warnock is a ghost. In life, she was a teacher at Monkshill Park School for Girls, until being pushed into the river from the Maiden’s Leap, a clifftop viewing point on the Gothick Walk, part of the school grounds. Who pushed her? Annabel doesn’t know, but she’s determined to find out.

As a ghost, Annabel is able to move freely around Monkshill Park – although places she never visited while alive are inaccessible to her – but she can’t be seen or heard by anyone else. This naturally makes investigating her murder very difficult, especially as her colleagues don’t even know she’s dead since her body was never washed up. It seems that the only person who can help is Alec Shaw, Annabel’s replacement – referred to simply as a ‘Visiting Tutor’ to appease parents worried about the school employing a man to teach their girls. Although she can’t speak directly to Alec, Annabel finds a very imaginative way to communicate with him, which was one of my favourite aspects of the book!

As well as the mystery element of the book, we also learn a lot about life in a 1940s girls’ boarding school. Andrew Taylor does a good job of portraying the rivalries and complex relationships that form when groups of teenage girls – and groups of teachers – are living together in a close-knit community. There are occasional references to the war, which is in its closing stages as the book begins in May 1945, but Monkshill Park feels largely sheltered from the outside world, so although the war touches the lives of the characters in various ways it doesn’t form a big part of the story.

The descriptions of the school and its landscape are very detailed, so I was interested to read in Taylor’s author’s note that he based it on Piercefield, a now ruined house and estate near Chepstow in Wales, and that in its fictional guise of Monkshill Park it also formed the setting for his earlier novel, The American Boy. I should have remembered that as The American Boy is my favourite of all the Andrew Taylor books I’ve read!

Although it was interesting to watch a victim trying to solve their own murder, I felt that there was a distance between the characters and the reader, which I suppose is inevitable when your narrator can only watch and observe rather than interact directly with the people around her. Maybe because we’re only seeing them from Annabel’s unique perspective, most of the characters also seem particularly unpleasant! Possibly for these reasons, I didn’t enjoy this quite as much as some of Taylor’s other books, but it was imaginative and different and I’m looking forward to whatever he writes next.

Thanks to Hemlock Press for providing a copy of this book for review via NetGalley.

Book 3/20 for 20 Books of Summer 2025.

Before Dorothy by Hazel Gaynor

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I’m sure most of us have seen The Wizard of Oz (and/or read L. Frank Baum’s classic novel on which it’s based), but how many of us have stopped to think about what happened to the characters before the story began? Why was Dorothy living with her Aunt Em and Uncle Henry? Who were her real parents? And how did the family come to be in Kansas in the first place? In Hazel Gaynor’s new novel, Before Dorothy, she sets out to answer these questions and more.

The book is written from the perspective of Emily Gale – Aunt Em – and begins in 1932 as she returns to Chicago following the death of her sister, Annie. Annie’s seven-year-old daughter, Dorothy, has been left an orphan and Emily and her husband, Henry, are to become her legal guardians. Emily hasn’t seen Dorothy since she was a baby – she and Henry now live in Kansas and her relationship with Annie has been very strained in recent years – and she’s not at all sure she’s the right person to care for a child, particularly one who has suffered the trauma of losing her parents. Once back in Kansas, however, Emily gradually begins to feel a stronger bond with Dorothy than she’d expected.

Moving backwards and forwards in time, we watch as Emily and Annie, originally from Connemara in Ireland, first arrive in Chicago in 1924 and meet their respective husbands, cousins Henry and John Gale. We also see how Emily makes the decision to start a new life with Henry in Kansas and what she discovers when she gets there. The focus is always on Emily rather than Dorothy and unlike the Baum novel and its adaptations, the story is firmly grounded in reality rather than fantasy.

I tend not to read many books that are spin-offs of classics or that borrow other authors’ characters and I only chose to read this one because I’ve enjoyed some of Hazel Gaynor’s previous work. I wasn’t sure I would like it, but I did – although I think it would probably have worked just as well if it had simply been a novel about an original fictional family living on the prairie, with no connection to the Gales. It was fun spotting the references to The Wizard of Oz, though. The scarecrow, tin man and lion all appear, as do the wizard, witches (good and wicked), the tornado and many more – although not necessarily in the form you would expect! Gaynor manages to work these references into the story in a way that feels believable and not too forced.

What I liked best about this book, though, was the portrayal of life on the prairie – the sense of adventure and optimism Emily and Henry feel when they first arrive, followed by a growing awareness that things are going to be much more difficult than they’d expected. With an influx of people coming to the Great Plains in large numbers to farm the land, there’s eventually a surplus of wheat, too much to be sold, leading to a drop in prices. Worse, the overexploitation of the land and removal of the prairie grasses, combined with a prolonged drought, causes severe dust storms (known as the Dust Bowl). The hardships and challenges faced by the Gales, as well as the environmental disaster unfolding around them, forms a big part of the novel.

I’m sure a lot of the people who read this book will have been drawn to it by the links with The Wizard of Oz, but even if that doesn’t appeal to you I think there’s still enough here to make it an enjoyable work of historical fiction in its own right.

Thanks to HarperCollins for providing a copy of this book for review via NetGalley.

Love, Sex & Frankenstein by Caroline Lea

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Love is a light you can see only when you reach for it. You hold it in your hand and, for as long as the flame glows, it warms you.

I’ve read three of Caroline Lea’s previous books, all of which I found interesting, so I was looking forward to reading her new novel about the life of Mary Shelley – although I have to admit, if I hadn’t already known I liked Lea’s work, the cover and title of this one would have probably put me off. I’m glad that didn’t happen because I really enjoyed it; it’s probably my favourite of her books so far.

The main focus of the novel is the events of 1816 – known as the Year Without a Summer due to the unusual weather caused by a volcanic eruption the year before. It’s also the year that Mary Godwin and her lover, Percy Shelley, travel to Geneva with their baby son and Mary’s stepsister, Claire Clairmont. Not for the first time, Shelley’s debts have brought the bailiffs to their door and, tired of constantly moving around London to avoid them, Claire has seized the opportunity to persuade Mary and Percy to come to Switzerland with her to visit Lord Byron. Claire is convinced that Byron loves her and claims that he has been begging her to go and spend the summer with him at Lake Geneva but Mary, who is familiar with Byron’s reputation, thinks she’s deluded. However, in their desperation to escape the bailiffs, she and Shelley agree to Claire’s plan.

As they arrive at their hotel in Geneva, the foggy, oppressive weather mirrors Mary’s mood. She and Shelley seem to do nothing but argue and with no sign of Byron, Claire has turned her attentions to Mary’s lover, making no secret of what she is doing. When Byron finally does appear and the party start to spend time with him and his companion, John Polidori, at his rented home, the Villa Diodati, Mary hopes things will improve. However, the dynamics between the four of them only grow more tense and strained and Mary thinks of taking baby Willmouse and running away. Then, during a storm one evening, they gather to read ghost stories and, unimpressed, Byron issues a challenge: they should each write one of their own and see whose is best. Now Mary has something to focus on and during this difficult, emotional time, her famous novel, Frankenstein, begins to take shape.

Despite the title, the writing of Frankenstein forms only a small part of the book; instead Lea concentrates on exploring Mary’s state of mind in the period immediately before and during the creation of the novel. There’s some jumping around between timelines in the first half of the book as Lea tries to fill the reader in on Mary’s background, her childhood and the beginning of her relationship with Shelley, and I found it slightly difficult to keep track of things, but this became less of a problem later in the book when I had settled into the story.

Having read several other novels about the Shelleys and Lord Byron, I was interested to see how Lea’s portrayal of the characters would compare. As our protagonist, Mary is a complex woman but also a contradictory one. She has the strength and determination to repeatedly defy convention to be with the man she loves – the already married Shelley – while at the same time she feels trapped in her relationship with him and unable to escape. Shelley seems to love her in his own way, but is insensitive towards her and expects her just to accept his various infidelities. Mary’s relationship with Claire is equally difficult, continually switching between resentment and affection. As seen through Mary’s eyes, Claire doesn’t come across well at all in this book, flirting openly with Shelley in front of her sister then complaining when Mary later does the same with Byron. (For a more sympathetic view of Claire, try Clairmont by Lesley McDowell.) The portrayal of Byron is also largely very negative – he treats Claire appallingly, although we see a more tender side of him in his interactions with Mary.

This is definitely not a book with likeable characters, then, but the fact that they are all, like Mary, complex and contradictory is what makes them feel human and believable. It’s also beautifully written and I enjoyed reading it, despite not really learning much about Frankenstein!

Thanks to Michael Joseph for providing a copy of this book for review via NetGalley.

The Stepdaughter by Caroline Blackwood

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I’ve never read anything by Caroline Blackwood, but decided to try this book as I was intrigued by the comparisons to authors like Shirley Jackson and Patricia Highsmith. Although she wrote several novels, short story collections and works of non-fiction, Blackwood, who was a Guinness heiress, seems to have been better known as a socialite and muse (she inspired the art of Lucian Freud and the poetry of Robert Lowell, two of her three husbands). She really deserves to be known for her own work as well as her influence on other people’s and I’m glad to see that some of her books, including this one, have been reissued recently.

The Stepdaughter was first published in 1976 and is novella length, which is a perfect way to try out a new author without having to commit to something longer. The book is narrated by a woman referred to only as J, and takes the form of letters she is ‘writing’ in her mind to an imaginary friend. J has been deserted by Arnold, her husband, who has gone to live in Paris with his French girlfriend, leaving her behind in an expensive Manhattan apartment with their four-year-old daughter and an au pair, whom she dislikes. There’s also a fourth member of the household – Renata, her husband’s teenage daughter from a previous marriage. It seems clear to J that Arnold will only allow her to go on living in the apartment if she continues to look after Renata. The only problem is, she hates the girl, resents her presence and can’t even bear to look at her.

The narrator’s attitude towards Renata is horrible. It’s obvious to the reader that Renata, who is still just a child, is desperately unhappy and in need of love and affection. However, this doesn’t seem to occur to J (or maybe it does, but she doesn’t care). She sees her stepdaughter as someone to be despised – an awkward, overweight, unattractive girl whose only interests are baking and eating cakes and sitting in her bedroom watching television. J uses her imaginary letters as an outlet to express her feelings about Renata and as the book progresses she becomes more and more fixated on her hatred of the girl, blaming her for everything that’s wrong in her life.

The situation in the apartment sounds unbearable, for J but particularly for poor Renata, so it’s not surprising that eventually things do inevitably reach a turning point. It’s not a happy ending and not what I would have preferred, but at least J manages to redeem herself a tiny bit, gaining a deeper understanding of both herself and Renata and regretting that things have happened the way they have. Although J’s sheer nastiness and cruelty make this book an uncomfortable and unsettling read, it’s also a very compelling one. It wouldn’t feel right to say that I ‘enjoyed’ it, but I was gripped by it and read it in one day. It would be a good choice for Novellas in November, if anyone is planning that far ahead!

Thanks to Virago for providing a copy of this book for review via NetGalley.

Book 2/20 for 20 Books of Summer 2025.

Historical Musings #91: Walter Scott Prize winner…and some more books to look out for in 2025

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Welcome to this month’s post on all things historical fiction!

First of all, congratulations to Andrew Miller, the winner of this year’s Walter Scott Prize for Historical Fiction, announced at the Borders Book Festival last week.

The winning novel, The Land in Winter, is one of the shortlisted titles that I haven’t read yet and is about two couples living in an English village during the winter of 1962-63, one of the coldest on record. I’ve enjoyed other books by Miller, so I’m sure it’s a deserving winner – and, to be honest, I’m pleased neither Glorious Exploits by Ferdia Lennon nor The Heart in Winter by Kevin Barry won the prize as they are the only two I’ve managed to read from the shortlist so far and I didn’t love either. I’ll look forward to reading the Miller book and the other three shortlisted titles, probably after I finish the 20 Books of Summer challenge.

Moving on, last December I posted a list of upcoming historical fiction being published in 2025. Now that we’re halfway through the year, more titles have been announced so I thought I would post an updated list below for the rest of the year. This is simply a selection of books that have caught my attention for one reason or another – some are review copies I’ve received, some are new books by authors I’ve previously enjoyed and others just sounded interesting. Most of the July and August ones are already on my 20 Books of Summer list, so you should be hearing more about them here soon!

Dates provided are for the UK and were correct at the time of posting.

July

Sinners by Elizabeth Fremantle (3rd July 2025)

These Wicked Devices by Matthew Plampin (3rd July 2025)

The Art of a Lie by Laura Shepherd-Robinson (10th July 2025)

Love and Other Poisons by Lesley McDowell (17th July 2025)

A Case of Life and Limb by Sally Smith (17th July 2025) – I’ve already read and loved this one!

How to Lose a Lord in Ten Days by Sophie Irwin (31st July 2025)

The Emerald Shawl by Louise Douglas (31st July 2025)

August

The House at Devil’s Neck by Tom Mead (14th August 2025)

Boudicca’s Daughter by Elodie Harper (28th August 2025)

September

Buckeye by Patrick Ryan (2nd September 2025)

The Predicament by William Boyd (4th September 2025)

Circle of Days by Ken Follett (23rd September 2025)

Venetian Vespers by John Banville (25th September 2025)

October

Benbecula by Graeme Macrae Burnet (2nd October 2025)

Boleyn Traitor by Philippa Gregory (7th October 2025)

House of Splinters by Laura Purcell (9th October 2025)

The Witching Hour by various authors (16th October 2025)

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Are you interested in reading any of these? Which other historical novels should I be looking out for before the year of the year? And what do you think of The Land in Winter winning the Walter Scott Prize?