Midnight in Vienna by Jane Thynne

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It’s 1938 and Stella Fry has just returned to London from Austria, where she has been working as a private tutor for a Jewish family in Vienna. With the worsening political situation in Europe, the family decided to leave for the safety of New York, and Stella has found herself back home with no job. Famous mystery writer Hubert Newman is advertising for someone to type up his new manuscript and Stella applies for the position. After meeting with Newman and being offered the job, she is shocked when she learns the next day that he has been found dead. Another shock follows twenty-four hours later when she receives the manuscript of his new book, Masquerade, and finds that he has dedicated it To Stella, spotter of mistakes.

Harry Fox is a former Special Branch detective who left the police force under a shadow, but is still carrying out unofficial intelligence work, spying on suspected communists. He has reason to believe that Hubert Newman’s death was not a natural one and when his path crosses with Stella’s and he discovers that she had lunch with the author the day before he died, the two team up to investigate.

I really enjoyed Midnight in Vienna; the only negative thing I can say about it is that Stella was a bit too trusting of strangers and too quick to put herself in dangerous situations without thinking of the consequences. The biggest example comes very early in the novel when, having only just met Harry Fox, she agrees to travel back to Vienna alone on the trail of someone possibly implicated in Hubert’s murder – at a time when everyone else is trying to get out of Austria. However, I can forgive this because the Vienna sections of the book are so well done, perfectly illustrating the mood in Austria during that period which followed the annexation by Nazi Germany.

With Hubert Newman being an author, there’s also a literary element to the novel. Newman (a fictional character, by the way) is a member of the Detection Club, a real-life society of prominent British mystery writers, and Harry Fox’s investigations lead to a meeting with one of the founding members, Dorothy L. Sayers. She only makes a brief cameo appearance but I thought the way Thynne portrayed her character was very convincing. As well as the literary world, we also get a glimpse of the theatrical world of the 1930s through Stella’s actress friend, Evelyn, so there’s a lot going on outside of the central mystery.

This is the first of Jane Thynne’s novels I’ve read. It seems that most of her previous books are similar wartime/espionage thrillers and having enjoyed this one so much I’m sure I’ll be reading more of them. I’m also wondering whether there will be a sequel to this book as I think there’s plenty of scope for some of these characters to return for a second adventure.

Thanks to Quercus for providing a copy of this book for review via NetGalley.

Book 44/50 for the Historical Fiction Reading Challenge 2024

Six Degrees of Separation: From Long Island to The White Devil

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It’s the first Saturday of the month which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month we’re starting with Long Island by Colm Tóibín. I haven’t read it, but it’s a sequel to Brooklyn, which I have read and enjoyed. Here’s what it’s about:

A man with an Irish accent knocks on Eilis Fiorello’s door on Long Island and in that moment everything changes. Eilis and Tony have built a secure, happy life here since leaving Brooklyn – perhaps a little stifled by the in-laws so close, but twenty years married and with two children looking towards a good future.

And yet this stranger will reveal something that will make Eilis question the life she has created. For the first time in years she suddenly feels very far from home and the revelation will see her turn towards Ireland once again. Back to her mother. Back to the town and the people she had chosen to leave behind. Did she make the wrong choice marrying Tony all those years ago? Is it too late now to take a different path?

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There are lots of directions I could have gone in from this month’s starting point, but I’ve decided to link to another novel about an Irish immigrant living in New York: Norah by Cynthia G. Neale (1). It’s set in the 1850s, much earlier than the Tóibín novels, and follows the story of Norah McCabe who left Ireland during the Great Famine to start a new life in America. This is actually Neale’s third book about Norah, but I hadn’t read the first two and that didn’t seem to be a problem.

Almost the same name but a different spelling: my second book is Nora Bonesteel’s Christmas Past by Sharyn McCrumb (2). This is a novella set in the Appalachian Mountains and blending crime, history and folklore. Nora Bonesteel, an elderly woman with ‘the Sight’ is helping her new neighbours celebrate a traditional mountain Christmas when they are interrupted by the arrival of the Sheriff who has come to make an arrest. It’s part of McCrumb’s Ballad series and I read some of the full-length novels in the series years ago, before I started blogging.

The word Ballad leads me to Lyrical Ballads by William Wordsworth and Samuel Taylor Coleridge (3), a collection of poetry first published in 1798 and revised in 1802. This edition of the book contains both the original and revised versions, which I think will be of more interest to the academic reader than the casual one. It includes some of both poets’ most famous poems, including The Rime of the Ancient Mariner and Lines Written a Few Miles above Tintern Abbey.

Wordsworth and Coleridge, along with Robert Southey, were known as the Lake Poets because they lived in England’s Lake District. In The Shadow Sister by Lucinda Riley (4), our narrator, Star D’Aplièse, investigates the story of an ancestor who grew up in the Lake District and was a friend of the children’s author Beatrix Potter. This is one of my favourite books from Riley’s Seven Sisters series in which each book focuses on one of the adopted daughters of the mysterious Pa Salt.

A simple link to another novel with the word ‘shadow’ in the title next – Shadow Girls by Carol Birch (5). This is a ghost story set in a school in 1960s Manchester. I enjoyed it, but the supernatural element is only introduced very late in the novel and it’s much more ‘school story’ than ‘ghost story’ which won’t appeal to everyone.

The White Devil by Justin Evans (6) is also a ghost story set in a school – the famous boys’ school, Harrow. One of the new boys at Harrow discovers that he closely resembles Lord Byron, who attended the same school two centuries earlier. I loved the setting, the atmosphere and the Byron connection, but felt that the lack of strong characters let the book down.

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And that’s my chain for October! My links have included: Irish immigrants in New York, the name Nora/Norah, ballads, the Lake District, the word Shadow and ghost stories set in schools.

In November we’ll be starting with Intermezzo by Sally Rooney.

The Examiner by Janice Hallett

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It’s September 2023 and six students are preparing to start Royal Hastings University’s new Multimedia Art course. The course is led by Gela Nathaniel who has personally selected her students from different backgrounds to ensure a range of skills and artistic knowledge. There’s Jem Badhuri, an ambitious and enthusiastic young woman who works mainly in sculpture and sound; Alyson Lang, already an experienced and talented artist; Jonathan Danners, whose family own an art gallery; Cameron Wesley, a marketing executive trying to juggle the course with his job; Ludya Parak, a graphic designer and single mother; and finally, Patrick Bright, a man in his fifties who runs an art supplies shop.

Almost as soon as the course gets under way there are hints that something is wrong. Some of the students seem to be hiding secrets and tensions quickly develop between them. Then, five of the group go on an overnight trip to Somerset to visit a museum and it’s not clear whether all five have returned again. Is the missing student still alive or have they been murdered and the others are covering it up? As the course comes to an end, Ben Sketcher, an external examiner responsible for giving an independent assessment of the course and the students’ grades, is given access to all the communications between Gela and her class and must decide whether a crime has been committed.

The Examiner is written entirely in the form of emails, WhatsApp messages and transcripts of chats from the Royal Hastings University messaging app, Doodle. This makes it easy for Hallett to conceal the truth from the reader because each character only reveals what they want the others to know and they aren’t necessarily always being honest. Clues do eventually begin to emerge but the full picture doesn’t become clear until Ben has read every message and every email. Readers of Hallett’s The Appeal or The Mysterious Case of the Alperton Angels will already be familiar with the epistolary format she uses and to be honest I think it’s something you either love and connect with immediately or you don’t. If you didn’t enjoy her other books this one probably won’t change your mind. Personally, I find them unusual and imaginative – and very gripping, as the short length of the emails and chats makes it difficult to stop reading!

The Multimedia Art course is a year long and during that time the students are given various assignments and projects to complete. Their responses to these are provided in the book and although I know very little about multimedia art I enjoyed reading them as they give a deeper insight into each character. I was particularly intrigued by Jem’s work with soundscapes and binaural audio and Patrick’s experiments with resin. Gela’s notes as she examines and grades each project are also interesting as they give us clues about how she views each student and her relationship with them. Why does she show such favouritism to the overqualified Alyson, for example? Why does she make so many allowances for Cameron, who barely attends the course and makes very little effort when he does?

When I eventually discovered what was going on behind the scenes of Gela’s Multimedia Art course I felt slightly let down because it seemed so far-fetched and not what I had expected. Still, the fun was in getting there and watching the dynamics play out between the six students along the way. Although The Twyford Code and The Alperton Angels are still my favourite Hallett novels, I did love this one as well; it’s maybe not the best place to start with her books, but I think existing Hallett fans will enjoy it as much as I did.

I’m counting this as my third book for this year’s RIP challenge.

Tales Accursed: A Folk Horror Anthology selected and illustrated by Richard Wells

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Folk horror is not a subgenre I’ve ever really taken the time to explore, so I wasn’t sure what to expect from this new anthology selected and illustrated by the artist Richard Wells. What I found was a collection of sixteen stories, most of them from the 19th and early 20th centuries, all blending folklore with elements of the supernatural and lonely rural settings. Each story is accompanied by a beautiful lino print illustration by Wells which I’m sure will look even more impressive in the physical edition of the book than in the ebook version I read.

The stories are arranged chronologically, beginning with Sheridan Le Fanu’s The White Cat of Drumgunniol from 1870 and ending with Shirley Jackson’s The Man in the Woods, published posthumously in 2014. I had read both of these authors before (although not these particular stories) and there were two other authors I’d also read previously – John Buchan and E.F. Benson – but the others were all new to me. In fact, there were several I’d never even heard of until now, so it was good to be made aware of them and to be able to try their work for the first time.

As with most anthologies, the stories vary in quality. However, I found that there wasn’t much variety in terms of plot or setting. Many of them, particularly the older ones, are based on Celtic folklore and have similar structures, with our narrator travelling in an unfamiliar part of the countryside and meeting someone who tells them a story about strange sightings or occurrences, which the narrator then experiences for themselves. Although this did make the collection as a whole feel slightly formulaic and repetitive, there were still some stories that were different and stood out. One of these is Woe Water by H.R. Wakefield, which unfolds in the form of diary entries written by a man with a troubled past who moves into a remote lakeside cabin and begins to struggle with his conscience. I also enjoyed Elinor Mordaunt’s The Country-Side, told from the perspective of a parson’s wife whose relationship with her unfaithful husband takes a sinister turn when she meets an old woman in the village who is said to be a witch.

Ancient Lights by Algernon Blackwood is another highlight – it has a wonderfully eerie atmosphere as the narrator describes his journey through enchanted ancient woodland. The Shirley Jackson story, The Man in the Woods, in which a man accompanied by a stray cat stumbles upon an old house inhabited by three strange people, is also very good. It’s packed with references to mythology and witchcraft and there are lots of layers to unravel, but the open ending left me frustrated and wanting to know more!

Despite the ‘folk horror’ label in the title, I found the stories in this collection creepy or unsettling rather than frightening. I deliberately haven’t said much about any of the individual stories because some of them are very short and it would be easy to spoil them, but overall I did enjoy the book and am interested in reading more by some of these authors.

Thanks to Unbound for providing a copy of this book for review via NetGalley.

I’m counting this as my second book towards this year’s RIP challenge.

My Commonplace Book: September 2024

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A selection of quotes and pictures to represent September’s reading:

commonplace book
noun
a book into which notable extracts from other works are copied for personal use.

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“A man is responsible for his deeds, and not just the deeds, but for the consequences of those deeds, as well.”

Ordeal by Innocence by Agatha Christie (1958)

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Venetia Stanley, c. 1914

Yet there was no such thing in politics as true friendship. There could never be absolute trust, not when one was Prime Minister.

Precipice by Robert Harris (2024)

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She remembered something her revered German teacher at Oxford, Cecil Fairfax, liked to say. That there were two kinds of people, those who made something of their life and those to whom life merely happened.

Midnight in Vienna by Jane Thynne (2024)

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Had she but known it, it was the happiest time of her life. If there were only some guide near us all, to cry halt when we reach the summit of our joy, to say, ‘Pause here, do not waste time looking back, do not try to rush forward, for there is nothing better to come,’ how different life might be!

Tales Accursed: A Folk Horror Anthology selected by Richard Wells (2024)
Quote from The Country-Side by Elinor Mordaunt (1917)

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Binaural microphone

The speaker said life is about change. That’s how we grow and develop, but to change we have to let go of the past. Most of us, she said, are bad at this, especially when a situation that was good turns bad. We cling to the past and deny the need for change, telling ourselves everything is as fine as it ever was, when it isn’t.

The Examiner by Janice Hallett (2024)

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Favourite books read in September:

The Examiner, Precipice and Midnight in Vienna

Authors read for the first time in September:

Jane Thynne, Fiona Macleod, AC Benson, Algernon Blackwood, Elinor Mordaunt, Ulric Daubeny, Margery Lawrence, MR James, Eleanor Scott, Frederick Cowles, HR Wakefield, William Croft Dickinson, LTC Rolt

Places visited in my September reading:

England, Wales, Scotland, Ireland, Austria

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Reading notes: I didn’t finish many books this month, for various reasons, but I enjoyed most of what I did read and that’s more important. I also have a long list of new-to-me authors read for the first time this month, thanks to the short story anthology Tales Accursed. As you can see, I’m behind with reviews again but will try to catch up with those in October. Also in October, I will be joining in with 1970 Club hosted by Kaggsy’s Bookish Ramblings and Stuck in a Book, and have already started my first book for that event.

How was your September? What will you be reading in October?

Mary I: Queen of Sorrows by Alison Weir

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This is the third novel in Alison Weir’s Tudor Rose trilogy, following Elizabeth of York: The Last White Rose and Henry VIII: The Heart and the Crown. You definitely don’t need to have read the previous two books before starting this one, although if you’re not very familiar with Tudor history it would probably be helpful to read them in order.

The novel begins in 1525, introducing us to nine-year-old Mary who has recently become betrothed to Charles V, Holy Roman Emperor and King of Spain. As the daughter of Henry VIII and his Spanish wife, Katherine of Aragon, a marriage between Mary and Charles would cement England’s alliance with Spain. Mary’s future looks bright, but things don’t go as planned and it’s not long before her whole life is thrown into turmoil. First, Charles decides he doesn’t want to wait for Mary to grow up and takes another bride, one who is richer and old enough to give him children. Then, Mary’s father becomes obsessed with the idea of marrying Anne Boleyn and casts Mary’s mother aside.

It would be difficult not to sympathise with the young Mary as she is put under pressure to betray her mother and denounce her Catholic faith, gains and loses one stepmother after another and, with the arrival of a younger half-sister and half-brother, becomes uncertain of her place in the succession. However, I did find these early sections of the book quite repetitive as having read all of Weir’s Six Tudor Queens series, as well as her novel on Henry VIII, I felt that there wasn’t much here that was new to me. The second half of the book interested me more as it moved on to Mary’s own reign as Queen, her marriage to Philip of Spain and her ‘phantom pregnancies’, and, of course, the persecution of Protestants that famously gained her the nickname ‘Bloody Mary’.

On finishing the book and reading the author’s note at the end, I was interested to find that Alison Weir herself felt that she and Mary shared some childhood experiences, such as the separation of their parents and dislike of the new woman in their father’s life; this probably explains why the chapters dealing with Mary’s early years are written with such sympathy and understanding. Later in the novel, however, Mary becomes a much more difficult character to like as she ignores advice and public opinion, makes some poor decisions, and those who don’t share her Catholic faith burn at the stake. Weir states that she found it hard to make the adult Mary sympathetic when the historical evidence tells us otherwise.

As I wouldn’t want anyone to accidentally buy the same book twice, be aware that the US title of this book is The Passionate Tudor: A Novel of Queen Mary I. Alison Weir’s next novel, coming in 2025, stays in the Tudor period and is about the rise and fall of Cardinal Wolsey. I’ve never read a book written from Wolsey’s perspective before, so that should be interesting.

Thanks to Headline for providing a copy of this book for review via NetGalley.

Book 43/50 for the Historical Fiction Reading Challenge 2024

Top Ten Tuesday: Books on my Autumn TBR

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This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is: “Books on My Fall 2024 To-Read List”.

I have a lot more than ten books I’m hoping to read this autumn, but here’s a selection of them:

For the upcoming 1970 Club:

1. God is an Englishman by RF Delderfield
2. Passenger to Frankfurt by Agatha Christie

For Margaret Atwood Reading Month:

3. The Blind Assassin by Margaret Atwood

For Novellas in November:

4. Fire by John Boyne

Some review copies:

5. The Bells of Westminster by Leonora Nattrass
6. The Glassmaker by Tracy Chevalier
7. The Royal Rebel by Elizabeth Chadwick
8. The Voyage Home by Pat Barker
9. The Significance of Swans by Rhiannon Lewis
10. The Labyrinth House Murders by Yukito Ayatsuji

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Which books are on your autumn/fall TBR?