The Novel in the Viola by Natasha Solomons

I love reading fiction set during World War II and The Novel in the Viola is one of the best I’ve read for a while. The story begins in 1938 when we meet nineteen-year-old Elise Landau, a girl from a rich Austrian family (her mother, Anna, is a successful opera singer and her father, Julian, a famous author). Until now, Elise has lead a secure and comfortable life but that’s all about to change because the Landaus are Jews, and with Europe on the brink of war Austria is no longer a safe place to live. And so Elise is sent away from her home in Vienna and travels alone to Tyneford House, a mansion on the south coast of England, where she will work as a maid for Mr Rivers and his son, Kit. Her parents have remained in Austria while they await American visas and they promise to send for Elise as soon as possible – but as the war continues, she begins to wonder if they’ll ever be reunited.

The portrayal of life in an English country house forms a big part of the story, with insights into the class system, social conventions of the time, and the relationships between servant and master. Elise has to get used to working as a parlour maid after spending most of her life having servants of her own. Her background makes it difficult for her to fit in with the other servants at Tyneford but her status as a maid and a Jewish refugee prevents her from being accepted by some of the Rivers’ upper class friends. Elise is a wonderful character and I enjoyed following her as she settled into her new life – I thought Natasha Solomons displayed a real understanding of what it was like to be newly arrived in an unfamiliar country, feeling homesick and struggling with the language and the culture.

There are lots of beautiful, atmospheric descriptions of the Dorset countryside and coast which gave me a true feel of what it was like to live there during the Second World War. The story also looks at the effects the war had on the village of Tyneford and the house itself. The author’s note at the end of the book was very interesting and explained how Tyneford was based on a real place that became a ghost town because of the war.

There are so many other things I could say about this book – there’s the secret of the ‘novel in the viola’ itself, and I haven’t even mentioned yet the romantic storyline which develops as Elise begins to fall in love with someone she meets at Tyneford. But I don’t want to spoil this book for you, so I’ll just say that The Novel in the Viola was a real pleasure to read, a great story with just the right balance of sadness and humour. And I thought the way the book ended was perfect – the only problem was that I had grown to care for Elise and the others so much I didn’t want to leave them behind.

Review: Persepolis by Marjane Satrapi

This is the first graphic novel I’ve read. There, I’ve admitted it. I can’t explain why it has taken me so long to read one. It’s not that I think they’re childish or ‘not real literature’ or anything like that; it had just never occurred to me to read them and until I started blogging I didn’t even realise how popular they were. When I did decide I’d like to try one I thought a graphic memoir might be the best to start with and as I’d seen Persepolis reviewed on so many blogs it seemed a good choice. And it was, because I loved it.

This edition is actually two books in one: The Story of a Childhood and The Story of a Return. They can be bought separately but you really need to read the first book before the second.

These two books are the memoirs of Marjane Satrapi. In The Story of a Childhood she tells us what it’s like to be a child growing up in Iran during the 1970s and 80s. Due to the Islamic Revolution and the Iran-Iraq War, Iran becomes an oppressive and often dangerous place to live, particularly as Marjane develops into a rebellious teenager. Her concerned parents eventually decide that the safest option is to send their daughter away to start a new life in Europe.

Before beginning this book, I didn’t know very much at all about Iranian history and politics. I found that seeing things through a child’s eyes was fascinating and informative. Marji is an intelligent, imaginative girl and like all children she’s always curious and full of questions, so for someone who knows very little about Iran, this book offers an opportunity to learn along with Marji.

In the second volume, Marji is living in Austria, struggling to adapt to life in a country with an entirely different culture. This second book is more about the personal problems she faces with relationships, drugs and money and although I had a lot of sympathy for the situation she was in, I didn’t enjoy reading this book as much as the first one. I did find it more interesting towards the end when she finally returns to Iran several years later and finds she has as much trouble fitting back into her old life as she’d had fitting into life in Austria.

Although this was definitely a new experience for me, I was quickly able to forget that I was reading a ‘graphic novel’ and become absorbed in Marjane Satrapi’s story. The simple, stark black and white drawings were perfect and made it easy to understand what was happening. Rather than just illustrating the text, the pictures played an equally important part in telling the story.

I enjoyed this book much more than I expected to. It was a powerful and moving story, with some moments of humour too. So, if you are also new to graphic novels and unsure where to start, I have no hesitation in recommending this one to you!