Tag: London

Two from S.J. Bolton: Now You See Me and Dead Scared

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I don’t read a lot of contemporary crime fiction, but one author whose work I’ve been enjoying recently is S.J. Bolton. Last year I read Sacrifice and Awakening and loved both of them. But while those two books had atmospheric settings and a gothic feel (both things which appeal to me in a book) Now You See Me sounded like a more conventional crime novel and I wasn’t sure how I would feel about it. I had been putting off reading it for a while but finally picked it up a couple of weeks ago to read in preparation for reading the sequel, Dead Scared. I’ve decided to combine my thoughts on Now You See Me and Dead Scared into one post as I read them so close together.

Now You See Me introduces us to DC Lacey Flint, a young police detective based in London. After interviewing a witness one evening, Lacey returns to her car to find a dying woman slumped across it. The woman has been stabbed but there’s no sign of her attacker. As more murders take place across the city it starts to appear that they are the work of a serial killer copying the crimes of Jack the Ripper – who happens to be Lacey’s favourite historical figure. Lacey uses her knowledge of the Ripper to guess the killer’s next moves, but it soon becomes obvious that there’s a connection between the murders and Lacey herself, and she’s forced to confront some secrets from her past that she would prefer to keep hidden.

I needn’t have worried that I wouldn’t like this book because I enjoyed it almost as much as the others. What I loved most about Now You See Me was the character of Lacey Flint. As the story’s narrator we’re relying on her to give us all the facts but we quickly discover that there are a lot of things she’s not telling us. I liked Lacey but she’s very flawed and secretive, and the truth about her past is only revealed very slowly as the story progresses. Towards the end of the book, the plot takes a lot of unexpected twists and turns and I loved the fact that S.J. Bolton managed to surprise me after I thought I’d figured everything out!

In Dead Scared we join Lacey again as she goes undercover at Cambridge University to investigate an unusually high number of suicides among the students, most of them attractive young women. Many of these students had reported having problems sleeping and waking from nightmares feeling that someone had been in their room. Posing as a depressed, vulnerable student, Lacey tries to find out what’s going on, but could she be putting her own life at risk?

The only person at Cambridge who knows Lacey’s true identity is Evi Oliver, a psychiatrist with an interesting past of her own. Although most of the book is again narrated by Lacey, there are also some chapters written in the third person from Evi’s perspective. Apparently Evi first appeared in Blood Harvest, the only book by Bolton that I haven’t read yet, and I felt there were a lot of things I didn’t understand about her background – I will have to read Blood Harvest soon!

Now that we’ve had the chance to get to know Lacey better she’s much more open with us and I felt her character had developed a lot since the first book. It would probably be best to read Now You See Me first as it will help you understand Lacey and the way she interacts with the other characters, but this book does stand alone quite well so if you do find yourself reading this one first it shouldn’t spoil things too much.

Both novels also explore Lacey’s relationship with one of her male colleagues, DI Mark Joesbury. It’s obvious almost from their first scene together that they have feelings for each other but neither wants to admit it to the other. There’s a real chemistry between the two of them and this adds another interesting angle to the story.

Like S.J. Bolton’s other novels, Now You See Me and Dead Scared are quick and exciting reads due to the combination of fast-paced plot, short chapters and cliffhanger chapter endings. Bolton is great at creating a dark, menacing atmosphere and building the tension as her characters find themselves becoming increasingly isolated and in danger. These books are not for the faint hearted as the descriptions of the murders and suicides are quite graphic, but if you enjoy reading this type of crime novel I can recommend either or both of these.

Stone’s Fall by Iain Pears

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With 2011 coming to an end, like a lot of bloggers I’ve been putting together a list of my favourite books read this year. One of the books on my list is Stone’s Fall by Iain Pears, which I finished a couple of weeks ago but haven’t had a chance to post about yet, so I thought it would make sense to tell you about the book today before posting my Top Books of 2011 later in the week.

I really wasn’t expecting to enjoy Stone’s Fall so much because a few years ago, I started to read Iain Pears’ An Instance of the Fingerpost and despite it sounding like exactly the type of book I would usually love, I couldn’t get into it at all and abandoned it a few pages into the second of the book’s four parts. With this book, though, I’ve had a completely different experience and I’ve never been so glad that I decided to give an author a second chance!

Stone’s Fall is a very complex and cleverly constructed novel. At the beginning of the story we are told that a man is dead but before we can understand the circumstances surrounding his death it’s necessary to go back in time and learn as much as we can about his life. And so the book is divided into three sections, each narrated by a different character, and moving backwards from London in 1909 to Paris in 1890 and finally Venice in 1867. The link between all three stories is the mysterious Elizabeth, Lady Ravenscliff, who plays an important part in the life of each narrator and is perceived in a different way by each of them.

The first narrator we meet, in 1909, is Matthew Braddock, a journalist working for a London newspaper. When John Stone, one of the richest and most powerful men in the world, meets his death after falling from an open window, he leaves behind a will containing an unusual bequest. Stone’s widow, Lady Ravenscliff, asks Braddock to investigate but as he begins to dig into the secrets of Stone’s business empire he makes some surprising discoveries.

At the end of the first part I was sorry to have to say goodbye to Braddock and move back in time and on to another narrator. However, it only took me a few pages to get back into the flow of the story – the second narrator is fascinating and I enjoyed the second section even more than the first! And in the third and final part of the book, we switch narrator yet again, with this section of the book being equally compelling.

Many of the characters are unlikeable or flawed in some way, but I found all of them interesting to read about. The way I thought about each character changed as I was given more information to piece together and I was constantly forced to re-interpret what I had just read.

Stone’s Fall is a long book (over 600 pages) and very detailed and the author takes his time in introducing us to each character and building up a full picture of John Stone’s world. However, despite the pace being slow at times I found the plot completely gripping and was never bored – it was all so wonderfully intricate and clever. The balance between the melodramatic plot twists and the more technical details of banking, politics and espionage was exactly right, so that the story was both entertaining and informative.

“Love, Murder, Espionage.” Those are the words on the front cover, but although all three can be found within this book, it also contains so many other themes and ideas that to mention everything would require a post twice as long as this one! And so I’ll finish by simply saying that I loved this book – which I hadn’t expected to, considering the problems I had with An Instance of the Fingerpost. This is a book I’d definitely like to re-read one day because I’m sure my knowledge of some of the later revelations would bring new meaning to the earlier parts of the book. I might even decide to try Fingerpost again too!

The Ghost of Lily Painter by Caitlin Davies

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When Annie Sweet and her daughter Molly move into their new home in the Holloway area of London, Annie becomes obsessed with researching the lives of the people who previously lived in the house. Looking at the 1901 census records she discovers a list of the former residents of 43 Stanley Road, including William George, a police inspector, and one of his lodgers, a young music hall star whose name was Lily Painter. As Annie begins to investigate Lily’s story, she uncovers a scandal involving two notorious ‘baby farmers’, Nurse Sach and Mrs Walters – and at the same time, she becomes aware of a ghostly presence at 43 Stanley Road.

The book has four different narrators: Annie Sweet in the present day, Lily Painter and Inspector William George in Edwardian London, and another character who narrates some later sections set during World War II. This could have become confusing, but it didn’t – it was actually very easy to follow what was going on and is an example of multiple time periods and narrators being handled perfectly! I found all the different threads of the story equally interesting and everything seemed relevant to the overall plot. And I appreciated the way the author had made an effort to change her writing style to suit the voice of each narrator: Inspector George’s journal has a formal feel, for example, while the wartime narrator uses a lot of slang. My only criticism is that the plot relies heavily on coincidences and the way in which all the parts of the story are brought together at the end is both predictable and hard to believe.

As well as being a great story, I was also able to learn something from this book. I didn’t know anything about baby farmers and had never heard of Amelia Sach and Annie Walters, but they were real people and you can read about their crimes online. Baby farmers were people who advertised for pregnant women, offering to care for them before and during the birth and to arrange for adoption of the child if necessary. Many of these mothers were desperate young women who knew they would be unable to keep their child for financial reasons or because it was illegitimate. Of course, the young mother had to pay the baby farmer for their services and while some baby farmers may have genuinely tried to find an adoptive home for the child, others would just take the money and murder the baby. As you can probably imagine, this is all very disturbing to read about and I did have tears in my eyes once or twice!

Finally, I should point out that although the book is called The Ghost of Lily Painter, and yes there is a ghost, this is not really a traditional ‘ghost story’. Although a few scenes were slightly creepy, I was never actually frightened so if you’re looking for something scary and chilling you might be disappointed. I would recommend this book to people who enjoy historical fiction set in the Edwardian period and World War II, and despite the baby farming storyline this is a light, entertaining read.

The Water Room by Christopher Fowler

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The Water Room is the second in a series of novels about two elderly detectives, Arthur Bryant and John May, who work for the Peculiar Crimes Unit, a branch of the London Metropolitan Police specialising in unusual cases. Bryant and May have been working together since the 1940s and have formed a strong and effective partnership, combining Bryant’s eccentricity and lateral thinking with May’s common sense and more logical approach.

When Mrs Singh is found drowned in the seemingly dry basement of her home in Balaklava Street with her mouth full of river water, her brother, who is an old friend of Arthur Bryant’s, asks the Peculiar Crimes Unit for help. But no sooner have Bryant and May begun to investigate than another bizarre incident occurs in the same street. Meanwhile, the new owner of Mrs Singh’s house is being plagued by the sound of rushing water in the basement and damp patches appearing and disappearing on the walls. What is going on?

I read the first book in this series, Full Dark House, a couple of months ago and loved it, but I thought this one was even better. This is a series that I would particularly recommend to people who love London. I’m not familiar enough with London to fully appreciate everything in these novels, but Christopher Fowler’s love and knowledge of the city is obvious on every page. Full Dark House looked at the city’s theatrical world; in this book the focus is on the underground rivers that run under the streets of London. During the course of Bryant and May’s investigations we learn lots of little facts about these lost rivers and the mythology surrounding them. The historical information is woven into the plot throughout the book and I thought the balance between education and entertainment was just right.

This is not a very fast-paced book and does require some concentration, but the story moves along steadily and has a few surprising twists. The mystery plot was quite a good one, with plenty of clues and red herrings that seemed to implicate almost everybody in the street at one point or another. But the highlight of these books for me is the partnership of Bryant and May themselves and the dialogue between them.

As well as being part of a series, The Water Room is a complete mystery novel in itself and it’s not necessary to have read Full Dark House first. However, if you’re concerned about coming across spoilers it would be a good idea to start at the beginning of the series. After enjoying the first two books so much I’m sure I’ll be reading the others and am looking forward to meeting Mr Bryant and Mr May again in Seventy-Seven Clocks.

I received a copy of this book for review from Transworld as part of the Transworld Book Group.

Full Dark House by Christopher Fowler

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One of the books I hope to be reading soon for the Transworld Book Group challenge is The Water Room, the second in Christopher Fowler’s Bryant and May series. As I already had a copy of the first in the series waiting to be read and I would prefer not to read them in the wrong order, I decided to read Full Dark House first. And I’m glad I did, because Full Dark House definitely has a ‘first in the series’ feel about it.

Arthur Bryant and John May are two elderly detectives who work for the Peculiar Crimes Unit, a branch of the London Metropolitan Police created to deal with unusual cases. When the PCU office is destroyed in an explosion, Bryant, who was inside the building, is presumed dead. His partner, May, who has worked with him for over sixty years, is determined to find out who killed Bryant and why.

In order to understand who may have been responsible for Bryant’s death, we are taken back in time to November 1940, when Bryant and May worked together on their very first case during the London Blitz. While bombs fell on the city night after night, the two young detectives were investigating the murders of several cast members of a controversial new play at the Palace Theatre. As the story moves backwards and forwards between 1940 and the present day, May searches for a connection between the ‘Palace Phantom’ and Arthur Bryant’s death.

With their different strengths and weaknesses, Arthur Bryant and John May complement each other perfectly and each of them approaches the investigation in his own way. Bryant has unconventional ideas, an active imagination and an interest in the paranormal, whereas May is the more logical and methodical of the two. Setting the story in two time periods sixty years apart was a good idea because it allowed us to watch the two detectives meeting each other for the first time in 1940 and to see how their relationship had developed over the intervening years. I liked both of them and am looking forward to getting to know them better throughout the rest of the series.

I loved the descriptions of black-outs, bomb shelters, rationing and other aspects of daily life in London during the Blitz – it all felt very convincing and realistic. In fact, of all the books I’ve read recently set in wartime London, this is probably the one that evokes the era best, which was something I hadn’t expected. I can tell Christopher Fowler must have researched every part of his book very thoroughly, because as well as all the little details that make his portrayal of London so believable, there are also some very detailed descriptions of the backstage layout of the theatre and lots of information on Greek mythology too.

Apart from a section in the middle of the book where the plot moved forward very slowly and nothing seemed to happen for a while, I really enjoyed my first introduction to Bryant and May. With two mysteries to solve, lots of plot twists, and a large cast of colourful characters both within the Peculiar Crimes Unit and at the theatre, Full Dark House is a great opening to the series.

The Report by Jessica Francis Kane

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3 March 1943, London: The air raid sirens sound in Bethnal Green and the residents begin making their way to the tube station which is being used as a public air raid shelter. As the crowds begin to descend the steps into the station there’s an accident, the entrance becomes obstructed and 173 people are crushed to death.

This tragic true story is the subject of Jessica Francis Kane’s new novel, The Report. Although hundreds of people were affected by what happened, Kane’s story concentrates on just a few of them: eight-year-old Tilly and her mother Ada, two survivors of the crush; Bertram Lodge, a young clerk who was heading towards the shelter as the crowd began to push forward; James Low, the chief warden of the shelter, who is stricken with grief and self-blame; and the Rev McNeely from St. John’s church in Bethnal Green who attempts to give hope and comfort following the disaster. Spending time with each of these characters before, during and after the incident gives the story a very personal touch and allows us to see things from several different perspectives.

Thirty years later a young filmmaker, Paul Barber, decides to make a new documentary about Bethnal Green and pays a visit to Laurence Dunne in search of answers. Dunne is the magistrate who was commissioned by the Home Secretary to write a report on the tragedy – which he did within three weeks, having interviewed a large number of witnesses, survivors, medical staff and other officials. When Dunne agrees to cooperate with the documentary, some new details about the disaster and Paul’s own past are brought to light.

This was the worst civilian disaster of World War II and yet I think it’s safe to say that even today it’s not something that many people have heard about. I was vaguely aware of it, but only because it was briefly alluded to in another book I read. I had never read about it in any depth and had no idea what caused the disaster or what happened afterwards. Something that becomes clear as you read the book and learn the details of Dunne’s inquiry is that no one person was to blame for what happened – and yet almost everyone involved blamed either themselves or someone else to some degree. What Dunne wanted to avoid was making one person or group of people into a scapegoat and he had to make some important decisions as to what he would and would not include in his report.

An interesting blend of fact and fiction, The Report manages to be both informative and moving, without ever becoming too sentimental. The theory that Kane puts forward at the end of the novel may or may not be close to the truth, but either way I’m glad to have had the opportunity to learn more about such an important historical incident.

The Postmistress by Sarah Blake

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It’s 1940. Frankie Bard is an American radio reporter working in London for CBS, broadcasting news on the Blitz into American homes. Frankie is right in the heart of the action, spending her nights sheltering from the bombs and her days reporting on homes that have been destroyed, families torn apart and children left orphaned.

Meanwhile on the other side of the Atlantic, we see the effects the war is having on the small town of Franklin, Massachusetts. In Franklin, we meet the postmistress (or actually, postmaster, as she prefers to be called): Iris James, a middle-aged single woman. And we also meet Emma Fitch, the doctor’s wife. When Emma’s husband travels to London to offer his medical skills to the war effort, it sets a chain of events in motion which will affect the lives of all three women.

I seem to have been reading a lot of books about World War II recently – books written during the war, set during the war and about the aftermath of the war. The Postmistress is a book I’ve had my eye on for a while and I was looking forward to reading it. Unfortunately, it turned out not to be one of the better WWII books I’ve read. In fact, it’s probably the most disappointing book I’ve read so far this year and I very nearly gave up on it after a few chapters. Although the writing was very elegant, it felt impersonal somehow and scenes that I’m sure should have made me cry left me unmoved.

The biggest problem I had was that I didn’t feel a real connection to any of the characters. The only one who came alive for me at all was Frankie Bard. I thought the book lacked focus and might have worked better if it had concentrated more on one central character. As it was, I’m not sure The Postmistress was the best title for this book. It implies that the postmistress (i.e. Iris) would be the main focal point of the book, which she wasn’t – this was really Frankie’s story in my opinion – and although Iris does play an important part in the plot, her character’s potential was never fully explored. As for the third main female character, Emma, she seemed very two-dimensional and I never felt that I got to know her at all.

It’s not all bad, though: there were some things that I did like about this book. I enjoyed the section where Frankie was sent to report on the refugee trains departing from Berlin and to attempt to interview some of the Jewish families who were leaving the city. I’m sure she wouldn’t really have found it quite so easy to travel by ferry from England to France in the middle of the war and then to catch a train to Berlin, though! Despite this and a few other inaccuracies (in the author’s note, for example, Sarah Blake admits that the recording equipment Frankie was carrying hadn’t been invented until 1944), I thought this was easily the most compelling part of the novel. This was around 150 pages into the book and was the first time I’d found myself becoming absorbed in the story, which made me glad I hadn’t abandoned it. Sadly though it didn’t continue to hold my attention and I quickly started to lose interest again when the focus returned to Iris and Emma.

I did find it interesting to read about the various ways in which the war was affecting the lives of people in Massachusetts, thousands of miles away from the fighting. We see people worrying about loved ones in Europe, people feeling frightened and expecting a German U-boat to land at any minute, people tuning into the radio every day to hear the latest news and wishing there was some way they could help. Most of the WWII books I’ve read have been from a European perspective so this was something different and I really liked that aspect of the book.

The Postmistress didn’t work for me personally, but I’ve seen a lot of reviews that are much more positive than mine, so clearly other readers have been able to connect with the characters and the story better than I have. I do however think it would make a good book group choice, as it raises some issues which would be perfect for a discussion, such as the importance of truth and whether the truth should always be told – and what happens to the people we hear about on the news after the reporter stops speaking and the radio is turned off.