Tag: Rosie Andrews

Monstrous Tales: Haunting Encounters with Britain’s Mythical Beasts

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This is a great new collection of short stories inspired by British folklore. I was drawn to it because it included several authors whose work I’ve previously enjoyed, but I was pleased to find that the stories by authors who were new to me were just as strong. The book has also given me the opportunity to learn about lots of creatures from British myth that I’d never come across before; only one or two of them were familiar to me.

I’ll start with the three stories by authors I hadn’t tried before. I particularly enjoyed Jenn Ashworth’s Old Trash, set in the Pendle area of Lancashire where a mother has taken her troubled teenage daughter camping for the weekend, hoping to keep her away from the bad influence of an older boyfriend. Ashworth does a wonderful job of creating a creepy atmosphere as darkness falls over the hills and Rachael and Mae listen to tales of the gytrash, a huge black dog thought to be an omen of death. Abir Mukherjee’s The Doctor’s Wife is another highlight, following a doctor and his wife who move to a small village in the Highlands of Scotland. Once there, the doctor becomes obsessed with the fate of his predecessor and a mysterious woman dressed in red. This story combines a British setting with elements of Hindu mythology, which is fascinating and adds some diversity to the book.

Sunyi Dean’s Eynhallow Free didn’t work for me quite as well as the others, which I think is due to the story being written in second person (addressing the reader directly as ‘you’, putting us in the position of the protagonist, a style I never really get on with). I did love the Orkney setting, though; it’s a very eerie story, incorporating figures from Orkney folklore such as the Goodman of Thorodale and the Finfolk. There’s one more story also set in Scotland: These Things Happen by Dan Jones. I’ve read some of Jones’ history books, but this is my first experience of his fiction. I disliked the main character which put me off the story a little bit, but I was fascinated by the descriptions of the Cat Sith, the large black cat of Scottish mythology that walks around on its hind legs.

Welsh folklore is represented by the Fad Felen, or yellow plague, which appears in Rosie Andrews’ story, The Yellow Death. The story is set at the end of the First World War and the Fad Felen can be seen as a metaphor for the yellow of mustard gas. This is one of only two stories in the book with historical settings. The other is Rebecca Netley’s Mr Mischief, in which ten-year-old Bessie moves to a big house on the Yorkshire moors with her Uncle Kit who has a job as gamekeeper. Here she learns about a mysterious being known only as Mr Mischief and the lengths the superstitious locals go to in order to keep him happy.

I think my favourite story in the book was probably Boneless by Janice Hallett, about a writer investigating reports of a giant slug in Derbyshire. Written in Hallett’s usual style incorporating emails, articles, texts etc, it explores issues such as climate and habitat change and how animals are forced to adapt and evolve. The ending is great – I hadn’t expected the story to go in that direction at all. I also liked The Beast of Bodmin by Jane Johnson, which is set, like a lot of Johnson’s work, in Cornwall. Gina moves into a cottage on the edge of Bodmin Moor, hoping to make a new start in life, and almost immediately her black cat, Roxy, goes missing.

The collection is completed by Stuart Turton’s Deaths in the Family. It follows the story of Ben and his family, who gather together for Christmas every year, barricading themselves indoors while an army of grotesque and murderous Redcaps amasses outside. I wasn’t sure what to make of this story as it was so strange and felt different in tone from the others in the book, but it was certainly entertaining!

Nine stories in this collection, then, and although I inevitably enjoyed some more than others, there wasn’t a single bad one here. I’m looking forward to exploring more of Ashworth, Mukherjee and Dean’s work now, so if you can recommend anything please let me know.

Thanks to Raven Books for providing a copy of this book for review via NetGalley.

The Puzzle Wood by Rosie Andrews

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Rosie Andrews’ debut novel, The Leviathan, left me with mixed, but generally positive, feelings – I loved the setting and atmosphere, but was less interested in the fantasy/horror elements that began to dominate in the second half. I was curious to see whether her new novel, The Puzzle Wood, would be more to my taste.

The novel begins in 1852 with the recently widowed Catherine Symonds applying for the position of governess at Locksley Abbey in Herefordshire. Catherine doesn’t really need the work – her husband was a wealthy man – but she has another reason for her application: her sister, Emily, was the previous governess at Locksley Abbey and has been found dead in the woods nearby, believed to have taken her own life. Catherine is not satisfied with this explanation and in order to investigate her sister’s death, she needs to find a way to insert herself into the household without anyone guessing her connection with Emily.

Once at Locksley Abbey, Catherine meets her new employer, Sir Rowland, and her young charge, his daughter Georgie. The more she learns about the family and their history, the more she becomes convinced that there’s more to her sister’s death than has so far been revealed. Meanwhile, there’s another newcomer – Arthur Sidstone, a doctor who has recently returned to the area after working abroad. Arthur’s grandfather, who is interested in the history of the forests surrounding Locksley, has grown concerned by reports that Sir Rowland is planning to sell off the land for development. Arthur has come to ask him to reconsider, but ends up becoming much more closely involved in the affairs of Locksley Abbey than he had bargained for.

Set in the Black Mountains of Herefordshire close to the England-Wales border, on a remote estate surrounded by ancient woods steeped in folklore, with a plot incorporating family secrets and mysterious deaths, The Puzzle Wood promised to be a great, atmospheric Gothic novel. However, it didn’t have as much atmosphere as I expected and the Puzzle Wood itself played a surprisingly small part in the story. Instead, a lot of time is spent on another storyline revolving around the productivity of the mine on Sir Rowland’s land and the working conditions of the miners employed there, as well as Arthur Sidstone’s backstory and his involvement with the Chartist movement. I found these two threads quite interesting but they didn’t really blend together very well with Catherine’s story. The spooky/supernatural elements grow stronger towards the end, although certainly not as strong as in The Leviathan and I think readers who pick up this book hoping for something similar could be disappointed.

I seem to have read a few other novels recently with similar plots involving young women working as governesses or servants in lonely Victorian mansions – Elizabeth Macneal’s The Burial Plot and Katie Lumsden’s The Secrets of Hartwood Hall are two that come to mind and both were more enjoyable than this one. Maybe if I hadn’t read so many of this kind of book I would have found The Puzzle Wood more captivating as I do like Rosie Andrews’ writing. I’m not sure if I’ll try more of her books, but depending on the setting and subject I could be tempted.

Thanks to Raven Books for providing a copy of this book for review via NetGalley.

Book 25/50 for the Historical Fiction Reading Challenge 2024

The Leviathan by Rosie Andrews

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I was drawn to this book, Rosie Andrews’ debut, by the title, the cover and the comparisons to other books I’ve read, such as The Essex Serpent, Once Upon a River and The Mermaid and Mrs Hancock – comparisons which for once turned out to be quite accurate!

It’s 1643 and Thomas Treadwater is on his way home to the family farmhouse in Norfolk. England is currently torn apart by civil war but Thomas has been summoned home from the fighting by his sixteen-year-old sister, Esther, who has accused a new servant of seducing their widowed father. Arriving back at the farm, Thomas finds the sheep dead in their field, with no visible signs of violence – and there are bigger shocks to come. Entering the house, he learns from Esther that their father has suffered a stroke and is dying, and the servant, Chrissa, has been arrested on suspicion of witchcraft.

What follows is a story which at first appears to be a tale of witch hunting in the 17th century, but eventually develops into something even darker and more unusual as Thomas discovers links with a shipwreck that occurred years earlier. The narrative moves back and forth between the 1640s and the year 1703, where Thomas is now living in ‘a place far from the sea’ and is trying to come to terms with what happened in the past and the impact it is still having on his life in the present.

I loved the first half of The Leviathan. The atmosphere is wonderful and the author creates an authentic sense of time and place through attention to detail and careful research. The pace is slow as characters are introduced and the scene is set, but I quickly became drawn into the story, intrigued by the mystery surrounding the ‘witch’ Chrissa Moore and the strange events at the Treadwater farm. There’s a real aura of mystery as Thomas begins to investigate, speaking to the witchfinder, the magistrate and the witch herself in an attempt to find out what is really going on.

In the second half of the book, the magical realism elements of the novel come to the forefront and the story then goes too far in that direction for my taste. The pace speeds up and things become more exciting, but the sinister, slowburning sense of foreboding that I loved in the earlier chapters was gone. I was still invested enough in this part of the book to read on to the end and I was interested to see that John Milton (author of Paradise Lost) makes some appearances as Thomas Treadwater’s former tutor and has some input into the unfolding of the story, taking it into the territory of biblical allegory. This is a novel with lots of layers, and although it wasn’t a complete success for me, I think other readers will love it much more than I did.

Thanks to Raven Books for providing a copy of this book for review via NetGalley.

This is book 5/50 read for the Historical Fiction Reading Challenge 2022.