Thoughts on finishing the Lymond Chronicles

I apologise for abandoning my blog this week – I’ve been very busy both at work and at home, and any spare time I did have was devoted to finishing Dorothy Dunnett’s Lymond Chronicles. Because I read the final two books, The Ringed Castle and Checkmate so close together, rather than posting separate ‘reviews’ I decided to combine both books into the same post, along with some comments on the series as a whole.

Let’s start with the fifth book in the series, The Ringed Castle. After all the praise I’ve bestowed on the first four books it’s difficult to find new words to describe how I felt about this one, so suffice to say that it was as wonderful as the others. Russia is one of my favourite settings for historical fiction so I liked that aspect of the book, though I was equally interested in the chapters set at the Tudor court.

As with the previous novels, there’s a lot of history in this book – in the Russian sections we learn about Ivan IV, the Cossacks and the Crimean Tartars, and in the English sections we find ourselves at the centre of the conspiracies and political intrigue surrounding Queen Mary I and the future Elizabeth I. We also meet John Dee, the famous astrologer and mathematician, who is always interesting to read about, as well as another historical figure I knew nothing about: the explorer Richard Chancellor. Chancellor’s work with the Muscovy Company and as a navigator form quite a big part of the plot and I’m glad I’ve been able to learn something about his life and career. The final voyage of the Edward Bonaventure was so sad and one of the most memorable parts of the book for me.

Oh, and I loved the scene in the Hall of Revels, which finally led to the ‘Anvil Moment’ Aarti has been telling me about. And yes, it was worth waiting for!

When I started Checkmate, it was with a mixture of excitement at finding out how Lymond’s story would end and also sadness at the thought of reaching the end of the series. I was hoping to make the final book last as long as possible, but of course I couldn’t and it actually took less time to read than any of the others. In a series of unputdownable books, I found this one the most unputdownable of them all! I admit to having to cheat once or twice and flip forward a few pages, which is something I usually try not to do, but knowing from the previous books that Dorothy Dunnett had no qualms about killing off major characters, sometimes the suspense was just too much to bear.

Having said that, this wasn’t my favourite of the six books. There were parts that I loved – the chase through the streets of Lyon, the hilarious Hotel de Ville banquet, as well as finally learning the truth about Lymond’s birth – but overall I enjoyed some of the earlier books more. Still, I thought Checkmate was a great conclusion to the series and it was good to see so many of the characters from the previous books brought together in this one, including the return of Jerott, Marthe and one of my favourites, Archie Abernethy. And after The Ringed Castle, in which Lymond becomes more isolated than ever from his family, I was glad that Sybilla and Richard played such a big role in this book (it’s been fascinating to follow all the ups and downs of the relationship between Richard and Francis).

I’d like to finish by saying that I agree with all the Dorothy Dunnett readers who have been commenting on my previous Lymond posts – this is the best series of historical fiction novels I’ve ever read and I can see why so many of you have been re-reading them for decades because I’m sure I’ll be doing the same. And for anyone who has yet to read these books, I can promise you that although they’re not the easiest of reads, it’s definitely worth making the effort and getting to know Francis Crawford of Lymond, one of the most complex, charismatic, fascinating characters you’re ever likely to meet in literature. Working through the six books of the Lymond Chronicles has been one of the greatest experiences in my lifetime of reading.

Blog Tour: Russian Winter by Daphne Kalotay

When former ballerina, Nina Revskaya, decides to auction her jewels to raise money for the Boston Ballet Foundation, she finds herself reflecting on her past and remembering things that she would prefer to forget. Her memories take us back to Soviet Russia in the 1940s and 1950s, showing us how she rose to fame with the Bolshoi Ballet and how she met her future husband, the poet Viktor Elsin. However, Nina is reluctant to share these memories with anyone else – not even with Drew Brooks, who works for Beller Auction House and is trying to research the ballerina’s life for the auction catalogue.

We also meet Grigori Solodin, a university professor with a special interest in Viktor Elsin’s poetry. When Grigori donates an amber necklace to the auction that seems to match Nina’s amber bracelet and earrings, Drew is intrigued. Could the three items all belong to the same set? Is there a connection between Nina and Grigori?

I enjoyed this book, although the beginning was quite slow and it took me a while to really get into the story and warm to the characters. It was definitely worth sticking with the novel though, because the second half was much more compelling than the first and once I’d been drawn into Nina’s story I found it difficult to put the book down.

I find Russian history fascinating so it’s not surprising that my favourite parts of the book were the sections set in the past. Daphne Kalotay does a wonderful job of conveying what life was like in Soviet Russia in an era when you never knew who you could and couldn’t trust, when saying the wrong things to the wrong people could put your life at risk. For Nina and her friends, most of them dancers, writers or musicians, it was a dangerous time, with artists not always able to express themselves as freely as they wished. I also loved following the progress of Nina’s career as a dancer. I don’t know very much about ballet, but the descriptions were so vivid I had no problem picturing the ballets being performed onstage, as well as the emotions the dancers experienced before, during and after the performance.

Although Drew’s and Grigori’s stories didn’t interest me as much as Nina’s, the three separate threads were cleverly woven together with links between all three main characters. One of the things that intrigued me about the present day scenes was the question of how Grigori came to possess a necklace matching the other pieces in Nina’s collection, and why she was so determined not to talk to him about it. There was a point where I thought I knew where the story was heading and how it would end – but it turned out to be much less predictable than I’d thought. Some of the plot twists towards the end of the book surprised me as much as they surprised the characters themselves!

So apart from the slow start, I did enjoy Russian Winter. It’s complex, elegantly written and gives insights into three interesting but very different subjects: communism, ballet and jewellery auctions! I thought it was an impressive debut novel and I’ll be looking out for Daphne Kalotay’s next book.

If you’d like to find out more about Daphne and Russian Winter, you can visit her website and her Facebook page. A reading group guide is also available.

I read this book as part of a blog tour organised by TLC Book Tours. Don’t miss the other stops on the tour to see what other readers thought of Russian Winter.

Wednesday, February 8th: Reading With Tea
Thursday, February 9th: Fleur Fisher in her world
Tuesday, February 14th: DizzyC’s Little Book Blog
Wednesday, February 15th: Pining for the West
Thursday, February 16th: Chuck’s Miscellany
Monday, February 20th: one more page
Tuesday, February 21th: I hug my books
Wednesday, February 22th: The Sweet Bookshelf
Thursday, February 23rd: A Book Sanctuary

The Winter Palace by Eva Stachniak

I was so looking forward to reading this book. I love historical fiction novels set in Russia and this one sounded wonderful (and has such a beautiful cover too). It would be the perfect book to lose myself in over the Christmas holidays, I thought. Well, unfortunately it wasn’t. Or not for me, anyway – the majority of people who have reviewed this book seem to have loved it, which makes me feel even more disappointed that I didn’t.

The Winter Palace is described as ‘a novel of Catherine the Great’, which is slightly misleading as Catherine is not the main character and the book only covers her early years. Beginning with her arrival at court as the Princess Sophie of Anhalt-Zerbst, a prospective bride for the Empress Elizabeth’s heir, Grand Duke Peter, Catherine’s rise to power is described by her friend, Varvara Nikolayevna. Varvara is a young Polish girl, the daughter of a bookbinder, who is employed as a spy, or ‘tongue’, at the court of Empress Elizabeth. The Winter Palace is really Varvara’s story rather than Catherine’s.

This is a period of Russian history I knew almost nothing about, so I can’t comment on how accurate any of the novel is. I found some of it confusing at first, due to my unfamiliarity with the people and events of the era, though there is a useful character list at the back of the book to help with this. It’s always good to finish a historical fiction novel feeling that you were at least able to learn something about the period and by the time I reached the end of this book I did feel that I had a better knowledge of the subject.

The setting of the book – the Russian Imperial court – was as fascinating as I’d expected it to be. I did enjoy the first few chapters of the book, where Varvara first arrives at the Winter Palace and becomes a spy for the Chancellor, Count Bestuzhev. The atmosphere of claustrophobia and danger was very convincing and showed what it must have been like to live in a world where everything you said or did was being spied on and reported. Reading about all the plotting, scheming, betrayal and changing allegiances made me feel relieved that I didn’t have to experience life at the Russian court myself!

I think the book might have worked better for me if it had been narrated by Catherine herself instead of her story being secondary to Varvara’s, who was not even present at court for long sections of the novel. I didn’t feel enough connection to Varvara and her personal storyline to stay interested throughout the chapters where she was away from the Winter Palace and I thought it was a bad decision to remove her character from the Empress’s household for such a long period of time as this was what led to me becoming bored with the story.

Really, this wasn’t a bad novel; it just didn’t have the depth I was hoping for, especially considering the length of the book. I don’t think I’ll be reading the sequel, though it would be interesting to see how Eva Stachniak continues the story.

The Master and Margarita by Mikhail Bulgakov

I’d been wanting to read The Master and Margarita for a long time but had always felt too intimidated to pick it up. I expect there are probably other people who feel the same, so I want to reassure you that there’s really no need to be scared! Yes, it’s Russian literature, but it’s a lot easier to read and understand than I thought it would be. After just a couple of pages I could tell I was going to love it – isn’t it great when that happens?

It’s best if you know as little as possible before you begin, so to put it as simply as I can, The Master and Margarita imagines that the devil, in the guise of Professor Woland, arrives in Soviet Moscow and proceeds to wreak havoc on the city’s literary world. Woland is accompanied by a retinue of memorable characters including his assistant, Koroviev – a tall, skinny man in a jockey’s cap and broken pince-nez glasses – and a giant, talking black cat known as Behemoth. This storyline is interwoven with the story of Pontius Pilate, giving us an insight into Pilate’s thoughts and feelings in the period leading up to the crucifixion of Jesus Christ. A third thread of the novel, closely connected to the other two, features a romance between the writer of the Pontius Pilate story, a mysterious man who is referred to only as ‘The Master’, and his lover, Margarita.

This was a fantastic book – it was breathtakingly different and original, with so many different layers to it. There were some scenes that were so surreal and bizarre I had to read them twice to make sure I hadn’t misunderstood. I’m sorry I can’t give any examples of what I mean, but I don’t want to spoil any of the fun for you! Admittedly there were a few parts of the book where the story seemed to lose its way for a while, but the engaging writing, weird and wonderful characters and the dark humour all helped to keep me interested. There were some excellent set pieces too: the séance in the theatre, Margarita’s moonlight flight, the Great Ball at Satan’s, to name just a few that have stuck in my mind.

A quick note on the translation: the version I read was the Pevear and Volokhonsky translation which, as far as I can tell from reading other reviews, may not be the best one. Personally I didn’t have any complaints about this translation, though obviously I can’t compare it with the others because I haven’t read them.

This is a book that I would definitely like to read again in the future; I might not find it as stunning the second time round but I’m sure I’ll be able to pick up on lots of little details that I missed the first time. I hope I’ve convinced you to give it a try too!

Review: Under a Blood Red Sky by Kate Furnivall

Unfortunately I was unable to finish this book – which is not something that happens to me very often. I hadn’t heard of Under a Blood Red Sky (also published under the title The Red Scarf) until I saw it in the library and I thought I’d give it a try as I love historical fiction set in Russia.   It sounded interesting:

Anna and Sofia are two women who meet whilst imprisoned in a Soviet labour camp in the 1930s and become best friends. When Anna becomes ill, Sofia comes up with a daring plan to run away from the camp and find help. Anna has told her about a childhood friend, Vasily, who is now living under an assumed name in the town of Tivil. After successfully escaping, Sofia heads for Tivil to look for Vasily and ask him to return to the camp with her to save Anna.

However, right from the beginning of the book I felt we were being asked to accept things that weren’t plausible.  The whole plot was just too far-fetched for me.  The other (bigger) problem I had with this book was that I couldn’t connect with any of the characters. Although they were constantly putting their lives at risk and facing unimaginable horrors under Stalin’s communist regime, I found I didn’t really care what happened to them. Sofia was one of those model heroines – beautiful, brave, intelligent and perfect. Everybody seemed to be captivated by her and I couldn’t really understand why. She just didn’t feel like a real person to me. Of course, there were some situations that even Sofia couldn’t deal with – that’s where the gypsy Rafik came in, using mesmerism and mind-control to overcome obstacles.  I thought the whole magical aspect of the book seemed a bit out of place.

I tried to keep reading, thinking the book might get better but when I found I was almost halfway through and still wasn’t enjoying it, I decided not to waste any more time on it and put it down with a sigh of relief. I’m glad I had borrowed this book from the library instead of spending money on it – at least I didn’t lose anything apart from a couple of days when I could have been reading something else.

Genre: Historical Fiction/Pages: 512/Publisher: Sphere/Year: 2008/Source: Library book

A Short Story for Saturday: The Black Monk by Anton Chekhov

The Black Monk by Anton Chekhov (1894)

Where do we draw the line between genius and madness? Anton Chekhov explores this question in The Black Monk – the story of a young man called Andrei Kovrin who suffers from an undisclosed mental illness which causes him to believe he is being visited by a monk dressed in black. Even when he becomes aware that the monk is only a hallucination, he is not concerned because his visions make him feel happy and full of energy and creativity. Eventually though, his family begin to worry about his sanity…

This is a fascinating, unusual story which I found easy to read but difficult to fully understand. Chekhov’s poetic writing creates an eerie, disturbing atmosphere appropriate to Kovrin’s descent into mental illness.

“Once or twice a week, in the park or in the house, he met the black monk and had long conversations with him, but this did not alarm him, but, on the contrary, delighted him, as he was now firmly persuaded that such apparitions only visited the elect few who rise up above their fellows and devote themselves to the service of the idea.”

Read The Black Monk online here