The Forgotten Queen by D.L. Bogdan

The Forgotten Queen Of all the royal women of the Tudor period, one we tend not to hear much about is Margaret, the elder sister of King Henry VIII and grandmother of Mary, Queen of Scots. And yet Margaret was not only a princess of England, but she also became a queen at the age of thirteen when she married King James IV of Scotland. In this historical fiction novel aptly titled The Forgotten Queen, D.L. Bogdan tells Margaret Tudor’s story.

James IV is much older than Margaret and given that this was a marriage made for political reasons, she is fortunate that James proves to be a kind and gentle husband – although not a very faithful one. In time Margaret comes to love him and is devastated when he is killed at the Battle of Flodden in 1513. Their young son succeeds to the throne and is crowned James V, but as he is not yet old enough to reign on his own, Scotland is ruled by a series of regents. Margaret marries again, this time to a man of her own choice, but as she learns more about her second husband – Archibald Douglas, the Earl of Angus – she begins to wonder if she has made a terrible mistake.

With her ties to both England and Scotland, it’s inevitable that eventually Margaret will have to choose between the country of her birth and her adopted country and must decide where her allegiances lie. It’s often unclear to the reader and even to Margaret herself what her true loyalties are, but the one thing that is obvious is that she wants whatever is best for the young James V, who is in a vulnerable position at the mercy of the various advisors, regents and noblemen who surround him. And while she fights to secure her son’s throne, Margaret never forgets her father Henry VII’s dream that through her Scotland and England could one day be united.

I knew absolutely nothing about Margaret Tudor before reading this book so, for me, she really is ‘the forgotten Queen’. It made a nice change to read a book set during the Tudor period that chooses to focus on somebody other than Henry VIII and his six wives and I did learn a lot about Margaret’s life. Unfortunately though, Margaret herself comes across as a very unsympathetic character: immature, selfish and stubborn. She makes some very bad decisions, often failing to take advice from other people, and she expects more from her friends than she is prepared to give in return. However, there were still times when I could feel some compassion for her, as she did seem to have a very difficult and tragic life. Only two of her children survived past infancy – James and her daughter with Angus, Margaret Douglas – and her second and third marriages were both very unhappy (although having said that, I felt that Margaret did nothing to make them any happier).

In addition to learning about Margaret’s life I enjoyed learning more about this period of Scottish history in general, for example the aftermath of Flodden, but I found the author’s attempt at handling Scottish dialect very irritating. To indicate that a character is Scottish she substitutes the words ‘dinna’ and ‘canna’ for don’t and can’t but doesn’t make any real effort to use any other Scottish words. This made the dialogue feel very unconvincing and artificial. Also, as the book covers such a long period of time, it would have been helpful if dates had been provided in the chapter headings or whenever the story jumps forward by a few years. It was hard to tell how much time had passed between one chapter and the next, or sometimes even between one paragraph and the next. Just a small thing but it would have made the story so much easier to follow!

This was a fairly light read, as you can probably tell from the title and cover. I think if I had been looking for a more in-depth book about Margaret Tudor I would have been disappointed, but as an introduction to her story it was enjoyable enough and has left me wanting to know more about this forgotten queen.

Gemini by Dorothy Dunnett

Gemini In June last year, having finished the final book of the Lymond Chronicles in April, I picked up Niccolò Rising and embarked on Dorothy Dunnett’s second historical series, the House of Niccolò. And now here I am, seven months and eight books later, at the end of Gemini and finding it hard to believe that there are no more adventures of either Lymond or Nicholas left for me to discover. There will be re-reads, of course, but it does make me sad that I can’t read any of these books for the first time again.

*Spoilers follow for both the House of Niccolo and the Lymond Chronicles*

Geographically, unlike the last few Niccolò books where the action switched between a variety of different settings, Gemini is focused mainly on one location: Scotland. After causing damage to the Scottish economy in the course of his long-running contest with his wife, Gelis, Nicholas has returned to try to make amends. Soon after his arrival in Scotland, Nicholas finds himself having to contend with a possible inherited illness (porphyria?) afflicting the royal family, trying to handle the King’s wild and unpredictable younger brother, John of Mar, and attempting to thwart a rebellion by the King’s other brother, the Duke of Albany. With Nicholas’s two biggest enemies, his grandfather, Jordan de St Pol of Kilmirren, and his former trading rival, Davie Simpson, also in Scotland, Gelis stays behind for a while in the relative safety of Bruges with their son, Jordan. But it’s not long before she and Jordan are in Edinburgh too and the eighth and final volume of the House of Niccolò starts to head towards its conclusion.

I did love Gemini overall, but I confess to getting a little bit bored with the political aspects of the novel. It’s not that I don’t find this period of history interesting and important, because I do – it’s just that at this late stage in the series, and especially as I began to reach the end of the book, I was too impatient to slow down and concentrate on all the details. I’m sure on a future re-read I’ll be able to appreciate this side of the novel more, but on this first read I was desperate to see how Nicholas’s personal story would be resolved and to have some of my questions answered.

I found Simon’s and Henry’s deaths particularly moving, though not so much for their sakes as for Nicholas’s, though I did feel slightly cheated when I realised that Simon was never going to acknowledge Nicholas as his son, and that neither Simon nor Henry were ever going to find out the truth about Henry’s parentage – I think I had expected there to be a big confrontation at the end of the book where everything would be revealed. I suppose it’s not the first time in a Dunnett novel that things haven’t turned out the way I had been anticipating! I was also a bit disappointed that a true reconciliation between Henry and Nicholas never happened, despite there seeming to be some steps in that direction earlier in the book.

I get the impression that opinion is divided over the Epilogue with some readers finding it unnecessary, but personally I liked it and was pleased to see that some of the links with the Lymond Chronicles were explained at last. Although I’ve been doing my best to avoid spoilers while reading this series I must have picked up somewhere that Rankin was Lymond’s father because I had that at the back of my mind, but I was completely confused as to how Rankin of Berecrofts could possibly be the same person as Francis Crawford, 1st Baron Culter. As for Sybilla’s parents, I had guessed that Jordan was probably her father, though I had no idea about the identity of her mother. I had been coming up with various theories about the significance of Bel of Cuthilgurdy, but not the right one.

Now for one of the most shocking revelations of the novel: Julius. I didn’t like him and had started to suspect there might be more to him than met the eye, but even though his mother’s name was there in the family tree at the front of the book, it had never occurred to me that there was any connection and when it was revealed it took me completely by surprise. When I get around to reading this series again I will certainly be looking for clues about Julius and paying more attention to everything he says and does in the earlier novels!

*End of spoilers*

I’ve really enjoyed working my way through this series, but the House of Niccolò hasn’t had quite the same effect on me as the Lymond Chronicles, mainly because Nicholas himself, to me, is a less appealing character than Lymond – though I know others will disagree. While I was reading the Lymond Chronicles (and sometimes even now, a year later) I was thinking and worrying about Lymond all the time, even when I was away from the books, but I never really connected with Nicholas on the same level. Still, I did love the series as a whole and am looking forward to reading all the books again and looking out for some of the things I know I missed during the first read. I’ve also bought a copy of King Hereafter and will be reading that at some point, but first I’m spending some time catching up on all the non-Dunnett books I’ve been neglecting over the last year!

The Private Memoirs and Confessions of a Justified Sinner by James Hogg

The Private Memoirs and Confessions of a Justified Sinner My sister gave me a copy of this book saying it was one of the weirdest books she’d ever read and she thought I would love it. I’m not sure what that says about my reading tastes, but she was right anyway because I did love it!

The Private Memoirs and Confessions of a Justified Sinner, published in 1824, was written by the Scottish poet and novelist James Hogg. I had never come across Hogg and his work until now and was interested to learn that he was a shepherd who taught himself to read and write and became a friend of Sir Walter Scott. This, his most famous novel, is part horror story, part murder mystery and part gothic fiction, but it also incorporates elements of religion, Scottish folklore, the supernatural and even some humour and satire.

Robert Wringhim, the ‘justified sinner’ of the title, is a young man who has been raised by his adoptive father, a Calvinist, to believe he is one of the chosen few, destined for a place in Heaven regardless of the sins he commits in life. One day he meets a mysterious stranger who calls himself Gil-Martin and who seems able to change his appearance at will. Wringhim allows the stranger to convince him that it’s his duty to “cut sinners off with the sword” and that he doesn’t need to worry about committing murder as in this case it’s the right thing to do and he is sure to be saved by God anyway. In his Private Memoirs and Confessions, he describes how he falls under the spell of the sinister Gil-Martin and how, when he begins to have doubts about his new friend, he starts to descend into madness and desperation.

Robert Wringhim’s Confession is presented as an authentic document that has been discovered under unusual circumstances a century later. It is introduced by a Narrative written by a fictitious editor which gives a supposedly factual account of Wringhim’s life and the crimes he is involved in. The Editor’s Narrative also forms the third and final section of the novel and attempts to explain how the Confession was found and what it might mean. But instead of helping to clarify the story, the Editor actually makes things more confusing and sometimes even contradicts what Wringhim has said. Neither narrative seems to be very reliable and at the end of the novel, we have to decide for ourselves what really happened. For example, it’s not clear whether Gil-Martin is a product of Wringhim’s imagination or whether he is a real person or even the Devil.

This book kept me gripped from the first page, but it was quite a challenging story to read. There was a lot of Scottish dialect and while that’s not something I usually have a problem with, many of the words used here were unfamiliar to me and I was constantly turning to the glossary at the back of the book. There were also a large number of Biblical references on almost every page and again, I found that I kept needing to refer to the notes. It wasn’t completely essential to recognise or understand all of these references, but it was important to know how the various characters were interpreting them. Finally, there are no chapter breaks – the middle section, the Confession, forms one continuous chunk of over 100 pages, making it hard to find a place to stop reading.

However, it was definitely worth having to make a bit of extra effort; this is one of the most fascinating and original classics I’ve read and I can’t believe it isn’t better known. I thought it was much better than Robert Louis Stevenson’s Dr Jekyll and Mr Hyde, which is the book it reminded me of most. I’m also surprised that, as far as I’m aware, it has never been adapted for film or television. Some parts of the novel are very visual – the atmosphere of the dark wynds and closes of Edinburgh; the description of the rainbow seen by Robert Wringhim’s brother, George; and some of the scenes where Wringhim finds himself hounded and tormented by fiends and demons. I loved this book and am very grateful to my sister for recommending it!

To Lie with Lions by Dorothy Dunnett

To Lie with Lions To Lie with Lions is the sixth volume in the House of Niccolò series and although I loved it, this is not the place to start if you’re new to Niccolò. To be able to fully appreciate this book, you really need to have read the series from the beginning and, in particular, you need to read the fifth book, The Unicorn Hunt, before this one. To Lie with Lions picks up a lot of the threads from The Unicorn Hunt and in some ways I thought they almost felt like two halves of the same novel, so please be aware that if you haven’t read all of the previous five books yet you will encounter spoilers in the rest of this post.

***

In To Lie with Lions, Nicholas de Fleury returns to Scotland with his wife, Gelis, and son, Jodi. On the surface it may appear that he and Gelis have been reconciled; in reality, the mysterious ‘game’ they are playing is about to enter its final stages. Meanwhile, as Nicholas continues to make himself indispensable to the young King James III of Scotland and his court, he also becomes embroiled in the conflict in Europe between the King of France and the Duke of Burgundy – but which, if either, is he really working for?

Previous books have dealt with the trade of alum, silks, sugar, gold and slaves; this book looks at the trade of another commodity: stockfish (dried, unsalted fish). To find these supplies of fish, Nicholas must embark on a sea voyage to Ultima Thule – Iceland and the Westmann Islands. As usual, he has more than one reason for this trip, and to make things even more interesting, the Bank of Niccolò’s rivals, the Vatachino and Anselm Adorne, as well as Paúel Benecke of the Hanseatic League, are also on their way to Iceland. There were a lot of dramatic scenes and set pieces in this book – a walk through the ducal château of Hesdin where traps and practical jokes lie around every corner; a game of Florentine football on the castle walls in Edinburgh; skating on the frozen Nor’ Loch – but it was this excursion to Iceland in the middle of the novel that I found the most memorable. There’s some beautiful descriptive writing in this section of the book, bringing to life all of Iceland’s distinctive natural features – the glaciers, geysers, hot springs and volcanoes – and the wildlife – the eagles, ‘white bears’ and ptarmigans. The descriptions of the volcanic eruptions are stunning and made me think how much more frightening and awe-inspiring such phenomena must have been in Nicholas’s time.

“The Mouth of Hell opened when they were a long way out to sea, and the glacier over Katla lifted its city of ice into the sky…Now, you could no longer diminish what was happening by translating it into human dimensions. This was not a play. This was the hurling into the sky of thousand-ton blocks of ice, glinting and roseate in the thundering night. This was the discharge of millions of gallons of boiling water, plunging down from the mountain in a wild dashing glitter, outrunning the billows of its own pink-flushed steam.”

As with all of Dunnett’s novels, there are things that seem confusing at the beginning but have taken on new meaning by the end of the book. Among other things, we finally discover, after endless hints about ‘the game’ Nicholas and Gelis were playing, what it was all about and what each of them was hoping to achieve; we learn why Godscalc had been so determined to keep Nicholas from returning to Scotland; and the reason for Nicholas’s reaction to the Nativity Play he had worked so hard on and received so much praise for. After disliking Nicholas throughout most of The Unicorn Hunt, I found him more likeable again in this book, rather like Tobie, who returns to Nicholas’s side filled with hope that perhaps he is not beyond redemption after all. Tobie, with his ever-changing opinion of Nicholas, is someone I can definitely identify with! We do see some evidence of Nicholas’s warmer, more human side again in the relationships he forms with Kathi Sersanders and Robin of Berecrofts (two of my favourite characters) in Iceland and in the effort he makes to bond with Jodi.

It seems, though, that Nicholas often gets so carried away with the intricacies of his elaborate machinations that he forgets, or ignores, the fact that his schemes are affecting real people’s lives. And after feeling so much more sympathetic towards him during this book than I did during the last one, the revelations in the final chapters caused me, like many of his friends and colleagues, to become disillusioned with him again. Still, I was pleased that the contest between Nicholas and Gelis had finally come to an end and I was left with the feeling that one episode is over and a new one is about to begin.

The Unicorn Hunt by Dorothy Dunnett

The Unicorn Hunt is the fifth book in the eight-volume House of Niccolò series which follows the adventures of former dyer’s apprentice Nicholas de Fleury (also known as Nicholas vander Poele or Niccolò) now a successful banker and merchant. I loved all of the previous four books – although it took me a while to really get into the first one, possibly because I read it too soon after finishing the Lymond Chronicles and couldn’t avoid making comparisons – but I think this one has just become my favourite of the series so far, surpassing even the brilliant Scales of Gold.

A warning before I go any further: as followers of my blog will know, I usually make an effort to avoid spoilers in my posts, but I think it’s going to be almost impossible to discuss the fifth book in a series without spoiling anything. Unless you’ve already read the first four instalments, I would suggest starting at the beginning with Niccolò Rising and not reading the rest of this post until you’ve caught up.

In The Unicorn Hunt Nicholas is searching for two things: the gold which was stolen from his ship in the previous book and a child that may or may not be his. The search for both will send Nicholas and his companions on a journey across Europe and North Africa – but before the hunt begins, we are taken to Scotland where Nicholas is setting some elaborate schemes in motion.

Scotland, I suppose, may be a less exotic setting than the Black Sea port of Trebizond, the island of Cyprus or the African city of Timbuktu – but much as I’ve enjoyed learning about the places Nicholas and his entourage have visited in the previous books, it was good to be back on more familiar territory and in one of the few Dunnett locations I have actually visited many times! Later in the book the action returns to Bruges and Venice, incorporating trips to Cairo and Alexandria, the mountains of the Tyrol, and another brief visit to Cyprus, though for once I think I would have preferred the whole book to have been set in one place – after leaving Scotland I thought the story suffered slightly from the lack of geographical focus. There also seemed to be less focus on trade and business in this book than in the others; instead, the driving force of the plot is the conflict between Nicholas and his wife, Gelis.

I think this is the only series I’ve ever read where I feel I’m understanding the main character less with every book rather than more! The warmth and sense of fun he often displayed in the earlier novels is almost completely gone now, which is understandable considering some of the things he has gone through, but even so Dunnett really made me dislike Nicholas in this book, especially in the first half. I couldn’t help comparing his behaviour to Lymond’s in The Ringed Castle – both of them seem to deal with their pain by cutting themselves off emotionally from the people around them and the way Nicholas’s men were trying to keep him away from Scotland reminded me of the way Lymond’s friends were reluctant to let him return to Russia. Anyway, I’m fortunately not a reader who needs to like the characters to be able to enjoy a book – and Nicholas is still as complex and fascinating as ever, even if not very likeable at the moment, so we’ll see how I feel about him in the next book, To Lie with Lions.

Dunnett really excels at writing exciting set pieces and there were some great ones in The Unicorn Hunt, including a dramatic fight at the salt-pans in Scotland and a confrontation during an ascent of Mount Sinai (there were lots of ascents and descents of various types in this book, I noticed). But as usual, in what is otherwise a very dark book, the drama is balanced by some delightfully funny scenes – one involving a parrot, a mirror and a hat, and another with a gum-covered kite and a priest’s beard. The introduction of Anselm Adorne’s niece, Katelijne Sersanders (Kathi), also helps to lighten the mood and I think she’s part of the reason I enjoyed this book so much.

I did have one small problem with this book and that was the fact that we are asked to believe that Nicholas is now a diviner and has the ability to find people and objects by divining. I’m still not sure how I feel about this; I don’t really mind Dunnett adding a paranormal angle to the story (the Dame de Doubtance and her prophecies in the Lymond Chronicles didn’t bother me too much, for example) but I do prefer to see Nicholas solving problems using his own intelligence and powers of logic and reasoning, rather than using what appear to be magical abilities. It just seemed a bit too convenient that he suddenly discovers he is able to use divination to find things in a book where ‘finding things’ is the central plot point.

And hunting, as the title suggests, is a major theme of this book. The dowsing and divining are linked to this, but there are also lots of other ways in which hunting is incorporated into the story: hunting with hounds in Scotland, hunting chamois in the Tyrol, hunting for the stolen gold, and of course, hunting for the baby. The unicorn of the title and who or what it refers to could also be interpreted in several different ways. Like the unicorn, which is a mythical beast, for most of the novel we are never quite sure whether or not the existence of the child is also a myth and I thought it was wonderful that Dunnett was able to keep the reader in suspense so masterfully right until the very end of the book.

For a very different view of The Unicorn Hunt, see Leander’s post from a few weeks ago. I think it’s interesting that each individual reader can have different favourites and least favourites while still agreeing on the overall quality of the series.

Thoughts on finishing the Lymond Chronicles

I apologise for abandoning my blog this week – I’ve been very busy both at work and at home, and any spare time I did have was devoted to finishing Dorothy Dunnett’s Lymond Chronicles. Because I read the final two books, The Ringed Castle and Checkmate so close together, rather than posting separate ‘reviews’ I decided to combine both books into the same post, along with some comments on the series as a whole.

Let’s start with the fifth book in the series, The Ringed Castle. After all the praise I’ve bestowed on the first four books it’s difficult to find new words to describe how I felt about this one, so suffice to say that it was as wonderful as the others. Russia is one of my favourite settings for historical fiction so I liked that aspect of the book, though I was equally interested in the chapters set at the Tudor court.

As with the previous novels, there’s a lot of history in this book – in the Russian sections we learn about Ivan IV, the Cossacks and the Crimean Tartars, and in the English sections we find ourselves at the centre of the conspiracies and political intrigue surrounding Queen Mary I and the future Elizabeth I. We also meet John Dee, the famous astrologer and mathematician, who is always interesting to read about, as well as another historical figure I knew nothing about: the explorer Richard Chancellor. Chancellor’s work with the Muscovy Company and as a navigator form quite a big part of the plot and I’m glad I’ve been able to learn something about his life and career. The final voyage of the Edward Bonaventure was so sad and one of the most memorable parts of the book for me.

Oh, and I loved the scene in the Hall of Revels, which finally led to the ‘Anvil Moment’ Aarti has been telling me about. And yes, it was worth waiting for!

When I started Checkmate, it was with a mixture of excitement at finding out how Lymond’s story would end and also sadness at the thought of reaching the end of the series. I was hoping to make the final book last as long as possible, but of course I couldn’t and it actually took less time to read than any of the others. In a series of unputdownable books, I found this one the most unputdownable of them all! I admit to having to cheat once or twice and flip forward a few pages, which is something I usually try not to do, but knowing from the previous books that Dorothy Dunnett had no qualms about killing off major characters, sometimes the suspense was just too much to bear.

Having said that, this wasn’t my favourite of the six books. There were parts that I loved – the chase through the streets of Lyon, the hilarious Hotel de Ville banquet, as well as finally learning the truth about Lymond’s birth – but overall I enjoyed some of the earlier books more. Still, I thought Checkmate was a great conclusion to the series and it was good to see so many of the characters from the previous books brought together in this one, including the return of Jerott, Marthe and one of my favourites, Archie Abernethy. And after The Ringed Castle, in which Lymond becomes more isolated than ever from his family, I was glad that Sybilla and Richard played such a big role in this book (it’s been fascinating to follow all the ups and downs of the relationship between Richard and Francis).

I’d like to finish by saying that I agree with all the Dorothy Dunnett readers who have been commenting on my previous Lymond posts – this is the best series of historical fiction novels I’ve ever read and I can see why so many of you have been re-reading them for decades because I’m sure I’ll be doing the same. And for anyone who has yet to read these books, I can promise you that although they’re not the easiest of reads, it’s definitely worth making the effort and getting to know Francis Crawford of Lymond, one of the most complex, charismatic, fascinating characters you’re ever likely to meet in literature. Working through the six books of the Lymond Chronicles has been one of the greatest experiences in my lifetime of reading.

The Disorderly Knights by Dorothy Dunnett

The Disorderly Knights is the third of Dorothy Dunnett’s Lymond Chronicles. In this instalment, Francis Crawford of Lymond goes to Malta to help the Knights Hospitallers of St John protect the island from invasion. It soon becomes obvious that not only is Malta under threat from the Turks, but the Order of St John itself is in danger of being torn apart by feuding factions among the knights. And as the action moves first to Tripoli and then back home to Scotland Lymond himself becomes entangled in the schemes of a very clever and subtle enemy.

I loved the first two books in this series, The Game of Kings and Queens’ Play, but this one is my favourite so far. It’s been a long time since I’ve been so completely immersed in a book – I had to tear myself away from it to go to work or to sleep and still couldn’t stop thinking about the story or the characters even when I wasn’t reading.

As with the first two books I found I had to keep turning back to remind myself of what had happened in earlier sections and was constantly changing my mind about what I thought was going on. Although I knew who the villain was (even if most of the characters in the book didn’t) I wasn’t sure what his motives were, what he was hoping to achieve or how long ago he had started to put his plans into motion, so there was still plenty of mystery to keep me guessing throughout the story.

I have never read anything set in either Malta or Tripoli, but both locations were brought to life for me through the vivid descriptions we were given. After I’d finished the book I looked up some of the historical events covered in the story such as the Siege of Tripoli and I was so impressed at how cleverly Dorothy Dunnett had woven fact and fiction together. The same applies to some of the novel’s later events set in Scotland – the feud between the Scotts and the Kerrs, for example, and even the deaths of some of the characters.

This was such an emotional book too – there were various points in the story where my blood was boiling, my heart was pounding or I had tears in my eyes – yet I think the fact that it caused such strong emotions proves what a powerful book this was. And I appreciated the moments of humour that the author injected into what would otherwise have been a very dark story. The scene with the eight hundred sheep was one of my favourites!

I couldn’t put this book down throughout the last 100 pages and was so glad I had Pawn in Frankincense ready to pick up as soon as I finished! You can expect to see my thoughts on that one soon.