Translated by Sonia Soto

For Spanish and Portuguese Lit Month, hosted by Stu of Winstonsdad’s Blog, I decided to read a book that sounded perfect for me. A bibliomystery set in the world of antiquarian booksellers, paying tribute to Alexandre Dumas, whose novels I love. What could go wrong?

The Dumas Club (or The Club Dumas – it has appeared under both titles) was originally published in Spanish in 1993 and translated into English three years later by Sonia Soto. You may have watched the 1999 film adaptation The Ninth Gate, starring Johnny Depp; I don’t think I’ve seen it, but apparently it’s very different from the book and completely removes the Dumas connection, which seems strange but maybe they thought there was too much going on and couldn’t include everything.

Lucas Corso is a ‘book detective’ who hunts down rare or valuable books on behalf of his clients. Corso has found that unscrupulous dealers and collectors are prepared to pay large sums of money for the books and don’t really care whether the methods he has used to get hold of them are particularly legal or ethical. In The Dumas Club, we follow Corso as he travels across Europe on two separate missions. The first concerns an early draft of a chapter from Alexandre Dumas’ The Three Musketeers. The chapter, titled Anjou Wine, appears to be written at least partly in Dumas’ own handwriting and Corso’s job is to prove its authenticity.

His second task is more complex and involves a very different kind of book: The Book of the Nine Doors of the Kingdom of Shadows, published by Aristide Torchia in 1666. This rare and sinister book is thought to contain the key to summoning the Devil and Torchia was burned at the stake shortly after its publication. Only one copy is thought to have survived. Corso’s client, Varo Borja, owns a copy of the book which he believes may be a forgery and he wants Corso to examine two other copies, one in Portugal and one in France, to determine which is genuine and which are fakes.

Setting out on his journey, Corso begins to encounter some mysterious strangers who remind him of characters from books. For example, he is pursued by a man with a scar who resembles Rochefort, the ‘Man from Meung’, from The Three Musketeers and he also crosses paths with a young woman who introduces herself as Irene Adler after the character from the Sherlock Holmes stories. Corso is unsure whether these people are interested in The Anjou Wine, The Nine Doors or both, so he must try to keep the manuscripts out of their hands until he has solved the two mysteries.

The Dumas Club is an unusual novel and there were lots of things I liked about it. As a Dumas fan, I enjoyed all the references to The Three Musketeers and other titles; it’s not really essential to be familiar with Dumas, but you’ll definitely get more out of the book if you are. Pérez-Reverte includes a lot of unnecessary information, though, such as a full bibliography of all Dumas’ works inserted into the middle of a chapter. This info-dumping continues throughout the book, as well as lots of long digressions into printing and binding techniques and discussions of first editions, illustrations and rare collections. Some of it is quite fascinating and I think people who love books as physical objects more than for the words they contain will find it particularly interesting, but it doesn’t make for a very quick or easy read.

Although I enjoyed following the Anjou Wine thread of the story, Corso’s second mission revolving around The Nine Doors and the occult was of less interest to me and reminded me too much of The Da Vinci Code. It didn’t help that I didn’t like Lucas Corso at all and found most of the other characters equally unpleasant. Still, the ending is clever and we are given answers to both of the mysteries, so I think my feelings about this book are probably slightly more positive than negative. I have another of Pérez-Reverte’s novels on my TBR – Captain Alatriste – and wonder if I would get on better with that one.