Susan Stokes-Chapman – She Reads Novels

I’ve previously only read one short story by Susan Stokes-Chapman (in the anthology The Winter Spirits) and I was interested in reading more of her work. This seemed like the perfect time of year to read her new book, The Twelve Days of Christmas!

The book is loosely based on the Christmas carol of the same name, with each chapter inspired by one of the gifts traditionally mentioned in the song – for example, Chapter 1 features pear trees and a character called Miss Partridge (“a partridge in a pear tree”) and Chapter 6 revolves around a game involving hidden goose eggs (“six geese a-laying”). In some cases this is done quite subtly, but in others it’s more heavy-handed; I can appreciate that it’s probably not easy to work all of these references into a novel without it beginning to feel unnatural!

Each chapter feels almost like a separate story (a few of them probably would work as standalones), but they are also linked together through shared characters and a shared setting. That setting is the little English village of Merrywake during the Regency period, with the Napoleonic Wars playing out in the background. Beginning on Christmas Day and ending on Twelfth Night, we join Viscount Pepin of Wakely Hall and his family, friends and servants as they celebrate the festive season. There’s a lovely Christmassy atmosphere as we watch the characters decorate the house, kiss under the mistletoe, open gifts, write and solve riddles, and prepare for the grand Twelfth Night Ball. But although it may all sound idyllic, not everyone at Wakely Hall is having a happy Christmas…

Stokes-Chapman explains in her author’s note that this book is her tribute to Jane Austen and Georgette Heyer and you can definitely see the influence of both. The Viscount and Viscountess Pepin (the name also has links to the song The Twelve Days of Christmas) with their five daughters immediately made me think of Austen’s Pride and Prejudice – the chapter based on “five gold rings” deals with the five girls and their hopes of marriage. The servants, though, are given just as much attention as the upper classes: there are stories about Loveday Lucas, the new kitchen maid, who can’t seem to do anything right; Will Moss the under-gardener, who appears to have fallen in love with someone completely unsuitable; and Mrs Wilson, the cold, strict housekeeper who is shocked to find that her staff consider her heartless.

I loved the world Stokes-Chapman created at Wakely Hall, but it was also nice to get some insights into the lives of the other residents of Merrywake, such as the village toymaker whose son, a drummer in the British army, has failed to come home from France. The toymaker’s story was one of the highlights of the book for me and together with the chapter that follows, about another army musician (a piper, as you may have guessed), it shows that the impact of the Napoleonic Wars is being felt all over the country, in even the smallest of communities.

The Twelve Days of Christmas is a lovely book and despite it obviously being very contrived in places, I found it completely absorbing. I particularly liked the way so many different characters from such varied backgrounds are all given their chance to shine, while each chapter also cleverly builds on the one before. I was sorry to say goodbye to the people of Merrywake and would love a sequel so we could catch up with them again in the summer!

Thanks to Random House UK, Vintage/Harvill for providing a copy of this book for review via NetGalley.

The Winter Spirits: Ghostly Tales for Frosty Nights is a collection of twelve new ghost stories written by popular authors of historical and Gothic fiction, all with a Christmas or Advent theme. It’s a follow-up to The Haunting Season, which I haven’t read but which includes eight of the same authors. This is the perfect time of year for ghost stories, so maybe I’ll look for the previous book next winter.

Back to The Winter Spirits and most of the stories are set in the 19th or early 20th centuries, giving them a traditional feel. More variety would have been nice – not just in the time periods, but also in the geographical settings, as the majority take place in Britain, with one or two in America or elsewhere in Europe – but otherwise I really enjoyed this collection. I’ve previously read full-length novels by most of the featured authors, but three of them were new to me: Andrew Michael Hurley, Catriona Ward and Susan Stokes-Chapman. I felt that Hurley’s The Old Play and Stokes-Chapman’s Widow’s Walk were two of the weaker stories, but looking at other reviews, some readers have singled them out as favourites, so I think it’s just a case of different stories appealing to different people! Ward’s contribution, Jenkin, was completely bizarre but added some diversity as it felt quite unlike any of the others.

The biggest surprise, for me, was Natasha Pulley’s The Salt Miracles; I really didn’t get on with her writing style in her novel The Bedlam Stacks, so I wasn’t expecting too much from this tale of disappearing pilgrims on a remote Scottish island (based on St Kilda). However, I ended up loving it – it’s such an unusual and chilling story! Inferno by Laura Shepherd-Robinson, one of my current favourite historical fiction authors, is another I particularly enjoyed – a wonderfully eerie story set in 18th century Italy, where a man is forced to confront his sins. Even better than both of these is Stuart Turton’s creepy and imaginative The Master of the House, in which a young boy who is being neglected by his father makes a deal with the devil. This one feels almost like a very dark fairytale and is one of the highlights of the book.

Of the twelve authors, Laura Purcell is probably the most well established as a writer of horror fiction and she doesn’t disappoint here with Carol of the Bells and Chains, in which a governess trying to deal with two unruly children tells them the story of the Krampus, with unintended consequences. Imogen Hermes Gowar’s A Double Thread, where a woman gets her comeuppance after badly treating her hardworking seamstress, is another I really enjoyed – it made me long for another novel by Gowar, as it’s been a few years since The Mermaid and Mrs Hancock!

The remaining stories are by Elizabeth Macneal, Bridget Collins, Jess Kidd and Kiran Millwood Hargrave. With a range of different styles and subjects, unless you just don’t like ghost stories I think this collection should contain something to please almost every reader.

Thanks to Sphere for providing a copy of this book for review via NetGalley.