The Murder Game by Tom Hindle

I loved Tom Hindle’s first novel, A Fatal Crossing, a mystery set on a cruise ship in the 1930s, so I was excited about his new book, The Murder Game. I was expecting something similar – another historical mystery written in the style of the Golden Age – but was surprised to find that this one has a contemporary setting, although still with many of the tropes of a classic crime novel.

In The Murder Game, a group of people have assembled for a New Year’s Eve murder mystery evening at Hamlet Hall, a hotel in the small seaside town of Hamlet Wick. The arrangements are all in place – a fictional murder has been invented, roles have been assigned to each of the guests and actors have been brought in to play the supporting characters – but before the game can even begin, a real murder takes place at Hamlet Hall.

There’s no shortage of suspects; the victim was not a popular person and most of the others have a motive for the murder. PC Fay arrives on the scene and begins to investigate, hoping to solve the mystery herself to further her career, but her progress is slow and in the meantime tensions are increasing between the guests, actors and hotel staff. The atmosphere grows more hostile as they argue about a controversial project to renovate the local lighthouse – the site of a tragic accident several years earlier – and with no phone signal and everyone forbidden to leave the hotel, the residents of Hamlet Hall could find themselves in danger if the killer decides to strike again.

The Murder Game got off to a good start, but it didn’t really sustain my interest all the way through and I found it less enjoyable than A Fatal Crossing. I had loved the idea of a novel set during a murder mystery evening and was disappointed that the game never had time to begin before the real murder took place! The group of people gathered at the hotel for the evening are an unpleasant bunch, but that’s nothing unusual in this sort of novel – however, I felt that the story moved from one character’s perspective to another so often that I didn’t have a chance to get to know any of them very well.

The plot is quite complex and centres around two previous cases of people being killed under suspicious circumstances in Hamlet Wick. After we unravel the truth about those two deaths, which took place years before the novel begins, the events of the present day begin to make more sense – although I had already guessed who the culprit was, having picked up on one or two clues. I don’t often solve mysteries correctly, so it was nice to see that I had got it right for once! I couldn’t really see the point of the police officer character, though, as she seemed to have little impact on the story and we aren’t given much insight into her thought processes so can’t try to solve the murder along with her.

I found parts of the novel entertaining but my expectations were probably too high after enjoying A Fatal Crossing so much. I’ll still be looking out for a third novel from Tom Hindle and will be interested to see what setting he chooses next.

Thanks to Century for providing a copy of this book for review via NetGalley.

A Fatal Crossing by Tom Hindle

I was drawn to A Fatal Crossing first by the cover, then when I saw that it was a Golden Age-style mystery novel set at sea in the 1920s, I was even more interested. I read the book in October and loved it, but have waited to post my review until publication day, which is today (here in the UK).

The whole story takes place over a four day period in November 1924 as the cruise liner Endeavour approaches New York from Southampton with two thousand passengers and crew on board. When an elderly man is found dead at the bottom of a staircase, the ship’s captain assumes – and hopes – that it’s an accident. However, James Temple, a Scotland Yard inspector, happens to be one of the passengers on the voyage and, after examining the body, he is convinced that the old man has been murdered. The captain gives Temple permission to investigate the crime, but only if he agrees to be accompanied by one of the ship’s officers, Timothy Birch.

Birch has no experience as a detective but follows Temple around the ship as he looks for clues, speaks to suspects and establishes alibis. They quickly discover a link between the dead man and a priceless painting stolen from another passenger, but the mystery deepens when more deaths occur and Temple and Birch find themselves racing against time to uncover the truth before the ship reaches its destination.

This is a complex and engaging mystery novel, with plenty of suspects, lots of red herrings and a strong sense of time and place. Although I felt that there were times when the plot was starting to become quite convoluted and I was struggling to keep track of who was who and who did what, I kept going and was rewarded by some spectacular plot twists near the end which I thought I had worked out in advance, but most definitely hadn’t!

Temple and Birch make an interesting partnership, particularly as it’s a very reluctant one! As an intelligent, competent and experienced detective, Temple is not at all happy about having an inept and bumbling ship’s officer shadowing his every move, saying the wrong things and interfering with the investigation. Birch is our narrator, and as we only see things from his point of view, Temple comes across as bad-tempered, rude and hostile, but there are hints that there’s more to each character than meets the eye. While Temple’s past and his reasons for boarding the Endeavour are shrouded in mystery, we learn that Birch is haunted by the disappearance of his young daughter Amelia and the breakdown of his marriage.

As well as the unusual detecting duo and that unexpected ending, I also loved the setting and the atmosphere. A ship on a long sea voyage is the ideal location for a murder mystery, as all of the suspects are confined in one place with nobody able to arrive or depart until the destination is reached. There’s some wonderful attention to detail as the action moves around the ship from the elegant first class decks to the less luxurious third class areas and the officer’s quarters.

A Fatal Crossing is Tom Hindle’s first novel; having enjoyed it so much, I’m already looking forward to his next one!

Thanks to Century for providing a copy of this book for review via NetGalley.