Category: Classics

Review: The Castle of Otranto by Horace Walpole

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When I first opened this book I was confronted by page after page of almost continuous text with virtually no paragraph breaks and no quotation marks or any way of marking when one person stops speaking and the next begins. This made it difficult to follow the dialogue but otherwise the story is easy enough to understand considering it was published in 1764.

Manfred, the Prince of Otranto, has arranged a marriage between his fifteen year old son Conrad and the princess Isabella. However, on the day of the wedding Conrad is found crushed to death in the courtyard beneath an enormous black feathered helmet which appears to have fallen from the sky. As his son is obviously now in no position to go ahead with the wedding, Manfred decides to marry Isabella himself, but Isabella has other ideas…cue a never-ending chain of misunderstandings, coincidences and mayhem.

The Castle of Otranto is historically important because it was the first gothic novel – complete with haunted castles, underground tunnels, damsels in distress, knights, ghosts and paintings that move – but don’t expect a piece of great literature. In places the plot is so ridiculous and the writing so melodramatic that it’s actually hilarious.

The Castle of Otranto is funny and entertaining – and very short – but I can’t imagine ever wanting to read it again. For a better introduction to gothic fiction I would recommend The Mysteries of Udolpho by Ann Radcliffe, which is a longer book but much better written.

Genre: Gothic Fiction/Pages: 176/Publisher: Oxford World’s Classics/Year: 1998 – originally published 1764/Source: My own copy bought new

Review: The Tenant of Wildfell Hall by Anne Bronte

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Although Emily Bronte’s Wuthering Heights and Charlotte Bronte’s Jane Eyre have always been two of my favourite Victorian classics, this is the first time I’ve read anything by the youngest Bronte sister, Anne. I feel a bit guilty that it has taken me so long to get round to reading one of Anne’s books, especially as I enjoyed it almost as much as the other two books I’ve just mentioned.

Anne’s writing style is not the same as Charlotte’s or Emily’s – there’s less dramatic romanticism and poetic imagery, although she still writes with a lot of passion. She has quite a sharp style that is probably more similar to Jane Austen than to either of her sisters.

I won’t go into the plot in too much detail but The Tenant of Wildfell Hall is the story of Helen Huntingdon, a young woman who leaves her alcoholic husband and goes into hiding with her five year-old son, Arthur. Not long after arriving at Wildfell Hall she meets local farmer, Gilbert Markham, who falls in love with her. When Gilbert questions her about the rumours circulating about her in the village, she allows him to read her diary in which she had recorded the details of her unhappy marriage.

The book has an interesting structure – it’s told partly in the form of letters from Gilbert Markham to his brother-in-law Jack Halford, and partly as extracts from Helen Huntingdon’s diary. I loved the first section from Gilbert’s point of view, describing the arrival of the mysterious woman at Wildfell Hall with everyone wondering who she was and where she came from. The story probably wouldn’t have worked had it not been set in the 19th century. Today there’s nothing unusual in a single mother living alone with her little boy, but in 1828 when The Tenant of Wildfell Hall takes place, it makes her the target of gossip and scandal.

When Helen’s diary began it took me a while to get used to the change of voice and the change of pace but it soon developed into the most powerful section of the book. I didn’t particularly like Helen as I thought she was just a little bit too saintly and perfect, but she was a very strong person who defied convention to do what she thought was best for herself and her child. Her diary entries are filled with descriptions of some really despicable characters and describe scenes of drunkenness, violence, verbal and physical abuse, and adultery, which I can imagine readers in the 19th century would have been shocked by. Apparently after Anne’s death, re-publication of The Tenant of Wildfell Hall was prevented by Charlotte, who considered the choice of subject to be a big mistake. However, I would have no hesitation recommending this book to anyone who has enjoyed Emily and Charlotte’s work, as well as those of you who have never read any other Bronte books.

Note: This book counts towards the Women Unbound Reading Challenge because it portrays a woman who has the strength to leave her abusive husband and build a new life, working as an artist to support herself and her son – almost unheard of in the 19th century.

Highly Recommended

Genre: Classics/Page: 401/Publisher: Wordsworth Classics/Year: 1996 – first published 1848/Source: My own copy bought new

Review: A Christmas Carol by Charles Dickens

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“Men’s courses will foreshadow certain ends, to which, if perservered in, they must lead,” said Scrooge. “But if the courses be departed from, the ends will change…”

A Christmas Carol is the one classic that almost everyone knows, even if they’ve never read the book. It’s the story of an old, money-obsessed miser called Ebenezer Scrooge who is given the chance of redemption one Christmas Eve when he is visited by the ghost of his deceased business partner, Jacob Marley. Marley warns Scrooge that unless he changes his ways, he will end up like Marley himself, doomed to wander the earth bound by heavy chains of his own making. During the night Scrooge is visited by three more spirits – the Ghosts of Christmas Past, Christmas Present and Christmas Yet to Come – who help him to understand that there are more important things in life than money: things such as generosity, compassion and kindness. The scenes Scrooge witnesses that Christmas Eve are to change his life forever and transform him into a different person.

A Christmas Carol is shorter and easier to read than most of Dickens’ other books and really is suitable for people of all ages. I loved it as a child and after re-reading it this week for the first time in years, I loved it as an adult too. No matter how many movies, cartoons or TV adaptations you may have seen, it’s still worth reading the book for the richness and humour of Dickens’ writing and for his wonderful descriptions and imagery. For example when describing the location of Scrooge’s home, hidden away in a gloomy yard, he says:

 “…one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and have forgotten the way out again”.

There are great lines like this one throughout the entire book. I also loved his portrayal of a Victorian Christmas in 19th century London.

Although some readers might find it too sentimental at times, it’s easy to see why this book has become a timeless classic, as it is everything a good Christmas story should be – heartwarming, inspirational and with an important message for us all.

Recommended

Genre: Classics/Pages: 147/Publisher: Chancellor Press/Year: 1985 (originally published 1843)/Illustrations by Arthur Rackham/Source: My own copy

Review: The Woman in White by Wilkie Collins

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There, in the middle of the broad bright high-road – there, as if it had that moment sprung out of the earth or dropped from the heaven – stood the figure of a solitary Woman, dressed from head to foot in white garments, her face bent in grave inquiry on mine, her hand pointing to the dark cloud over London, as I faced her.

I first read The Woman in White in 2006 – it was the first Wilkie Collins book I ever read and the one that turned me into a huge fan of his work. I just wish I had discovered him sooner!

The Woman in White was the most popular book of the 1860s; when it was originally serialised in Charles Dickens’ periodical All The Year Round large crowds gathered outside the newspaper offices every time the latest edition went on sale; you could buy Woman in White perfume, bonnets and shawls and dance the Woman in White waltz…and all of this was 150 years before Harry Potter!

So what is it about? I won’t go into the plot in too much detail, as I don’t want to spoil the fun for those of you who haven’t read it yet. The story begins with drawing master Walter Hartright’s meeting on a lonely London road with a mysterious woman dressed all in white who has escaped from an Asylum. The next day Walter takes up a teaching position at Limmeridge House in Cumberland where he finds that one of his students, Laura Fairlie, bears a striking resemblance to the woman in white…

The novel follows an epistolary style, meaning it is narrated by several different characters in turn, sometimes in the form of journal entries or letters. I love the way Collins gives each of his narrators a unique ‘voice’ – he really makes the characters come alive. Another thing I love about Wilkie Collins’ writing is his sense of humour…some of the scenes involving Laura’s hypochondriac uncle Mr Fairlie are hilarious!

Marian Halcombe, Laura Fairlie’s sister, is one of my favourite female characters in literature. Contrary to the usual portrayal of 19th century women, she is a brave, intelligent, courageous person who on several occasions puts herself in danger in order to protect her sister Laura. Another great character is Count Fosco. One of the most unusual and memorable villains I’ve ever encountered in any book, he’s an old, fat, opera-loving Italian completely devoted to his pet canaries and white mice. I remember being surprised when I first read the description of Fosco, as he wasn’t what I had been expecting at all!

The Woman in White is an example of the genre known as sensation fiction – including elements such as forgery, identity theft and insanity. Although it was written in the 19th century it’s as exciting and gripping as a modern day thriller – even when reading the book for the second time and knowing what was going to happen! It’s a long book (569 pages in my Penguin Popular Classics version) but there’s enough tension and suspense to keep the reader interested right through to the end.

There are some classics that are a struggle to read but you persevere with them simply because they’re classics and you feel as if you should. The Woman in White does not fall into that category – yes, it’s a classic but it’s also one of the most readable and enjoyable books I’ve ever read.

If you liked this book I would recommend you read The Moonstone, Armadale or No Name next. As I mentioned at the start of this review, I am a big fan of Wilkie Collins so you can expect to see more of my reviews of his work coming soon!

Highly Recommended

Genre: Classics – Sensation Fiction/Pages: 576 pages/Publisher: Penguin Popular Classics/Year: Originally published 1859/Source: Purchased new from Amazon.co.uk

This review is part of my Great Books series.

Review: Les Miserables by Victor Hugo

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“…there comes a point moreover, where the unfortunate and the infamous are grouped together, merged in a single, fateful word. They are les miserables – the outcasts, the underdogs. And who is to blame? Is it not the most fallen who have most need of charity?”

How do you begin to review a book like this one? Les Miserables is one of the longest books I’ve ever read (and I’ve read a lot of long books) and as someone with very little knowledge of French history, it was also one of the most challenging. Of course, I could have bought an abridged version but I make a point of never doing this as I prefer to read a book the way the author intended.

If you’re unfamilar with the plot, here is a brief summary:

Jean Valjean has just been released from prison after nineteen years (he had been sentenced to five years for stealing a loaf of bread to feed his starving family, and then a further fourteen years for making several attempts to escape). As an ex-convict arriving in the town of Digne, Valjean finds himself rejected by everybody he approaches until the kindly Bishop Myriel takes him in and gives him shelter for the night. However, Valjean repays him by stealing his silverware. When the police catch him and take him back to the bishop’s home, the bishop tells them they’ve made a mistake – he had given the silverware to Valjean as a gift. He then tells Valjean to “never forget that you have promised me to use this silver to become an honest man”. The bishop’s simple gesture of kindness has a profound effect on Valjean, filling him with the determination to be a better person.

After establishing himself as a successful factory owner and becoming mayor of Montreuil-sur-Mer, Valjean promises a dying woman that he will take care of her daughter, Cosette. The rest of the book follows Valjean’s attempts to escape the investigations of Inspector Javert and to build a new life for himself and Cosette. Along the way we meet a gang of criminals, a group of revolutionary students, and a greedy innkeeper called Thenardier.

Most of the characters are very well developed and Hugo spends a considerable amount of time introducing us to them. In fact, he spends the first 50 pages of the book describing the personality of the Bishop of Digne. This is not vital to the plot and could quite easily have been shortened to just a few pages, yet it helps the reader understand why Jean Valjean was so touched by the bishop’s kindness and compassion and why it was a life changing experience for him. However, I didn’t find the characters of Marius and Cosette very interesting, despite their central roles in the book – I thought some of the secondary characters were much stronger, such as the street urchin Gavroche and the Thenardiers’ eldest daughter Eponine.

I did find my attention wandering in places because of all the lengthy digressions on the Battle of Waterloo, life in a convent, the July Revolution of 1830, the Paris sewer system etc (thankfully my edition took a couple of these out and placed at the end in an appendix). Although these pages are often interesting and informative and contain some beautiful writing, they have very little direct relevance to the plot and interrupt the flow of the story. However, this is really the only negative thing I can say about the book. It’s worth persevering through all the social commentary, politics and history to get to the actual story itself – and the wonderful, moving, thought-provoking, suspenseful story is why I loved Les Miserables.

Highly Recommended

Genre: Classic/Pages: 1232/Publisher: Penguin Classics – translated by Norman Denny/Year: 1862/Source: My own copy bought new