Suspicion by Seichō Matsumoto

Translated by Jesse Kirkwood

For this year’s Japanese Literature Challenge (hosted by Meredith at Dolce Bellezza), I wanted to read something by an author who was new to me and decided on Suspicion by Seichō Matsumoto. It turned out to be an excellent choice!

Suspicion was originally published in Japanese in 1982 and is now available from Penguin Classics in a new English translation. It’s a short novella at 112 pages, but it’s satisfying and I didn’t feel that it needed to be any longer. Loosely based on a true crime, the plot revolves around the trial of Kumako Onizuka, a woman accused of murdering her husband. She had only been married to Shirakawa for a few months when their car plunged into the sea one rainy July evening. Onizuka, who later claimed to have been in the passenger seat, managed to escape, but Shirakawa was drowned.

The story is told mainly from the perspective of the journalist Akitani, who is covering the case for the Hokuriku Daily. Akitani believes Onizuka is guilty and has written several pieces for the newspaper making his opinion very clear. Onizuka has a shady background, having already committed two or three other crimes, and the fact that she took out a large insurance policy on her husband’s life just before his death makes the whole thing look even more suspicious. Akitani is convinced that it was Onizuka and not Shirakawa who drove the car into the sea and in his newspaper articles he draws attention to her past, her character and even her name, Oni, which is associated with demons in Japanese.

However, all the evidence against Onizuka is purely circumstantial and when her original lawyer steps down due to illness, the court appoints a new one, Takukichi Sahara, who believes he’ll be able to prove her innocence. Akitani is horrified – Onizuka has links with the Yakuza (Japan’s version of the Mafia) and if she’s freed she’s sure to want revenge on everyone who has spoken out against her.

This is such a fascinating book. On one level, it works as a detective novel, with Sahara doing the ‘detecting’, looking through the evidence, considering the witness statements and trying to determine what really happened that evening in July. Then there are all the other layers: the role of the media in influencing public opinion; the way preconceived ideas can lead us to make unfair assumptions; and how personal bias can make two people interpret a situation in completely different ways. The characters don’t have much depth – and we never even really ‘meet’ Onizuka, with our knowledge of her coming mainly from other characters’ conversations – but that didn’t bother me too much in such a short book with so many other things to interest me. There’s also a twist at the end, which leaves us to decide for ourselves what probably happened next!

I would like to read more of Matsumoto’s books. It seems that Tokyo Express is considered his masterpiece, but it’s described as a mystery revolving around train timetables and alibis and I’m not sure how I would get on with that. Should I try it or can anyone recommend another one?

Penitence by Kristin Koval

Penitence is a beautifully written novel, tackling one of the darkest subjects imaginable: the murder of a teenage boy by his own younger sister.

It happens in the small town of Lodgepole, Colorado in 2016 and the murderer is thirteen-year-old Nora Sheehan, who calls the police herself to confess that she has just shot and killed her brother Nico. Before the incident, Nora had seemed depressed and withdrawn, which may or may not have been related to Nico, who was less than a year older, being diagnosed with Huntington’s disease. Huntington’s is a degenerative condition with no cure, so it’s possible that Nora may have thought she was helping her brother avoid a terrible fate – but is this true or is there another reason for what she did?

Martine Dumont, a seventy-two-year-old lawyer, is looking forward to her retirement when Nora’s parents, David and Angie Sheehan, ask her to take on one last case and defend their daughter. Martine accepts, but knows she is out of her depth and contacts her estranged son, Julian, whose speciality is criminal law. Julian has lived in New York for many years, but Angie was once his girlfriend, which makes the situation awkward. Although he agrees to return to Lodgepole and help with Nora’s case, being around Angie again brings back difficult memories for both of them.

When I first started to read, I was expecting this to be a crime novel, but that’s not really how I would describe it. The murder of Nico Sheehan is actually a relatively small part of the story; there’s never any doubt that Nora did it deliberately and it’s quite obvious why she did it, so there’s no mystery involved. We do get a lot of information on the laws surrounding the prosecution of child murderers, how they can sometimes be tried as adults rather than juveniles, and the sentences they can expect. We’re also given some insights into what life is like for Nora in the juvenile detention facility she is sent to while she’s awaiting trial.

The main focus of the novel, though, is on the topic of forgiveness and the various questions that arise from this. Why do we feel we have to assign blame when something tragic happens? How can we move on from this and find forgiveness for ourselves and others? How much penitence is enough? These things are explored not just through the story of Nico’s murder – in fact, I felt that relatively little time was spent on showing how David and Angie truly felt about one of their children killing the other – but also on the relationship between Julian and Angie and how it was affected by another tragedy decades earlier. This second storyline plays out in another timeline set in the 1990s/early 2000s and alternates with the Nora/Nico thread. However, I thought too many pages were devoted to this backstory and it made the whole book feel longer and slower than it really needed to be.

I did love the portrayal of Lodgepole, a small Colorado ski resort, and the way life there differed from Julian’s (and for a while, Angie’s) life in New York. An interesting setting, then, and an interesting subject – if only it had been more tightly plotted, it would have been an excellent book. I did like it, though, and found it quite thought-provoking. It’s Kristin Koval’s debut novel and I’ll be happy to read more.

Thanks to Simon & Schuster UK for providing a copy of this book for review via NetGalley.

The Token by Sharon Bolton

Sharon Bolton’s latest novel, The Token, begins with eight people on a yacht heading for the Scilly Isles. The skipper had promised it would be an uneventful crossing, with perfect sailing conditions, but his seven passengers are growing increasingly nervous as the wind strengthens and rain starts to fall. Soon they are caught in a storm, the boat is taking in water, the electronics have stopped working and two people have been swept overboard…

And that’s where we leave them, until much later in the book. First, we have to go back several weeks to find out why this group of people have come to be on this fateful journey in the first place. We learn that each of them has received an envelope containing a token and a letter stating that the billionaire Logan Quick is leaving them a share of his huge fortune. All they need to do is keep the token safe until they hear news of his death. However, none of the seven has ever heard of Logan Quick and none of them has any idea why they’ve been chosen.

The seven token recipients come from all walks of life and seem, at least at first, to have nothing in common. There’s Holly, a single mother trying to juggle her law career with caring for her son; Robin, a wedding planner in love with his latest client; Sabri, an ambulance driver whose family are struggling financially; Tara, an artist whose ex-husband just won’t leave her alone; Craig, a fire safety consultant who is sleeping with his best friend’s girlfriend; Cheryl, who cares for her spiteful, controlling mother and has no life of her own; and Tug, a former military man suffering from PTSD.

Seven people all with interesting stories to be told, but I felt that trying to tell all of them in one book was far too much! The perspective kept switching from one to the other throughout the novel, which quickly became overwhelming. I think five main characters at the most would have been enough; Holly, Cheryl and Tug were the ones I found the most engaging.

This is also not really the exciting, fast-paced sort of thriller I’ve come to expect from Sharon Bolton. It takes a very long time to develop the stories of all seven characters and to reach the point where they come together and board the yacht for the Scilly Isles. It was only the final 30% of the book that I found truly gripping and where we were treated to some of the big plot twists and surprises that Bolton readers know and love. That doesn’t mean I didn’t enjoy the rest of the book at all, but it did definitely have a different feel from some of the other Bolton novels I’ve read, being much more character driven than plot driven.

What I did find fascinating was the way the novel explores how different personalities react to the prospect of fame and fortune. The seven token recipients are all told to keep quiet and tell no one, yet some of them can’t resist and soon the whole thing has been made public and is being reported on the news. Each of them has to find a way to deal with the media attention and the difficulties of trying to keep the token safe from theft, while also trying to decide whether, despite the opportunities the inheritance would bring, they really want to become fabulously rich.

Not a personal favourite Bolton novel for me, then, but they can’t all be and I still felt more positive about this one than negative.

Thanks to Orion for providing a copy of this book for review via NetGalley.

The Art School Murders by Moray Dalton – #DeanStreetDecember25

Dean Street Press December is back, hosted again by Liz of Adventures in Reading, Running and Working From Home. The rules are simple – just read and write about at least one book published by Dean Street Press during the month of December! I have several DSP books on the TBR and decided to start with a detective novel by Moray Dalton, a new author for me although I’ve seen other bloggers give her books very positive reviews.

The Art School Murders opens with the murder of Althea Greville, an artists’ model who has been employed to pose for the students at Morosini’s School of Art. Althea had briefly worked at the school the year before, causing a stir and capturing the hearts of many of the young male students, but on arriving for her second engagement she appeared very different: old, tired and desperate for money and opportunities. When the caretaker’s wife finds Althea’s body behind a screen in the life classroom one November morning, Inspector Hugh Collier of Scotland Yard is called in to investigate.

Assisted by Sergeant Duffield, Collier begins to question the staff and students, looking for any clues that will point him towards the murderer. That same evening, however, another girl from the art school is found dead in the darkened balcony of a cinema. Convinced that she must have been silenced by Althea’s killer to prevent her from giving information to the police, Collier now has two murders to solve – and if he doesn’t hurry, the killer could strike again.

The Art School Murders is the tenth of fifteen books featuring Hugh Collier, but it works perfectly as a standalone and it’s definitely not necessary to have read any of the previous books – although, having enjoyed this one, I will be doing so now! I liked Collier as a detective; he may not be as interesting as a Poirot or a Holmes, but he’s polite, good-natured and intelligent, handling his investigations with fairness and compassion.

Originally published in 1943, this book uses the war as a backdrop very effectively. The story is set in a village a short drive away from London, and nightly blackouts are in force, making it easier for crimes to be committed under the cover of darkness. It’s November, when the days are short and the nights are long, and Dalton makes good use of this to show what it’s like walking through the streets at dusk when the light you would normally see shining from windows is blacked out and invisible.

I enjoyed this book as much or more than some of the Golden Age mysteries I’ve read by better known authors. My only criticism is that the solution seemed to come out of nowhere and I doubt many people would have guessed the culprit based on the information we are given, but otherwise Dalton held my interest from beginning to end. It’s sometimes hard to know why some authors fade into relative obscurity while others remain popular, so well done to Dean Street Press for rescuing Moray Dalton’s books and making them available to a new audience!

White Corridor by Christopher Fowler

This is the fifth book in a series I started over a decade ago. My slow progress doesn’t mean I’m not enjoying the books, because I am, but I do feel ashamed that when I reviewed the fourth book, Ten-Second Staircase, I claimed that I would “be continuing soon with book number five, White Corridor” – and that was in 2016!

Anyway, the series follows the investigations of Arthur Bryant and John May, a pair of octogenarian detectives who work for London’s Peculiar Crimes Unit. Some of the books have contemporary settings while others deal with cases from earlier in the careers of Bryant and May. White Corridor is one that’s set in the present day (around 2007, when the book was published). At the beginning of the novel, Raymond Land, the Unit Chief, has decided to close the unit for a week in February due to a lack of work and because the team had worked throughout the Christmas holiday period. Bryant has chosen to spend his time off attending a spiritualist convention in Dartmoor and May finds himself agreeing to accompany him.

As the two elderly detectives set off by car on their journey, heavy snow begins to fall and they quickly become stranded in a blizzard along with lots of other drivers. Meanwhile, back at the PCU, pathologist Oswald Finch has been found dead in his own locked mortuary. Four other PCU members have keys to the door, so all four become suspects, but the investigation is made difficult by the fact that the unit is temporarily closed and their two best detectives are miles away, trapped in a snowstorm. Bryant and May must try to solve the mystery by phone, but first, they have another killer to catch – one who is hiding somewhere within the snowy ’white corridor’ of abandoned cars.

This second killer is on the trail of a woman and her young son in another car, having pursued them all the way from France. Now he’s finally caught up with them and thanks to the snow they’re not going to be able to escape. Throughout the book, the perspective switches between the mother and child, desperately trying to evade their pursuer, Bryant and May, trying to solve both crimes while avoiding freezing to death, and the PCU staff back in London. With Bryant and May not around, Detective Sergeant Janice Longbright takes charge of things and it was good to see her coming to the forefront of the story and developing as a character.

Compared to the first four books in the series, this one has quite a different feel, with Bryant and May taken out of their usual environment and the rest of the unit left on their own. Some things never change, however, such as Arthur’s arcane knowledge and useful friendships with the most unexpected people, in this case a white witch, and of course, the PCU being threatened with closure yet again! This time they are facing a royal visit, so needless to say, their pathologist being murdered is not exactly the best way to prepare.

This isn’t one of my favourite books in the series, as I think I prefer to see Arthur and John on home ground and working with the rest of the team, but it was still quite entertaining. I’m looking forward to reading the next book, The Victoria Vanishes, and will try not to leave it so long this time!

The Big Four by Agatha Christie

The November theme for the Read Christie 2025 challenge is spies. I’ve already read the recommended book, Cat Among the Pigeons, and most of the suggested alternatives – I don’t want to read Postern of Fate yet as it’s the final Tommy and Tuppence book and I’m working through that series in order – so I looked for one I hadn’t read that featured international intrigue and espionage. The Big Four seemed suitable but I was a bit wary about reading it as it seems to have a bad reputation. I needn’t have worried, though, because although it’s clearly not one of her better books, I still enjoyed it!

The novel is narrated by Arthur Hastings, which is always a good thing – I love Hastings! – and he plays a big part in the story, having adventures of his own, not just as narrator and sidekick to Poirot. The book begins with a man arriving unexpectedly in Poirot’s doorway, appearing feverish and exhausted. Unable to speak, he writes the number 4 several times on a sheet of paper, and when he recovers he explains that he was referring to an international crime ring consisting of the Chinese mastermind Li Chang Yen, an American, a Frenchwoman and a mysterious fourth person known only as ‘the Destroyer’. Together they form the Big Four, a group trying to cause global unrest so that they can take over the world.

The rest of the book takes the format of a series of loosely connected episodes, as Poirot, with the help of Hastings, tries to identify the other three members of the Big Four. Of course, with their own spies and agents in every corner of the world, the Big Four know that Poirot and Hastings are on their trail and set various traps for them, some of which they fall into and some they don’t. Poirot attempts to set traps of his own, but although he manages to identify the American and the Frenchwoman fairly quickly, Number Four proves much more elusive.

I found The Big Four more entertaining than I expected, considering that Christie herself described it as “a rotten book”. It’s understandable why she would feel that way as the book was published in 1927, during a time when Christie was struggling financially and emotionally and had disappeared from her home for several days. She felt she had to force herself to complete this book and the next one, The Mystery of the Blue Train. This also explains the episodic nature of the book, because it was based on twelve previously published short stories which Christie reworked into a full-length novel rather than trying to come up with a completely original idea while she wasn’t in the right frame of mind to do so.

Despite the book’s origins and its silly, far-fetched plot, I think it’s better than some of her later thrillers, such as Destination Unknown, but I can see why it’s not well regarded and it certainly doesn’t feel like a typical Poirot novel. As I’ve said, though, it has Hastings in it, which is always a bonus, and we also get to meet – sort of – Poirot’s twin brother, Achille! It was a fun, undemanding read for me in this busy month of November, but probably not one I’ll want to revisit.

The Odd Flamingo by Nina Bawden

Nina Bawden is someone I’ve always thought of as a children’s author; I know I’ve read a few of her books, athough Carrie’s War and The Finding are the only ones I can remember anything about. I’ve never tried any of her adult novels, but was drawn to this one by the unusual title. It was originally published in 1954 and has been reissued by British Library as part of their Crime Classics series earlier this year. Bawden isn’t really an author I would have expected them to publish – I had no idea she wrote crime.

The Odd Flamingo is the name of a seedy London nightclub frequented by many of the characters in the novel. One of these is Rose Blacker, a young woman of eighteen who appears to have fallen in with the wrong friends. When Rose tells Celia Stone that she is pregnant – and that the father is Celia’s husband, Humphrey – Celia calls on her lawyer friend, Will Hunt, for help. She doesn’t believe Rose’s claims, but she’s concerned about Humphrey’s reputation and how a scandal could affect his job as a school headmaster.

Will has known Humphrey for years and has always liked and admired him, but when he meets Rose for himself and she produces letters written by Humphrey, his confidence in his friend is shaken. Rose seems so sweet and innocent; surely she must be telling the truth? When a woman’s body is found floating in the canal with Rose’s bag nearby, Humphrey is the obvious suspect. Will agrees to do what he can to clear his name but is worried about what he might discover. As he begins to investigate, he finds that everything keeps leading back to the dark, sordid world of The Odd Flamingo and the miserable lives of the people who go there.

As you can probably tell, this is not exactly the most cheerful and uplifting of books! It’s full of people who are lonely, desperate and troubled or have become mixed up with drugs, theft or blackmail. I found it quite depressing, but also realistic – places like The Odd Flamingo have always existed and probably always will. I can’t really say that I liked any of the characters, but again, most of them feel believable and real. Only Piers, Humphrey’s grotesque, slimy half-brother, veers close to being a stereotype.

The book is narrated by Will and I found him an interesting character; he’s very idealistic and almost hero worships Humphrey, so feels disappointed and let down by Rose’s claims – but then he does the same thing with Rose herself, putting her on a pedestal because she’s young and beautiful. Whether Rose really is as innocent as she seems is a question not answered until the end of the book, but it’s obvious that Will is going to be hurt again if it turns out that she’s not.

The Odd Flamingo, although there are certainly some mysteries to be solved, is not really a conventional mystery novel and not a typical British Library Crime Classic. If your tastes tend towards the darker, grittier end of crime fiction, though, or you’re interested in trying one of Nina Bawden’s adult books, I can happily recommend this one.