The Household by Stacey Halls

Urania Cottage in Shepherd’s Bush, London, was a home for ‘fallen women’ founded in 1846 by Charles Dickens and Angela Burdett-Coutts. Their vision was to provide a safe place for young women to rehabilitate after serving prison sentences or working on the streets as prostitutes. At Urania Cottage they would receive an education and the opportunity to train as domestic servants, enabling them to start new, more respectable lives overseas. In her latest novel, The Household, Stacey Halls imagines the stories of some of these women.

During the period covered in the novel, there are many young women staying at Urania Cottage, but Halls chooses to focus on two of them. One is Martha who, while trying to rebuild her own life at the cottage, is also worrying about her sister, Emily, who has disappeared. As Martha grows more desperate about Emily, she is driven to make a decision she may later regret. The other is Josephine, who had expected a close friend to accompany her to Urania Cottage. When the friend never arrives, Josephine must decide whether to continue participating in the scheme or leave in search of happiness elsewhere.

Dickens himself is mentioned now and then but always stays in the background, never becoming an actual character in the novel. Angela Burdett-Coutts, on the other hand, has a much larger role. We meet Angela as a woman in her early thirties who several years earlier inherited a fortune from her banker grandfather, making her one of England’s wealthiest people. She is becoming known as a philanthropist and Urania Cottage is one of her first big projects.

Angela’s privileged lifestyle means she struggles to truly understand the needs of the women at the cottage, but she and Dickens both enter into the project with the best intentions. However, despite Angela’s wealth and position she still has problems of her own to deal with – such as being stalked by Richard Dunn. She had thought she was safe from Dunn when he was sent to prison for four years, but now he’s been released early and is on her trail again. As I read, I wondered whether this was a fictitious storyline, but I looked it up and found that, yes, Richard Dunn was a real person and did obsessively pursue Angela Burdett-Coutts as described in the book. It seems that other parts of the novel I had assumed were invented were also based on historical fact; after finishing the book I was interested to learn that many of the incidents described as happening at Urania Cottage were taken from Dickens’ letters to Angela and even inspired his own David Copperfield.

The Household is fascinating in many ways, yet it’s probably my least favourite of Stacey Halls’ books. The separate stories of Angela, Josephine and Martha never quite blend together properly and give the novel a disjointed feel. I found the first half very slow and although there’s a twist towards the end that I hadn’t seen coming, it happens too late to really change the way I felt about the book overall. Still, I’m pleased to have had the opportunity to learn about life at Urania Cottage and will look forward to whatever Stacey Halls writes next.

Thanks to Manilla Press for providing a copy of this book for review via NetGalley.

Book 16/50 for the Historical Fiction Reading Challenge 2024

Sufferance by Charles Palliser

Charles Palliser is probably best known as the author of The Quincunx, a long and twisty Dickensian novel which I read and loved years ago, but he has also written five more books including The Unburied and this new one, Sufferance.

Sufferance is a strange novel as none of the characters are named – not even the narrator – and we are not told where or when the story is set. However, it’s obvious enough that we are reading about an occupied European city during the Second World War and at the start of the novel, the Enemy has divided the city into Western and Eastern Zones. We also know that our narrator is a respectable, law-abiding man who works for the government and has a wife and two teenage daughters.

When the narrator’s youngest daughter brings a friend home from school and explains that the girl’s parents have become trapped in the other zone, unable to return to their house, he thinks he is doing the right thing by inviting her to stay with them until her parents come back. He doesn’t expect it to be for long – and it seems that the girl’s parents are wealthy people, who might repay the family for their kindness when they return. Unfortunately, a series of government announcements makes it clear that the girl belongs to a ‘protected community’, who are gradually having their rights taken away and are being closely monitored by the Enemy occupiers.

As the weeks and months go by with no news of the girl’s parents, our narrator and his wife become increasingly anxious and afraid. What will happen if the authorities discover that they are sheltering one of the protected community? To make things worse, the girl has proved to be a selfish, manipulative person who seems ungrateful for the help she has been given and completely unaware of the danger all of them are facing. Tensions within the family start to build as they struggle to agree on how to deal with the situation, but things are only going to get worse the longer they wait.

This is an excellent novel; the vagueness surrounding names, dates and places, which I could have found irritating in another book, is used very effectively here to create a sinister, unsettling atmosphere. Although the historical parallels are very obvious, we are left with the impression that the things described could happen anywhere, at any time and to anybody. The sense of fear and desperation felt by the narrator comes across very strongly, as with the introduction of identity cards, rationing and new laws regarding the girl’s community, he becomes aware that he is committing a crime.

Sufferance is a fascinating exploration of how each decision we make can have serious consequences and how quickly things can spiral out of control. I loved it and really must find time to re-read The Quincunx!

Thanks to Guernica Editions for providing a copy of this book for review via NetGalley.

The Fraud by Zadie Smith

When I saw this year’s longlist for the Walter Scott Prize, one of the books I was most interested in reading was The Fraud. I haven’t read any of Zadie Smith’s other books, but the subject and setting of this one sounded appealing to me.

At the heart of the novel is a real-life court case in which a man many believe to be Arthur Orton, a butcher’s son from London, claims to be Roger Tichborne, the missing heir to a baronetcy thought to have died in a shipwreck in 1854. The ‘Claimant’, as he becomes known, is immediately identified as Roger by his mother, but the rest of the Tichborne family insist that he’s an imposter. The dispute goes on for several years and captures the imagination of the public, with people travelling for miles to come and watch the case play out in court. Two of the people following the proceedings with interest are Sarah Ainsworth and Eliza Touchet, who are central characters in Smith’s novel.

Eliza Touchet is a cousin by marriage of the novelist William Harrison Ainsworth and has lived with him as his housekeeper – and occasional lover – since the 1830s, while also growing close to his first wife, Frances. By the time of the Tichborne trial several decades later, William has been widowed and married again, this time to Sarah, his former maid. Sarah is obsessed with the Tichbornes and convinced that the Claimant is telling the truth and it is she who persuades Eliza to accompany her to court. Here Eliza finds herself drawn not to the supposed Sir Roger, but to one of the key witnesses – Andrew Bogle, an elderly black man who was Roger’s uncle’s servant and is one of the few people to speak up in support of the Claimant.

The novel moves backwards and forwards in time between the 1830s and 1870s, with the story unfolding through a series of very short chapters, sometimes only a page or two long. I wasn’t really a fan of this structure, as it made it difficult to become fully immersed and keep track of what was happening. And there’s a lot happening! As well as the coverage of the Tichborne trial, there’s a long digression into the early life of Andrew Bogle as a slave on a plantation in Jamaica, discussions of the Victorian literary scene and domestic details of life in the Ainsworth household. There were too many separate storylines for one book and some of them didn’t really seem to lead anywhere or integrate with the others. Having said that, I still found things to enjoy and my overall feelings about the book are probably slightly more positive than negative!

Most of the people who appear in The Fraud really existed, although not necessarily as Zadie Smith describes them. Eliza Touchet, for example, was a real person but died much earlier than she does in the novel and wouldn’t have been around by the time of the Tichborne case, so while there’s a lot to learn from this book it’s worth remembering that it’s not all factually correct. I did find it interesting to read about the life and work of William Harrison Ainsworth, whose books were hugely popular at the time – particularly Jack Sheppard, one of the ‘Newgate novels’ Claire Harman discusses in her true crime book, Murder by the Book – but have largely been forgotten today. Smith explores Ainsworth’s rivalry with Charles Dickens, as well as allegations that he stole some of the ideas for his novels from his illustrator, George Cruikshank. Is it just the Tichborne Claimant who is the ‘fraud’ of the title or could it also be Ainsworth himself?

Although there were parts of The Fraud that I enjoyed, I think there was really enough material here for two or three books and I ended up feeling overwhelmed. Maybe a different Zadie Smith book would have been a better starting point for me after all.

Book 15/50 for the Historical Fiction Reading Challenge 2024

The Ballad of Lord Edward and Citizen Small by Neil Jordan

March is Reading Ireland Month, hosted by Cathy at 746 Books, so I looked at my unread books by Irish authors and decided on this one, The Ballad of Lord Edward and Citizen Small. Neil Jordan is better known as a film director (his directing credits include Interview with the Vampire and The Company of Wolves) but has also written several novels and short story collections. This is the first of his books that I’ve read.

The Lord Edward of the title is a real person – Lord Edward Fitzgerald, an 18th century Irish aristocrat and revolutionary. His life has been well documented but little is known about his relationship with his servant, Tony Small. At the beginning of the novel, Fitzgerald is fighting for the British Army in the American Revolution when he is wounded at the Battle of Eutaw Springs in September 1781. Small, an escaped slave, rescues him from the battlefield and saves his life, and in return Fitzgerald frees him from slavery. Small then chooses to remain in Fitzgerald’s service when he leaves America and travels first to London, then home to Dublin, and later to France.

As time goes by, Small becomes Fitzgerald’s constant companion and close friend, but never loses sight of the fact that he is a servant and their racial and class differences mean that society will never consider him the equal of his lord. While Fitzgerald enters into a romantic liaison with Elizabeth Sheridan, wife of the famous playwright Richard Sheridan, before becoming involved in revolutionary politics and working towards an independent Irish republic, Small gets to know the other servants in the grand houses they reside in and takes steps to learn about his own heritage.

This could have been a great novel – it covers a period of Irish history not written about very often and seeing things through the eyes of a former slave provides an interesting perspective – but I didn’t like the writing style at all. I have no idea why it seems to have become the fashion for authors to ignore conventional punctuation, in this case speech marks. I found it very difficult to tell where the dialogue began and ended or who was speaking to whom and I had to keep going back to read the same sections more than once before I could follow what was being said. Punctuation was invented to help the reader; choosing not to use it just makes things unnecessarily confusing.

I do appreciate having had the opportunity to learn about the life of Lord Edward Fitzgerald and the significance of Tony Small and there were some parts of the book that I enjoyed. It was interesting to see other well known historical figures such as Richard Sheridan and Thomas Paine making appearances in the story and I loved the way Jordan showed Small developing a passion for theatre and literature (obviously two passions of Jordan’s own). However, the book felt uneven, with too much time spent on some episodes and not enough on others – the last few months of Fitzgerald’s life seemed particularly rushed.

I had mixed feelings about this one, then, and I’m not sure whether I would read anything else by Neil Jordan, but I’m pleased I managed to fit in a Reading Ireland book this month, as well as the Welsh ones I’ve read for Reading Wales!

Book 14/50 for the Historical Fiction Reading Challenge 2024

The Reckoning by Sharon Penman – #Dewithon24

My second book for this year’s Reading Wales Month, or Dewithon, hosted by Book Jotter, is not actually by a Welsh author (Sharon Kay Penman – or simply Sharon Penman as she is published here in the UK – was an American historical novelist) but it’s set in Wales and is the third and final part of the Welsh Princes Trilogy, following Here Be Dragons and Falls the Shadow. I loved both of those books, so I expected to love this one too and I wasn’t disappointed.

Although I would recommend reading all three books in order, it’s not essential and it’s been such a long time since I read Falls the Shadow that I had forgotten a lot of the details anyway. I did remember the dramatic descriptions of Simon de Montfort’s defeat at the Battle of Evesham that ended that book; The Reckoning begins more than five years later in January 1271, but the effects of the battle are still being felt. Simon de Montfort’s surviving family members have fled England to take refuge elsewhere in Europe and his daughter Ellen’s planned marriage to Llewelyn ap Gruffydd, Prince of Wales, now seems in doubt. With de Montfort defeated, Henry III of England’s position on the throne is now much more secure and when he dies in 1272 his eldest son, Edward, succeeds him as king.

Meanwhile, the situation across the border in Wales is less stable. Prince Llewelyn is determined to continue the work of his grandfather Llewelyn the Great and keep Wales independent and united, but with his own younger brother Davydd conspiring against him it’s not going to be easy. When England’s new king, Edward I, turns his attentions to bringing Wales under English rule, Llewelyn finds that he can’t rely on the support of Davydd and the other Welsh lords – and to complicate things further, his bride Ellen de Montfort has been captured by Edward on her way to Wales for the wedding.

The Reckoning is a wonderful, thorough account of the final years of an independent Wales. Reading the book from a modern perspective, knowing that Edward will succeed in conquering Wales and that Llewelyn will become known as ‘Llewelyn the Last’, it’s impossible not to feel a sadness as the story approaches its end and it becomes clear even to Llewelyn himself that defeat is inevitable. What makes it particularly sad is that divisions between the Welsh nobility and even within Llewelyn’s own family play such a big part in their defeat and by the time war actually breaks out, Llewelyn has already had to concede so much Welsh territory and political power that he knows there’s little hope of succeeding.

A book of this size – around 600 pages – takes a long time to read when the story is so detailed and needs a lot of concentration, but I thought it was worth every minute. I loved Ellen and Llewelyn (although having read several of Penman’s books now, I’ve found that her brave, honourable heroes all seem to be cast in the same mold) and found the ‘villains’ equally interesting. Some sections of the novel are written from the perspectives of Edward and other members of the English court, which adds some nuance to the story – and I was particularly intrigued by the complex character of Davydd, who spends the entire book switching between supporting his brother and plotting to betray him, but has a personal charm that makes him difficult to actually dislike.

I learned a lot about Wales from this book, and from the first two in the trilogy – not just about Welsh history, but also Welsh laws and customs and how life in medieval Wales differed from life in medieval England. Although I had to read it in small doses due to the length and the small print in my edition, the story held my interest from beginning to end – and the ending, when it came, was heartbreaking, but that was to be expected!

Have you read this or any other books about the English conquest of Wales?

Book 13/50 for the Historical Fiction Reading Challenge 2024

The Book of Secrets by Anna Mazzola

Anna Mazzola’s new novel – her fifth and the fourth that I’ve read – is set in Italy and takes as its inspiration the real life story of a group of women accused of selling poison in 17th century Rome.

It’s 1659 and Stefano Bracchi, a junior magistrate at the Papal Court, has been commissioned by the governor of Rome to investigate some unusual deaths that have taken place in the city. The plague that recently swept through Rome took many lives, but this is something different. These deaths are all men and for some unexplained reason, the bodies haven’t gone through the normal process of decay.

Meanwhile, Anna is trapped in an abusive marriage and searching for a way of escape. Her maid introduces her to a woman who says she can help, but the sort of help she provides is not quite what Anna was expecting! As Stefano begins to close in on the people responsible for the mysterious deaths, Anna finds herself caught in his net, but will he be able to prove that she has done anything wrong?

The Book of Secrets is written from the alternating perspectives of Stefano, Anna and a third character – Girolama, a Sicilian woman with a knowledge of herbs, potions and fortune telling, who is said to possess the ‘book of secrets’ of the title. Because we see the story unfold through all three of these characters, there’s very little mystery involved in the book; we know what Girolama and her friends are doing to help the women of Rome, we know how Anna deals with her violent husband and we know how Stefano’s investigation is progressing. However, what I found interesting about this book was not so much the plot as the characters and the way each of them reacts to the situation in which they find themselves.

Our sympathies are naturally with Anna, a desperate woman who takes the only way out she feels is open to her, while Girolama is a more morally ambiguous character – she has the best intentions and her work does a lot of good, but at the same time she seems largely unconcerned that her actions may occasionally cause harm to innocent people. The Rome of 1659 is a male-dominated society and many of the women in the book are victims of men, but Stefano Bracchi is another nuanced character; as he begins to round up Anna, Girolama and their associates for interrogation at the Tor di Nona prison, he becomes torn between compassion for their suffering and the desire to keep his superiors happy for the sake of his career.

Before starting this book, I knew nothing about Girolama Spana and the case this novel is based on. Although Anna Mazzola hasn’t stuck to the historical facts and has invented or expanded parts of the story, she does explain her choices in her author’s note at the end of the book. The Clockwork Girl is still my favourite of her novels, but this is another fascinating one.

Thanks to Orion for providing a copy of this book for review via NetGalley.

Book 12/50 for the Historical Fiction Reading Challenge 2024

The Tower by Flora Carr

It’s 1567 and three women are being rowed across a Scottish loch towards Lochleven Castle. Two of them are maids – one is a Frenchwoman, Marie de Courcelles, known as ‘Cuckoo’, and the other is Jane, a Scot. The third woman is Mary, Queen of Scots, who is being imprisoned in the castle following her surrender at the Battle of Carberry Hill.

Although Mary doesn’t know it when she enters the castle, she will remain there for almost a year. It seems that no help is forthcoming from Mary’s fellow queen, Elizabeth I of England, or from Margaret Erskine, the castle châtelaine, who places her daughter-in-law in Mary’s chamber as a spy. Eventually, Mary’s spirits are lifted by the arrival of her good friend, Mary Seton, who joins the three of them in captivity, but Jane and Cuckoo are not so thrilled by this addition to their number and Seton’s presence quickly changes the balance of power inside the tower. Together they begin to form a plan of escape, but which of them will be prepared to risk the most to save their queen?

I’ve read other books about Mary, Queen of Scots, both fiction and non-fiction, but this one is different because it focuses on just this one specific period in Mary’s life. The narrow scope of both the span of time covered and the physical setting – the confines of one tower in a remote castle on an island accessible only by boat – give the story a tense, claustrophobic feel. We do get some backstory in the form of flashbacks, otherwise the four women have to wait for news from the outside world to reach them in their confinement.

For the reasons I’ve mentioned, this is a slow paced novel, with not a lot of action, and it mainly concentrates on exploring the relationships between Mary and her three companions. The different personalities of Cuckoo, Jane and Mary Seton come across strongly and these different personalities affect the way each woman responds to being imprisoned. However, I didn’t really like any of the characters, which was a problem when so much of the book revolves around their internal thoughts and feelings. I also felt that the author was projecting modern views and attitudes onto these 16th century women, which was a bigger problem for me.

The story does become much more compelling towards the end, when Mary prepares to put her escape plan into motion, and despite my criticisms, I do think the book is still worth reading for the insights into this short but important episode in Mary’s life.

Thanks to Random House UK for providing a copy of this book for review via NetGalley.

Book 10/50 for the Historical Fiction Reading Challenge 2024