Category: Historical Fiction

Miss Austen by Gill Hornby

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The final book I read in 2021 was one that I very much enjoyed: Gill Hornby’s Miss Austen. The title character is not, as you might expect, the famous novelist Jane Austen, but her elder sister Cassandra. Cassandra, who outlived Jane by nearly thirty years, is known to have burned many of her sister’s letters, although we don’t know exactly why she did this. In this fictional version of Cassandra Austen’s story, Hornby explores a possible reason for the destruction of the letters, while also giving us a glimpse into the lives of Cassandra, Jane and the rest of the Austen family.

The novel opens in 1840 with Cassandra, now an elderly woman, arriving at Kintbury, home of the Fowles, the family of her long-dead fiancé. Following the death of the Reverend Fowle, his daughter Isabella has been left to pack up her parents’ belongings so that a new reverend can move in. Cassandra believes that the letters she and Jane wrote to their friend Eliza Fowle (Isabella’s mother) must still be in the house somewhere and she is determined to find them and remove them before they can be made public.

The story unfolds through the letters Cassandra discovers at Kintbury (not the real letters, of course, as they were destroyed) and through Cassandra’s memories of her younger days. The narrative moves back and forth in time as she remembers the loss of Tom Fowle, the man she should have married, her relationship with Jane and the lives they both led as single women. In the 1840s storyline, we also get to know Isabella, another spinster, and this provides some further insights into what it means to be an unmarried woman in the early 19th century: the lack of security; the pressures created by failing to conform to society’s expectations; and the feeling of being a burden to other family members.

This is a quiet, domestic novel, but I was never bored. There is an authentic period feel and although Hornby doesn’t try to imitate Jane Austen’s writing exactly, the language used generally feels suitable for the time. I enjoyed the occasional references to Jane’s novels, some of which we see her working on and others which the characters read to each other for entertainment. There’s an interesting suggestion that Jane based Mary Bennet in Pride and Prejudice on her sister-in-law, Mary Austen. Most of all, I enjoyed learning a little bit about Cassandra and the world in which she lived.

I had never come across Gill Hornby before, but it seems that not only is she the sister of the writer Nick Hornby, she is also married to one of my favourite authors, Robert Harris! Her earlier novels sound very different and don’t really appeal to me, but I’ve discovered that she has a new book out later this year – Godmersham Park, about a governess in the Austen household. I will be looking out for that one.

Catching up: Three mini-reviews

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I always try to finish reviewing the current year’s reads before the new year begins (although I don’t always manage it), so today I’m catching up by posting some brief thoughts on three books read in November and December.

I added None But Elizabeth to my TBR a few years ago after reading Rhoda Edwards’ two novels about Richard III, Some Touch of Pity and Fortune’s Wheel, both of which I enjoyed. This one, first published in 1982, is a fictional retelling of the life of Elizabeth I. The book is written in a straightforward, linear style as we follow Elizabeth from childhood to old age.

There are some things Edwards does very well – the depiction of Elizabeth’s feelings for Robert Dudley, the man she loves but never marries; Elizabeth’s internal conflict over how to deal with the threat of Mary, Queen of Scots; the symbolism used to mark the passing of time; the way in which Elizabethan poetry is woven into the text – but as someone who has read about Elizabeth many times before, there was nothing new or different here. I would recommend reading Margaret Irwin’s Young Bess or Margaret George’s Elizabeth I rather than this one.

The Forgotten Seamstress by Liz Trenow is a multiple time period novel in which our present day narrator, an aspiring interior designer, finds a beautiful quilt in her mother’s attic with a message embroidered into the lining. She sets out to learn more about the quilt and discovers a connection with a young woman called Maria who spent most of her life in a mental hospital claiming to be a former lover of the Prince of Wales (the future King Edward VIII). As Maria’s story unfolds, in the form of taped interviews recorded by a student in the 1970s, we find out whether she was telling the truth and, if so, what secrets are hidden in the quilt’s design.

I wasn’t expecting too much from this book, but I enjoyed it much more than I thought I would – and for once, I found the modern day storyline as compelling as the historical one. On one level it’s almost a mystery novel, with the narrator hunting for clues to the quilt’s origins, tracking down people who may have known Maria and piecing fragments of information together to try to discover the truth. However, it also provides some insights into social issues such as living conditions in mental institutions, psychiatric treatment in the early 20th century and the later policy of ‘care in the community’. Some parts of the story were too predictable, but it was an interesting read overall and I will probably look for more of Liz Trenow’s books.

A Princely Knave was the oldest remaining book on my NetGalley shelf (from 2016, I’m ashamed to say). After receiving a copy, I read some negative reviews that put me off it, but in November I finally decided to give it a try. The book was originally published in 1956 as They Have Their Dreams and tells the story of Perkin Warbeck, a pretender to the English throne. Warbeck claimed to be Richard of York, one of the two ‘Princes in the Tower’ – the sons of Edward IV who disappeared from the Tower of London, believed to have been murdered. The novel begins with Warbeck landing in Cornwall in 1497, hoping to lead an army to overthrow Henry VII and take his place on the throne.

Philip Lindsay uses flowery and often antiquated language, a style which was common in older historical novels but feels very dated today. However, I’ve read one or two of his other books so was prepared for this. The biggest problem I had with this particular book was that, apart from Warbeck himself, the characters feel underdeveloped – the group of men who accompany Warbeck in his rebellion are almost indistinguishable and the only significant female character, Warbeck’s wife Katherine Gordon, also lacks depth. Lindsay does explore some fascinating ideas, though; for example, he suggests that even Warbeck himself doesn’t know who he really is – having been told by some that he has royal blood and by others that he is the son of Flemish merchants, he has become unsure of his real identity. I thought it was worth reading, but I probably wouldn’t recommend it unless you’re as interested in this period as I am.

The Girl in the Photograph by Kate Riordan

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Kate Riordan’s 2015 novel The Girl in the Photograph is one of many to be compared to the Daphne du Maurier classic Rebecca, but apart from being set in a country house and having a few Gothic undertones, I couldn’t see many similarities. It is, however, an interesting read in its own right, exploring some of the social issues faced by women who lived during less enlightened time periods.

This is a dual-timeline novel, but unlike most, which have one thread set in the present and the other in the past, both narratives in this book are historical. In 1932, we meet Alice Eveleigh, a young woman of twenty-two who lives with her parents and works in an office as a junior typist. With many of her friends becoming engaged, Alice is worried that she will be ‘left on the shelf’, so she is flattered when the new accountant at work, a handsome older man, begins an affair with her. Unfortunately, he is already married and when she inevitably finds herself pregnant, he refuses to leave his wife for her. On discovering what has happened, Alice’s mother quickly packs her off to stay with an old friend at remote Fiercombe Manor where she can give birth away from prying eyes and have the baby adopted.

After arriving at Fiercombe Manor, Alice becomes intrigued by hints of the house’s tragic past, picking up snippets of information about Elizabeth Stanton, whose husband Edward was the Manor’s previous owner. Alice attempts to learn more about Elizabeth from Mrs Jelphs, the housekeeper, but it seems that she is reluctant to talk. Not ready to give up, Alice finds Elizabeth’s diary and gradually her secrets begin to be revealed.

Elizabeth’s story, set in 1898, unfolds alongside Alice’s in alternating chapters, allowing us to see parallels between the lives of the two women. Like Alice, Elizabeth is expecting a baby; unlike Alice, she has a husband, but she still feels very alone. Edward is controlling and distrustful and they don’t have a close or loving relationship, but as Elizabeth’s narrative progresses we begin to wonder whether she is really the most reliable of narrators and whether something could have happened to cause Edward to turn against her.

The Girl in the Photograph is a beautifully written novel, with lovely, vivid descriptions of the old house surrounded by yew trees, the formal gardens and terraces, and the views of rolling meadows and setting suns. Riordan creates an eerie atmosphere, with some very subtle ghostly/supernatural elements. However, I found the book very slow and unnecessarily long – I felt that some of Alice’s chapters could probably have been left out without affecting the overall story too much. Still, the novel offers some fascinating insights into what it was like to be a pregnant woman in the 1930s or the 1890s. Attitudes of society towards unmarried mothers, the challenges of postnatal depression and ‘puerperal insanity’, and the general lack of understanding of women’s mental health issues are some of the subjects Riordan touches upon.

Although I felt that this book didn’t have much, apart from the quality of the writing, to set it apart from others of this type, I thought it was still a worthwhile read. I see Kate Riordan has written several other novels which all sound interesting too.

The Ambassador’s Daughter by Pam Jenoff

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It’s 1919 and twenty-year-old Margot Rosenthal has accompanied her father, a German diplomat, to Paris for the Peace Conference that has been arranged following the end of the First World War. At first Margot is unhappy in the French capital – even though the war is over, she and her father are still thought of by the Allies as ‘the enemy’, while their Jewish background means they are viewed with suspicion by their fellow Germans – but the alternative is to return to Berlin, where her wounded fiancé Stefan awaits. Margot had agreed to marry Stefan before he went away to fight in the war, but now that he is back she’s no longer sure whether she wants to go ahead with the wedding.

Life in Paris becomes more interesting for Margot when she makes two new friends. One is Georg Richwalder, a former naval officer who has arrived with the German delegation; the other is Krysia Smok, a Polish pianist who introduces her to a group of political activists. When one of Krysia’s radical friends starts to put pressure on Margot to obtain information on Germany’s plans from Georg, suddenly Stefan and the wedding seem the least of her problems!

The Ambassador’s Daughter is a prequel to The Kommandant’s Girl and The Diplomat’s Wife, neither of which I have read, but that didn’t matter at all as this one works as a standalone novel. In fact, I suspect it’s probably better to start with this book anyway as it comes first chronologically. I do wish authors and publishers would move away from ‘wife’ and ‘daughter’ titles (which I discussed in one of my Historical Musings posts), but this series was written before that seemed to become such a popular trend, so I can be more forgiving!

Although I have read a lot of novels set during and just after World War I, I don’t think I’ve ever read anything specifically about the Paris Peace Conference, so I found that aspect of the book interesting. The German delegation was kept on the sidelines during the negotiations and excluded from decision-making, not being officially called to the conference until the details of the treaty had already been agreed upon. Because the Germans played such a minor role in all of this, it doesn’t form a big part of the novel, but I think Jenoff does a good job of showing how frustrating it was for diplomats such as Margot’s father to be kept out of making the important decisions that would affect their own country’s future.

The espionage element of the story is also well done, as we wait to see whether Margot will really betray Georg and Germany – and if so, whether she will be caught? However, a twist that comes near the end of the book is very obvious and because I had predicted it so quickly, it took away some of the suspense. The main focus of the novel, though, is not the conference or the spying, but Margot’s personal story and her relationships with Georg and Stefan, so if you’re not interested in romance, this probably isn’t the book for you. Overall, I found it quite enjoyable, but I’m not sure whether I would read anything else by Pam Jenoff – although I was intrigued by the character of Krysia and it seems she also appears in The Kommandant’s Girl, so maybe I could be tempted.

The Secret Keeper by Kate Morton

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There are many events taking place in the book blogging calendar this month and AusReading Month hosted by Brona’s Books is one of them. I have a few books by Australian authors waiting to be read, but I decided to read one that has been waiting a long time: Kate Morton’s 2012 novel, The Secret Keeper. I’ve previously read three books by Morton and had mixed experiences with them; I loved The Forgotten Garden but was slightly disappointed in both The Distant Hours and The Clockmaker’s Daughter, so wasn’t sure whether I wanted to bother with this one. I’m pleased I did, because I enjoyed it much more than I expected to.

Like Morton’s other books, The Secret Keeper is set in multiple time periods. It begins in 1961, with sixteen-year-old Laurel Nicolson hiding in a wooden tree house during a family celebration. Laurel just wants some time alone to think, but this means that, from her position in the tree, she is able to see a strange man approaching the Nicolson farmhouse – and is witness to a violent crime involving her mother, Dorothy. We then jump forward fifty years to 2011, when the Nicolsons are gathering at their childhood home for Dorothy’s ninetieth birthday. Laurel, now a successful actress, is still haunted by what she saw on that long ago day and decides that, with Dorothy in poor health, she needs to find out what really happened before her mother dies and takes her secrets with her.

As Laurel begins to investigate her mother’s past, the novel moves back and forth between 2011 and 1940s London where the young Dorothy is looking forward to marrying war photographer Jimmy as soon as their financial situation improves. Dorothy has also made a new friend (or so she thinks): the beautiful, wealthy Vivien, who lives in the house opposite. But when she is betrayed by Vivien, Dorothy puts together a plan of revenge – with unexpected and tragic results.

As is usually the case when I read books set in more than one time period, it was the historical one I enjoyed the most. The present day story was interesting – I enjoyed Laurel’s interactions with her younger brother Gerry, who helps her to uncover the truth about their mother – but I felt that it was effectively just a frame for the much more compelling story of Dorothy, Jimmy and Vivien. I was surprised by how absorbed I became in these parts of the novel, considering that I found Dorothy a particularly unpleasant and irritating character! I did like Jimmy, was intrigued by Vivien and loved the wartime setting, especially as things build to a climax during the London Blitz.

Somewhere in the second half of the book I started to have some suspicions regarding Laurel’s mother and the secrets she was hiding, but this came late enough that it didn’t spoil my enjoyment of the story and I was pleased to find that my guess was correct. Of Kate Morton’s other books, I only have The House at Riverton and The Lake House left to read. Which should I read first?

Fallen by Lia Mills

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Liam Crilly is one of the ‘fallen’ – one of the many young men to be killed in action on the battlefields of World War I. When the tragic news reaches his family in Dublin, they each try to come to terms, in their different ways, with the terrible loss they have suffered. For his twin sister, Katie, losing Liam is like losing a part of herself and now all she has left of him are memories and the letters he sent home from the Western Front. Denied the chance to continue her education at university because her parents don’t believe it’s necessary, Katie finds solace in assisting Dorothy (Dote) Colcough, a friend and scholar, with the research for a new book she is writing.

Through Dote, Katie meets Hubie Wilson, an army officer who had fought with Liam in France and is now recovering at home after losing a hand. Katie is desperate to learn anything she can about Liam’s last days and Hubie is pleased to have found someone who is willing to listen to him talk about his traumatic experiences. Then, just as a relationship is beginning to form between the two of them, another violent conflict breaks out: the Easter Rising of 1916. Now, Katie’s priority is to keep her friends and family safe as armed insurrectionists take to the streets of Dublin with the aim of establishing an Irish Republic.

We actually learn very little about the Easter Rising itself – what lead to it, the politics behind it, how it ended or what the outcome was – and as this is not a subject I know much about myself, I was left feeling a bit lost and confused. However, I think that was probably intentional; the focus of the book is on the ordinary people of Dublin and how they coped with the violence going on around them in the city. Written from Katie’s point of view, she has a limited knowledge of what is happening behind the scenes, but describes to the reader the things she can see and hear for herself: the gunshots, the roadblocks, the looting of shops, the smashed windows and the fires burning in the streets. I couldn’t help thinking that she seems to move very easily from one part of the city to another, considering how dangerous it was supposed to be, but otherwise these sections of the novel feel vivid and real.

The personal side of the story was of less interest to me, which I think is because of the choice of Katie as narrator. I just didn’t find her a particularly engaging character; she’s a woman in her twenties, but her narrative voice makes her seem much younger – and I wasn’t really convinced by the romance with Hubie either. Some of the other characters appealed to me more, such as Liam’s grieving fiancée, Isobel, who feels shut out by the Crilly family after Liam’s death, and Katie’s new friends Dote and May, two unconventional women who are trying to live their lives the way they want to live them. I was sorry we didn’t spend more time with these characters, as I think their stories would have interested me more than Katie’s!

Fallen was selected as the One Dublin One Book choice for 2016, an initiative which encourages people to read a book connected with the Irish capital every April. I’m obviously very late with this one, but I can see why it was chosen, for the unusual perspective it offers on such an important event in Dublin and Ireland’s history.

Book 50/50 read for the 2021 Historical Fiction Reading Challenge.

Lily by Rose Tremain

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From the opening pages of Rose Tremain’s new novel, we know that Lily Mortimer is a murderer and that she expects to hang for what she has done. What we don’t know is who the victim was and what drove a young woman like Lily to commit such a terrible crime. To find the answers we have to go back in time, to a cold winter’s night in 1850 when policeman Sam Trench finds a baby abandoned by the gates of a London park. Sam takes her to the London Foundling Hospital where she is given the name Lily and sent to live with a foster family in the countryside. This is only a temporary arrangement – children are expected to return to the Hospital once they reach the age of six – but Lily’s foster parents, Nellie and Perkin Buck, grow to love the little girl and they are all heartbroken when the time comes for them to separate.

Back at the Foundling Hospital, Lily feels trapped and unhappy; she and the other children are badly treated by the women who are employed to take care of them and Lily herself seems to be singled out for the worst punishments. As the years go by, Lily becomes an adult and starts work as a wigmaker at Belle Prettywood’s Wig Emporium – but even though she has left the orphanage behind, she is still haunted by the events of her childhood.

After being disappointed by Rose Tremain’s last book, Islands of Mercy, I found this a much more compelling read. It took me a while to get into it as the timeline jumped around so much at the beginning, constantly moving from Lily’s present to her past and back again, which felt disjointed and confusing – and the absence of chapter breaks didn’t help – but eventually things settled down and I was drawn into the story. There are shades of Jane Eyre, particularly in the parts of the book that deal with Lily’s relationship with another orphan, Bridget, and I was also reminded of Stacey Halls’ The Foundling, another novel set partly in the London Foundling Hospital (although this book has a very different plot).

The Hospital – also known as Coram, after its founder Thomas Coram – is vividly described and comes to life as a grim, forbidding place where the abandoned children are made to pay for the ‘sins of their mothers’. Although Lily is occasionally shown some kindness by people such as her benefactress Lady Elizabeth Mortimer, most of the treatment she receives at Coram is harsh and cruel. It seemed such a shame to me that the children weren’t allowed to stay with foster families who loved and wanted them, although I understood that the idea of returning them to the Hospital was so that they could learn the skills that would equip them for life in Victorian society.

This is a bleak novel, but also quite a moving one and despite knowing that Lily considered herself a criminal, I had a lot of sympathy for her from the beginning and hoped that her story would have a happier ending than the one she was expecting. I would recommend Lily not just to Rose Tremain’s existing fans, but also to anyone looking for a dark Victorian tale to immerse themselves in this winter.

Thanks to Vintage for providing a copy of this book for review via NetGalley.

Book 49/50 read for the 2021 Historical Fiction Reading Challenge.