The Bloody Chamber by Angela Carter

June 11, 2014June 11, 201421 Comments

This week Caroline of Beauty is a Sleeping Cat and Delia of Postcards from Asia are hosting an Angela Carter Week. I have to admit that I had dismissed Angela Carter years ago as an author just not for me, based on one or two failed attempts at reading her novels as a teenager. Seeing the announcement of the Angela Carter Week and knowing that she is a beloved favourite of so many people, I decided it was time to give her another chance – with some short stories this time.

In The Bloody Chamber, Carter takes ideas and themes from fairy tales and legends – vampires and werewolves, Bluebeard and Puss in Boots, dark forests and gloomy castles – and works them into a collection of new short stories. There are ten in the book – The Bloody Chamber, The Courtship of Mr Lyon, The Tiger’s Bride, Puss-In-Boots, The Erl-King, The Snow Child, The Lady of The House of Love, The Werewolf, The Company of Wolves and Wolf-Alice. Some are quite long (The Bloody Chamber is more than forty pages long in this edition) while others are very short (less than two pages for The Snow Child) and all of them are steeped in feminism, violence and sexuality.

I’m glad I chose this book to try again with, because I did enjoy it. However, I had quite an uneven reaction to the stories in this collection and found that I liked some of them much more than others – though I suppose that’s normal when reading short story collections. I was interested to read in the introduction by Helen Simpson that they should not actually be described as retellings because Carter herself said that her intention was to “extract the latent content from the traditional stories and to use it as the beginnings of new stories”.

By far the strongest, in my opinion, is the title story, The Bloody Chamber. The Gothic atmosphere and imagery in this story reminded me of Edgar Allan Poe. Inspired by the Bluebeard legends, it’s the tale of a young woman who travels to the castle of her new husband, a Marquis who has already been married and widowed three times before. When the Marquis goes away on business he leaves his wife with a bunch of keys and strict instructions not to unlock the door of one of the rooms. Not surprisingly, she is unable to resist the temptation and discovers something shocking within the forbidden chamber.

I also loved The Courtship of Mr Lyon, a romantic and beautifully written story based on Beauty and the Beast. I preferred this one to The Tiger’s Bride, which gives a completely different perspective on the same fairy tale. Puss-in-Boots, although not one of my favourites, stands out from the others in the book as it is written in a very different style. While most of the others, particularly The Bloody Chamber, are elegant and haunting with rich, elaborate descriptions, this one is a lively, amusing story narrated by the cat himself. The Snow Child is equally memorable, though for different reasons – for such a short story, it’s one of the most disturbing in the book.

The Erl-King and The Lady of the House of Love also deserve a mention, both for their atmospheric settings and the beauty of the language used. Interestingly, I think the stories I enjoyed least were the three final ones which incorporated elements from Little Red Riding Hood and werewolf folklore. I’m not sure why that should be, unless they just suffered from being last in the book.

I can see why Angela Carter’s books are so widely studied in schools and universities because her writing is packed with symbolism and imagery. I know I would have to read this whole collection again to even begin to fully appreciate everything she was trying to say in each of the ten stories.

Have you read this book? Which was your favourite story?

The Lost Duchess by Jenny Barden

June 10, 2014June 10, 20148 Comments

With a title like The Lost Duchess and an opening chapter set at the court of Elizabeth I, describing an encounter between one of the Queen’s ladies and Lord Hertford, you may think this sounds like just another Elizabethan court romance – but you would be mistaken. With the arrival of Sir Francis Drake bringing stories of his adventures in the New World comes the first hint of what this book is actually about. And when Emme Fifield, the lady who had that confrontation with Hertford, decides to join Governor John White’s expedition to establish a new colony at Chesapeake, it becomes clear that The Lost Duchess is going to be something fresh and different.

Emme is desperate to leave England and sail to the New World so that she can avoid the disgrace she knows she will face when her involvement with Lord Hertford is made public. In order to convince the Queen to let her go, she promises to return with reports on the colonies for Elizabeth and her spymaster, Sir Francis Walsingham, but Emme’s real intention is to stay in Chesapeake and build a new life there…especially when she begins to fall in love with one of her fellow travellers, the mariner Kit Doonan. But while Emme is trying to keep the truth about her past hidden from Kit, we learn that Kit also has some secrets of his own.

Emme and Kit are great characters and I enjoyed getting to know both of them, but the aspect of this book that I found the most interesting was the fate of the lost colony of Roanoke – the English settlement established by Sir Walter Raleigh in the 1580s before being abandoned with no trace of the colonists. The explanation for the colony’s disappearance is still a mystery today, but Jenny Barden suggests one possible theory which I thought was very convincing. And if you’re wondering why all of this is significant to the story told in The Lost Duchess, although the ship on which Kit and Emme set out from England is originally heading for Chesapeake, Roanoke is where they end up.

The voyage itself provides lots of exciting action as Emme and the other colonists face dangerous seas and the loss of their supplies, while finding themselves at the mercy of their Portuguese navigator, Simon Ferdinando, who may or may not be trying to betray them. Life becomes no easier when they land at Roanoke – poisonous fruit being one hazard and conflicts with the native people another. Having befriended Chief Manteo of the Croatoans, the settlers are hopeful that they can negotiate with the Native Americans but it seems that things have happened in the past which will make it difficult for them to live peacefully alongside each other.

Roanoke and its mysteries is a fascinating, unusual setting and I’m sure you’ll agree that it makes a change from the majority of Tudor/Elizabethan novels which tend to focus on royalty and life at court. Jenny Barden’s previous novel, Mistress of the Sea, sounds wonderful too and is linked with this one through the character of Kit Doonan’s brother, Will. I’m looking forward to reading it.

I read The Lost Duchess as part of a blog tour. For more reviews, interviews and giveaways please see the tour schedule at Historical Fiction Virtual Book Tours.

The Orchard of Lost Souls by Nadifa Mohamed

June 8, 2014June 8, 20146 Comments

In 2013, Nadifa Mohamed was named one of Granta’s “Best Young British Novelists”. This is her second novel, set in Somalia in the 1980s as rebel forces clash with the military dictatorship and the country heads towards civil war. The events of this turbulent period are seen through the eyes of three female characters:

* Deqo, a nine-year-old orphan who grew up in a refugee camp and has now found herself homeless and alone in the city of Hargeisa.
* Kawsar, a widow mourning the death of her daughter, who becomes confined to her bed after a violent beating at the police station.
* Filsan, a soldier sent to Hargeisa from the capital city of Mogadishu and feeling homesick for the life she has left behind.

During a military parade at a stadium in Hargeisa, the paths of these three women briefly cross before they are separated again and go on to have very different experiences of this troubled time in Somalia’s history.

I don’t think I’ve ever read a book set in Somalia before and I knew nothing about the causes of the civil war or the situation in Hargeisa, so reading The Orchard of Lost Souls meant I had an opportunity to learn something new. Telling the story from three different perspectives allows the author to explore different aspects of the war; through Deqo and Kawsar we see what it was like for people living in and around Hargeisa, trying to survive from one day to the next, while Filsan’s story gives us some insights into the military regime. As you can probably guess, many of the things the women experience are traumatic and brutal, though I won’t go into any details here.

As well as being educational, this is also a compelling story (or stories, as there are really three of them in this one novel) and I was interested in all three characters, although I thought Filsan was much more difficult to like than either Deqo or Kawsar. However, I did have some problems with the structure of the novel, especially at the beginning. For the first fifty pages of the book, the viewpoint switches rapidly between each of the three women which I found very overwhelming and confusing. I was relieved to discover that this didn’t continue all the way through the book! The opening section was followed by three longer sections concentrating on one character at a time, so I was able to get to know each of them separately before they eventually meet again near the end of the novel.

I can see why Nadifa Mohamed has won awards for her writing because she clearly has a lot of talent and her descriptions of Somalia are beautiful. I’ll leave you with one of my favourite passages, where Filsan remembers the streets of Mogadishu:

In the centre of the city where the alleys narrow at points to the width of a man’s shoulder blades, you can walk as if in a dream, never certain of what might appear after the next bend: a bare-chested man with a silver swordfish slung over his thin black back, a shoal of children reciting Quran from their wooden slates, a girl milking a white, lyre-horned cow. The place has enchantment, mystery, it moves backward and forward in time with every turn of the feet; it is fitting that it lies beside an ocean over which its soul can breathe, rather than being hemmed in by mountains like a jinn in a bottle.

The Frost of Springtime by Rachel L. Demeter

June 7, 2014June 6, 20147 Comments

When I was offered the opportunity to take part in a blog tour for Rachel L. Demeter’s The Frost of Springtime, I wasn’t sure whether or not to accept. I read a lot of historical fiction novels and many of them have an element of romance, but I tend not to be drawn to books that are specifically classed as ‘historical romance’ as this one is. The setting sounded intriguing, though, so I decided to give it a try.

The Frost of Springtime is set during the Paris Commune of 1871, a brief period during which a revolutionary government ruled Paris. The novel begins with Vicomte Aleksender de Lefèvre rescuing a young girl, Sofia Rose, who has been sold into a Parisian brothel by her own mother. Sofia becomes Aleksender’s ward but she is later separated from her guardian while he goes away to fight in the Franco-Prussian War.

When Aleksender returns to Paris accompanied by his friend, Christophe Cleef, he finds that the city has been torn apart by revolution, protest and destruction. At home, too, things are changing. His father’s death has left him with new responsibilities and an altered relationship with his brother…and the little girl he saved from a life of misery and abuse has matured into a beautiful young woman of nineteen. Left scarred by his traumatic wartime experiences, Aleksender is in need of love and comfort and it seems that Sofia can provide them. But what about his wife, Elizabeth, the woman he married years earlier as part of an arranged marriage and has never loved the way he loves Sofia?

The Frost of Springtime is a dark and atmospheric story with some great descriptions of a Paris in political turmoil. Although there is certainly a strong romantic thread running through the centre of this novel, there is also quite a lot of history. In fact, there could be too much history for those who are looking purely for a love story, but for me personally the balance was about right. I had no previous knowledge of the Paris Commune and now that I’ve learned a bit about it from reading this book I would like to know more. I may have to do some further reading on the subject!

Aleksender and Sofia were both strong characters – characters I was interested in and cared about. Unless you just don’t like the idea of the age difference or a man falling in love with a girl who had been his ward, I’m sure you’ll feel the same and will be hoping for a happy ending for the two of them. However, I did also like Elizabeth and had a lot of sympathy for her as she really hadn’t done anything wrong and didn’t deserve to be treated badly. Aleksender’s behaviour sometimes disappointed me because it wasn’t always what you would expect from the hero of a romantic novel but this could be partly explained by the fact that he is suffering from what appears to be post-traumatic stress disorder caused by his experiences at war.

I’m glad I didn’t let my doubts about historical romance put me off reading this book as I did enjoy meeting Aleksender and Sofia and learning about such an interesting period of French history.

If you’d like to read more reviews, interviews and guest posts please see the tour schedule at Enchanted Book Promotions – and don’t forget to enter the tourwide giveaway for an Amazon gift card at this link: a Rafflecopter giveaway

The Long Song by Andrea Levy

June 4, 20149 Comments

When Thomas Kinsman asks his mother, July, to write her memoirs, she agrees on the condition that she is allowed to tell her story the way she wants to tell it:

“Please pardon me, but your storyteller is a woman possessed of a forthright tongue and little ink. Waxing upon the nature of trees when all know they are green and lush upon this island, or birds which are plainly plentiful and raucous, or taking good words to whine upon the cruelly hot sun, is neither prudent nor my fancy. Let me confess this without delay so you might consider whether my tale is one in which you can find an interest.”

The island with the lush green trees, raucous birds and hot sun is Jamaica, where July is born into slavery on the sugar plantation of Amity. As a young girl, July catches the eye of her master’s spoiled and selfish sister, Caroline Mortimer, and becomes her maid and companion. Kept apart from her mother, a field slave, and renamed ‘Marguerite’ because Caroline likes the name, life is not always easy for July but the Christmas Rebellion of 1831 brings hope that slavery in Jamaica will soon come to an end. And with the arrival of a new overseer, Robert Goodwin, life at Amity could be about to change forever…

I have read other books about slavery but never one that focused specifically on slavery in Jamaica, so The Long Song was something new for me. With July moving from the slave quarters to live with her mistress, we see how slavery and its abolition affected not just the slaves themselves but also the British slave owners and overseers. I liked the fact that July’s story does not just finish with the end of slavery in Jamaica but goes on to describe what happened after that. It’s easy to imagine that things improved instantly as soon as slavery was abolished but that was not necessarily true and July does a good job of showing us how she and the other newly emancipated slaves continued to face hardships and obstacles.

As you’ll be able to tell from the excerpt I quoted at the start of this post, July has a very strong and distinctive narrative style, which suits her lively, mischievous personality. She frequently breaks off in the middle of a chapter to argue with her son, Thomas, over what should or should not be included and at other times she addresses the reader directly. Sometimes she gives us one version of events, then admits that she is not being honest and begins again with a more truthful account. Most of her story is told in the third person, as if July was just somebody she had once known and not actually herself – maybe we’re supposed to assume this made it easier for the older July to discuss the painful things that had happened to her? She also adds a lot of humour to her story which makes it feel much lighter and less harrowing than it could have been.

At first I was intrigued by July’s unique narration; it felt different and unusual. After a few chapters, though, the novelty wore off and I started to find it irritating. I wished she would stop interrupting herself and get on with telling the story! I like this sort of writing in Victorian novels but in this case I thought it felt like a gimmick that, for me, just didn’t quite work. I did still enjoy the book but maybe I would have enjoyed it even more if it had been written in a more conventional style. I have a copy of one of Andrea Levy’s other books to read – Small Island, which is being reissued in a new 10th anniversary edition – and I’ve heard it’s very different, so I’m looking forward to reading that one.

Tropical Issue by Dorothy Dunnett

May 31, 20148 Comments

Having read all of Dorothy Dunnett’s six-volume Lymond Chronicles, eight-volume House of Niccolò series and her standalone novel, King Hereafter, I suppose it was only a matter of time before I picked up one of her Johnson Johnson mystery novels. I wasn’t entirely sure that I was starting with the right book, as Tropical Issue (originally titled Dolly and the Bird of Paradise – Dolly being the name of Johnson’s yacht and the ‘bird’ being the female narrator of the story) was actually the sixth to be published. I had discovered, though, that it is also the first chronologically, so it seemed like a good place to start.

Our narrator is Rita Geddes, a Scottish make-up artist with a punk hairstyle (the book was published in 1983 and I should point out here that unlike the rest of Dunnett’s books, these were contemporary novels rather than historical ones). Rita’s latest client is the journalist and celebrity Natalie Sheridan and at the beginning of the novel Rita is in London preparing Natalie for a photo shoot with the photographer, Ferdy Braithwaite. Ferdy has borrowed his friend Johnson Johnson’s studio flat to use for the session and in this way, Rita meets Johnson for the first time. Not that she learns much about Johnson during this first meeting, other than that he is recuperating after being seriously injured in a plane crash – and that he is a portrait painter, has black hair and wears bifocal glasses.

Joining Natalie for another job on the island of Madeira, Rita learns that the life of her friend and fellow make-up artist Kim-Jim Curtis could be in danger. And when Johnson and his yacht, Dolly, also arrive in Madeira, a mystery unfolds which is complex, surprising and takes the reader through a range of exotic locations from the banana plantations of Barbados to the volcanic craters of St Lucia. As with all good mystery novels, you’ll need to pay attention as things which may seem irrelevant at first turn out to be important later in the book.

I liked the character of Rita from the beginning. She has a very distinctive narrative voice, with her strong personality coming across in every sentence – how can you not love a character who thinks, when disturbed by an intruder in the night, “I rather wished I was wearing something handier than a quilt, but if all else failed, I could smother the guy if I caught him”? As for Johnson, it was difficult not to want to make comparisons with Dunnett’s other heroes, Lymond, Nicholas and Thorfinn, but really, while they do all share some characteristics, there are also some big differences between them. However, I do think there were a lot of similarities in the way Dunnett introduces his character to us – viewing him only through the eyes of other people (in this case Rita), with his true thoughts and motives often being obscured and misinterpreted.

While I love all of Dorothy Dunnett’s other books, I can’t really say that I loved this one – but I did enjoy it. It took me a while to really get into the story, but after a few chapters I was won over by a wild and wonderful sledge race to rival the ostrich ride in Niccolò Rising. It made a nice change, in a way, to be able to read a Dunnett novel without becoming too emotionally involved in the lives of the characters! I don’t feel the same compulsion to immediately read the rest of the series as I did with Lymond and Niccolo, but it’s good to know that there are still another six books to look forward to.

Love and Treasure by Ayelet Waldman

May 30, 20146 Comments

In Love and Treasure, Ayelet Waldman traces the fate of a single item – a necklace with a peacock pendant – and uses it to tell the story of Hungary’s Jewish communities before and after the Holocaust. Spanning a period of one hundred years, the novel is divided into three separate stories, but there are links between all three and the peacock pendant plays an important role in each one.

The novel begins in 2013 with a conversation between Jack Wiseman and his granddaughter, Natalie, when he admits to her that the necklace she wore on her wedding day thinking it was her grandmother’s did not actually belong to her grandmother at all. The real owner, he says, is unknown, but he would like Natalie to find her and give the pendant back.

We then move back in time to Salzburg in 1945 where Jack is serving in the US army. He is given the responsibility for guarding the Hungarian Gold Train, a train containing the confiscated personal belongings of thousands of Hungarian Jews (paintings, watches, furs, cameras and other objects) but while he does his best to protect its contents he is forced to watch as his fellow army officers ‘borrow’ one item after another. When Jack’s days in charge of the train come to an end, he himself steals one of its treasures – the peacock pendant – because it reminds him of Ilona, a Jewish girl from the Hungarian town of Nagyvárad whom he has grown close to during his time in Salzburg.

Returning to 2013, Natalie is beginning her search for the original owner of the pendant – a search which will take her to Budapest where she joins forces with Amitai Shasho, an Israeli art dealer on a special mission of his own. This takes us into the final section of the book, set in 1913 Budapest and telling the story of a psychoanalyst and one of his patients, a young Hungarian suffragette whose strong views lead to her father wanting her treated for insanity.

Of the three main sections of the novel I think my favourite was the first one, the story of Jack and Ilona. Ilona is a survivor of the concentration camps and through her character, Waldman explores the lives of the Displaced Persons who lost their homes and their families during the war. I thought she did an excellent job of showing what it may have felt like to be a Jew displaced in Europe after the war had ended. I cared about Jack and Ilona in a way that I never really came to care about Natalie and Amitai, so I was sorry to leave them behind when I reached the end of the first section and moved on to the second.

I also enjoyed the final part of the book: narrated by the psychoanalyst, Dr Zobel, this is the only section to be written in the first person rather than the third, and I thought his narrative voice was very strong and distinctive – just what I would expect from a man of his profession in 1913.

I found Love and Treasure a very interesting read because it introduced me to subjects I knew little or nothing about. The Hungarian Gold Train, for example, really existed, yet it’s something I had never read about before and I thought it was fascinating. While the book didn’t really affect me emotionally as much as I would have expected from a novel about the Holocaust, the fact that it was so intriguing from an historical perspective made up for it.

I read this book as part of the Love and Treasure Historical Fiction Virtual Book Tour. For more reviews, interviews and guest posts please see the tour schedule.