How to Lose a Lord in Ten Days by Sophie Irwin

This is Sophie Irwin’s third novel and since I loved her first two – A Lady’s Guide to Fortune-Hunting and A Lady’s Guide to Scandal – I was looking forward to reading this one, but although I did enjoy it, I think it’s my least favourite of the three. If you’re new to her work, all three of Irwin’s books are set in Regency England and are all standalones with different sets of characters. Apparently this one is loosely based on the romantic comedy How to Lose a Guy in Ten Days, which I haven’t seen, although I don’t think that would have made any difference to my impressions of the book.

Our heroine this time is Lydia Hanworth, a wool merchant’s granddaughter, who, as the novel opens, has found herself engaged to a man she doesn’t love. Lydia’s aunt and uncle, with whom she has lived since the deaths of her parents, have made it clear that if she refuses Lord Ashford, she’ll be sent to live with her awful Aunt Mildred – but Lydia has no intention of marrying him, or any other man not of her choosing. The engagement is due to be announced by Ashford’s father at a party in ten days’ time. That means Lydia has ten days to make Ashford regret he ever met her and voluntarily withdraw his proposal!

Like Sophie Irwin’s other books, this is a lively, entertaining read written with a lot of humour and comedy. Most of the story plays out at a house party hosted by Ashford’s cousin Phoebe, which means there are a limited number of characters to get to know. Despite this, not all of them came fully to life for me and a subplot that develops later in the book involving Phoebe, her husband and a missing necklace felt unnecessary. It does provide some purpose for Lydia’s brother, Pip, though – he has just begun working for the Bow Street Runners and has arrived at the house party with his notebook and quizzing glass, hoping for a real mystery to solve.

Some of Lydia’s attempts to drive Ashford away are quite amusing and could be described as harmless fun (her hideous, unfashionable gowns; her loud, grating laugh; her tone-deaf attempts at singing) but others seem a bit cruel. Despite Lydia’s dislike of him, which is largely based on misunderstandings, Ashford is a decent person and doesn’t really deserve to be humiliated by her! I also couldn’t quite believe that the other guests would have overlooked her behaviour and background so easily and accepted her as one of the party. She broke so many of the rules of upper-class Regency society her reputation should have been in ruins, but it seemed that while people were momentarily shocked by her actions, it was all forgotten the next day.

Still, this is another enjoyable read from Sophie Irwin and I’m sure if I hadn’t held it to such high standards based on her first two books, I would probably be less critical of it. If you’re looking for a light, fun summer read this would be ideal.

Thanks to HarperCollins for providing a copy of this book for review via NetGalley.

Book 15/20 for 20 Books of Summer 2025.

20 Books of Summer 2025: July Recap

The second month of this year’s 20 Books of Summer challenge is over and one of our hosts – Emma of Words and Peace – has compiled another questionnaire to help us recap our July reading. My answers aren’t as imaginative as the questions, but I’ve done my best!

I read eight books for the challenge this month, which means as I read nine in June I only have three more left to read in August (I’m halfway through one of them now). I’m behind with the reviews as usual, but the outstanding ones should be coming soon.

1. Which book surprised you the most this month?
Describe what made it stand out — was it a plot twist, unique character, or something unexpected?

The Art of a Lie by Laura Shepherd-Robinson had plenty of plot twists, but what really surprised me was the way it ended! It wasn’t what I expected at all – and not what I would personally have liked, although other readers may disagree.

2. If your July reading experience was a weather forecast, what would it be and why?
Did your reads feel like sunny days, thunderstorms, gentle breezes, or heatwaves?

A real mixture of weather, just like a typical British summer! There were some hot, stormy days (Elizabeth Fremantle’s Sinners), some bleak, rainy ones (The End of the Affair by Graham Greene) and also a few brighter, breezier days (Sophie Irwin’s How to Lose a Lord in Ten Days and Hannah Dolby’s No Life For a Lady).

3. Name a setting from your July books where you’d love (or hate) to take a summer vacation.
What drew you to (or repelled you from) the place?

The Syria of the 1930s, as described by Agatha Christie in Come, Tell Me How You Live, sounds like a fascinating place to visit in many ways – and a glimpse into a world and a way of life now gone forever. However, her first night in the town of Amuda, in a house infested by rats and cockroaches sounded horrific!

4. If you could turn one book into a summer festival, what would the main event be?
Describe the vibe, activities, or the bookish highlight of your imagined festival.

I would turn The Art of a Lie into an 18th century food festival. The highlight would be a sample of Hannah Cole’s delicious homemade ice cream, a delicacy most of the guests will never have seen or tasted before! As additional entertainment, the author Henry Fielding will give readings from his recently published novel The History of Tom Jones, a Foundling.

5. Choose your own adventure — recap July in the style of your choice:
You might write a diary entry, poem, comic panel, or even a simple list. Be as creative as you like!

I’m not feeling very creative at the moment, I’m afraid, so here are some very simple one-word reviews for the books I read this month:

Sinners by Elizabeth Fremantle – Tragic
The Art of a Lie by Laura Shepherd-Robinson – Twisty
The Lily and the Lion by Maurice Druon – Informative
Come, Tell Me How You Live by Agatha Christie – Funny
How to Lose a Lord in Ten Days by Sophie Irwin – Amusing
The End of the Affair by Graham Greene – Sad
Fire from Heaven by Mary Renault – Powerful
No Life for a Lady by Hannah Dolby – Entertaining

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Are you taking part in 20 Books of Summer? How did your July reading go?

The Six Murders of Daphne St Clair by MacKenzie Common

Daphne St Clair is a ninety-year-old grandmother in poor health who lives at Coconut Grove Senior Home in Florida. Probably not anyone’s idea of a typical serial killer, but when another elderly resident is found dead in the home, Daphne calls the police and confesses to not only this murder but several more, spanning four states, two countries and seven decades. The police, Daphne’s family and the public are both shocked and intrigued – what could have made Daphne want to kill so many people? And why has she chosen to confess now, at this late stage of her life?

When the news of Daphne’s confession begins to spread, she is contacted by journalists and reporters wanting to be first to tell her story, but she turns them all down – except one. Ruth Robinson hopes to start a podcast about Daphne’s life and even has a title ready for it – The Murders of Daphne St Clair. Something draws Daphne to the younger woman and she agrees to be interviewed for the podcast, but as her story unfolds she begins to discover that there’s more to Ruth than meets the eye. Who is Ruth Robinson and what’s the real reason for the podcast?

I had never heard of MacKenzie Common (it seems she has previously written a YA mystery novel, although this is her first book for adults), but I was attracted by the elegant, eye-catching cover and the premise of a ninety-year-old serial killer who had spent her whole life literally getting away with murder! I did enjoy the book, with a few reservations which I’ll mention later in this review, but overall it was quite an entertaining read.

Daphne’s tale begins in Canada in the 1930s, where she grew up on a farm near a small town in Saskatchewan. After a difficult childhood, Daphne runs away from home at the age of sixteen and makes her way to Winnipeg, where she meets the man who will become her first victim. He’s an unpleasant, violent man and his death is more of an accident than a murder, so at this stage of the book, Daphne seems a sympathetic character. This quickly changes as Daphne’s actions become more senseless and inexcusable and she shows no repentance for what she has done. I disliked her more and more as the novel progressed, but at the same time, she’s a clever, witty narrator and her story is engaging.

The structure of the book was a problem for me. Daphne’s narrative is broken into short sections, some of which are written in her own first person perspective and some in the form of dialogue for the podcast. These are then interspersed with chapters from Ruth’s perspective as she carries out some investigations of her own into Daphne’s background and one particular murder that is of special interest to her. I felt that the switches from one character to the other happened too quickly and too often, which stopped the story from flowing as well as it could have done. On top of this, there are also frequent interruptions from true crime fans discussing the show on Reddit and speculating on who Daphne is going to kill next, and a fashion blogger on TikTok who imagines outfits Daphne may have worn at key moments in her life. I could have done without these as well, but they do illustrate the moral issues of treating criminals like celebrities.

The ending of the novel leaves an important question unanswered; we can decide for ourselves what happened (or what we would have liked to have happened) but I would have preferred to know for certain! This wasn’t a perfect book, then, but not many are and there were definitely more things I liked than disliked.

Thanks to Headline/Mountain Leopard Press for providing a copy of this book for review via NetGalley.

The End of the Affair by Graham Greene

Graham Greene’s 1951 novel, The End of the Affair, was one of the final unread books on my Classics Club list, which I’ve been neglecting recently. As I had left a few empty slots on my 20 Books of Summer list for random reads, I decided this would be a good opportunity to read it.

The End of the Affair is narrated by Maurice Bendrix, a writer living in London. As the title suggests, the novel begins at the end of an affair between Bendrix and neighbour Sarah, the wife of Henry Miles, a civil servant. It was Sarah who ended the relationship, leaving Bendrix confused, hurt and bitter. In January 1946, almost two years after the affair ends, Bendrix meets Henry by chance crossing the Common that separates their two houses. Henry never knew about the affair, but he now confides in Bendrix that he suspects Sarah is seeing another man. This revives Bendrix’s suppressed feelings for Sarah and he decides to hire a private detective to follow her and try to find out who her new lover is.

I really enjoyed the first half of this book. Greene writes so convincingly about Bendrix’s regret for his lost love and the mixture of emotions it provokes in him: disappointment, anger, resentment and – after hearing Henry’s suspicions – jealousy. The private detective he employs, Alfred Parkis, is a wonderful character and I wished he’d played a bigger part in the book. Although he’s not particularly successful in his detecting, he’s so eager to please and to set a good example for his young son, Lance, that I found him very endearing. He also adds a touch of comedy to what is otherwise a very serious story.

In the middle of the novel, the focus switches to Sarah and through some passages from her diary, we see her side of the story and discover her reasons for ending the affair with Bendrix. I found the second half of the book less compelling as discussions of Catholicism, religious conversion and the existence of God begin to dominate. There are lots of interesting ideas being explored, but I felt that it completely changed the direction and the feel of the story I had previously been enjoying. Still, I liked the book overall, loved the quality of the writing and thought the 1940s setting was perfectly evoked.

This is the first book I’ve read by Graham Greene and maybe it wasn’t the best place to start with him, but I do want to read more. Any recommendations are welcome!

Book 14/20 for 20 Books of Summer 2025.

This is also book 47/50 from my second Classics Club list.

Six Degrees of Separation: From The Safekeep to Enlightenment

It’s the first Saturday of the month which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month, we’re starting with The Safekeep by Yael van der Wouden. I haven’t read it yet but do have a copy and am hoping to read it soon. Here’s what it’s about:

It is fifteen years after the Second World War, and Isabel has built herself a solitary life of discipline and strict routine in her late mother’s country home, with not a fork or a word out of place. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel’s doorstep – as a guest, there to stay for the season…

In the sweltering heat of summer, Isabel’s desperate need for control reaches boiling point. What happens between the two women leads to a revelation which threatens to unravel all she has ever known.

I’ve read a lot of books about the war so it would have been easy to go down that route, but I was drawn to the phrase ‘the sweltering heat of summer’ so decided to use that as my first link instead. The Hounding by Xenobe Purvis (1), about five young women who don’t fit in with their small community in 18th century England, is a book I read recently that is also set during a hot summer. It’s so hot that the river starts to dry up, affecting the trade of Pete Darling, the ferryman, who takes out his frustration on the girls, claiming he has seen them turn into dogs.

Once Upon a River by Diane Setterfield (2) follows the story of a child rescued from a river on the evening of the winter solstice in 1887. The legend of Quietly, a ghostly ferryman said to guide those in danger on the river to safety, plays an important part in the novel.

The name ‘Quietly’ leads me to The Quiet Gentleman by Georgette Heyer (3). I loved this one – it’s one of Heyer’s Regency novels but has a strong mystery element (involving a series of accidents that befall Gervase Frant, 7th Earl of St Erth) as well as a romance. I wish we saw more of the heroine, though!

The Temporary Gentleman by Sebastian Barry (4) is another book with ‘gentleman’ in the title. Barry’s novels are always beautifully written and this one is no exception. It’s set in 1950s Ghana, where Jack McNulty is writing his memoirs, looking back on his early life in Ireland and his difficult relationship with his wife.

I don’t seem to have reviewed any other books by authors with the name Sebastian, but I did find one by a Seb: The Light Ages by Seb Falk (5). This is a non-fiction book in which Falk looks at some of the advances in science, mathematics and astronomy during the medieval period and tries to dispel the idea that the Dark Ages were a time of little progress.

A similar title and a shared theme of astronomy brings me to the final book in my chain: Enlightenment by Sarah Perry (6). Perry’s novel explores the relationship between two members of a Strict Baptist community in Essex, tied together through the story of a 19th century female astronomer, Maria Vǎduva, whose ghost is said to haunt a local manor.

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And that’s my chain for August! My links have included: hot summers, ferrymen, the word ‘quiet’, the word ‘gentleman’, Sebs and Sebastians, and astronomy.

Next month we’ll be starting with Ghost Cities by Siang Lu.

My Commonplace Book: July 2025

A selection of quotes and pictures to represent July’s reading:

commonplace book
noun
a book into which notable extracts from other works are copied for personal use.

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Nobody likes to feel a fool. We believe what we want to believe, which is whatever serves us best.

The Art of a Lie by Laura Shepherd-Robinson (2025)

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Man’s immortality is not to live forever; for that wish is born of fear. Each moment free from fear makes a man immortal.

Fire From Heaven by Mary Renault (1969)

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Portrait traditionally identified as Beatrice Cenci, attributed to Ginevra Cantofoli

I learned later that this wasn’t quite the truth. I came eventually to see that what goes on between two people behind closed doors is hard to prove, that there is one law for the rich and another for the poor. There is an age at which one comes to an understanding of hypocrisy, and I hadn’t reached it then.

Sinners by Elizabeth Fremantle (2025)

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Power, without the consent of those over whom it is exercised, is a fraud that cannot long endure, a delicate balance between fear and rebellion, which may suddenly be overset when enough men become aware that they all think alike.

The Lily and the Lion by Maurice Druon (1959)

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One thing can safely be said about an archaeological packing. It consists mainly of books. What books to take, what books can be taken, what books there are room for, what books can (with agony!) be left behind. I am firmly convinced that all archaeologists pack in the following manner: They decide on the maximum number of suitcases that a long-suffering Wagon Lit Company will permit them to take. They then fill these suitcases to the brim with books. They then, reluctantly, take out a few books, and fill in the space thus obtained with shirt, pyjamas, socks, etc.

Come, Tell Me How You Live by Agatha Christie (1946)

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West Kennet Long Barrow, Avebury

A long hump rose from the ground, which Jess knew to be one of numerous barrows that dotted the slopes and heights of these stark uplands. But while she had no fear of the stone circle where she lived, these particular stones formed the entrance to a mysterious long barrow which had a demonic reputation, and although the chamber behind them would provide essential shelter from the approaching storm, the whole structure filled her with deep apprehension.

The House of Seymour by Joanna Hickson (2025)

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Lydia shook her head to think of it. For far from Love at First Sight, for her, it had been Dislike at First Conversation.

How to Lose a Lord in Ten Days by Sophie Irwin (2025)

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Not all people were the same. Life was like the river. How you perceived it depended upon you viewpoint. And what you saw, like the automaton wren, was not always the truth, because truth was not always absolute; it had its own nuances.

The Emerald Shawl by Louise Douglas (2025)

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A masquerade in the Pantheon, London, circa 1808.

History is rich and interesting exactly because humans are, and while our modern life loves a binary, especially between good and evil, the reality is we all have the capacity for exciting and mundane, moral and immoral, smart and stupid.

Masquerade Balls in Regency England by Anne Glover (2025)

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Perhaps all detectives were mildly unsettling. Perhaps they needed to be, to get the job done.

No Life for a Lady by Hannah Dolby (2023)

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I have never been able to describe even my fictitious characters except by their actions. It has always seemed to me that in a novel the reader should be allowed to imagine a character in any way he chooses: I do not want to supply him with ready-made illustrations.

The End of the Affair by Graham Greene (1951)

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Favourite books read in July:

Sinners, The Art of a Lie, Come, Tell Me How You Live, The Emerald Shawl, No Life for a Lady (yes, I found it difficult to choose this month!)

Authors read for the first time in July:

Anne Glover, Graham Greene, Hannah Dolby

Places visited in my July reading:

Italy, England, Macedonia, Greece, France, Syria

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Reading notes: Most of my reading in July was for the 20 Books of Summer challenge. I have now read 17 books for the challenge, which means I only have to read 3 more in August. I just need to find time to catch up with posting my reviews! I was pleased that I also managed to incorporate a French novel (The Lily and the Lion) into my July reading for Emma’s Paris in July event!

I have no plans for August other than finishing 20 Books of Summer. It’s Women in Translation month, which I do usually try to take part in, but I’m not sure if I have anything suitable on the TBR at the moment. I’ll see what happens!

What did you read in July? Do you have any plans for August?

The Emerald Shawl by Louise Douglas

I’d forgotten how much I love reading Louise Douglas! I’ve read four of her books and particularly enjoyed the du Maurier-inspired The Secrets Between Us, but then I seemed to lose track and missed all of her more recent ones. The Emerald Shawl, published this week, turned out to be the perfect choice for my return to her work.

The novel opens in Bristol in 1864, with journalist Nelly Brooks meeting a woman in a green shawl by the docks. Nelly’s ‘journalism’ amounts to writing a women’s column for the Courier, giving advice on cooking, cleaning and decorating, which is all her editor will allow her to do. She hasn’t given up on her dream of becoming a serious news reporter like her male colleagues, however, and when Eliza Morgan, the woman in the shawl, tells her of the murder of the wife and newborn child of an important man, Nelly is sure she’s found the story she’s been hoping for. When Eliza herself is found floating lifeless in the river the next day, Nelly doesn’t believe the verdict that it was an accidental drowning. She’s convinced that Eliza was murdered and that she is the only person who may be able to find out who killed her.

The mystery is the main focus of the book, but Nelly’s personal life is also interesting. Having become pregnant at the age of fifteen, she spent several years in an asylum, sent there by her parents who found it preferable to admitting that she’d had an illegitimate child. Nelly has had no contact with her daughter – or her parents – since the baby was removed from her after the birth, but she has now discovered that twelve-year-old Hannah is attending a school near Nelly’s place of work. As well as investigating Eliza’s death, Nelly also sets out to find a way to bring Hannah back into her life.

The characters in the book range from the very wealthy, such as the politician Sir Edward Fairfield and his wife, for whom Eliza Morgan worked as a seamstress, to the working class Skinners, who are drawn into the mystery when their daughter’s body is stolen from the morgue. Although both families live in Bristol, they may as well be in different worlds and Nelly has to navigate between the two.

I found it interesting to learn after finishing the book that Douglas based Nelly’s character on the American journalist Nellie Bly, who went undercover to report on conditions inside a mental institution. The fictional Nelly’s own experience of mental institutions allows Douglas to explore issues around mental health and how ‘insanity’ could be used as a convenient way of dealing with people seen as problematic. I also loved the Victorian Bristol setting, which made a nice change from the usual Victorian London settings! The building of the Clifton Suspension Bridge is completed during the course of the novel, an important event in Bristol’s history which helps set the story in a wider historical context.

I hope Louise Douglas will return to Nelly Brooks in a future book as I think there’s a lot of scope to do more with the character. If not, I still have plenty of her earlier novels to enjoy!

Thanks to Boldwood Books for providing a copy of this book for review via NetGalley.