The Queen’s Choice by Anne O’Brien

Some queens of England are much better known and have been written about much more often than others; I think it’s fair to say that Joanna of Navarre is not one of them.  As Henry IV’s second wife, Joanna (or Joan as she is sometimes known), doesn’t seem to get a lot of attention as far as historical fiction is concerned.  Anne O’Brien’s new novel, The Queen’s Choice, is the first book I’ve read with Joanna as the main character.

As the novel opens in 1396, Joanna is the wife of John, Duke of Brittany.  While she doesn’t love her husband, who is much older than herself, they have had several children together and their marriage is not an unhappy one.  To the court of Brittany comes Henry Bolingbroke, having been banished from England by his cousin Richard II, and Joanna is given a brief taste of the love and passion which has so far been missing from her life.

Three years later, things have changed.  Henry has returned to England, taken the crown from Richard and imprisoned him in Pontefract Castle, while Joanna herself is now a widow and acting as regent of Brittany on behalf of her young son.  When Henry sends one of his men, Thomas de Camoys, to approach Joanna about the possibility of a marriage alliance, she must make the difficult decision to leave her sons and her regency behind and come to England as Henry’s queen.

I won’t say much more about the plot, because I’m sure future readers will prefer to watch the rest of Joanna’s story unfold for themselves.  What I will say is that the marriage between Joanna and Henry takes place fairly early in the novel; after this, the focus is on their attempts to make their relationship work – which is not always an easy task!  Although their marriage is portrayed as a love match (it seems that there could be some historical evidence to support this), they are both proud people and a lack of communication sometimes causes misunderstandings.  After Henry’s death in 1413, Joanna’s life takes a more dramatic turn during the reign of her stepson, Henry V.

I knew almost nothing about Joanna of Navarre before reading this book, but what little I did know was negative.  It seems that she was greatly disliked by the English people because of her strong connections with France and Brittany at a time when hostilities between England and France were ever present.  Her unpopularity and how she felt about it is covered in the novel – and sometimes her pride and unwillingness to take advice are frustrating – but Joanna is also given lots of good qualities and I liked her overall.  There were times when I felt she reacted to certain situations in the way I would expect a modern day woman to react rather than a medieval one, but otherwise I thought she was a believable and strongly drawn character.

I may have had very little prior knowledge of Joanna, but I didn’t know much about Henry IV either and it was good to have the opportunity to learn more about him from this book.  Henry only ruled England for fourteen years but his reign was an unsettled one: as well as the threat from overseas, he faced rebellions in Wales and in Northumberland, and rumours surrounding the death of his cousin Richard II, said to have been starved to death in captivity.  Although The Queen’s Choice is set several decades before the conflict we know as the Wars of the Roses, we can see how it has its beginnings here, with tensions between rival branches of the family of the late King Edward III (Henry’s claim to the throne coming through the Lancaster line).

This is the third book I’ve read by O’Brien – the other two are The Forbidden Queen (the story of Katherine of Valois) and The King’s Sister (Elizabeth of Lancaster) – and I have enjoyed them all.  I’ll look forward to finding out who will be the subject of her next novel.

I received a copy of this book from the publisher via NetGalley for review.

To the Lighthouse by Virginia Woolf

Throughout 2016 Ali of Heavenali is hosting a #Woolfalong – a celebration of the work of Virginia Woolf. Every two months there’s a selection of books to choose from and the theme for January/February is ‘getting started with a famous Woolf novel – To the Lighthouse or Mrs Dalloway’. As I hadn’t read either of those books (my previous experience with Woolf has been limited to Orlando, which I enjoyed) I thought I would start with her 1927 novel, To the Lighthouse.

To the Lighthouse is divided into three parts. The first, The Window, introduces us to Mr and Mrs Ramsay, their children, and a group of friends who have all gathered for a holiday on the Isle of Skye. As the novel opens, young James Ramsay is looking forward to a journey to the nearby lighthouse the next day – but only if the weather is fine, which his father informs him is not likely to happen. We then get to know each of the other characters – including Lily Briscoe, an artist who is working on a painting of the Ramsays, and Charles Tansley, a philosophy student – and we follow them over the course of a single day.

The middle section, Time Passes, moves the story forward ten years and shows us what has happened to the Ramsay family during that period (a period which includes the First World War). The Ramsay’s summer house on the island has been standing empty and from the perspective of the housekeeper, Mrs McNab, we learn how things have changed over time. Eventually, in The Lighthouse, several of the people we met in the first section of the book decide to return to Skye and make that long-anticipated journey to the lighthouse.

This is a novel that I’m glad I’ve read, but not one that I particularly enjoyed reading. That doesn’t surprise me, though – not being a fan of the ‘stream of consciousness’ style of writing or of books with almost no plot, I knew before I started that this wouldn’t really be my kind of book, so I’m actually quite proud of myself for not only attempting to read it, but managing to finish it. There’s no doubt that it’s beautifully written (as Woolf herself is quoted as saying on the back cover of my edition, “I am making up To the Lighthouse – the sea is to be heard all through it”) but I sometimes struggled to concentrate and had to read the same page twice to be able to appreciate the beauty of the words.

I did like the way the passage of time was handled in the novel. The first and third sections are the longest; they each cover just one day (ten years apart) and the perspective constantly shifts from character to character, taking us through a stream of thoughts, emotions, memories and observations. The middle section is much shorter, forming a bridge between the two September days, and is a wonderfully poetic piece of writing.

Although I didn’t love To the Lighthouse, I did find a lot to admire. I don’t think Woolf will ever be a favourite author of mine, but I will probably dip into the #Woolfalong again later in the year, as I think I might be interested in reading Flush and A Room of One’s Own.

Oliver Twist by Charles Dickens

Oliver Twist I know it’s the middle of January, but I still have a few books that I read towards the end of 2015 to write about – and Oliver Twist is one of them. I’ve been trying to read at least one Dickens novel a year and having started 2015 with David Copperfield I decided to end it with another of his books. Of the two, I much preferred David Copperfield, but I did still enjoy Oliver Twist. As I’ve mentioned before, I find it difficult to think of anything new to say about books that are so well known and widely studied, so I’m just posting some general impressions of the novel here rather than attempting any sort of analysis.

I think most people, even without reading the book, probably have a basic idea of what it is about: an orphan boy who is raised in a workhouse in Victorian London – where he famously says, “Please, sir, I want some more” – and who later becomes involved with a gang of thieves and pickpockets. Maybe you have seen one of the many films, adaptations and musicals and so will know a little bit more, but the only way to discover the whole of Oliver’s story in the way Charles Dickens intended is to read the book!

This is the first time I have read Oliver Twist in its entirety and I was surprised by how much of it was completely unfamiliar to me. I had either forgotten or was unaware of whole chunks of the plot and of the roles played by characters such as Rose Maylie, Noah Claypole and Monks, so I was in the unusual position of reading a story that I both knew and didn’t know!

While this hasn’t become a favourite, I found Oliver Twist an enjoyable, entertaining read (one of the easiest to read and to follow of all the Dickens novels I’ve read so far) and as you would expect from Dickens, the pages are populated with colourful, larger than life characters, from Mr Bumble the beadle and the brutal Bill Sikes to the Artful Dodger and the villainous Fagin. The characters are mostly either ‘very good’ or ‘very bad’. Nancy, Bill Sikes’ lover, is the only one I found significantly more complex and she makes an interesting contrast with the novel’s other main female character, the pure, gentle Rose Maylie.

This is one of the earliest of Dickens’ major works, first published as a serial from 1837-1839, and it’s a relatively short novel by his standards (there are over 500 pages in the edition I read, but in comparison with books like Our Mutual Friend and Bleak House that’s not long at all). The amount of social commentary in the book is also particularly heavy; it was written just a few years after the Poor Law Amendment Act was passed by parliament in 1834, stating that relief for the poor would only be provided within the workhouse. The idea was that conditions inside the workhouse would be so harsh and unpleasant that only those people desperately in need of help would consider entering one. Telling Oliver’s story gave Dickens a chance to express his own views on the Poor Laws and related issues such as poverty and child labour.

Oliver Twist was the final novel by Dickens on my list for the Classics Club, but I will continue to work my way through his other books, as I have about half of them still to read. I think either Dombey and Son or Little Dorrit might be next.

Amberwell by D. E. Stevenson

The property was situated in a fold of the hills and sloped gently down to the sea. It consisted of meadows and a little wood and some moorland; there was a well, built of glowing yellow stone, which was fed by a spring and was always full of ice-cold water. The water itself was as clear as crystal but the reflection of the stone gave it the appearance of amber…it was this well which gave the property its name, Amberwell.

Amberwell

A few years ago I read one of D. E. Stevenson’s most popular novels, Miss Buncle’s Book. I found it a lovely, charming read, but as I said in my review at the time, I thought it ‘lacked that special spark’. I hadn’t really thought about reading any more of her books until I noticed that some of them were being reissued by Endeavour Press. I liked the sound of Amberwell and decided to give Stevenson another chance to impress me.

Amberwell is the name of a house and estate in the south west of Scotland, home to Mr and Mrs Ayrton and their five children: Roger, Tom, Connie, Nell and Anne. The Ayrtons show little interest in getting to know the children; the two boys are sent away to school as soon as possible, their future careers mapped out for them by their father regardless of their own wishes. Education for the girls is not considered important – they remain in the nursery at Amberwell to be raised by Nannie and taught at home by Miss Clarke, who comes in daily.

As the years go by and World War II approaches, the Ayrton children begin to follow their own paths in life. Roger and Tom go off to war while Connie and Anne (under very different circumstances) both leave home, with only the middle sister, Nell, left behind to care for Amberwell. Amberwell itself remains at the centre of the story and even as the Ayrtons move away or move on, it continues to hold a special place in each of their hearts.

I loved Amberwell. I found it very different from Miss Buncle’s Book (a more serious, poignant story rather than a humorous one) but much more to my taste. I was particularly interested in the portrayal of the effects of war on a wealthy family living in a quiet, rural area who at first are shielded from what is going on elsewhere but eventually find that their own way of life is changing too. I could understand Roger’s anger during a conversation with his parents in which he discovers that they are more concerned about losing their servants than they are about Roger himself, who is risking his life for his country.

This is not just a book about war, of course. It’s also a book about Scottish society before and during the war and what it was like to be a young woman growing up in that time and place. And it’s a book about the relationships between brothers and sisters and between parents and children – and the damage which can be caused by a lack of understanding, attention and affection.

The beautiful Connie is the conventional one who does what is expected of her and as such she is the least interesting of the Ayrtons to read about as well as being the hardest to warm to, but I cared very much about the fates of the other four siblings. Anne’s life takes a dramatic turn following a visit to her Aunt Beatrice and we have to wait until the end of the novel to hear the full story of her adventures, while Tom and Roger are both easy to like and their love for Amberwell and their sisters shines through strongly. But this is really Nell’s story – Nell’s and Amberwell’s – and Nell is a wonderful person, offering help and support to those who need it and ensuring that her brothers and sisters have a home to come back to when the war is over.

After finishing this book I was pleased to find that there is a sequel, Summerhills, which I will be reading as soon as I have the opportunity. I would love to know what happens to the characters I’ve become so fond of, particularly Nell, my favourite. I also have a copy of another Stevenson novel, Vittoria Cottage, which I’m looking forward to now that I’ve enjoyed this one so much.

I received a copy of this book for review from Endeavour Press via NetGalley.

Wide Sargasso Sea by Jean Rhys

Wide Sargasso Sea After finishing a re-read of Jane Eyre recently, I decided that my next read would have to be Wide Sargasso Sea by Jean Rhys, a book inspired by Charlotte Brontë’s classic novel and which I’ve seen described both as a prequel and a reimagining. I don’t read this type of book very often as I prefer to keep my feelings for the originals intact, but this one, published in 1966, is now considered a classic in itself and I wanted to find out why.

As I started writing this review it occurred to me that it would be impossible to discuss Wide Sargasso Sea in any meaningful way without giving away some of the secrets revealed in Jane Eyre and spoiling the Brontë novel for anyone who hasn’t read it yet. I will assume that if you’re reading this post you’re already familiar with Jane Eyre, so consider this your spoiler warning!

Wide Sargasso Sea is the story of Mr Rochester’s first wife, Bertha, the ‘madwoman in the attic’. In Jane Eyre, we learn that Rochester was sent by his father to Jamaica where he met the Mason family and married Bertha, a beautiful Creole heiress. Rochester explains that he was unaware of the madness running in Bertha’s family and the fact that her mother was not dead, as he had first believed, but had actually been locked away in an asylum. When Bertha’s own behaviour begins to worry Rochester, he brings her home to England and Thornfield Hall, where he has her imprisoned in an attic room under the care of a servant, Grace Poole.

Jane Eyre only shows us one side of the story: Rochester’s. In Wide Sargasso Sea, Jean Rhys gives a voice to Bertha (or Antoinette Cosway, as she is known here). The first part of the novel, narrated by Antoinette herself, describes her childhood in 1830s Jamaica, just after the Emancipation Act has ended slavery across the British Empire. Antoinette’s own father made his fortune through slavery and since his death the family have remained on their crumbling plantation, Coulibri, where as white Creoles they are isolated and shunned by the freed black slaves and their rich white neighbours alike. As the years go by and Antoinette’s mother descends into mental illness, her stepfather, Mr Mason, announces that friends from England are coming to visit…

In the middle section of the book, we switch to Rochester’s point of view (although he is not actually named in the novel, it’s clear who he is supposed to be) and he relates in his own words the story of his marriage to Antoinette, whom he renames Bertha, and his views on the deteoriation of her mental health. The final, shortest section is set at Thornfield Hall and takes us through the familiar events of Jane Eyre.

I was quite disappointed with this book, if I’m going to be completely honest. Yes, it’s beautifully written but I found the dreamlike, disjointed narrative slightly difficult to follow and while I could sympathise with Antoinette’s situation, I never felt fully engaged with her on an emotional level. I realise that the writing style was probably intended to unsettle and disorientate the reader, but I just didn’t like it. Luckily, my lack of love for this novel has not affected my memories of Jane Eyre or its characters – not even Mr Rochester, despite the negative portrayal, mainly because the character in this novel just doesn’t feel at all like Brontë’s Rochester (not even his ‘voice’ sounds the same).

Wide Sargasso Sea is a short novel (I was surprised when I discovered just how short it was) but it’s also a complex one with lots of layers, symbolism and important themes – including slavery, colonialism, mental illness, race and gender – and I can see why it’s a book that has come to be widely studied in schools and universities. I can recommend the Penguin Modern Classics ‘Annotated Edition’ as an excellent choice for students or anyone who wants to study the story and its background in more depth. There’s an introduction, notes at the end, suggestions for further reading and background information on some of the topics alluded to in the story, such as the Jamaican folk magic known as Obeah.

I did love the concept of giving Bertha/Antoinette a chance to tell her story and I wouldn’t want to put anyone else off reading this book – even though I didn’t find it very satisfying, I know there are many, many other people who have enjoyed it, so if it does sound appealing to you then I would certainly recommend giving it a try.

Historical Musings #10: Possible reads for 2016

Historical Musings For my first Historical Musings post of the year I’ve decided to keep things very simple. The questions I’m asking this month are:

Will you be reading any historical fiction in 2016? If so, which books are you hoping to read? Are there any new historical fiction novels being published this year which you’re looking forward to, or will you be reading books already on your shelves? I’d love to hear your plans for the year ahead!

If you’re interested in books being released this year, the Historical Fiction 2016 list at Goodreads or the Historical Novel Society’s list of Forthcoming Historical Novels for 2016 might give you some ideas, but there are not many upcoming books that I feel excited about this year, if I’m honest. I’ve received a few of the books on those lists as review copies from NetGalley (The Queen’s Choice by Anne O’Brien, Jane Steele by Lyndsay Faye and For the Most Beautiful by Emily Hauser) and I’m sure I’ll end up picking up some new releases in the library too, but otherwise there are plenty of older books that I would like to read in 2016. I want to try more books by authors like Margaret Campbell Barnes, Cecelia Holland, E. Barrington, Valerie Anand, Marjorie Bowen and Martha Rofheart, all of whom have been recent discoveries for me.

This year, as one of my Reading Resolutions, I’m determined to make time to re-read some of my old favourites (which naturally include a lot of historical novels) but I do also have a lot of unread books on my shelves.

Here are some books which I would like to get to in 2016:

histmusings2

The Ashes of London by Andrew Taylor (reading now)
Some Luck by Jane Smiley
A Dark and Distant Shore by Reay Tannahill
The Walls of Byzantium by James Heneage
The Rose of Sebastopol by Katherine McMahon
Shadow of the Moon by MM Kaye
Red Sky at Night by Jane Aiken Hodge
The Kingmaking by Helen Hollick
Prince of Foxes by Samuel Shellabarger
The Love Knot by Elizabeth Chadwick
The Reckoning by Sharon Penman
Renegade by Robyn Young
Daughter of Siena by Marina Fiorato
Queen of Silks by Vanora Bennett
The Heaven Tree by Edith Pargeter

I also still have a lot of Walter Scott Prize nominees to get through. And of course, I haven’t forgotten about all the wonderful recommendations left in the comments on previous Historical Musings posts (including books about Ancient Rome, women’s classics, books set in Africa and books for younger readers).

As you can see, there are more than enough books to keep me busy in 2016!
What about you? What will you be reading?

Lionheart by Martha Rofheart

Lionheart Martha Rofheart (1917-1990) was an American author of historical fiction who wrote several novels on subjects as diverse as Cleopatra (The Alexandrian), Henry V (Fortune Made His Sword) and the Greek poet, Sappho (Burning Sappho). Lionheart, her 1981 novel on England’s King Richard I, is the first of her books that I’ve read and although I had one or two problems with it, I did enjoy it and am looking forward to trying her others.

The story of Richard I, known as the Lionheart, is told from the perspectives of not only Richard himself, but five other people who each played a significant role in his life: his mistress, Blondelza; his mercenary captain, Mercadier; his mother, Eleanor of Aquitaine; his wife, Berengaria of Navarre; and his foster-brother and scribe, Alexander. All of these people really existed, apart from Blondelza, who is fictitious, and each of them is given their own section of the book in which to relate their own version of events and to share with us their personal opinion of Richard as a man and as a king.

With six different characters each telling their side of the story, I would have liked their narrative voices to have sounded more distinctive, but they did all seem to blend together, the exceptions being Richard (a child during most of the first section of the novel), and his mother, Eleanor. I have read about Eleanor and Richard recently, in Elizabeth Chadwick’s The Winter Crown, and it was good to read another author’s interpretation of the same characters. The portrayal of Richard here is balanced and well-developed, with each narrator throwing more light on a different aspect of his personality. He is shown to be a complex man, capable of being selfish and inconsiderate, but also courageous, kind-hearted and down to earth.

I’m not sure how I feel about the character of Blondelza, Richard’s mistress. As most of the other characters are real historical figures and the plot of the novel closely follows historical fact, it doesn’t seem quite right for an entirely fictional character to be given such a prominent role in the story. On the other hand, Richard did have an illegitimate son (Philip of Cognac) by an unidentified woman, so there’s plenty of scope there for an author to fill in the gaps, which is just what Martha Rofheart has done. And Blondelza, being a glee-maiden (a female poet or minstrel), is an interesting character to read about, fictional or not!

All of the major events of Richard’s life and reign are covered in the novel, from his childhood and his rebellion (with his brothers) against his father, Henry II, to his meeting with and marriage to Berengaria and, of course, his time on crusade. Obviously the crusades were of huge importance to Richard and it’s understandable that Rofheart goes into a lot of detail in describing them, but I did find that this section of the book (narrated by the monk Alexander) really started to drag, and it didn’t help that it was twice the length of any of the other sections.

Still, this was an enjoyable novel overall and I feel that I learned a lot about not only the life of Richard the Lionheart, but also medieval life in general. I was particularly intrigued by the descriptions of the Courts of Love in Poitiers and the tasks which must be carried out by a knight who wished to prove his love for his lady. Now that I’ve had my first introduction to Martha Rofheart’s writing I’m definitely planning to read her other books, all of which sound interesting.

Thanks to Endeavour Press for providing a review copy via NetGalley.