Hand of Fire by Judith Starkston

perf6.000x9.000.indd In this wonderful combination of historical fiction and Greek mythology, Judith Starkston reimagines events from the Iliad, telling the story of the Trojan War through the eyes of Briseis, a woman who plays an important role in Homer’s epic despite being only briefly mentioned. In Hand of Fire, Briseis is finally given the attention she deserves.

At the beginning of the novel, Briseis is a young priestess of the healing goddess Kamrusepa, but is sadly unable to prevent her own mother from dying. There is more sadness to follow for Briseis when she is married off to Mynes, a prince of Lyrnessos, and finds him to be a violent and abusive man. Sustained by the compassion of her elderly nurse, Eurome, and by visions of the handsome, half-immortal Greek warrior, Achilles, the turning point comes when the city of Lyrnessos falls to the Greek army and Briseis is taken captive. How can she reconcile her love for Achilles with her new position as slave?

Hand of Fire surprised me; I really didn’t expect to enjoy it quite as much as I did. I love reading historical fiction but tend not to choose books set in the ancient world. I often find that I have trouble identifying with the characters – I sometimes feel that even the non-mythological ones seem more like mythological beings than real people. That was not a problem here: this is a very human story with characters I could love and care about. Briseis herself is a great protagonist and I liked her from the beginning. She has great strength and resilience, all the more impressive when you consider everything she has to endure – the loss of her mother, marriage to a man who treats her badly, personal tragedy in the face of war, life as a captive slave, and her tumultuous relationship with Achilles.

Achilles is more difficult to understand. His personality is complex and conflicted; in battle he is a fierce, mighty warrior gripped by an unstoppable rage, but when he is alone with Briseis we see the gentler, more sensitive side of his nature. Of the secondary characters, there are two in particular that I found very well developed and memorable. One is Eurome, Briseis’ elderly maid, a caring, warm-hearted person and a devoted friend Briseis can trust and rely upon. The other is Patroklos, the beloved companion of Achilles, the only person apart from Briseis who is able to quell his rage.

This is a novel that has been thoroughly researched, which is evident from Judith Starkston’s author’s note in which she describes her reasons for writing this story, the things she discovered during the writing process and the decisions she needed to make. She does an excellent job of drawing on her knowledge of the period to create a convincing picture of what life may have been like for a woman who lived during the Bronze Age. The history of medicine is something I’ve always found very interesting, so I enjoyed the parts of the book that describe Briseis’ work as a healer (which consists mainly of using herbs and magical rituals as unlike her brother, Iatros, she is unable to study to be a physician).

Even for a reader like myself who only has a limited knowledge of Ancient Greece and hasn’t actually read the Iliad, I found this novel very accessible and easy to follow. I appreciated the fact that the author takes the time to flesh out the background to the story and doesn’t just assume that every reader will be familiar with the time period and the mythology. I was also pleased to find that there’s not too much emphasis on the battle scenes! This is Briseis’ story and the focus is on her personal life and on her relationships with Achilles, Mynes and the others. I really enjoyed spending time in her world and will be looking out for more novels from Judith Starkston in the future.

Hand of Fire tour graphic I read Hand of Fire as part of a Fireship Press Virtual Book Tour. You can find the tour schedule here.

The Remains of the Day by Kazuo Ishiguro

The Remains of the Day The Remains of the Day tells the story of Stevens, an elderly butler who worked for many years in the service of Lord Darlington of Darlington Hall. After his master’s death, Stevens has continued to serve the house’s new American owner, Mr Farraday. Given a week’s holiday – and the use of Mr Farraday’s car – Stevens decides to take a drive through the English countryside to visit Miss Kenton, Darlington Hall’s former housekeeper. During the journey, he reminisces about the past, about his relationship with Miss Kenton, and about what makes a butler ‘great’.

I loved this book; it’s definitely one of my favourites of the year. It’s a gentle, slow-paced novel but completely compelling and, despite the lack of drama, I found it difficult to put down. I’m aware that my description above probably doesn’t make the story sound very interesting but I can promise you that it really is! Stevens’ trip through the South West of England (which takes place in 1956) and his memories of the past (the 1920s and 1930s) give the author a chance to explore lots of different topics from the daily duties of a butler and the running of an English country house to the political situation in Europe between the two world wars. Most of all, though, this is a story about loss and regret, misplaced loyalties and missed opportunities.

One of the things I found most impressive about this book was the authenticity of Stevens’ narrative voice. Ishiguro gets it completely right; the language is formal, emotionally restrained and perfectly suited to what we learn of Stevens’ personality. I could almost have believed that I really was reading the memoirs of an elderly British butler! The edition that I read (a library book) was from Faber and Faber’s ‘Secrets and Lies’ series of modern classics, which immediately made me wonder what secrets Stevens was keeping from us and what lies were being told. However, it’s not as simple as that. Unlike some unreliable narrators, Stevens is not intentionally trying to mislead the reader; he is actually lying to himself. He knows, for example, that Lord Darlington’s views are not always entirely right, but he wouldn’t dream of questioning them and manages to convince himself that there’s nothing to worry about.

Stevens spends a lot of time thinking about the qualities that make a great butler and he decides that the most important of these qualities is ‘dignity’. Sadly, Stevens has devoted so much of his life to maintaining his dignity that he has missed out on things like love and friendship and has denied himself the right to form opinions of his own. He never allows himself to experience pleasure or enjoyment and never displays any emotion, even when faced with personal tragedy. His story is such a sad one, though not without any humour – the book is quite funny in places, especially when Stevens describes his unsuccessful attempts at ‘bantering’. The ending is perfect too; the book’s final chapter is poignant and moving but does leave both the reader and Stevens with some hope and optimism.

The only other book I’ve read by Kazuo Ishiguro is Never Let Me Go, which I enjoyed but didn’t love as much as this one, although it’s difficult to compare the two as they’re so completely different. Now I’m wondering which of his books I should read next.

The Haunting of Hill House by Shirley Jackson

HillHouseReadalong I’ve included this book on my R.I.P. list every year since I read We Have Always Lived in the Castle in 2011, but this is the first year I’ve actually found time to read it, thanks to a readalong hosted by the Estella Society. They have posted some discussion questions for us today, which I didn’t see until I had already written my post…though I think I’ve said everything here that I want to say anyway. I’ll look forward to reading what everyone else thought of it!

The Haunting of Hill House is a 1959 novel by Shirley Jackson. Dr John Montague, an anthropologist and psychic investigator, is renting Hill House for the summer in the hope of studying the supernatural phenomena and ghostly manifestations that he believes take place there. After assembling a list of people who have had previous paranormal experiences he invites them to stay in the house with him as his assistants, but there are only two who accept the invitation: Eleanor Vance, a shy, lonely woman of thirty-two, and the confident, outgoing Theodora. Accompanied by Luke Sanderson, whose aunt is the owner of Hill House, Dr Montague and his guests arrive at the house one by one and wait for something to happen.

Things do soon begin to happen but I can’t tell you too much about those happenings because as with all books of this type it’s best if you know as little as possible before you start. All I will say is that the story is told from Eleanor’s perspective…and Eleanor is not always entirely reliable. The supernatural element of the novel is quite subtle and you can never be completely sure what is going on. Because we spend so much time inside the head of a character who is unstable and insecure it’s difficult to tell exactly what is real and what isn’t.

The Haunting of Hill House I didn’t find this book as frightening as I’d expected, but that could just be because I deliberately avoided reading it late at night (I’m a coward when it comes to books like this). There are certainly some very creepy moments, though – without having to resort to graphic horror, Jackson is still able to unsettle the reader and convey the feeling that something isn’t quite right. I loved the descriptions of Hill House – it has all the characteristics you would expect a haunted house to have, including a tragic history – but there are very few physical manifestations of ghostly activity. The creepiness of the story comes mainly from the fact that we don’t know how much of the ‘haunting’ is caused by Hill House itself and how much is the product of Eleanor’s disturbed mind.

I had been looking forward to reading The Haunting of Hill House because of its status as a classic American haunted house story and because I loved the other Shirley Jackson book I read. I really wanted to love this one too, but I have to be honest and say that I didn’t. It was good, but not as good as We Have Always Lived in the Castle. However, if you’re new to Shirley Jackson, I would recommend either of these two books as a perfect read for this time of year.

China Dolls by Lisa See

China Dolls Lisa See is a Chinese-American author whose books deal with various aspects of Chinese history and culture. I had mixed feelings about the first one I read, Snow Flower and the Secret Fan, but I loved Shanghai Girls and its sequel Dreams of Joy, so I was looking forward to reading her new novel, China Dolls.

Beginning in 1938, China Dolls is a fictional account of three young women who meet at an audition for dancers at San Francisco’s Forbidden City nightclub.

First there’s Grace Lee, who grew up in a small town in Ohio – a town so small that, apart from her parents, Grace has never met another Chinese person and has never even tasted Chinese food. She has come to San Francisco to escape from her abusive father and is hoping to build a career for herself in show business.

Then there’s Helen Fong, whose family is one of the richest and most respected in Chinatown. Her strict parents disapprove of her decision to work in a nightclub…until Helen points out that she will be earning much more than in her current job at the Chinese Telephone Exchange. Helen appears to have led a sheltered life, but is hiding some secrets which she is reluctant to reveal even to her friends.

Finally, there’s Ruby Tom from Hawaii. Ruby, who is the most outgoing and flamboyant of the three, also has a big secret: although she has allowed everyone to think she is Chinese, she is actually Japanese. If the authorities learn the truth, Ruby could be in trouble, especially when anti-Japanese sentiment increases following the bombing of Pearl Harbor.

Three girls with very different personalities and from very different backgrounds! Despite having little in common, they are drawn together that day at the audition and become friends, helping and supporting each other as they try to fulfil their ambitions. As the months and years go by, though, the girls find that their friendship is tested by a series of lies and betrayals, disagreements and withheld secrets.

China Dolls was compelling enough to keep me interested right to the end but I found it quite disappointing after Shanghai Girls and Dreams of Joy. The main reason for my disappointment was something which should have been the strong point of the book: the friendship between Grace, Helen and Ruby. It just wasn’t convincing at all! The three of them didn’t even seem to like each other and were certainly not ‘like the Three Musketeers’, as they claimed. They said and did some terrible things to each other and I couldn’t understand why they didn’t just go their separate ways in life.

The structure of the novel, with the three girls taking turns to narrate chapters, was also a problem for me. I got the impression that the story Lisa See really wanted to write was Grace’s – she is the easiest character to like and identify with, and she seemed to get a few more chapters than the others too – so I think I would rather have had the entire book written from Grace’s perspective. Having said that, Ruby’s story had the potential to be the most interesting, particularly after Pearl Harbor, and she was also the only one whose narrative voice felt significantly different (filled with some of the lively slang of the period); the other two were interchangeable and sometimes it was easy to forget who was narrating.

Grace, as I’ve mentioned, was my favourite of the three girls but she didn’t have much competition as I really disliked both Helen and Ruby – particularly Helen, whom I never really felt I understood or could have any sympathy for, despite some of the ordeals she had been through. Of the novel’s other characters, only one or two play a significant part in the story, and the rest are just secondary – though I was interested to discover, after finishing the book, that some of the characters I’d assumed were fictional were actually people who really existed.

The historical backdrop of the story is excellent; everything feels thoroughly researched and we are given lot of great insights into the entertainment world of the 1930s and 1940s, in particular what it was like to work in a Chinese nightclub and the challenges facing the Chinese performers. The book deals with lots of serious issues – from racism and prejudice to domestic violence and wartime atrocities – but because the main characters were so shallow, I felt that these issues weren’t explored in as much depth as they could have been.

So, not a favourite Lisa See novel, but still worth reading for its depiction of Chinese American life in the first half of the twentieth century.

Named of the Dragon by Susanna Kearsley

Named of the Dragon I love Susanna Kearsley’s books. I always know what to expect from them: a beautiful setting, some romance, some history, a touch of mystery and an element of the supernatural. Named of the Dragon, one of her earlier novels from 1998, is no exception.

Our narrator is Lyn Ravenshaw, a literary agent from London, who has been suffering from nightmares since being widowed and losing her baby son several years earlier. When one of her clients, Bridget Cooper, a children’s author, invites her to her boyfriend’s home in Wales for the Christmas holidays, Lyn accepts. She’s intrigued by the thought of meeting Bridget’s boyfriend, the author James Swift, and hopes she’ll be able to convince him to sign for her agency.

In Wales, Lyn and Bridget look forward to celebrating a traditional Christmas with James and his brother, Christopher, but Lyn’s holiday is disrupted by vivid and disturbing dreams in which a mysterious woman dressed in blue begs her to take care of her son. The Swifts’ neighbour, Elen, another young widow with a baby boy, is also having nightmares and Lyn soon becomes aware of a connection between herself, Elen and the woman in blue. With the help of the reclusive Welsh playwright, Gareth Gwyn Morgan, Lyn delves into local myths and legends in an attempt to make sense of what is happening.

Although I wasn’t really ready for a Christmas novel just yet (it’s only September!) I did love the Welsh setting. James and Christopher live in a farmhouse in Angle, Pembrokeshire and Kearsley describes the house and the surrounding area beautifully. I also enjoyed the descriptions of Pembroke Castle, where Lyn spends an interesting afternoon. I find that being able to see pictures of where a book is set really adds something to the reading experience and photographs of the locations mentioned in the book can be found on Susanna Kearsley’s website.

I really liked Lyn – Kearsley is very good at creating narrators who are easy to like and identify with, without seeming too good to be true – and there’s an interesting assortment of supporting characters too. Even Gareth’s dog, Chance, has a personality of his own. Bridget was a bit overwhelming at first – she’s the sort of person I would find annoying in real life and find annoying in fiction too – but I did warm to her after a while. I loved the hero of the novel, though I won’t tell you who he is (but if you know your poetry and your Arthurian legends, the fact that Lyn’s full name is Lynette might give you a clue). I just wished his romance with Lyn hadn’t been quite so subtle and that we could have seen them together more often.

There were lots of poems, myths, legends and historical facts worked into the novel, with literary quotes and references introducing each chapter. I was pleased to see that the story of Merlin and King Vortigern was included, having just read The Crystal Cave by Mary Stewart! It’s always fun to come across connections in your reading like that, isn’t it? The paranormal aspect of the story, though, didn’t seem to have any real purpose and didn’t resolve itself very satisfactorily. For that reason, this is not a favourite Kearsley novel and doesn’t really compare with her later ones such as The Firebird or The Rose Garden.

I have another of Kearsley’s books, Season of Storms, waiting to be read and am looking forward to it!

Gutenberg’s Apprentice by Alix Christie

Gutenbergs Apprentice I think it’s safe to assume that if you’re reading this post you’re someone who likes to read books. You will probably agree that the printing press was one of the most important inventions in history and you’re probably already familiar with the name Gutenberg. But have you ever heard of Peter Schoeffer or Johann Fust and do you know what part they played in developing the art of printing?

This novel, Alix Christie’s first, takes us to the German city of Mainz in the year 1450. Peter Schoeffer, a talented young scribe, has been called home from Paris by his adoptive father, Johann Fust, who is investing in an exciting new project: Johann Gutenberg’s mission to produce the first printed copy of the Bible. Fust has agreed to help finance this new enterprise and is keen for his son to become apprenticed to Gutenberg in return. Peter’s first reaction to Gutenberg’s printing press is one of horror and distrust; as a trained scribe he takes a lot of pride in the beauty of the handwritten word. In the end, though, Fust gets his way and Peter begins his apprenticeship in Gutenberg’s workshop.

What follows is the story of the long, slow process of creating the world’s first book to be printed with movable type. It’s a journey that will take four years and result in the printing of around one hundred and eighty copies of the Bible. Johann Gutenberg’s name will be remembered by history, but Gutenberg’s Apprentice shows us that Gutenberg did not work alone and Peter Schoeffer and Johann Fust are given the attention they deserve.

I was not at all surprised to learn that Alix Christie herself was apprenticed to master printers and can operate a press – I could tell that this book was written by someone with not only an excellent knowledge of printing but also a love and passion for the subject. We are given lots of detailed information on printing techniques, the design of alphabets and the creation and casting of metal type. Because these methods were so new and innovative, Peter, Gutenberg and the other craftsmen in the novel are learning as they go along, improvising and modifying things where necessary. It was all very interesting, but there were times when I would have liked a little less technical information and a little more story. With Peter and the others facing opposition from certain members of the church, the need to enlist the help of the town guilds, and the possibility of their secret project being discovered, this could have been an exciting and dramatic novel, but instead I found it slightly dry and unemotional.

I couldn’t help wondering if a non-fiction book on the same subject would have worked better for me because although I never managed to fully engage with Peter’s story, there’s no doubt that it’s a fascinating subject. Some of the themes the novel covers are timeless and universal, such as the conflict between new technology and traditional methods. From Peter’s perspective, after spending years perfecting the art of hand lettering, he initially sees the use of metal type as soulless and lacking skill and beauty. Gutenberg and Fust, however, insist that the printing press will allow books to be created cheaply and quickly, making them accessible to a much wider readership and Peter gradually begins to understand this point of view.

I learned a lot from Gutenberg’s Apprentice, so despite having one or two problems with it, I still thought it was worth reading. I have come away from this novel with a better understanding of something I knew very little about and an appreciation for the history behind the printed books I take for granted.

I received a special limited edition of this book from Bookbridgr for review.

The Twentieth Wife by Indu Sundaresan

The Twentieth Wife This story of seventeenth century Mughal India is the first in a trilogy of novels describing the history behind the construction of the Taj Mahal. In The Twentieth Wife, Indian author Indu Sundaresan introduces us to Mehrunissa, later known as the Empress Nur Jahan. The Taj Mahal was actually built in memory of Nur Jahan’s niece, but that part of the story must be told in the other two books of the trilogy as this one concentrates on the tale of Mehrunissa and her love for Prince Salim, the future Emperor Jahangir.

Born to Persian refugees who are fleeing their country, Mehrunissa is abandoned by her impoverished father, Ghias Beg, on the road to India because with no money, no job and no home, he fears that he and his wife will be unable to take care of her. Luckily, fate steps in and Mehrunissa is rescued by the merchant, Malik, who befriends her parents and helps Ghias Beg find a position at the court of the Emperor Akbar. Growing up at court, Mehrunissa is taken under the wing of Akbar’s favourite wife, Ruqayya, and spends a lot of time in the zenana (harem) listening to gossip and witnessing the rivalries between the Emperor’s other wives and concubines.

Mehrunissa is only eight years old when she has her first glimpse of Prince Salim, who is marrying his first wife. That first glimpse is enough for her to make up her mind that one day she too will marry Salim and become Empress. When Salim falls in love with her several years later, it seems that Mehrunissa’s wish could come true…but of course, things don’t go exactly as planned! The Twentieth Wife follows Mehrunissa and Salim (or Jahangir as he becomes known) through years of separation, unhappy marriages and political intrigue. Do they eventually marry? Well, the title of the novel gives us a big clue so there are no surprises there, but the path that leads to Mehrunissa becoming Jahangir’s twentieth wife is a long and eventful one, and you can expect plenty of drama along the way: rebellions, assassination attempts and the scheming of Mehrunissa’s rival, Jagat Gosini.

I found a lot to like in this novel, but not everything worked for me. My biggest problem was that with the romance between Mehrunissa and Jahangir forming such a central part of the story, I didn’t find that romance convincing enough. I struggled to see the attraction of Jahangir during the first half of the novel. He was an alcoholic and an opium addict, too easily influenced by unscrupulous advisers and was even plotting to have his father murdered. He started to redeem himself later in the book, but is still not high on my list of favourite romantic heroes!

As for Mehrunissa, I found it difficult to accept that she could fall so passionately in love at the age of eight with a man she didn’t even know and that her love for him could continue into her adult life despite only meeting him once or twice more in all that time. I got the impression that she just wanted to marry him because he was a prince rather than who he was as a person and I didn’t start to really believe in their romance until near the end of the book.

I did like the way Sundaresan writes about India. The Twentieth Wife is a very descriptive book: the clothes, the buildings and gardens, the food and drink, the traditions and rituals of court and the zenana are all described in vivid detail. I do enjoy reading historical fiction novels set in India, though I’m sorry to say that most of the others I’ve read were written by non-Indian authors (M.M. Kaye’s The Far Pavilions is my favourite). I wasn’t aware of Indu Sundaresan until I saw The Twentieth Wife listed as one of Aarti’s suggestions for A More Diverse Universe and I’m pleased I decided to give it a chance. I’m not sure I like this book enough to want to continue with the sequel, but it was good to have learned a little bit about a period of Indian history I knew nothing about. While I didn’t love this particular book I would still be happy to try one of Sundaresan’s others outside of the Taj Mahal trilogy.

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This was my second read for A More Diverse Universe hosted by BookLust.