Absolutely and Forever by Rose Tremain

I’ve had mixed experiences with Rose Tremain’s books, enjoying some and struggling with others. Absolutely and Forever was shortlisted for last year’s Walter Scott Prize for Historical Fiction and as it’s a personal project of mine to try to read all of the shortlisted titles, I decided to read this one despite it not sounding particularly appealing to me. It’s a short book (under 200 pages), so at least it wouldn’t be too big a commitment if I didn’t like it.

Here’s how the book begins:

When I was fifteen, I told my mother that I was in love with a boy called Simon Hurst and she said to me, ‘Nobody falls in love at your age, Marianne. What they get are “crushes” on people. You’ve just manufactured a little crush on Simon’.

What Marianne Clifford has manufactured, however, is more than just a little crush. It’s an obsession. She knows she’s going to love Simon Hurst ‘absolutely and forever’ and at first it seems that he feels the same way about her – but when he leaves for Paris to study at the Sorbonne and never returns, Marianne’s heart is broken. As the years go by, Marianne tries to move on and build her own life, but she can never quite let go of her love for Simon and the dreams she once had.

The book is set in the 1950s and 1960s and Marianne narrates the story of her life during and after her relationship with Simon. A lot happens to her over the years – she attends secretarial college in London, has several jobs, gets married and makes new friends – but all the time she’s pining for Simon, which holds her back from finding happiness and contentment. It’s understandable that she would be upset for a while, but when she continues to grieve for years and years afterwards, it quickly becomes frustrating, particularly as it’s so one-sided and Simon clearly doesn’t care as much as she does. But Marianne herself is naïve, innocent and childlike, never really seeing the world as other people see it, so it’s maybe not surprising that she reacts the way she does. Although she grows from a teenager into an adult over the course of the book, she doesn’t develop very much as a person and the Marianne at the end is not a lot different from the Marianne at the beginning.

Although I didn’t dislike Marianne and found her story quite sad, it was Hugo, the man she marries, who had my sympathy. Hugo is completely devoted to Marianne and she does like him very much, but her feelings for Simon prevent her from loving anybody else. At least Marianne is lucky enough to have a close female friend in Petronella, a sensible, practical Scottish woman she’s known since their school days, and Petronella does her best to help her move on with her life, but ultimately she can’t control whether Marianne chooses to take her advice.

The time period the story covers is the period when Rose Tremain herself was a teenager and young adult and I’m sure she’ll have drawn on some of her own personal memories and experiences of that era. Having read her memoir, Rosie: Scenes from a Vanished Life, however, this novel seems to be only partly autobiographical – Marianne’s life follows a different course from Rose’s own, but there are also some similarities, such as Marianne’s desire to be an author (for much of the book she’s working on a novel narrated by an Argentinian horse).

As I’ve mentioned, Absolutely and Forever appeared on the Walter Scott Prize shortlist in 2024, but it didn’t win and I think I can see why. Although I found it quite an easy, enjoyable read (despite Marianne being a bit irritating), sometimes the more readable books aren’t the ones that win prizes and this one doesn’t really tackle important or topical issues like the others on the list. I have the final shortlisted title, The New Life by Tom Crewe, to read soon.

The Voyage Home by Pat Barker

This is the final novel in Pat Barker’s trilogy telling the stories of some of the women involved in the Trojan War. Books one and two, The Silence of the Girls and The Women of Troy, focus on Briseis, who was given to Achilles as a prize of war, although I was surprised by the number of male perspectives that are also included in those two books, considering the titles! In The Voyage Home, we leave Briseis behind to follow three other characters as the victorious Greeks return home from the war.

One of these is Cassandra, the Trojan princess and prophet who is cursed never to be believed. Like Briseis, Cassandra has become a war prize – in her case, she has been taken as a concubine by Agamemnon, King of Mycenae. Then there’s Ritsa, a Trojan slave and healer given the job of accompanying Cassandra on the journey to Mycenae and acting as her personal servant. Finally there’s Clytemnestra, Agamemnon’s wife, who is grimly preparing for her husband’s return. It’s been a decade since Agamemnon sacrificed their daughter Iphigenia to the gods in exchange for a wind to sail to Troy, but Clytemnestra has never forgiven him and is ready to take her revenge.

I enjoyed the first two books in this trilogy and I did like this one as well, but not quite as much. I’ve read several other novels about Clytemnestra and the events of the Oresteia recently (including Elektra by Jennifer Saint and Clytemnestra by Costanza Casati) and I felt that her sections of the novel didn’t offer me much that was new or different. Having said that, the way Barker portrays Clytemnestra’s emotions – her anger, bitterness and grief – was very well done. There are also some atmospheric scenes of ghostly children haunting the palace – although, oddly, chanting British nursery rhymes such as Oranges and Lemons, which pulled me right out of the Ancient Greek setting!

Of the main characters, Ritsa is probably the easiest to like and as a servant, of a lower social status than the others, she has an interesting perspective on the events that unfold. Cassandra is a fascinating, complex character in the unusual position of being both enslaved and the wife of the king. She has already predicted the deaths of herself and Agamemnon but due to the curse she is under, nobody takes her seriously. I would have liked more of the book to have been written from Cassandra’s point of view, but instead Barker concentrates on showing her through the eyes of the other women: Clytemnestra, who views her with suspicion (after all, Agamemnon was her husband first) and Ritsa, who initially resents Cassandra for not being her beloved friend Briseis, who has not accompanied them to Mycenae. Ritsa sees Cassandra as wild and deluded, but gradually starts to have more sympathy for her.

This is a satisfying end to the trilogy, although if you haven’t read the first two books I’m sure you could read this one as a standalone.

Thanks to Hamish Hamilton for providing a copy of this book for review via NetGalley.

Historical Musings #89: My year in historical fiction 2024

Welcome to my monthly post on all things historical fiction. For my first Musings post of the year, I am looking back at the historical fiction I read in 2024 and have put together my usual selection of charts and lists! I have kept most of the same categories I’ve used for the previous eight years so that it should be easy to make comparisons and to see if there have been any interesting changes in my reading patterns and choices (here are my posts for 2023, 2022, 2021, 2020, 2019, 2018, 2017 and 2016).

Before I begin, just a reminder that I do actually read other genres but for the purposes of this post I haven’t included those books in these stats!

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Time periods read about in 2024:

The 19th and 20th centuries are almost always the top two periods I read about and last year I read an equal number of books set in each of them.

The books I read with the earliest settings were Babylonia by Costanza Casati (set in the Assyrian Empire in the 9th century BC) and The Voyage Home by Pat Barker (set in Ancient Greece).

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35% of the historical fiction authors I read in 2024 were new to me.

This is about the same as the last few years; apart from in 2019, when I read 54% new authors, I do tend to stick mainly to authors I already know and love.

Here are three historical novels I read by new-to-me authors in 2024:

The Bone Hunters by Joanne Burn
The King’s Witches by Kate Foster
The Fraud by Zadie Smith

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I read 3 historical novels in translation in 2024

If I had included books from all genres, I would have had a much longer list of translated works read in 2024, but these are just the historical ones. Two Japanese and one Welsh!

Silence by Shūsaku Endō (Translated from Japanese by William Johnston)
The Life of Rebecca Jones by Angharad Price (Translated from Welsh by Lloyd Jones)
The Meiji Guillotine Murders by Futaro Yamada (Translated from Japanese by Bryan Karetnyk)

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Publication dates of historical fiction read in 2024:

Again, most of the historical fiction books I read were new releases, which I know is due to my use of NetGalley. I do have lots of older books on my own shelves and am hoping to read more of them in 2025, but I say that every year so we’ll see!

The oldest historical fiction novel I read in 2024 was The Trumpet-Major by Thomas Hardy (published in 1880 and set during the Napoleonic Wars).

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14% of my historical reads in 2024 were historical mysteries.

This is about the same percentage as in previous years. Here are three I enjoyed reading in 2024:

The Bells of Westminster by Leonora Nattrass
A Case of Mice and Murder by Sally Smith
Cabaret Macabre by Tom Mead

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I read historical fiction set in 24 different countries in 2024:

This is an improvement on 2023 when I read about 17 countries. England still dominates, but I’m pleased to have read about such a wide variety of other countries as well, even if there were just one or two books set in each. I’ve included Babylonia as a country here, although it was actually an ancient state located in modern day Iraq, Iran and Syria.

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Four historical men I read about in 2024:

St Cuthbert (Cuddy by Benjamin Myers)
Lord Edward Fitzgerald (The Ballad of Lord Edward and Citizen Small by Neil Jordan)
Llewelyn ap Gruffydd (The Reckoning by Sharon Penman)
Somerset Maugham (The House of Doors by Tan Twan Eng

Four historical women I read about in 2024:

Claire Clairmont (Clairmont by Lesley McDowell)
Elizabeth Bathory (The Nightingale’s Castle by Sonia Velton)
Lady Mary Wortley Montagu (A Woman of Opinion by Sean Lusk)
Berengaria of Navarre (The Lost Queen by Carol McGrath)

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What about you? Did you read any good historical fiction last year? Have you read any of the books or authors I’ve mentioned here and have you noticed any patterns or trends in your own reading?

Tea on Sunday by Lettice Cooper

Lettice Cooper is a new author for me. I’m aware that two of her books from the 1930s, National Provincial and The New House, have been published by Persephone, but I haven’t read either of them yet. Tea on Sunday, her only detective novel, sounded appealing, though; it was published in 1973, very late in her life, but has the feel of a Golden Age mystery and has recently been reissued as a British Library Crime Classic.

The plot is quite a simple one. On a snowy winter’s day, Alberta Mansbridge invites eight guests to a tea party at her home in London. The guests include her family doctor, her ‘man of business’, an old friend, the manager of her late father’s engineering company, her nephew Anthony and his wife, and two young men she has taken under her wing – an Italian and an ex-prisoner. As the group gather outside her door that Sunday afternoon, they become concerned when their knocking goes unanswered. Eventually the police are called and force open the door to find that Alberta has been strangled while sitting at her desk.

There’s no real mystery regarding how the murder took place. The doors and windows had been locked and there’s no sign of a burglary, so the police are satisfied that the killer must have been someone Alberta knew and let into the house – probably one of the eight guests who arrived early, committed the murder, then left again to return a few minutes later with the others. But which of the eight was it and why did they want Alberta dead?

Tea on Sunday is a slow paced novel where, once the murder is discovered, not much else actually happens. Most of the focus is on Detective Chief Inspector Corby interviewing the various suspects one by one and delving into Alberta’s personal history to see if the answer lies in her past in Yorkshire. Despite the lack of action, I still found the book surprisingly absorbing and that’s because of Cooper’s strong characterisation. Any of the eight could be the culprit as none of them have alibis and this means Corby has to learn as much as he can about each person and whether or not they have a motive.

Corby is a likeable detective and it’s a shame he only appears in this one book by Lettice Cooper as she could probably have built a whole series around him. Although a few of his comments about women are questionable, I could make allowances for the period in which the novel was written and in general he’s respectful towards the people he interviews and doesn’t judge until he’s heard all the facts. It would be easy, for example, for him to pin the blame on Barry Slater, the former prisoner Alberta met through her charitable work and who runs away as soon as the police are called to the scene, but he doesn’t do this and waits to form his own opinion.

Of the eight suspects, the characters who stand out the most, in my opinion, are Anthony Seldon and his wife, Lisa. As the dead woman’s nephew and the only direct family member invited to the tea party, Anthony naturally comes under suspicion, so a lot of time is spent on his background, painting a picture of a young man who disappointed his aunt by refusing to go into the family business and by marrying a woman she dislikes quite intensely. Another interesting character is Myra Heseltine, Alberta’s close friend who lodged with her until discovering that Alberta’s latest protégé, Marcello Bartolozzi, whom Myra distrusts, may be moving in as well.

It’s Alberta Mansbridge herself, however, whose character comes across most strongly. Despite being murdered so early in the book, she is brought to life through the words and memories of those who knew her: a woman proud of her family’s legacy, stubbornly resistant to change and progress, who interferes in other people’s business but at the same time is generous and giving. At first it’s difficult to see why so many people may have wanted her dead, but gradually motives emerge for almost all of the suspects.

The actual solution to the mystery is disappointingly simple and there are no clever twists along the way, like we would expect from Agatha Christie, for example. I felt let down by the ending, but it was still an enjoyable read up to that point and as the first book I’ve completed in 2025 it means my reading for the year is off to a good start.

Top Ten Tuesday: New releases to look out for

This week’s topic for Top Ten Tuesday (hosted by That Artsy Reader Girl) is: “Most Anticipated Books Releasing in the First Half of 2025”.

I’ve already listed some of my most anticipated historical fiction releases in a recent post, which you can see here. I’m listing below another ten books that I either found out about after putting that post together or that fall into other genres – so these are not necessarily my *most* anticipated books, but are still some that I would like to read.

The covers for the last two books haven’t been revealed yet.

1. Black Wood, Blue Sky by Eowyn Ivey (4th February 2025) – I’m pleased to see there’s a new Eowyn Ivey book on the way. I enjoyed her first two.

2. The Morrigan by Kim Curran (6th February 2025) – An Irish mythology retelling, which makes a change from the Greeks!

3. Woman in Blue by Douglas Bruton (20th February 2025) – A new novella from Bruton about a painting in the Rijksmuseum.

4. Dream Count by Chimamanda Ngozi Adichie (4th March 2025) – It’s been such a long time since Adichie’s last novel!

5. The Other People by CB Everett (10th April 2025) – I have this one from NetGalley and it sounds intriguing.

6. Marble Hall Murders by Anthony Horowitz (10th April 2025) – A third Atticus Pünd book at last! This is definitely one of my most anticipated books of the year.

7. The Pretender by Jo Harkin (24th April 2025) – A new historical novel based on the story of the royal pretender, Lambert Simnel.

8. Air by John Boyne (8th May 2025) – The final book in Boyne’s Elements quartet. I enjoyed all of the first three.

9. Written on the Dark by Guy Gavriel Kay (27th May 2025) – I always enjoy Kay’s historical fantasy, so I’m looking forward to this.

10. The Jealous One by Celia Fremlin (5th June 2025) – An older book set to appear in a new edition from Faber & Faber.

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Do you want to read any of these? Which new releases are you anticipating in the first half of 2025?

Six Degrees of Separation: From Orbital to Prague Nights

It’s the first Saturday of the month which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month we’re starting with Orbital by Samantha Harvey. I haven’t read it and it doesn’t sound like my usual sort of book, but so many people have loved it that I’m starting to think I’ll have to at least try it. Here’s what it’s about:

A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day.

Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction.

The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part – or protective – of it. They begin to ask, what is life without earth? What is earth without humanity?

I’ll start with a book I have read by Samantha Harvey, The Western Wind (1). This is a mystery novel set in a small English village in 1491 and taking place over a period of four days. Unusually, the story is told in reverse, beginning on the fourth day and then moving backwards in time.

Another novel written in reverse is The Night Watch by Sarah Waters (2). This is one of my favourite books by Waters and follows the stories of four people during and after World War II, introducing us to the characters in 1947 before moving back in time to 1944 and then 1941.

The word ‘watch’ also appears in the title of Watch the Lady by Elizabeth Fremantle (3). This is a novel about Penelope Devereux, 16th century noblewoman and sister of Robert Devereux, Earl of Essex, a favourite of Elizabeth I’s. Penelope is thought to be the inspiration for the poet Philip Sidney’s Astrophil and Stella.

The name Penelope leads me to my next book, The Penelopiad by Margaret Atwood (4). This is a retelling of the events of the Odyssey from the perspectives of Penelope and the twelve maids who were hanged by her son, Telemachus. The sections narrated by the maids are written in a different style every time – a poem, a ballad, a lecture and even a trial.

Cuddy by Benjamin Myers (5) is also written in a range of styles including a narrative poem and a ghost story told through diary entries. The separate sections of the book all add up to paint a picture of the life and legacy of the Anglo-Saxon monk St Cuthbert, sometimes known by the nickname Cuddy.

My final link is a simple one – another author with the name Benjamin. Well, actually Benjamin Black is a pseudonym of the Irish author John Banville. He has written a number of crime novels under the Black name, including the Quirke series about a 1950s pathologist and a standalone mystery, Prague Nights (6), set in 16th century Prague.

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And that’s my first chain of 2025! My links included Samantha Harvey books, novels with reverse timelines, the word ‘watch’, characters called Penelope, books written in mixtures of styles and authors with the name Benjamin.

In February we’ll be starting with Dangerous Liaisons by Pierre Choderlos de Laclos.

What Time the Sexton’s Spade Doth Rust by Alan Bradley

After a five year gap, Flavia de Luce is back! It seemed that 2019’s The Golden Tresses of the Dead was going to be the last in the series, so I was pleased to see book eleven, What Time the Sexton’s Spade Doth Rust, appear towards the end of 2024. If you’re wondering about the title, it comes from the poem At the End by Andrew Dodds.

In this book, our young heroine Flavia de Luce and her fellow amateur detective, the gardener Dogger, are investigating yet another suspicious death in the village of Bishop’s Lacey. Major Greyleigh, a retired hangman, has been found dead after eating a breakfast of apparently poisonous mushrooms – and the police suspect Mrs Mullet, the de Luce family cook, who had picked and served the mushrooms to the victim. Flavia and Dogger are sure there’s been a mistake – Mrs Mullet can’t possibly be a murderer! Before they can prove her innocence, however, they must try to find the real killer.

I enjoyed the mystery in this book more than in the last one – it was less complicated and easier to follow. Mrs Mullet being implicated makes Flavia and Dogger’s investigation feel more personal and relevant than usual, while the profession of the victim – a hangman – provides motives for other people to want him dead. Also, with the cause of death believed to involve poison, there are plenty of opportunities for Flavia to put her knowledge of chemistry to good use!

I do miss Flavia’s interactions with her sisters, especially as after fighting and arguing with them for most of the series it had seemed a few books ago that her relationships with them were starting to turn a corner. Feely (Ophelia), who got married at the beginning of the previous book, is still away on her honeymoon and doesn’t appear at all, and although Daffy (Daphne) is still living at home, we barely see her either. In fact, it’s mentioned that she’s busy completing her application for Oxford University, so presumably she’ll be gone soon as well. I was struggling to work out the ages of the characters in this book; we were told in the last one that Flavia is twelve, but I can’t remember how much older her sisters are – and I can’t believe only a year has passed since the beginning of the series, where she was eleven!

One character we do see a lot of is Undine, Flavia’s annoying younger cousin (I’m not sure exactly how old she is either). Again, Flavia’s relationship with Undine is improving as she starts to acknowledge that in some ways her cousin actually reminds her of herself. Unfortunately, I don’t find Undine at all fun or endearing and she’s really no substitute for Daffy and Feely.

I was surprised to see that the storyline introduced earlier in the series involving the secret society known as the Nide was picked up again in this book. Having formed a big part of the plot of book six, The Dead in Their Vaulted Arches, and to a lesser extent book seven, it has never really been referred to again until now – and, to be honest, I think it should have just remained forgotten. An espionage/world power storyline doesn’t really fit with the otherwise charming, cosy mystery feel of the series. Still, it meant several big plot twists and the return of a character I hadn’t expected to see again!

Alan Bradley has said that he’s now busy working on the twelfth Flavia book, so it will be interesting to see where things go next.

Thanks to Orion for providing a copy of this book for review via NetGalley.