Strangers on a Train by Patricia Highsmith

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Patricia Highsmith’s 1950 novel Strangers on a Train begins, as you might expect, with two strangers meeting on a train. One is Guy Haines, an aspiring architect who is on his way home to Metcalf, Texas to see his wife, Miriam, from whom he’s been separated for the last three years. Guy is hoping to secure a divorce from Miriam so that he can start a new life with Anne, the woman he loves. Although Miriam has so far been reluctant to agree to a divorce, she is now pregnant with another man’s child and Guy is optimistic that this will be a chance for both of them to move on.

The other stranger is Charles Bruno, a young man from a wealthy Long Island family. After falling into conversation on the train, Bruno invites Guy to come and eat with him in his private dining compartment. Guy doesn’t particularly like his new companion, but soon finds himself telling Bruno about his troubles with Miriam. In turn, Bruno confesses that he hates his father – and then makes a shocking suggestion. If Bruno were to kill Miriam on Guy’s behalf, there would be nothing to link him to the crime. Guy could then kill Bruno’s father and again there would be no motive and no connection. Two perfect murders! Horrified, Guy refuses to have anything to do with the plan and when the train reaches his destination he leaves Bruno behind, hoping he’ll never see him again. However, when Miriam is later found dead, Guy quickly begins to suspect the truth. Has Bruno gone ahead with the plan – and is he waiting for Guy to uphold his side of the bargain?

This is the first book I’ve read by Patricia Highsmith; I thought it would be a good idea to start with one of her most famous novels and this one proved to be a great choice. It reminded me very much of In a Lonely Place by Dorothy B. Hughes, another classic psychological thriller I read recently. Although I didn’t love this one quite as much, I did still enjoy it very much and found it a real page-turner, despite the fact that Highsmith often slows down the pace to concentrate on exploring the thought processes of Bruno and Guy as they each try to deal with the situation in their own way.

The novel is written from the perspectives of both men and although they are both interesting characters, Highsmith doesn’t make it easy for us to like either of them, particular the spoiled, immature and constantly drunk Bruno. We can have some sympathy for Guy at first, as he tries to resist getting involved in Bruno’s schemes, but he has his resolve gradually worn away as he comes under more and more pressure to carry out the murder and in turn becomes less likeable as the story progresses. The secondary characters are less well drawn – Anne and Miriam never fully come to life and we don’t get to know the other potential murder victim, Bruno’s father, at all, which lessens the emotional impact of the book. From a psychological point of view, however, I found this a fascinating novel.

If you’ve read any other Patricia Highsmith books, please tell me which one you think I should read next!

This is book 11/20 of my 20 Books of Summer 2023

It’s also book 41/50 from my second Classics Club list.

Fair Rosaline by Natasha Solomons

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Is Rosaline, whom thou didst love so dear,
So soon forsaken? young men’s love then lies
Not truly in their hearts, but in their eyes.

If you’ve read or seen Shakespeare’s Romeo and Juliet, you’ll remember Rosaline as the girl Romeo was infatuated with before meeting and falling in love with Juliet. We never actually meet Rosaline in the text of the play but her role is still important because she is the reason why Romeo attends the Capulet ball where he sees Juliet for the first time. In Natasha Solomons’ new novel, she gives Rosaline a voice of her own and tells the story of her relationship with Romeo Montague.

Rather than a simple retelling of Romeo and Juliet, Fair Rosaline is what the publisher has described as a ‘subversive, powerful untelling’. It wasn’t really what I had been expecting and I was quite surprised by the way Solomons chose to approach this novel.

First of all, as Shakespeare provides us with almost no information on Rosaline’s appearance and personality, Solomons has taken inspiration from some of his other characters with a similar name – Rosalind in As You Like It and Rosaline in Love’s Labour’s Lost – so that the woman we meet at the beginning of Fair Rosaline is a fully formed character. We join her just after the death of her mother, Emelia Capulet, when her father informs her that she is going to be sent to a nunnery. The horrified Rosaline suspects that he just wants to avoid having to pay a dowry if she marries, but he insists that it was actually her mother’s dying wish.

Granted a twelve day reprieve before being sent to join the nuns, Rosaline is determined to make the most of her last days of freedom. When she meets Romeo Montague and falls in love, she begins to hope that there’s still a chance of a happier future – until she makes a shocking discovery about him and breaks off their relationship. However, it seems that Romeo has turned his attentions to her younger, more vulnerable cousin Juliet. Can Rosaline save Juliet or will she be unable to prevent things from ending in tragedy?

I’ve always loved Romeo and Juliet – it contains some of the most beautiful language in all of Shakespeare’s work – and I’ve never questioned its position as one of the greatest tragic love stories of all time. Fair Rosaline, though, looks at the play through a completely different lens. Here, Romeo is not a romantic hero but a villain, a sexual predator who targets young girls and discards them when he loses interest in them. Solomons uses Juliet’s extreme youth (thirteen in the play) and the fact that Romeo’s exact age is not given, to suggest that he is an older man than we usually assume and to give their relationship a much darker tone than in the play. I think how much you’ll enjoy this book will depend on how much you can accept this new version of Romeo. Personally, I prefer characters in retellings to at least bear some resemblance to the originals and this Romeo didn’t, which was a big problem for me.

I’ve loved some of Natasha Solomons’ previous novels, particularly House of Gold and The Novel in the Viola, so I’m sorry I didn’t enjoy this one more. There were plenty of things I liked, such as the portrayal of Tybalt, who is also quite different from Shakespeare’s depiction – he is still the proud, impetuous and hot-tempered character we know, but seeing him through the eyes of his cousin Rosaline makes him much more sympathetic. I also found the setting interesting; as Solomons explains in her author’s note, there’s no evidence that Shakespeare ever visited Italy so she tried to capture the same feel, writing about Italy as though she had never been there and blending 14th century Verona with the Elizabethan England that would have been familiar to Shakespeare. I just wish she could have found a way to create a story for Rosaline and explore the difficulties facing medieval women without completely destroying Romeo’s character in the process.

Have you read any good retellings of Romeo and Juliet? O, Juliet by Robin Maxwell is another that left me slightly disappointed, so I would be interested in any other recommendations.

Thanks to Manilla Press for providing a copy of this book for review via NetGalley.

This is book 10/20 of my 20 Books of Summer 2023

This is book 32/50 for the 2023 Historical Fiction Reading Challenge.

The Orchid Hour by Nancy Bilyeau

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I’ve enjoyed everything I’ve read by Nancy Bilyeau – her Joanna Stafford Tudor Trilogy, her two Genevieve Planché thrillers set in the world of 18th century art, and Dreamland, her novel about a Coney Island theme park – so I couldn’t wait to start reading her new book, The Orchid Hour. The setting sounded intriguing: New York’s Little Italy during the 1920s, the Prohibition Era, so I was anticipating another good read.

The novel opens in 1923 and introduces us to Audenzia de Luca, known as Zia, a young Sicilian woman whose husband was killed in the Great War. Zia is trying to build a new life for herself and her son and has started working at the Seward Park branch of the New York Public Library while also helping out in her in-laws’ cheese shop in Little Italy. At work one day, she is approached by a regular visitor to the library who asks if she could translate an Italian text into English for him. Zia agrees, but before she can begin the task, the man is found shot dead outside the library.

When a second murder follows the first, a sequence of events is set in motion that leads Zia to the doors of The Orchid Hour, an elegant nightclub that also operates as a speakeasy, selling illicit alcohol in defiance of Prohibition. With the police investigation into the murders going nowhere, Zia decides to do whatever she can to uncover the truth. She believes The Orchid Hour holds the key to the mystery but when she discovers that her cousin Salvatore, to whom she is very close, is mixed up with the criminal underworld, she must find a way to bring the killer – or killers – to justice without endangering her own loved ones.

This is not my favourite of Nancy Bilyeau’s books, but with such a range of plots and settings, it’s inevitable that I’ll like some of them more than others and this was still a very enjoyable novel. It was interesting to read about Zia and her family and I found that I was learning a lot about the lives of Italian immigrants in 1920s New York, the way they were treated and the type of jobs open to them, as well as the constant threat of the Society of the Black Hand, who extorted protection money from their fellow Italians. The novel also explores other issues, such as attitudes towards Prohibition and why the police would sometimes turn a blind eye, and the best conditions for growing delicate orchids. Bilyeau’s Author’s Note at the end of the book describes some of her research and sources and tells us which of the characters were fictional and which were based on real people.

I found the mystery element of the book slightly less successful, particularly as several chapters are written from the perspective of one of the gangsters, so we knew who was involved in at least one of the murders right from the beginning. Still, I enjoyed this book for the historical detail and because it immersed me in a world I previously knew very little about.

Thanks to Lume Books for providing a copy of this book for review via NetGalley.

This is book 31/50 for the 2023 Historical Fiction Reading Challenge.

Death Comes as the End by Agatha Christie

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This month’s prompt for Read Christie 2023 is a murder method: ‘a fall from height’. I’ve missed the previous two months of the challenge as I’ve been reading other things, but I decided to take part in this one as the suggested title – Death Comes as the End – was one I hadn’t read before and which has always sounded particularly intriguing to me.

First published in 1944, Death Comes as the End is the only historical novel Christie wrote. Unlike her other books, which are all set in the 20th century, this one takes place in Ancient Egypt, a setting that would have been familiar to Christie through her interest in archaeology. I’ve seen it described as the first full-length historical mystery, although I’m not sure if that’s true.

The novel is written mainly from the perspective of Renisenb, a young widow who, following her husband’s death, has returned to her family home by the Nile. Her father Imhotep, a mortuary priest, is away on business in the north, but Renisenb is reacquainted with the other members of the household: her older brothers Yahmose and Sobek and their wives; her younger stepbrother, Ipy; her grandmother, Esa; and several of the family’s servants, including Henet, the housekeeper and Hori, the scribe. There are already some tensions simmering below the surface, but when Imhotep returns with a new concubine, Nofret, things become much worse.

Nofret is a bitter, spiteful woman who seems determined to cause trouble for everyone else. She attempts to manipulate Imhotep into disinheriting his three sons and her plan seems to be working – until Nofret herself is found dead at the bottom of a cliff. As nobody had liked her, there are plenty of suspects, but the situation quickly becomes more complex when more deaths occur. Some of the family believe that Nofret’s spirit is taking her revenge, while others are convinced that a human hand is behind the murders. Renisenb isn’t sure what to think or who to trust, but she knows that if the murderer isn’t caught soon, her own life could be in danger.

I really enjoyed this book, although I felt that the absence of a detective made it difficult for the reader to solve the mystery as there’s no discussion of clues or questioning of witnesses to point us in the right direction. I’m sure you could still correctly identify the murderer if you were paying attention, though; looking back, there are two moments in particular that hint at who the culprit is, but I didn’t pick up on either of them while I was reading. The pool of suspects is considerably narrowed down by the end of the book as well – there’s such a high body count it started to remind me of And Then There Were None. There’s also a romantic element to the novel and although it only forms a small part of the story, I was pleased with the way it was resolved at the end. I would have made that choice myself!

I was surprised to read in Christie’s foreword that “Both places and time are incidental to the story. Any other place at any other time would have served as well.” On the one hand, I can see what she means, because the plot, the characters, and the relationships between the family members are very much what you would expect to find in one of her 20th century country house mysteries. On the other, it seems a strange thing to say because why choose a particular setting if any other would have done just as well? In any case, much as I love her Poirot and Miss Marple novels, I enjoyed being transported back to Thebes in 2000 BC for this one – it was something different and unusual!

This is book 9/20 of my 20 Books of Summer 2023

This is book 30/50 for the 2023 Historical Fiction Reading Challenge.

Disobedient by Elizabeth Fremantle

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Elizabeth Fremantle is an author I always look forward to reading and I have enjoyed all six of her previous novels, including her two historical thrillers published under the name E.C. Fremantle. This seventh novel takes us to 17th century Italy and tells the story of Artemisia Gentileschi, one of the most important and accomplished female painters of her time.

Artemisia grows up in Rome, the daughter of the painter Orazio Gentileschi. Having lost her mother while still a child, Artemisia is raised by her father, spending time in his workshop learning to draw and paint. Orazio is a talented artist, heavily influenced by the more famous Caravaggio, but it quickly becomes obvious even to him that his daughter’s work is better than his own.

In 1611, the painter Agostino Tassi enters Artemisia’s life, first as her tutor and then as her intended husband. However, Tassi’s arrival leads to a terrible experience for Artemisia – something I won’t go into here because I think any reader who has come to this book with little or no knowledge of Artemisia’s life will probably prefer to discover her story for themselves. The second half of the book becomes quite dramatic as the repercussions of this incident become clear, so if you don’t already know all the details in advance, which I didn’t, it’s interesting just to watch it all unfold.

Artemisia is a great subject for historical fiction, being a strong, ambitious, determined woman whose work has left a lasting impact. Although we can’t know her true thoughts and feelings, Fremantle does a good job of getting inside Artemisia’s head and showing us what may have provided the inspiration for some of her paintings, such as Susanna and the Elders and Judith Slaying Holofernes. You’ll probably find yourself wanting to look up the paintings online as you read. As well as Artemisia, there are other characters in the novel who are equally well drawn; I’ve already mentioned Tassi and Artemisia’s father Orazio, but there’s also Zita, who becomes a model and chaperone for Artemisia, and Piero, Orazio’s assistant.

Disobedient covers only the earlier part of Artemisia’s life and the novel ends with a lot of her story still untold, but after reading Fremantle’s author’s note where she explains her personal reasons for wanting to write this book, I can see why she chose this period to focus on and I appreciate the courage it has taken for her to do so. I don’t think it’s my favourite of her novels, simply because some of the other settings and historical figures she has written about have interested me more, but I still enjoyed this book and am pleased to have had the opportunity to add to my knowledge of this fascinating artist.

Thanks to Penguin Random House/Michael Joseph for providing a copy of this book for review via NetGalley.

This is book 8/20 of my 20 Books of Summer 2023

This is book 29/50 for the 2023 Historical Fiction Reading Challenge.

Six Degrees of Separation: From Romantic Comedy to The Streets

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It’s the first Saturday of the month, which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month we’re starting with Romantic Comedy by Curtis Sittenfeld. This is not a book I’ve read, but here’s what it’s about:

With a series of heartbreaks under her belt, Sally Milz – successful script writer for a legendary late-night TV comedy show – has long abandoned the search for love.

But when her friend and fellow writer begins to date a glamorous actress, he joins the growing club of interesting but average-looking men who get romantically involved with accomplished, beautiful women.

Sally channels her annoyance into a sketch, poking fun at this ‘social rule’. The reverse never happens for a woman.

Then Sally meets Noah, a pop idol with a reputation for dating models. But this isn’t a romantic comedy – it’s real life.

Would someone like him ever date someone like her?

Skewering all our certainties about why we fall in love, ROMANTIC COMEDY is a witty and probing tale of how the heart will follow itself, no matter what anyone says. It is Curtis Sittenfeld at her most sharp, daring and compassionate best.

Romantic Comedy doesn’t sound like my sort of book, although I did enjoy one of Curtis Sittenfeld’s earlier novels, Prep. I nearly used that for my first link but remembered that I’d already used Prep in a previous Six Degrees post, so instead I’ve gone with another book with Romantic in the title: The Romantic by William Boyd (1). This is the first – and still the only – book I’ve read by William Boyd, although I’m definitely planning to read more. It tells the story of Cashel Greville Ross, following him through his life from birth to death as he befriends the Romantic Poets in Italy, searches for the source of the Nile, joins the army in Sri Lanka and uncovers family secrets in Ireland.

The Romantic was longlisted for this year’s Walter Scott Prize for Historical Fiction but didn’t make the shortlist – a big mistake, in my opinion! Another book I had read from the longlist that didn’t get shortlisted was The Second Sight of Zachary Cloudesley by Sean Lusk (2). The novel follows Zachary Cloudesley, son of an 18th century clockmaker and inventor of automata, as he travels to Constantinople in search of his missing father.

Automata is the link to my next book, The Clockwork Girl by Anna Mazzola (3). Inspired by the real life scandal of ‘The Vanishing Children of Paris’ in 1750 and the technological advances in the creation of clockwork dolls and automata at that time, this is a fascinating novel set in Paris just a few decades before the French Revolution. It has a wonderful atmosphere, a beautiful cover and was one of my favourite books that I read last year.

Another book set in Paris is It Walks by Night by John Dickson Carr (4), part of the British Library Crime Classics series. This is one of five novels Carr wrote featuring the French detective and juge d’instruction (examining magistrate), Henri Bencolin. It’s a clever locked room mystery which I did find interesting – and couldn’t solve! – but I didn’t much like Bencolin as a character. I preferred The Black Spectacles, one of his Gideon Fell mysteries which I read earlier this year.

It Walks by Night was published in 1930 and so was The Mysterious Mr Quin by Agatha Christie (5). I really enjoyed this collection of short stories featuring Mr Satterthwaite, an elderly English gentleman, and his mysterious friend, Harley Quin, who comes and goes without warning and stays just long enough to help Satterthwaite solve the mystery. Much as I love Christie’s Poirot and Miss Marple novels, it’s always interesting to venture beyond those books and see what else she wrote.

The author of the final book in my chain shares a name with Harley Quin (although he spells it with two ‘n’s). The book is The Streets by Anthony Quinn (6), in which a young newspaper reporter in 1882 visits some of London’s poorest slums to report on the living conditions. The book is fictional but based on real nineteenth century sources. I found it fascinating from a social history perspective, but the plot and characters didn’t interest me much and I struggled to finish it.

~

And that’s my chain for this month! My links have included the word ‘Romantic’, books longlisted but not shortlisted, automata, Paris, books published in 1930 and the name Quin or Quinn.

In September we’ll be starting with Wifedom by Anna Funder.

The Witching Tide by Margaret Meyer

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I’ve read several novels about English witch trials in the 16th and 17th centuries, most recently The Bewitching by Jill Dawson, and I wondered whether this one – The Witching Tide, Margaret Meyer’s debut novel – would have anything new to offer. I’m pleased to say that although there are some obvious similarities with the other books I’ve read, this book also explores some different elements and ideas so was definitely worth reading.

The novel is set in 1645 in the small coastal village of Cleftwater, East Anglia. Martha Hallybread is a servant in the household of Kit Crozier, whom she nursed as a child. Martha has never married herself, choosing instead to devote her life to Kit and his family, as well as serving as the village midwife and healer. When the witchfinder Master Makepeace arrives in Cleftwater, Martha fears that she could become a target, particularly if anyone discovers her secret ‘poppet’, a wax doll inherited from her mother. However, a twist comes very early in the novel when Martha avoids being rounded up with the other suspected witches – and finds herself one of several women enlisted by the witchfinder as assistants.

Most books focus on the misogyny behind the witch hunts, but The Witching Tide reminds us that there were also women involved in condemning their fellow women. Some of them may have really believed they were cleansing their towns and villages of witchcraft, others probably just thought it was the best way to avoid falling under suspicion themselves; in Martha’s case, she hopes that her position will allow her to bring some comfort to the women awaiting trial and find a way to prove they are innocent.

Another thing that makes Martha an unusual protagonist is the fact that she is mute – and yet this is the aspect of the book I found least successful. Margaret Meyer has said that Martha’s lack of speech is intended to represent the way in which the ‘witches’ were silenced, denied a voice and prevented from defending themselves against their accusers, but although this is a clever idea, I felt that Martha made herself understood too easily, expressing complex ideas and sentences through gestures so that even strangers seemed to know what she meant. I could see what the author was trying to do, but I wasn’t completely convinced.

Martha’s story is fictional, but inspired by the real life East Anglian witch hunts of 1645-47 and the imaginary Cleftwater is loosely based on Aldeburgh, Suffolk, the location of one of the hunts. Knowing that real people experienced the things Martha and her friends went through makes the book even more meaningful.

Thanks to Orion Publishing Group/Phoenix for providing a copy of this book for review via NetGalley.

This is book 7/20 of my 20 Books of Summer 2023

This is book 28/50 for the 2023 Historical Fiction Reading Challenge.