The Mourning Necklace by Kate Foster

July 14, 2025July 14, 202511 Comments

Some people become famous for their remarkable lives and others for their remarkable deaths. Maggie Dickson is one of the latter – although technically, it wasn’t really a death at all! Known as ‘Half-Hangit Maggie’, Maggie Dickson was sentenced to death in 1724 and hanged in Edinburgh’s Grassmarket. As her family gather in a nearby tavern, they are shocked to look up and see Maggie herself standing at the door. Other than a rope burn around her neck, she seems unharmed by her ordeal and determined to make the most of the second chance she’s been given. But while everyone has questions for her – how did she survive and how did it feel to be so close to death? – there’s only one question that matters now to Maggie: will they try to hang her again?

Maggie Dickson was a real person and the story of her survival is a true one, still remembered three hundred years later; Maggie Dickson’s Pub in Edinburgh is named after her and she is often featured in Edinburgh walking tours. In The Mourning Necklace, Kate Foster builds a fictional story around this amazing woman and her near-death experience, using her imagination to fill in the gaps around the historical facts.

The year before she receives her death sentence, Maggie is living with her parents and younger sister, Joan, in Fisherrow, a small fishing community in Musselburgh, Scotland. The Dickson family have made their living from fish for generations, but Maggie doesn’t see a future for herself as a fishwife and wants something different out of life. Her marriage to Patrick Spencer, a perfume trader, seems to offer the opportunities she’s looking for, but when things don’t go according to plan, she takes control of her own fate and sets out alone for London. However, she gets no further than Kelso in the Scottish Borders before she is forced to make a series of decisions that will lead her back to Edinburgh and the gallows.

I enjoyed Kate Foster’s last novel, The King’s Witches, but I thought this one was much better and I connected with Maggie Dickson in a way that I didn’t with the women in the other book. There’s also a strong cast of supporting characters, including Joan, whose actions as a sister disappoint Maggie over and over again; Mrs Rose, who betrays Maggie for reasons of her own but at the same time is one of the few people to offer her friendship; and the wicked Dr McTavish, one of the book’s villains. All of these people have key parts to play in Maggie’s story, which is divided into three sections: the events leading up to her arrest, the hanging itself, and the path her life follows after she escapes death.

Maggie’s crime is something that will surprise a lot of modern readers as, although she unknowingly broke the laws of the time, today we wouldn’t really consider her to have committed a crime at all (at least not if Kate Foster’s interpretation is close to the truth). At first I assumed that as the death sentence was usually given as ‘hanged by the neck until dead’, it would be decided that Maggie had not served the sentence and would be hanged again. However, it wasn’t as straightforward as that because it seems that the sentence at that time was simply ‘hanged by the neck’ and the additional words were added later to avoid ambiguity in cases like hers.

This is a fascinating novel, with some great descriptions of 18th century Musselburgh, Edinburgh and Kelso. We also learn a little bit about the tea smuggling which was widespread down the east coast of Scotland and England due to high taxes on imported tea. I loved it and must find time to go back and read Kate Foster’s first book, The Maiden.

Thanks to Pan Macmillan/Mantle for providing a copy of this book for review via NetGalley.

The Art of a Lie by Laura Shepherd-Robinson

July 10, 202513 Comments

I’ve enjoyed all of Laura Shepherd-Robinson’s previous books, particularly The Square of Sevens, so this is one of the new releases I’ve been most looking forward to reading this year. It has many of the same elements as her others – an 18th century setting, a mystery to be solved, lots of surprising plot twists and characters who are not quite as they seem! This one also features ice cream, which makes it a perfect summer read.

The Art of a Lie opens in London in 1749 and the first section is narrated by Hannah Cole, whose husband Jonas was found dead in the street several months earlier, seemingly the victim of a robbery. Since his death, Hannah has continued running their business, a confectionery shop known as the Punchbowl and Pineapple, but is struggling financially. A visit from the magistrate, Henry Fielding – who is also the author of the recently published Tom Jones – brings her some welcome news: Jonas had a large sum of money in his bank account that she knew nothing about. Unfortunately, her excitement is short-lived because Fielding also tells her that he suspects the money was acquired illicitly and that Jonas was probably not just the victim of a random attack as first thought, but was murdered by someone he knew.

A second way of improving her financial position soon presents itself to Hannah when a gentleman enters the Punchbowl and Pineapple and introduces himself as William Devereux, a friend of her late husband’s. William gives Hannah a recipe for ‘iced cream’, a frozen dessert made by his mother, who was raised in Italy. Despite some initial problems – freezing cream without the aid of an electric freezer is not an easy task – the new treat proves a big success. And soon William is helping her to solve a bigger problem – the question of who killed Jonas Cole and where the money in his bank came from.

The perspective switches between Hannah and William several times throughout the novel, with each narrator being given a distinctive narrative voice of their own. I felt a stronger connection with Hannah, but seeing things from William’s point of view provides a whole different side to the story. It quickly becomes clear to the reader that neither one of them is being completely honest with the other (or with anyone else) and that, as the title suggests, this really is a novel about the art of telling lies! It was fascinating to follow both of their narratives, wondering who was going to come out on top. The ending of the book wasn’t really what I’d expected and although I would have preferred the ending I had expected, it was good to be taken by surprise!

I loved the setting of the book, particularly the descriptions of Hannah’s shop and all the cakes, chocolates and sweets she sells. I enjoyed reading about her experiments with different varieties of ice cream (don’t miss the author’s note at the end of the book, which has some factual information about the history of ice cream in the UK). The inclusion of Henry Fielding as a character in the book was also interesting – he really was Chief Magistrate of Westminster at the time the story is set and was the founder of the Bow Street Runners, London’s first police force.

The Square of Sevens is still my favourite Laura Shepherd-Robinson book, but I think it’s just a matter of personal taste and I’m sure some readers will like this one better. It reminded me very much of The Queen of Fives by Alex Hay and I think if you enjoyed that one you’ll probably enjoy this one as well.

Thanks to Pan Macmillan/Mantle for providing a copy of this book for review via NetGalley.

Book 9/20 for 20 Books of Summer 2025.

The Hounding by Xenobe Purvis

June 27, 202510 Comments

A lot of novels have been published recently dealing with the subject of witchcraft and witch trials, but The Hounding – Xenobe Purvis’ debut – is something different. Set in 18th century Oxfordshire, after the fervour for witch hunting has largely died down, it explores the dangers of being different in a small community where superstition is rife.

The five Mansfield sisters, who live with their blind grandfather on his farm, have become the subject of gossip in the village of Little Nettlebed. Their grandmother has recently died and the sisters are in mourning, but it seems that people have little sympathy for them. The Mansfields have always been seen as odd by the other villagers and since their grandmother’s death, a rumour has begun to spread that the girls have the power to turn themselves into dogs.

It’s Pete Darling, the drunken, misogynistic ferryman who starts the rumour after one of the girls refuses to speak to him, causing him to feel disrespected. As a summer heatwave descends on the village and the river begins to dry up, Pete’s trade is affected, giving him less to occupy his days and more time to drink. When he sees what he believes are the Mansfield sisters undergoing a strange transformation, it’s not quite clear what has actually happened. Has Pete had some kind of hallucination brought on by heat and alcohol? Is his own dislike of the girls causing him to see what he wants to see and conveniently giving him a way to punish them? Or are the sisters really turning into dogs in front of his eyes? Sadly, the girls are not popular in the village and other people are easily convinced that Pete’s story is true.

From calm, serious Anne, the eldest, down to little Mary, a solemn six-year-old – and in between pretty Elizabeth, shy, timid Grace and tomboyish Hester – the girls share a close bond and keep themselves to themselves, which leads to them being viewed as arrogant and unwelcoming. To Farmer Mansfield, however, they are his beloved granddaughters and he just wants them to be happy and safe. Other characters in the book also have their own views of the girls and these include newcomer Thomas Mildmay, who has been hired to help with the haymaking on the farm; the innkeeper’s wife, Temperance Shirly; and two local boys, Robin and Richard Wildgoose. The perspective we never really get is that of the sisters themselves, but seeing them through the eyes of others helps us to build up a picture of who the sisters really are and what they are like.

I found this a very atmospheric book; Purvis successfully creates a tense, almost claustrophobic feel through her descriptions of the relentless hot, dry weather and the small-mindedness of the villagers. A mixture of superstition, prejudice and fear of things they don’t understand makes the people of Little Nettlebed ready to think the worst of the Mansfield sisters and the girls don’t really do much to dispel these misconceptions because they do behave increasingly oddly when other people are around – almost as if becoming a dog is a safer option than being seen as different. I really enjoyed this fascinating and unusual novel!

Thanks to Hutchinson Heinemann for providing a copy of this book for review via NetGalley.

The Woman in the Wallpaper by Lora Jones

May 14, 20259 Comments

The French Revolution is a fascinating subject and I’ve read several novels set during that period. The Woman in the Wallpaper, Lora Jones’ debut novel, is another and is written from the unusual perspective of two sisters working at a wallpaper factory in northern France.

Sofi and Lara Thibault are the daughters of a stonemason who dies suddenly under tragic circumstances early in the book. In need of work to support themselves, the sisters and their mother move to Jouy-en-Jouvant, a town near Paris, where all three have been offered employment at the Oberst factory. The factory produces wallpaper with a unique design featuring a woman thought to be the late Mrs Oberst, who died several years ago and may or may not have been murdered. As they settle into their new jobs, both girls are drawn to Josef Oberst, the heir to the factory, but Josef is soon to be a married man, with an aristocratic young wife due to arrive from Versailles.

With political turmoil brewing in France, Sofi finds herself caught up with the revolutionaries and longs to play a part in shaping her country’s future. Lara, however, has other things to worry about – like the resemblance between herself and Mrs Oberst and the way incidents from her own life seem to be replicated in the pictures on the factory wallpaper. Meanwhile, Josef’s new wife, Hortense, discovers that as a member of the aristocracy she could be in the most danger of them all as the revolution picks up pace.

I enjoyed The Woman in the Wallpaper, although I wish authors would stop writing in present tense! I’ve never read a book set in a wallpaper factory before and it was fascinating to read about the process of making the paper and preparing the coloured pigments, as well as the work carried out in the printhouse, where the designs are carved onto the wooden blocks which are then coated with ink and pressed onto the paper. The parts of the novel dealing with the French Revolution are also interesting. Some of the key events, such as the storming of the Bastille and the arrival of the guillotine, are included, but the main focus is on the role of women and how the Revolution seemed unlikely to bring about the level of change they were hoping for.

The novel is narrated by both of the Thibault sisters and at first, even though the name of the narrator is given at the start of each chapter, I found myself forgetting which one I was reading about as their voices felt very similar. Later in the book, as their stories began to diverge, the two became easier to distinguish and this wasn’t a problem anymore. Lara is the gentler, quieter, more mature sister but Sofi, the impetuous younger sister, was my favourite. However, there’s also a third narrator – Hortense, Josef’s selfish, entitled wife from Versailles. Hortense makes no attempt to adapt to the changes in society or to endear herself to the people of Jouy; in one memorable scene, she deliberately hosts an elaborate birthday party for her pet dog, knowing that peasants are starving and workers are protesting. I thought perhaps I would warm to her as the book went on, but that didn’t happen – I found her cruel and heartless right to the end.

As for the central mystery surrounding the images in the wallpaper and their connection with Lara’s life, I found it easy to guess what was really going on, but it was still quite unsettling! This is an impressive first novel and I hope Lora Jones will be writing more.

Thanks to Sphere for providing a copy of this book for review via NetGalley.

The Versailles Formula by Nancy Bilyeau

April 14, 20255 Comments

Having loved Nancy Bilyeau’s The Blue and The Fugitive Colours, I was excited to read the new book in the Genevieve Planché series. The Versailles Formula is published this week by Joffe Books and I’m pleased to say that I found it as good as the first two. If you’re new to the series, I would recommend reading the books in order if you can, but there’s enough background information in this one to allow you to start here if you wanted to.

The Versailles Formula is set in 1766 and, like the other books, is narrated by Genevieve Planché, a Huguenot woman who grew up in London after her family left France due to religious persecution. She’s also an aspiring artist who is finding it frustratingly difficult to be taken seriously in a field still dominated by men. As the novel opens, Genevieve is teaching watercolours to a group of young ladies while her husband, the chemist Thomas Sturbridge, is away from home working on a new research project with a scientist friend. Several years earlier Thomas had created a formula for a beautiful new shade of blue – an invention that powerful people in both France and Britain would stop at nothing to obtain. The race for the blue led to murder and treason before an agreement was finally reached that both sides would stop attempting to develop the colour.

Genevieve’s painting lesson is interrupted by the arrival of Under-Secretary of State Sir Humphrey Willoughby, husband of her friend, Evelyn. Sir Humphrey’s appearance sets in motion a chain of events that lead Genevieve to Strawberry Hill, home of the author Horace Walpole. Here she and Sir Humphrey make the shocking discovery that someone has begun producing the blue once more. Have the French broken the treaty they agreed to or is this someone acting alone? How did the blue find its way into Walpole’s home? Accompanied by an army officer, Captain Howard, Genevieve travels to Paris in search of answers.

This book definitely lived up to my expectations and was worth the three year wait since the last one! It was good to catch up with Genevieve again and although I would have liked to have seen more of other recurring characters such as Thomas Sturbridge, there’s a wonderful new character to get to know in the form of Captain Howard. Genevieve is wary of Howard at first, disliking him on sight and unsure as to why Sir Humphrey is entrusting him with such an important mission, but her opinion gradually begins to change and I loved watching their relationship develop as they travel across France.

Although many of the characters in the novel are fictional, there are also some who are real historical figures, most notably Horace Walpole, author of The Castle of Otranto. I particularly enjoyed the section of the book where Genevieve visits Strawberry Hill, his Gothic-style mansion in Twickenham and experiences its ‘gloomth’ – a term coined by Walpole himself to describe his home’s atmosphere of gloom and warmth.

The book is well paced, with tension building as Genevieve begins to wonder exactly who can and can’t be trusted – and whether anyone will see through the false identity she has adopted for her return to France. I thoroughly enjoyed this book, but I did feel that some things were left unresolved at the end, so I hope that means there could be a fourth Genevieve Planché book to look forward to. If so, I’ll certainly be reading it.

Thanks to Joffe Books for providing a copy of this book for review via NetGalley.

The Secrets of the Rose by Nicola Cornick – #ReadIndies

February 12, 202513 Comments

I like Nicola Cornick’s books because you always know what to expect from them, but at the same time each one is different and has something new to offer. With The Secrets of the Rose, her latest novel published this month, I got exactly what I knew I would get: a dual timeline narrative, strong female protagonists, a search for an historic relic that has found its way into the present, cameo appearances by characters from other Cornick novels, and hints of the supernatural. However, I also had the opportunity to learn about a woman I’ve never read about before – Dorothy Forster of Bamburgh Hall.

In the present day, we meet Hannah Armstrong, an author working on a new book about Grace Darling, the lighthouse keeper’s daughter who became a 19th century celebrity after helping her father to rescue the survivors of a shipwreck. In order to research the biography, Hannah has returned to Bamburgh, the village on the Northumberland coast where she grew up and which she can use as a base for visiting the Darlings’ lighthouse in the nearby Farne Islands. Unfortunately, Hannah is finding that she has very little interest in Grace and her life – the woman she really wants to write about is another local heroine, Dorothy Forster.

Dorothy’s story unfolds in 1715, the year of the Jacobite Rising when supporters of the exiled James Edward Stuart attempted to restore him to the throne. Dorothy, who is living at Bamburgh Hall with her ailing father, is alarmed when she learns that her two brothers, Thomas and Nicholas, have been persuaded by one of the Jacobite leaders, the Earl of Derwentwater to join the rebellion. As the nephews of Lord Crewe of Bamburgh Castle, not only will their involvement put their own lives at risk, it could also leave the whole family in danger. Then Dorothy discovers that the Forsters are the keepers of the Rose, a legendary talisman that both sides in the conflict believe could be the key to victory. Can Dorothy hide the Rose from their enemies and keep her brothers safe?

These two storylines start to come together when Hannah goes to stay at Bamburgh Hall, her stepmother Diana’s home, while researching her Grace Darling book. Here she finds a portrait of Dorothy Forster which appears to be full of Jacobite symbolism. As Hannah digs into Dorothy’s past, she learns about the Rose and its powers and begins to suspect that it may have survived into the 21st century. However, she’s not the only one who has come to that conclusion – it seems that someone else is also on the trail of the Rose and is prepared to go to any lengths to get their hands on it.

As is often the case with dual narrative books, I found that one storyline interested me more than the other and this time it was the Dorothy Forster one. There were a lot of things I liked about Hannah’s story as well – her relationship with her stepmother, a mystery surrounding her brother who seems to have fallen out with everyone in the village, a romance that begins to form with an old friend – but Dorothy’s was more exciting. Legend states that Dorothy rode to London on horseback to rescue her brother Thomas from Newgate Prison after the failed rebellion and Cornick does incorporate this episode into the novel, but also shows that there’s a lot more to Dorothy’s story than that. The Jacobite aspect of the novel plays out mainly in the background, far away from Bamburgh (although I did enjoy the brief appearances of the Earl of Derwentwater whom I first met in Anya Seton’s Devil Water) so the focus is more on Dorothy’s personal life and her relationships with family and friends.

I thought the novel was interesting enough without the magic talisman element and I’m not sure if it really added much to the plot. Still, Nicola Cornick’s books do usually have some supernatural touches and they’re not as strong here as in some of her others. I did love the setting – although I wouldn’t say I know Bamburgh well, I’ve been there a few times and enjoyed seeing it through the eyes of Hannah and Dorothy in two different centuries. And I was intrigued to find when I read the author’s note that Dorothy’s uncle, Guy Forster, and his wife also appear in Cornick’s previous book, The Other Gwyn Girl, which I haven’t read yet. The relationship between them is fictional, although they share the Forster name, but I do want to read that book anyway.

I really enjoyed The Secrets of the Rose, then, and would probably rank it in my top three Nicola Cornick novels so far, along with The Last Daughter and The Phantom Tree.

Thanks to Boldwood Books for providing a copy of this book for review via NetGalley.

As Boldwood is an independent publisher, I am counting this book towards this year’s #ReadIndies event hosted by Kaggsy’s Bookish Ramblings and Lizzy’s Literary Life.

The Bells of Westminster by Leonora Nattrass

October 25, 202411 Comments

I’ve enjoyed all three books in Leonora Nattrass’ Laurence Jago series (Black Drop, Blue Water and Scarlet Town) and was hoping for a fourth, but it seems she’s moved on to other things, at least temporarily. Like the Jago books, The Bells of Westminster is set in the 18th century but is a completely separate story with a new set of characters to get to know.

It’s 1774 and King George III has just given his permission for the Society of Antiquaries to open the tomb of Edward I, who rests in Westminster Abbey. The Society wants to discover whether Edward’s body was embalmed, according to his wishes, and whether he was buried with any valuable artifacts. However, the opening of the tomb sets in motion a series of bizarre events: first, a ghostly figure is seen wearing the dead king’s crown, then one of the Antiquaries is found dead and Edward’s body is stolen. Mr Bell, the Dean of Westminster, is given the job of investigating, but his daughter Susan knows he’s not capable of solving the mystery and it will be up to her to solve it for him.

The novel is narrated by Susan Bell who, at twenty-three, is already considered a spinster. Her father would like her to marry her cousin Lindley, an aspiring scientist who is staying with them at the Deanery, but Susan isn’t sure what she thinks of him – and anyway, she’s quite happy with the company of her talking parrot, Cuthbert. Susan’s narration takes the form of diary entries, through which we see the mystery unfold as well as gaining some insights into life within the confines of Westminster Abbey.

I’ll be honest and say that at first I didn’t think I was going to enjoy this book. I had trouble connecting with Susan’s narrative style, peppered with notes and asides, which seemed to be trying very hard to be clever and witty. It also took a long time for the story to really get started, but once the murder happened about a quarter of the way into the book, I became drawn in. Susan’s narration also grew on me after a while and I found I liked her much more than I thought I would at the beginning.

Nattrass explains in her author’s note which parts of the book are based on fact and which are invented. The opening of Edward I’s tomb in 1774 really happened, for example – although the body wasn’t stolen and a ghost didn’t really appear! The characters are also a mixture of real people and fictional ones (Susan Bell is one of the latter). One thing that’s completely real, of course, is the setting: with the whole book being set within Westminster Abbey and its grounds, there are lots of detailed descriptions of the chapels, arches and galleries as well as the various tombs and shrines.

The eighteenth century was also a time of major scientific developments and Nattrass is able to explore some of these through Lindley’s interest in science. In particular, we see how a knowledge of science can work along with – and sometimes in conflict with – superstitions, religion or fear of the supernatural. This is a fascinating novel, then, and although I would still have preferred another Laurence Jago book, I did enjoy this one once I got past the slow, uncertain start!