My second book for this week’s 1937 Club (hosted by Stuck in a Book and Kaggsy’s Bookish Ramblings) is by an author who was a childhood favourite but whose adult fiction I’ve only recently begun to explore. I loved her 1940 novel, The Winter is Past, set during the early stages of World War II, so when I saw that Caroline England was published in 1937 it seemed a perfect choice for the club.
The novel begins in 1870 with the birth of Caroline Torrys, the first child born to James and Selina Torrys of Milston Manor in Kent. The Manor has belonged to the Torrys family since the 16th century and James, desperate for a male heir, is disappointed with the arrival of a baby daughter. As the years go by and Selina becomes weak and worn down with her efforts to please her husband and produce a son, Caroline is raised in the nursery by a strict and often cruel nurse. Growing up nervous and anxious, with her spirit broken, Caroline eventually finds a way of escape when she falls in love with a writer, John England, and elopes with him. Caroline’s upper class family disapprove of John, whose father owns a shop, and she is cut off from the Torrys and her beloved Milston Manor.
The next part of the book follows Caroline through her marriage to John and the birth of her own children, whom she vows to treat with the kindness and affection she herself was starved of as a child. However, as her children grow older she finds that they don’t necessarily want her ‘interfering in their lives’ – and that John is the one demanding her time and attention. We then get to know Caroline’s children as adults and see how the family copes during World War I and its aftermath until finally, in the last section of the book, we join Caroline as a grandmother, living in a world that has changed beyond recognition.
I’ve probably given the impression that this book is very depressing – and it’s true that despite her privileged start in life, things are difficult for Caroline at times – but it’s not as bleak and miserable as it sounds. Although Caroline’s experience of being a wife and mother is not quite as blissful as she had hoped, she makes the most of what she has and finds happiness where she can. She also grows and changes as a person, as the post-war world grows and changes around her and the social system she once took for granted begins to collapse. By the end of the book, Milston Manor no longer belongs to the Torrys family and is being converted into a hotel, while Caroline herself is forced to think differently when she gets to know her son’s working-class fiancée, a woman she would have once considered ‘not our sort’.
I found the first section of the book, describing Caroline’s childhood, the most compelling because Streatfeild writes about child characters so convincingly. It was so interesting to read her portrayal of Caroline’s life in the nursery and the different methods used by her first nurse, the warm and loving Naomi, and the cold, abusive woman who takes her place, and then to see how Caroline’s upbringing affects her own choices as an adult. The later chapters, which concentrate more on Caroline’s sons and daughters, interested me slightly less, but I often find that to be the case when a family saga moves on to the next generation.
Of the two adult Streatfeild novels I’ve read, I preferred The Winter is Past as it was more tightly plotted, whereas this one covers a much longer period of time and has less focus. I enjoyed both, though, and look forward to trying some of her others.


