Review: Watership Down by Richard Adams

I first read Watership Down when I was about 10 years old. It immediately became my favourite book and I re-read it many times. However, it’s been a long time since my last re-read and I wondered if I would still love it as much as I used to.

I know some people may consider a book about talking rabbits to be silly and childish, but Watership Down is not really a ‘children’s book’. It’s one of those books that can be enjoyed on different levels by people of all ages. In fact, the writing style and vocabulary used in this book is of a higher standard than many ‘adult’ books. It’s also not just ‘a book about rabbits’ – it’s a book about friendship, leadership, freedom, adventure, happiness, sadness and so much more.

Hazel and his brother Fiver are two young rabbits living in the peaceful Sandleford Warren. When Fiver has a premonition that the warren is going to be destroyed, he convinces Hazel and several of their friends to embark on an epic journey to find a new home. During their search for Fiver’s ‘safe, high place’, they encounter a number of problems and dangers including humans, predators and even other rabbits. The biggest obstacle of all, however, comes with the realization that as the group consists solely of male rabbits, they urgently need to find some females – this leads to a daring attempt to rescue some does from the overcrowded enemy warren of Efrafa…

Hazel and his friends are not cute little bunnies. They are intelligent, resourceful animals capable of solving almost any problem that is thrown at them. When faced with having to cross a river, for example, they observe that a plank of wood is floating on the surface of the water and they figure out how to use it as a raft. The rabbits are given such human thoughts and emotions that you can easily forget they’re actually not human! However, from a physical and behavioural point of view, they always behave like real wild rabbits. Richard Adams used R. M. Lockley’s The Private Life of the Rabbit as his reference.

Each rabbit has their own individual personality – Hazel is the leader, Fiver the sensitive prophet, Bigwig the fighter, Blackberry the brains, Dandelion the storyteller, Bluebell the clown, and so on. This allows every reader to identify with at least one rabbit and to choose a favourite (mine was always Bigwig, who at the beginning of the book was overbearing and aggressive but learned some important lessons during the journey to Watership Down and ended as one of the most highly respected rabbits in the warren).

One of the things I love about this book is the way Richard Adams has created an entire rabbit world. This includes:

  • A rabbit language, known as Lapine. Even before I began my re-read of the book, I could still remember that hrududu is the Lapine word for car, that a lendri is a badger, and Elil means enemies.
  • A rabbit religion. Rabbits are taught that Frith created the world and is represented by the sun. Inle is the word for moon, and the Black Rabbit of Inle is a grim reaper-type character who appears when a rabbit is about to die. The rabbits often talk about “ni-Frith” – noon – and “fu Inle” – after moonrise.
  • Rabbit folklore. The rabbits love to listen to stories about their hero, the legendary El-ahrairah, ‘the Prince with a Thousand Enemies’.

I think the author’s wonderfully detailed descriptions of the English countryside also deserve a special mention. As almost all of the places he writes about – the farms, hills, valleys and meadows – are places that really exist, it would be possible to follow the rabbits’ journey on a map or even to visit them yourself.

So, did I still enjoy this book as much as I did when I was 10? Yes, of course I did. No matter how many other books I read, Watership Down will always hold a special place in my heart.  I’ll leave you with a favourite quote from the book:

“‘Animals don’t behave like men,’ he said. ‘If they have to fight, they fight; and if they have to kill they kill. But they don’t sit down and set their wits to work to devise ways of spoiling other creatures’ lives and hurting them. They have dignity and animality.'”

Review: Drood by Dan Simmons

I think I liked the idea of this book more than the book itself. A gothic mystery/horror story set in Victorian London, featuring Charles Dickens and narrated by Wilkie Collins sounded like exactly the kind of book I would enjoy. Unfortunately it didn’t quite live up to its fascinating premise and I was left with mixed feelings about it.

Drood is told in the form of a memoir written by Wilkie Collins (a close friend and collaborator of Charles Dickens, as well as being the author of The Woman in White, The Moonstone and many other novels and plays) and addressed to an unknown reader in the future – that is, to us.

The story begins with the Staplehurst Rail Disaster of 1865, when the train on which Charles Dickens is travelling crashes, sending most of the carriages plummeting over a viaduct into the riverbed below. Luckily Dickens is in one of the few carriages that doesn’t fall. As he helps to rescue people from the wreckage, he encounters a mysterious figure dressed in a black cape who introduces himself only as ‘Drood’. In the days following the train crash, Dickens becomes obsessed with finding Drood and discovering his true identity. With the reluctant help of Wilkie Collins, Dickens begins a search for Drood which leads them through the dark alleys and underground catacombs of London.

Interspersed with the Drood storyline are long passages in which we learn about the family life and living arrangements of both Dickens and Collins, how much they earned for their various novels, their walking tour of Cumberland in 1857, the details of Wilkie’s laudanum addiction, the story of the Swiss chalet given to Dickens by his friend Charles Fechter, Dickens’ interest in mesmerism and every other piece of biographical information you could possibly want to know. Simmons also incorporates some genuine historical letters and quotes which adds some authenticity to the book. I can see why some readers might find this boring, but I enjoyed these sections – I thought the descriptions of Dickens’ reading tours were particularly fascinating.

Simmons has attempted to imitate Wilkie Collins’ narrative style (including the Victorian habit of talking directly to the reader) but I felt that he didn’t get it quite right. He also uses a lot of words and phrases that just sound either too modern or too American to me (the real Collins or Dickens would have walked on the pavement rather than the sidewalk, for example). This is only a small complaint though, as overall, Dear Reader, I thought his style was quite convincing.

I do like the way the book takes us through the process of researching and writing The Moonstone. However, some important plot points are given away so if you haven’t already read The Moonstone and think you might want to, then I would suggest you read it before you begin Drood. It might also be a good idea to read The Mystery of Edwin Drood first (I didn’t and kept wishing I had). Another thing I liked about the book was the way Simmons deliberately tries to confuse and mislead the reader – at several points in the novel we are made to wonder whether something we’ve just read is real or an illusion.

This journey through the cemeteries, opium dens and underground sewers of London is a good atmospheric read for a cold dark night, but I was slightly disappointed by it and despite reading all 775 pages I still can’t decide whether I enjoyed it or not! However, it will almost certainly leave you wanting to learn more about Dickens and Collins and their works, which can only be a good thing. If you like this type of book I would also recommend The Quincunx by Charles Palliser – another book set in Victorian England and written in a 19th century style.

Before I come to the end of this review I would just like to say a few words in defence of poor Wilkie Collins, who happens to be one of my favourite authors. Simmons clearly doesn’t rate Wilkie as a writer (I saw an interview where he described him as ‘mediocre’) and in Drood, the character is portrayed as a not very talented, second-rate author who is consumed with jealousy of the more successful Dickens and becomes increasingly bitter and unlikeable as the book goes on. I admit I’m biased because I’ve absolutely loved every Wilkie Collins book I’ve read; he was a much better writer than Drood suggests and definitely not mediocre, at least in my opinion!

*Pictures of Charles Dickens (top) and Wilkie Collins (bottom) both in the public domain

Genre: Historical Fiction/Horror/Pages: 775/Publisher: Quercus Fiction/Year: 2009/Source: My own copy bought new

Review: Alice I Have Been by Melanie Benjamin

I had been reading so many good reviews of Alice I Have Been that when I won a copy from The Book Whisperer I couldn’t wait to read it and see if it deserved its reputation. I’m happy to say that it did.

Before I read this book, I knew Alice Liddell was the girl who inspired Alice’s Adventures in Wonderland, but that was all I knew about her. I also knew that Lewis Carroll’s real name was Charles Lutwidge Dodgson and that he was an Oxford mathematics professor, but that was all I knew about him. Alice I Have Been is the story of how Alice’s relationship with Dodgson and the book he wrote changed her life forever.

The 19th century is one of my favourite historical periods and it was interesting to read about Alice’s life as the daughter of the Dean of Christ Church, mixing with the upper classes of Victorian society. Mr Dodgson was a friend of the Liddell family, who enjoyed visiting the three little girls – Ina, Alice and Edith – and taking photographs of them. The relationship between Alice and Dodgson was slightly disturbing, but the overall impression I got of him was of a shy, lonely man who felt more comfortable with children than with adults – and didn’t want those children to grow up. When Alice was eleven, an incident occurred that caused a rift between Dodgson and the Liddells – in real life, this is a mystery that has never been solved. Melanie Benjamin gives one possible explanation but states in her author’s note that this is her own interpretation and not necessarily the truth, leaving us to wonder exactly what really did happen.

I had no idea Alice Liddell had such an eventful adult life or that she was romantically involved (though maybe not to the extent the book suggests) with Queen Victoria’s youngest son, Prince Leopold – until hints of the scandal in her past came back to haunt her.

This book is a clever mixture of fact and fiction. I always think a sign of a good historical fiction novel is when it inspires you to find out more about the people you’ve been reading about. There’s a lot of information about Charles Dodgson available online, including some of his photographs (a few of which are reproduced in the book). It was interesting to read about seven year-old Alice posing for Dodgson as a gypsy girl, then being able to look at the actual picture itself. I also wanted to find out more about John Ruskin, who is portrayed quite negatively in the book.

Now I want to go and read Alice in Wonderland again to see if I feel differently about it now that I know the story behind it.

Recommended

Genre: Historical Fiction/Pages: 345/Publisher: Random House/Year: 2010/Source: Won in giveaway

Review: The Tenant of Wildfell Hall by Anne Bronte

Although Emily Bronte’s Wuthering Heights and Charlotte Bronte’s Jane Eyre have always been two of my favourite Victorian classics, this is the first time I’ve read anything by the youngest Bronte sister, Anne. I feel a bit guilty that it has taken me so long to get round to reading one of Anne’s books, especially as I enjoyed it almost as much as the other two books I’ve just mentioned.

Anne’s writing style is not the same as Charlotte’s or Emily’s – there’s less dramatic romanticism and poetic imagery, although she still writes with a lot of passion. She has quite a sharp style that is probably more similar to Jane Austen than to either of her sisters.

I won’t go into the plot in too much detail but The Tenant of Wildfell Hall is the story of Helen Huntingdon, a young woman who leaves her alcoholic husband and goes into hiding with her five year-old son, Arthur. Not long after arriving at Wildfell Hall she meets local farmer, Gilbert Markham, who falls in love with her. When Gilbert questions her about the rumours circulating about her in the village, she allows him to read her diary in which she had recorded the details of her unhappy marriage.

The book has an interesting structure – it’s told partly in the form of letters from Gilbert Markham to his brother-in-law Jack Halford, and partly as extracts from Helen Huntingdon’s diary. I loved the first section from Gilbert’s point of view, describing the arrival of the mysterious woman at Wildfell Hall with everyone wondering who she was and where she came from. The story probably wouldn’t have worked had it not been set in the 19th century. Today there’s nothing unusual in a single mother living alone with her little boy, but in 1828 when The Tenant of Wildfell Hall takes place, it makes her the target of gossip and scandal.

When Helen’s diary began it took me a while to get used to the change of voice and the change of pace but it soon developed into the most powerful section of the book. I didn’t particularly like Helen as I thought she was just a little bit too saintly and perfect, but she was a very strong person who defied convention to do what she thought was best for herself and her child. Her diary entries are filled with descriptions of some really despicable characters and describe scenes of drunkenness, violence, verbal and physical abuse, and adultery, which I can imagine readers in the 19th century would have been shocked by. Apparently after Anne’s death, re-publication of The Tenant of Wildfell Hall was prevented by Charlotte, who considered the choice of subject to be a big mistake. However, I would have no hesitation recommending this book to anyone who has enjoyed Emily and Charlotte’s work, as well as those of you who have never read any other Bronte books.

Note: This book counts towards the Women Unbound Reading Challenge because it portrays a woman who has the strength to leave her abusive husband and build a new life, working as an artist to support herself and her son – almost unheard of in the 19th century.

Highly Recommended

Genre: Classics/Page: 401/Publisher: Wordsworth Classics/Year: 1996 – first published 1848/Source: My own copy bought new

Review: The White Queen by Philippa Gregory

Philippa Gregory is best known for her Tudor court novels, but with The White Queen she moves further back in time to the Plantagenets and the Wars of the Roses.

Elizabeth Woodville is twenty seven when she meets and falls in love with King Edward IV. Following a private wedding, Elizabeth becomes Queen of England and finds herself caught up in the ongoing battles between the House of Lancaster and the House of York. Amidst all the politics, intrigue and betrayal, Elizabeth’s concern is for the future of her children – in particular her two royal sons who will become the famous ‘Princes in the Tower’, a mystery which remains unsolved to this day.

The book is written in the first person present tense which I found slightly irritating, though not enough to stop me from enjoying the book. The use of present tense does help the reader to feel as if they are experiencing events along with Elizabeth, so it works in that sense, but my personal preference is definitely for past tense. There are a few passages where the viewpoint temporarily changes to the third person in order to describe battles which Elizabeth doesn’t witness but which are an important part of the storyline. I often find battle scenes boring, but these are well written and go into just the right amount of detail.

I found the story itself quite suspenseful and exciting – it probably helped that although I read a lot of historical fiction novels, I haven’t read many about the War of the Roses, so only had a vague idea of what was going to happen. Of course, this meant that I wasn’t sure exactly which parts of the book were based on fact and which parts were the invention of the author. In her note at the end of the book, Gregory mentions that there’s not much information available about the period, therefore there are some areas where she felt free to use her imagination.

If you’re not very familiar with the historical background, you’ll need to concentrate to be able to keep track of all the battles, changes of allegiances and numerous claimants to the throne. The family tree provided at the front of the book is not very helpful – it’s incomplete and really needed to show at least one more generation, as it ends before some of the important characters in the story were even born.

I found it difficult to warm to the character of Elizabeth but could feel sympathy for her, especially towards the end of the book. Richard III was also portrayed quite sympathetically – nothing like the evil hunchback in Shakespeare’s play! I would have liked to have seen his relationship with Elizabeth more thoroughly explored in the book – there was no real explanation for why she distrusts him so much, other than that she’s had dreams and premonitions that something bad will happen to her sons in the Tower. On the subject of the Princes in the Tower, the book explores an interesting theory, which may or may not be true – it would be nice to think that it was.

Interspersed with the main story is the tale of Melusina, the water goddess, from whom Elizabeth and the female members of her family are said to have descended and from whom they claim to have inherited magical powers.
Magic and mythology are recurring themes throughout the book. Elizabeth and her mother Jacquetta’s witchcraft skills are used as an explanation for several key historical events – for example, they whistle up storms to defeat their enemies at sea. This aspect of the story became quite repetitive and just didn’t appeal to me much. Sometimes it felt as if there were references to Melusina, water, rivers, the sea etc on almost every page!

The book ends abruptly, but that’s not surprising since The White Queen is the first in a trilogy called The Cousins’ War and will be followed by The Red Queen and The White Princess which will focus on Margaret Beaufort and Elizabeth of York respectively.

I would recommend The White Queen if, like me, you don’t have much knowledge of the Wars of the Roses and are looking for an enjoyable and relatively easy to understand introduction to the period. For those of you with a lot of background knowledge, I think there should still be enough new ideas to keep you interested.

Recommended

Genre: Historical Fiction/Pages: 417/Publisher: Simon & Schuster/Year: 2009/Source: My own copy bought new

Review: A Christmas Carol by Charles Dickens

“Men’s courses will foreshadow certain ends, to which, if perservered in, they must lead,” said Scrooge. “But if the courses be departed from, the ends will change…”

A Christmas Carol is the one classic that almost everyone knows, even if they’ve never read the book. It’s the story of an old, money-obsessed miser called Ebenezer Scrooge who is given the chance of redemption one Christmas Eve when he is visited by the ghost of his deceased business partner, Jacob Marley. Marley warns Scrooge that unless he changes his ways, he will end up like Marley himself, doomed to wander the earth bound by heavy chains of his own making. During the night Scrooge is visited by three more spirits – the Ghosts of Christmas Past, Christmas Present and Christmas Yet to Come – who help him to understand that there are more important things in life than money: things such as generosity, compassion and kindness. The scenes Scrooge witnesses that Christmas Eve are to change his life forever and transform him into a different person.

A Christmas Carol is shorter and easier to read than most of Dickens’ other books and really is suitable for people of all ages. I loved it as a child and after re-reading it this week for the first time in years, I loved it as an adult too. No matter how many movies, cartoons or TV adaptations you may have seen, it’s still worth reading the book for the richness and humour of Dickens’ writing and for his wonderful descriptions and imagery. For example when describing the location of Scrooge’s home, hidden away in a gloomy yard, he says:

 “…one could scarcely help fancying it must have run there when it was a young house, playing at hide-and-seek with other houses, and have forgotten the way out again”.

There are great lines like this one throughout the entire book. I also loved his portrayal of a Victorian Christmas in 19th century London.

Although some readers might find it too sentimental at times, it’s easy to see why this book has become a timeless classic, as it is everything a good Christmas story should be – heartwarming, inspirational and with an important message for us all.

Recommended

Genre: Classics/Pages: 147/Publisher: Chancellor Press/Year: 1985 (originally published 1843)/Illustrations by Arthur Rackham/Source: My own copy

Review: Molly’s Millions by Victoria Connelly

What would you do if you won £4.2m on the lottery? Would you tell your Scrooge-like family and risk them taking the money away from you…or would you try to keep it a secret and have some fun? That’s the decision faced by struggling florist Molly Bailey – and it doesn’t take her long to make up her mind!

Knowing she can’t hide her win from the Bailey family forever, Molly decides to dispose of it as quickly as possible. With only her dog for company, she sets off on a journey around Britain, distributing money to those in need.
Victoria Connelly writes with a lot of warmth and humour, making this a lovely, inspiring story with characters that the reader can really identify with and care about.

It would be impossible not to like Molly Bailey, as she’s such a generous, kind-hearted person. She truly doesn’t seem to realise how unusual it is for someone to behave so selflessly and can’t understand why her actions are making her a media phenomenon. I also liked Tom, despite the trouble he was causing for Molly, and I loved Flora, his daughter. I was torn between cheering Molly on, and wanting Tom to catch her!
This isn’t the kind of book I would usually choose to read but Molly’s Millions, with its pretty pink cover, caught my attention. It was a light, enjoyable, fun read and I’m glad I decided to give it a chance!

Journalist Tom Mackenzie is looking for a big story to save his career. Accompanied by his ten year-old daughter, Flora, Tom chases Molly up and down the country, determined to discover the identity of this modern-day Robin Hood. Molly must use her wits if she is to avoid being caught by Tom and the Bailey men and continue spreading goodwill to the nation.

Recommended

Genre: Chick Lit/Pages: 352/Publisher: Allison & Busby/Year: 2009/Source: Library book