Death in the Andamans by M. M. Kaye

This is the sixth and final book in M.M. Kaye’s Death In… series. I’ve now read all of them and although this one, Death in the Andamans, is not my favourite it’s another that I’ve enjoyed. If you’re new to these books, don’t worry about reading them in order – they are all completely separate, standalone novels, the only connection between them being that they’re all murder mysteries featuring a young female protagonist and set in countries the author had personally visited.

Copper Randall is working as a typist in a London office when she receives an unexpected inheritance from an uncle and decides to spend some of the money on a visit to the Andaman Islands in the Indian Ocean. Her friend, Valerie Masson, is the stepdaughter of the Chief Commissioner there and has invited Copper to stay with them at Government House on Ross Island, the administrative capital of the Andamans (at this time, the Andamans, like the rest of India, are still under British control). Copper arrives just in time for Christmas and, on Christmas Eve, attends a picnic with the other British people on the island – a community which includes Valerie’s fiancé Charles and his friend Nick, who has become Copper’s own love interest.

As the picnic breaks up and the group begin to return home, some by road and some by boat, they are caught in a sudden, violent storm. One of the party is swept overboard and presumed drowned, but as the others reach the safety of Government House and take shelter there, they start to wonder whether it really was an accidental death. Cut off from the rest of the islands by the weather, Copper and her friends must try to identify the murderer before they have a chance to kill again.

There are plenty of suspects, the most obvious being the dead man’s cousin, who stands to inherit his coconut plantation if no will is found. But of course, there are other people who also had the opportunity, although their motives are less clear. There are lots of clues, lots of red herrings and lots of creeping around in the middle of the night listening to footsteps and creaking floorboards (this sort of scene seems to be a speciality of Kaye’s, appearing several times in almost every book in the series!). I didn’t solve the mystery, although the culprit was one of several people I had suspected throughout the novel. Once the villain was revealed, though, I felt that the conclusion was too drawn-out with various characters taking turns to give explanations and tie up loose ends.

Like most of the other Death In… books, this one provides a snapshot of the British Empire in its final days, although she doesn’t really explore the local politics or the effects of colonialism here the way she does in Death in Kashmir or Death in Kenya. You do have to put up with some of the attitudes of the time – the sense of entitlement, the dismissal of the local people as superstitious and uneducated, as well as some sexism with Copper and Valerie’s two boyfriends, Nick and Charles, determined to keep the women out of danger. Charles also has an irritating habit of speaking like someone from a PG Wodehouse novel (deliberately – we are told that he’s been modelling his conversation on the books he’s found in the library, ‘an institution that would appear to have been last stocked during the frivolous twenties by a fervent admirer of such characters as Bertie Wooster’.).

However, the descriptions of the Andaman Islands are beautiful: the breeze ‘whispering through the mango trees’, the ‘tall, feathery clusters of bamboo’, the beach with its ‘clear, glassy water that shivered to a lace of foam about the dark shelves of rock’. Kaye really excels at creating a strong sense of place – I think only Daphne du Maurier and Mary Stewart are as good! The way she describes the approach of the storm, with its torrential rain and hurricane-force winds is particularly dramatic.

In her author’s note, Kaye describes how she came to write this novel; it was inspired by a visit to the Andamans in the 1930s, when her friend’s father was posted there as Chief Commissioner (the character of Valerie is clearly based on the friend). However, due to the outbreak of World War II, the book didn’t get published until 1960 – originally under the title of Night on the Island and then again in 1985 as Death in the Andamans. This explains why the novel feels much older than the publication date would suggest.

Not the best book in the series, then, but still an entertaining read.

This is book 3/20 from my 20 Books of Summer list.

Death in Zanzibar by M M Kaye

I love M.M. Kaye’s Death In… novels, but I’ve been taking my time with the series as there are only six books and I didn’t want to finish them all too quickly. The books all stand alone as entirely separate mystery novels, but are all set in one of several fascinating locations around the world in which Kaye lived with her husband, who was in the British Army. So far, my favourite is still the first, Death in Kashmir, but this one – the fifth in the series – ties with Death in Cyprus for second place.

Death in Zanzibar was originally published in 1959 as The House of Shade. The novel begins with Dany Ashton on her way to Zanzibar to stay with her mother Lorraine and stepfather, Tyson Frost, at Tyson’s home Kivulimi, known as the ‘House of Shade’. Before leaving London, she visits Tyson’s solicitor, Mr Honeywood, to collect a document her stepfather has asked her to bring out to Zanzibar for him. The next day, she reads in the newspaper that Mr Honeywood was murdered just after she left his office and the police have found a handkerchief at the murder scene with her initials on it. Determined that nothing will stop her from visiting Zanzibar, Dany decides to say nothing and continue with her journey – until she discovers that someone has broken into her hotel room and stolen her passport.

Staying in the same hotel is Lashmer Holden, an American publisher whose father is a close friend of Tyson’s. Lash is also on his way to Kivulimi on business and when he hears Dany’s story, he comes up with a plan to get her to Zanzibar and to throw the police off her trail. The only problem is, Lash is drunk (his fiancée has just broken off their engagement) and when he sobers up, halfway across Africa, he is horrified to learn what he and Dany have done.

I won’t go into the plot in any more detail, but there are more murders, a mysterious old mansion, family secrets, disguises and forged letters – all the elements of an entertaining and atmospheric read. I have seen a lot of comparisons of Kaye’s crime novels with Agatha Christie’s and I do agree, to a certain extent – this one did remind me at times of books like Murder in Mesopotamia or They Came to Baghdad – but I think, with their blend of suspense, romance, beautiful young heroines and evocative settings, a better comparison would be with Mary Stewart’s novels. Kaye’s books are darker than Stewart’s, though; they always seem to involve several scenes with the heroine hearing noises in the night and coming across intruders in the dark which are genuinely quite creepy and sinister!

I think this is probably the first book I’ve ever read set in Zanzibar, so I enjoyed the parts describing the island: the colours, smells and sounds, the politics and the people – and lots of interesting little facts, such as a mention of spikes on old wooden doors which had been put there to repel elephant attacks. However, about half of the book actually takes place during the journey, on planes, in airports, and in hotels; Zanzibar is less important to the story than the settings of some of the other books. The mystery itself is an excellent one with lots of suspects, several of whom I suspected at various points in the novel – but not the right one! I liked the romantic aspect of the story too and although I would have preferred Dany to have been slightly less naive and innocent, I had to remind myself that she had just left school the year before and had led a sheltered life.

I still need to read Death in the Andamans, but I’m particularly looking forward to reading Kaye’s historical novel Trade Wind, which is also set in Zanzibar during the time of one of Tyson Frost’s ancestors.

This is book 5/20 of my 20 Books of Summer 2021.

Death in Kenya by M.M. Kaye

This is the fourth in M.M. Kaye’s Death In… mystery series, although the books can be read in any order as they each stand entirely on their own. Like the other novels in the series, this one, Death in Kenya (originally published in 1958 as Later Than You Think), is set in one of the many locations in which Kaye herself lived for a while with her husband, an officer in the British army. In the 1950s, Kenya was still a British colony but the Mau Mau Uprising had been causing unrest across the country throughout the decade and this forms the backdrop for Kaye’s story.

The mystery takes place in and around Flamingo, an estate in Kenya’s Rift Valley which belongs to Lady Emily DeBrett, an eccentric elderly woman who has lived there for many years. When some mysterious, inexplicable events begin to occur at Flamingo – and rumours of a ghost begin to circulate – Lady Em acknowledges that she needs help and sends for her niece in England, Victoria Caryll, to come and join her as companion and secretary. Victoria is tempted by the invitation: Kenya is where she grew up and she longs to return to the country she loves so much, but she knows that Em’s grandson, Eden DeBrett also lives at Flamingo with his wife, Alice – and Eden is the man Victoria was once engaged to, before he ended their relationship with no explanation and broke her heart.

Torn between going and staying, the pull of the Rift Valley eventually wins and Victoria finds herself boarding a plane for Kenya. But when she arrives, she discovers that she has much more than an old lover and a jealous wife to worry about. A murder has been committed and the estate is in turmoil. Will the murderer be found before he or she kills again? Do the people of Flamingo face danger from the Mau Mau leader known as General Africa? And what is the significance of the haunting piece of music called the Rift Valley Concerto?

The mystery aspect of the book is quite enjoyable. I didn’t guess who the murderer was so I was surprised when the truth was revealed, although looking back I feel as though I should have guessed – we were given enough clues to be able to work it out, I think. The descriptions of Kenya are wonderful too, of course; it helps that Kaye lived there herself so could draw on her own experiences and memories when writing the book. I’ve read about the Mau Mau Uprising before, in Leopard at the Door by Jennifer McVeigh, so I already had some basic background knowledge, but that is a recent historical novel whereas Death in Kenya was a contemporary one, so the authors are looking at the same events from different perspectives and from different points in time. Kaye’s sympathies here seem to be more with the white European settlers, which is interesting because that’s not always the case in her novels – as anyone who has read The Far Pavilions or Shadow of the Moon will know, she usually takes a much more balanced view when writing about colonialism. However, she does state in her author’s note that “the opinions voiced by my characters were taken from life and at first hand.”

Although Death in Kenya has the same elements as the previous three books – an interesting, atmospheric setting, a courageous young heroine, a murder mystery to solve and a touch of romance – I found this one slightly different. While the others followed a similar formula (with the heroine actually being on the scene at the time of the murder and falling under suspicion herself), in this book Victoria Caryll doesn’t enter the story until some of the key events have already been played out. This makes Victoria feel somewhat like an outsider and no more or less important to the story than any of the other characters. That lack of one strong, central character to really focus on and connect with probably explains why I felt less engaged with this novel than I did with some of the others, particularly Death in Kashmir and Death in Cyprus.

I still have the last two books in the series – Death in Zanzibar and Death in the Andamans to read – and as they are set in two places I know nothing at all about, I’m looking forward to reading them and learning more!

Death in Cyprus by M.M. Kaye

I read this novel from 1956, the third in M.M. Kaye’s Death In… series, in the final days of February and it provided some welcome respite from the freezing temperatures and heavy snow we were experiencing in my part of the country. Lovely, evocative passages like this one took me away from the cold for a while and into the warmth and beauty of Cyprus:

Olive groves, the tree trunks so gnarled and twisted with age that some of them must surely have seen the Crusaders come and go, stood dark against the glittering expanse of blue, and below them the little town of Kyrenia lay basking in the noonday sun like a handful of pearls and white pebbles washed up by the sea.

The setting is not as idyllic as it seems, however: there appears to be a murderer on the loose – someone has already killed once and could kill again. The first death occurs on board the S.S. Orantares on which twenty-one-year-old Amanda Derington is a passenger. Amanda has accompanied her uncle on a business trip to North Africa and has suggested that she could visit Cyprus while he continues his tour of the various offices of the Derington empire. Horrified at the thought of his niece travelling alone, Uncle Oswin arranges for her to be chaperoned on the journey and to stay at the home of one of his managers on her arrival.

Setting sail from Egypt to Cyprus, Amanda gets to know Alistair Blaine and his wife Julia, an unhappy, bitter woman who accuses every other female on the ship of trying to steal her husband. When Julia collapses and dies in Amanda’s cabin after drinking a glass of her favourite lemon water, only Amanda knows that it was not suicide. Taking the advice of her fellow passenger Steve Howard, Amanda keeps her thoughts to herself, and when she finds a bottle of poison hidden behind her pillow she conceals the evidence from the police. After all, she herself would be the prime suspect and could find it difficult to prove her innocence. Unfortunately, this decision puts her in danger of a different kind when they reach Cyprus, where her knowledge of the crime could make her the killer’s next target…

Death in Cyprus is a great murder mystery with plenty of possible suspects. Apart from Amanda herself, I could imagine every one of them being the murderer and my suspicion fell on one, then another, then another, then switched back to the first. Could it be Persis Halliday, the American romantic novelist who has come to Cyprus to look for inspiration? What about Glenn Barton, the Derington employee who was supposed to be Amanda’s host in Nicosia but had to cancel because his wife had left him? Claire Norman, who seems to know far too much about everyone else’s business? Or Lumley Potter, the spiritual, bohemian artist who is Glenn’s wife’s new lover? The eventual solution to the mystery is quite logical and I feel as though I should have worked it out, but I had allowed myself to get too distracted by red herrings!

As this is a book from the 1950s, some of the attitudes are a bit dated, particularly regarding a romance which develops between Amanda and one of the group she travels to Cyprus with (I won’t tell you who he is, even though it’s very obvious from early in the book). There’s a definite sense that he views Amanda as a helpless woman who needs the protection of a man – although, to be fair, she gives that impression herself with her habit of repeatedly putting herself into dangerous situations from which she needs to be rescued, wandering off on her own in lonely places and venturing into strangers’ houses late at night! Of course, Amanda’s reckless actions do have a purpose because they are the reason for most of the suspense in the story.

I love the Death In… novels. I’ve read three so far and enjoyed them all, especially this one and Death in Kashmir. The books all stand alone – they have different settings and different characters – but I have been reading them in publication order anyway, which means Death in Kenya will be next for me.

Shadow of the Moon by M.M. Kaye

I really have no idea why I haven’t read this book before now. The Far Pavilions has been one of my favourite books since I was a teenager, but for some reason it just never occurred to me to look into what else M.M. Kaye wrote until recently, when I read two of her Death In… mystery novels. When I saw that Cirtnecce was hosting a readalong of Shadow of the Moon this summer, it seemed the perfect opportunity to try another of Kaye’s historical novels in the hope that I would love it as much as The Far Pavilions!

Shadow of the Moon was originally published in 1957 and revised in 1979. Like The Far Pavilions, it is set in India, but at a slightly earlier time – before and during the Sepoy Mutiny of 1857. Our heroine, Winter de Ballesteros, is born in Lucknow to an English mother and Spanish father. Orphaned by the age of six, Winter is sent to England to be raised by her great-grandfather, the Earl of Ware, but the country of her birth still holds a special place in her heart and she dreams of returning one day to the Gulab Mahal, the place she considers home.

Winter is eleven when she meets Conway Barton, who is visiting from India, and she is captivated by his good looks and his connection with the country she misses so much. Conway, with his eye on Winter’s fortune, suggests a betrothal, but it is not until six years later that Winter is old enough to go and join him in India for the wedding. Now Commissioner of Lunjore, Conway says that he is far too busy to escort his fiancée across the sea himself, so he sends his assistant, Captain Alex Randall, in his place. Unknown to Winter, however, her betrothed is no longer the man she thinks he is and has another reason for wanting to delay their meeting. Will the marriage take place or will Alex be able to change her mind during the long voyage to Lunjore?

There’s a romantic aspect to Shadow of the Moon, then, but the historical element is just as important. Cirtnecce has put together two excellent posts (here and here) describing the political landscape in India in 1857, how the country came to be ruled by the British East India Company and the factors leading to the rebellion. All of this is explored in a lot of depth throughout the novel, showing the same impressive level of research and the same understanding and sympathy for India and its people that I remember from The Far Pavilions.

The descriptions of India itself are wonderful and vivid. Whether she’s writing about the streets and bazaars of Lunjore or the relentless heat of summer and the relief of the monsoon, Kaye always chooses just the right words to bring the scene to life. The horrors and atrocities of the Mutiny are also described in vivid detail, although a relatively short portion of the novel is devoted to the actual rebellion and much more to the gradual building of tension, ending in the controversy over the new Enfield rifles which sparked the revolt (the British required the sepoys to use cartridges which were smeared with pork and beef fat, offensive to both Muslims and Hindus).

Lunjore, where much of the action is set, is a fictional district on the borders of Oudh (although it is portrayed so convincingly I had to check to see whether it was a real place or not) but the situation which unfolds there is similar to that being played out elsewhere in India. The British commanding officers are seemingly blind to what is going on around them, refusing to listen to stories of unrest amongst the Indian people and unwilling to doubt the loyalty of their armies. Alex Randall is one of the few exceptions – a man who thinks for himself and who tries to see things from the point of view of others. It’s so frustrating to watch his advice and warnings repeatedly falling on deaf ears as his superiors tell themselves he is worrying about nothing and stubbornly refuse to heed his words.

I found Alex an interesting, complex character, torn between his feelings for Winter and what he sees as his duties and responsibilities towards both the Company and the people of Lunjore. I was particularly intrigued by his relationship with Kishan Prasad – two men who are on ‘opposite sides’ but who each understand what the other is trying to do and under different circumstances might have been friends. With the bridging role he plays between the British and Indian perspectives, Alex often reminded me of Ashton Pelham-Martyn from The Far Pavilions. It took me a bit longer to warm to Winter – I was irritated by her infatuation with Conway and had to keep reminding myself that she was only seventeen!

Whether or not the romance captures your imagination, though, I think there should be something in this novel to interest most readers…the fascinating historical background, the colourful portrait of another time and place or maybe the adventure (plenty of daring escapes, disguises, ambushes and secret meetings by moonlight). I loved it and now I can’t wait to read M.M. Kaye’s other historical novel, Trade Wind, and the rest of the Death In series.

This is book 11/20 for my 20 Books of Summer challenge.

Shadow of the Moon readalong

Just a quick post today to tell you about a readalong I’m going to be participating in this summer. I know I’ve mentioned before that The Far Pavilions by MM Kaye is one of my favourite historical fiction novels. I have also enjoyed two of her mysteries – Death in Kashmir and Death in Berlin – but for some reason still haven’t read her other historical novels, Shadow of the Moon and Trade Wind, despite having had a copy of the former on my shelf for a while now. When I saw that Cirtnecce of Mockingbirds, Looking Glasses and Prejudices and Cleo of Classical Carousel were planning a Shadow of the Moon readalong starting in June this seemed the perfect opportunity to finally pick up my copy and start reading.

Like The Far Pavilions, this book is set in India, a country Kaye really seemed to understand and wrote about beautifully. It was published in 1957, much earlier than The Far Pavilions (1978), so I’m curious to see what it is like and, from what I’ve heard about it, I’m anticipating another great read!

My commonplace book: February 2016

commonplace book
Definition:
noun
a notebook in which quotations, poems, remarks, etc, that catch the owner’s attention are entered

Collins English Dictionary

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A summary of this month’s reading, in words and pictures.

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Every sound of the quiet evening came clearly to her ears with an unnatural distinctness; but now each one possessed a different and terrifying meaning. The muffled shouts and laughter of the few remaining bathers from the indoor swimming bath were the cries of fleeing, panic-stricken people. The whisper of the breeze through the pine needles was a frightened man whispering orders in the shadow of fog-shrouded whin bushes. A passing car was the drone of an enemy bomber and the faint lap of water against the sea-green tiles at the far side of the wide pool was the lap of waves against a pebble beach.

Death in Berlin by M. M. Kaye (1955)

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“The promise of the day!” said Visconti, dreamily and sadly. “Hath it never struck thee how that promise never is fulfilled? Day after day, since the world began, something in the mystery of the dawn is promised – something the sunset smiles to see unfulfilled – something men have ever been cheated of – something men will never know – the promise of the dawn!”

The Viper of Milan by Marjorie Bowen (1906)

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Louis X

Uncertain health, a clever but overbearing father whose authority had crushed him, an unfaithful wife who had scoffed at him, an empty treasury, impatient vassals always ready to rebel, a famine in the first winter of his reign, a storm which threatened the life of his second wife – beneath what disastrous conjunction of the planets, which the astrologers had not dared reveal to him, must he have been born, that he should meet with adversity in every decision, every enterprise, and end by being conquered, not even nobly in battle, but by the water and mud in which he had engulfed his army?

The Poisoned Crown by Maurice Druon (1956)

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She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her — understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.”

The Road to Wigan Pier by George Orwell (1937)

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Flag of Iowa

After all no fledgling had it easy, farmer or crow. Hadn’t he known since he was a boy the way the fledglings had to fall out of the nest and walk about, cheeping and crying, until they grew out their feathers and learned to fly on their own? Their helpless parents flew above them, and maybe dropped them a bit of food, but flying or succumbing belonged to them alone.

Some Luck by Jane Smiley (2014) – review to follow

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“I must insist upon it,” she continued, “that you shall take me now as I really am — as your dearest friend, your sister, your mother, if you will. I know what I am. Were my husband not still living it would be the same. I should never under any circumstances marry again. I have passed the period of a woman’s life when as a woman she is loved; but I have not outlived the power of loving.”

Phineas Redux by Anthony Trollope (1873)

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“There is no other way, Robert,” James said quietly, watching the emotions shift across his face. “If Balliol returns you lose everything. At least this way you have a chance to make sure you and your family are protected. Our best hope is that Edward will be able to keep Balliol from the throne. If he succeeds, God willing, you may one day still claim it.”

Renegade by Robyn Young (2012)

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St Patrick

And so it came to be that they carried me away into bondage, slung over the shoulder of the black-beard while the girl walked, roped behind. I cannot tell you of the voyage, nor of the faces of the many who were taken into captivity with us. I can only say that on that day “…the Lord brought over us the wrath of His anger and scattered us among many nations, even unto the utmost part of the earth, where now my littleness is placed among strangers” in the land known as Eire.

The Lion and the Cross by Joan Lesley Hamilton (1979) – review to follow

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Everybody was bowing, sliding on to one knee as Henry came into the chamber, leaning on his staff and smiling…Here comes the King, and with the coming of the King, all life must stop, the very air must thicken as if congealed in awe of this gross man who hobbled painfully on his tall staff, nodding and smiling, blinking every second.

Here Comes the King by Philip Lindsay (1933)

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In a country where so many desire status and wealth, petty annoyances can spark disproportionately violent behaviour. We become frustrated because we feel powerless, invisible, unheard. We crave celebrity, but that’s not easy to come by, so we settle for notoriety. Envy and bitterness drive a new breed of lawbreakers, replacing the old motives of poverty and the need for escape. But how do you solve crimes which no longer have traditional motives?

Ten-Second Staircase by Christopher Fowler (2006) – review to follow

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Favourite books this month: Phineas Redux and The Viper of Milan