March 2019 – Page 3 – She Reads Novels

I loved Young Bess, the first book in Margaret Irwin’s Elizabeth I trilogy, so I didn’t want to wait too long before picking up the second. I was hoping for another great read but, although there was still a lot to like about this book, I didn’t think it was as good as the first one.

Published in 1948, Elizabeth, Captive Princess, continues the story of the young Elizabeth. The novel begins with the death of Elizabeth’s half-brother, Edward VI, leaving the succession to the throne of England in doubt. We then follow the tragic story of Lady Jane Grey, queen for nine days before eventually being beheaded after Elizabeth’s half-sister Mary comes to the throne. This is a fate that Elizabeth could face herself as she also becomes linked with plots and conspiracies during Mary’s reign, leading to her imprisonment in the Tower of London.

Before the novel ends, two very different men have entered Elizabeth’s life: one is Robert Dudley, son of the Duke of Northumberland and another prisoner in the Tower; the other is Philip of Spain, who has come to England at last to marry Queen Mary. I would expect Elizabeth’s relationships with these two men to form the basis of the final book in the trilogy, Elizabeth and the Prince of Spain, but this particular book concentrates on the stories of Lady Jane Grey and Queen Mary. We actually see very little of Elizabeth herself in this book, which I thought was strange as she is the title character, although I suppose it’s not too surprising as a lot of the drama during this specific period was taking place elsewhere.

The lack of focus on Elizabeth wasn’t really a problem for me in itself; after all, in Young Bess it had been the secondary characters that I found most interesting anyway, particularly Thomas Seymour and his brothers Edward and Henry. But the characters in this book just don’t come to life in the way that the Seymours did and I struggled to connect with any of them on an emotional level. This made the novel feel a bit slow and flat, which was disappointing for me after enjoying the first one so much.

I don’t want to sound too negative, though, because I did like this book and the quality of Margaret Irwin’s writing still makes it a worthwhile read. I love her descriptive writing and the way she recreates Tudor London:

It was seven o’clock as they entered the city of London. The sun was setting in a fury of flame and storm-clouds. All the dark rickety wooden houses leaning top-heavily across the streets as though they were nodding to each other, all but rubbing each other’s foreheads, all seemed to have put on scarves and petticoats, so many bright cloths fluttered from the windows, while the gaily painted shop signs flaunted and creaked and clattered in the breeze.

Away from the main storylines, I enjoyed all the other little details of 16th century life and 16th century history. For example, I was interested in the account of the Edward Bonaventure’s voyages to the White Sea and the ‘strange land of endless snow’ which I first read about in The Ringed Castle by Dorothy Dunnett.

Having come this far, I will be finishing the trilogy with Elizabeth and the Prince of Spain, but will then look forward to reading some of Margaret Irwin’s other books. I have The Galliard, her novel about Mary, Queen of Scots and the Earl of Bothwell on my TBR and would also like to read The Stranger Prince, about Prince Rupert of the Rhine.

It’s the first Saturday of the month which means it’s time for another Six Degrees of Separation, hosted by Kate of Books are my Favourite and Best. The idea is that Kate chooses a book to use as a starting point and then we have to link it to six other books of our choice to form a chain. A book doesn’t have to be connected to all of the others on the list – only to the one next to it in the chain.

This month we begin with The Arsonist by Chloe Hooper. I haven’t read this book – in fact, it isn’t out in the UK until the end of May – but it does sound like an interesting Australian true-crime book about ‘Black Saturday’, the day in February 2009 when a man lit two fires in Victoria’s Latrobe Valley.

For my first link, I have chosen another book on a fire-related subject, although this one is fiction: The Fire Court by Andrew Taylor, a historical mystery set in the aftermath of the Great Fire of London. This is part of a series featuring the characters of Cat Lovett and James Marwood (I used the first book, The Ashes of London, in a previous Six Degrees post) and the next book, The King’s Evil, is on my shelf waiting to be read soon.

My next link is to another historical crime novel written by an author whose name is Andrew. He is Andrew Hughes and the book is The Convictions of John Delahunt. Set in Dublin in the 1840s, this is a dark, atmospheric novel with an unusual and intriguing narrator. I remember loving it.

Another book set at least partly in Dublin – in the early twentieth century this time – is Ghost Light by Joseph O’Connor, the story of the Irish actress Molly Allgood and her relationship with the playwright John Millington Synge. I thought this was a beautifully written novel, but I still haven’t read any of Joseph O’Connor’s other books yet.

Despite the title, Ghost Light is not actually a ghost story. A novel with the word ‘ghost’ in the title that really does feature ghosts is The Ghost Writer by John Harwood. The main character discovers that his great-grandmother, Viola Hatherley, was a writer of ghost stories and some of the tales she had supposedly written are incorporated into the plot.

This leads me to another book which uses the story-within-a-story concept, but in a very different way: the wonderful Magpie Murders by Anthony Horowitz. The novel includes, almost in its entirety, an Agatha Christie-style murder mystery written by a fictional author called Alan Conway.

My final link is to Seven for a Secret by Lyndsay Faye, the middle book in her Timothy Wilde trilogy which I loved and was sorry to see come to an end. It can be linked to the previous book in the chain in two ways – as well as having birds pictured on the cover, the title refers to the famous rhyme about magpies (One for sorrow, two for joy, three for a girl, four for a boy, five for silver, six for gold, seven for a secret never to be told).