Thoughts on finishing The Tawny Man Trilogy (The Golden Fool and Fool’s Fate)

After reading Fool’s Errand a few months ago, I knew I didn’t want to wait too long before reading the other two books in Robin Hobb’s Tawny Man Trilogy; on the other hand, I didn’t want to read them too quickly because then it would all be over and I wouldn’t have them to look forward to anymore (I’m sure I’m not the only one who feels that way about long-anticipated books). Once I started reading The Golden Fool, though, I had to keep going until I’d reached the end of the trilogy. I cared too deeply about the characters to abandon them while I read other books.

Before I go any further, I will give my usual advice that if you are new to Robin Hobb, the place to start is the Farseer Trilogy, which begins with Assassin’s Apprentice. After that, you should read The Liveship Traders Trilogy – it’s not completely necessary but I strongly recommend it as it will give you a better understanding of the world Hobb has created – and then move on to Fool’s Errand. If you have not yet read all of those books, you will come across spoilers for them in the rest of this post (it would be impossible for me to avoid them).

First, The Golden Fool. As the middle book in the trilogy, this one is neither as tightly plotted as the first nor as epic as the third. Its main function seems to be to tie up some of the storylines begun in the first book (such as Laudwine and the Piebalds), while setting the scene for the quest that will form the basis of the final book. The foundations of this quest are laid during negotiations for Prince Dutiful’s betrothal to an Outislander princess, the Narcheska Elliania. Dutiful’s mother, Queen Kettricken, intends this marriage to form a lasting alliance between the Six Duchies and the Outislands, but it seems that things aren’t going to go quite as smoothly as she’d hoped. Before the Narcheska will agree to marry the prince, she insists that he will have to prove himself worthy…by bringing her the head of the black dragon Icefyre, who lies in a glacier on a distant ice-covered island.

To help Dutiful prepare for his mission, Fitz – still posing as Tom Badgerlock, servant to the nobleman Lord Golden (the Fool) – reluctantly agrees to take on the role of Skillmaster, tutoring the prince in the Farseer magic known as the Skill. The importance of creating a coterie for Dutiful – a circle of those gifted in the Skill who will offer support and strength to the prince – is clear, but at present Fitz has other things on his mind. His adopted son, Hap, is in love with a girl from Buckkeep Town whose parents strongly disapprove of the match, and Hap risks losing his apprenticeship as a result. Meanwhile, his daughter Nettle, with whom he is linked through the Skill, is being visited in her dreams by a blue dragon; Kettricken and Chade want her brought to the safety of Buckkeep Castle and raised as befits a Farseer heir, but Fitz disagrees…

Worst of all, the friendship between Fitz and the Fool, which has endured for so many years, comes under threat when a delegation from Bingtown arrives. Among them is a certain woman called Jek, who will be remembered by readers of the Liveship Traders, and who seems to be under a misapprehension about the Fool. And this is one of several points in the novel where I was glad I had resisted the temptation to go straight from the Farseer Trilogy to the Tawny Man – this particular scene would have made far less sense otherwise. Even with my understanding of what it was all about, I found this a difficult and uncomfortable scene to read – it’s never nice to see people who care so much about each other hurting each other so badly.

Fool’s Fate picks up the story in the middle of the preparations for Dutiful’s journey to the Outislands where he must hunt down and behead the dragon Icefyre. Along with his old mentor Chade, and the difficult but strongly-Skilled Thick, Fitz is accompanying the prince on his voyage but insists that the Fool, who has predicted his own death on the icy island of Aslevjal, must stay behind. Can the future really be changed as easily as that – or will fate refuse to be defied?

This is the book where the significance of everything we’ve learned in the previous eight novels regarding dragons, Elderlings, White Prophets and Catalysts finally starts to become clear and I found the ‘quest’ element of the novel more compelling than the one in the final Farseer novel, Assassin’s Quest – although, having said that, there are some direct links between the two and, remembering that earlier quest, I enjoyed the brief glimpses we are given of Girl on a Dragon and Verity as Dragon! This is such a visual book too; some of the scenes involving Icefyre, the glaciers of Aslevjal and the Elderling ruins beneath the ice are described so vividly, I almost felt as though I was watching them unfold on film. We also see both the Skill and the Wit being used in new and fascinating ways.

As the final book in the Tawny Man Trilogy and, until the publication of the Fitz and the Fool Trilogy in 2014 (which I still have to look forward to), the final book about Fitz, there are a lot of loose ends to tie up and a lot of ongoing storylines to be resolved. I think whether or not you will be satisfied with these resolutions will depend on how you feel about the characters concerned. Although one of Fitz’s relationships is given a happy ending, it comes at the expense of at least two others – and because I had felt much more closely engaged with the latter two characters than with the former, I found it a very bittersweet conclusion to Fitz’s story.

As usual, coming to the end of one of Robin Hobb’s trilogies has left me feeling bereft. I’m planning to start her Rain Wild Chronicles soon, but I’m wondering where the novella The Wilful Princess and the Piebald Prince fits in and whether I should maybe read that first.

Fool’s Errand by Robin Hobb

As regular readers of my blog will know, it’s not very often that I read fantasy, yet Robin Hobb’s books have been some of my favourite reads of the last few years. In 2014 I discovered the Farseer Trilogy and then, last year, I moved on to her second trilogy, the Liveship Traders – set in the same world, the Realm of the Elderlings, but in a different part of that world and with different characters and storylines. Fool’s Errand is the first book in yet another trilogy – The Tawny Man – which leaves the liveships behind and returns to the story of FitzChivalry Farseer.

If you haven’t read the Farseer trilogy yet, you really need to do so before starting Fool’s Errand. It’s important to understand Fitz’s background, his relationships with other characters, and the magic and history of the world he inhabits, otherwise I think you’ll be very confused!

Anyway, Fool’s Errand begins fifteen years after the events of Assassin’s Quest, with Fitz living in a remote cottage in the countryside, far away from his former home in Buckkeep, having made the decision to stay out of the politics and intrigues which continue to surround the Farseer family. He has taken the name Tom Badgerlock and is leading a quiet life with his adopted son, Hap, and his wolf Nighteyes, with whom he shares a special bond, as his only companions. Then, unexpectedly, he receives a visit from Chade, his old mentor and instructor in the art of assassination. Chade tries, but fails, to persuade Fitz to return to Buckkeep to teach the magic known as the Skill to the young Prince Dutiful.

This visit is closely followed by another: this time from the Fool, who has matured from the pale boy of fifteen years ago into an elegant young man with golden hair and skin. The two quickly settle back into their old friendship, but even the Fool is unable to convince Fitz to come back with him to Buckkeep. It is only when Fitz receives shocking news regarding Prince Dutiful that he agrees to return to court and offer his assistance. The Prince has disappeared, just days before his betrothal ceremony, and Chade believes that Fitz is the only person who can find him. Did Dutiful run away or was he kidnapped? Could he have become the target of a carefully planned plot? And how is all of this connected with the little hunting-cat the Prince received recently as a gift?

Although I did enjoy the three Liveship Traders novels I read last year, it was wonderful to be reacquainted with Fitz and the other Farseer characters again. I don’t regret having taken the time to read the Liveship Traders, as it means I picked up on a few things in Fool’s Errand – such as the name of the Fool’s horse and a visit to a certain island – which wouldn’t have meant much to me otherwise, but I definitely prefer the world of the Six Duchies. I think this particular novel might even by my favourite by Robin Hobb so far. It feels more tightly plotted than any of the others, with the focus on one mission – to find Prince Dutiful and return him to Buckkeep – and with a slightly smaller cast of characters too, concentrating mainly on the very close relationships Fitz has with the Fool and with Nighteyes. It’s also a very moving book, with one particular scene that made me cry – even though I’d known from the beginning that it was going to happen sooner or later, I still wasn’t prepared for it!

Now that I’ve remembered how much I love reading about Fitz and his friends, I’m sure it won’t be long before I pick up the second book in the trilogy, The Golden Fool.

This is book 10/20 of my 20 Books of Summer.

Tomorrow by Damian Dibben

There are two things which make the narrator of Tomorrow one of the most unusual I have ever encountered. One is that he is over two hundred years old. The other is that he is a dog. We all know how loyal dogs can be, but this dog takes his loyalty to exceptional levels. Having been separated from his master, the chemist Valentyne, in 1688, our narrator has spent two centuries sitting patiently outside the church in Venice where they parted.

“If we lose one another,” Valentyne had told him, “wait for me on the steps. Just here, by the door.” The dog has no doubt that he and Valentyne will be reunited one day and so he sits obediently by the door and waits. Then, one day in 1815, he catches a glimpse of Vilder, a man whose path has crossed many times with Valentyne’s…and he sets off in pursuit, sure that this is the clue which will lead him to his master.

Tomorrow is a book that raises questions immediately. What has happened to Valentyne? How have he and his dog lived for so many years? Who is Vilder and what is his connection with Valentyne? All of these questions are answered eventually, as the story moves backwards and forwards in time, alternating between the dog’s search for his master in 19th century Venice and his memories of their early days travelling Europe together.

Their adventures take them from 17th century London to the court of Versailles and the battlefield of Waterloo and along the way they meet kings and queens, famous poets and musicians and great military leaders. Valentyne falls in love and the dog forms some special relationships too – with Sporco, a puppy he finds abandoned in Venice, and with a female dog called Blaise. However, this is where they discover that living forever is not much fun when it means having to watch your loved ones grow old and die.

I do like the idea of writing from the point of view of a canine narrator and I can appreciate both the opportunities this must give an author and also the restrictions. The dog in Tomorrow is a real dog, despite his apparent immortality – he is not a magical, talking dog and although he listens and reports on the human conversations around him he cannot take part himself. On the other hand, he is so intelligent and his internal thought processes and logic feel so human that there were times when I could almost forget that he was a dog. I’m not sure that I found all of this entirely successful, but it was certainly imaginative and different.

Finally, in case you’re wondering, the dog does have a name but I haven’t mentioned it here as it is only revealed near the end of the book and I thought it was a nice surprise!

Thanks to Michael Joseph for providing a copy of this book for review via NetGalley.

The Girl in the Tower by Katherine Arden

I enjoyed The Bear and the Nightingale when I read it almost exactly a year ago and I remember my excitement on discovering that it was actually the first in a planned trilogy. We haven’t had to wait too long for the second book, The Girl in the Tower, and I’m pleased to say that I loved it even more than the first.

Katherine Arden’s books are a wonderful mixture of history, folklore and fairytales with an atmospheric and wintry Russian setting. If you haven’t read The Bear and the Nightingale yet, I would highly recommend starting with that one – and I should warn you that there may be spoilers for the first book in the rest of this post.

At the beginning of The Girl in the Tower, our heroine Vasilisa Petrovna (Vasya) is fleeing her childhood village of Lesnaya Zemlya. Despite her efforts to rescue the villagers from a great evil, the way in which her father and stepmother died has caused Vasya to be branded a witch, regarded with suspicion and distrust. Accompanied by her magnificent stallion Solovey, Vasya sets off on a journey across northern Rus’ to Moscow, home of her sister Olga – a journey which will be filled with danger as Vasya encounters a group of bandits sweeping across the countryside burning villages and kidnapping children. First, though, she must pay a visit to Morozko, the frost-demon, in his fir-grove deep in the forest…

This novel has a much wider geographical scope than the previous one, in which the action takes place almost entirely in and around Lesnaya Zemlya. I liked this aspect of the book; medieval Moscow is an interesting setting and, with Olga’s family close to the Grand Prince, Dmitrii Ivanovich, we are given some insights into the political situation during this period of Russian history. At the time of the story, the Rus’, as it was known then, is still part of the domain of the Great Khan and the Golden Horde, but with their influence weakening as the Grand Prince grows in power, it seems that things could be about to change.

I was also pleased to see Vasya reunited with her siblings, not just Olga but also their brother Sasha, who is now a priest. Sadly, her relationships with both Olga and Sasha are very strained, partly because of what happened in Lesnaya Zemlya, for which Vasya is unable to give an adequate explanation, and also because of her behaviour on arriving in Moscow, which they consider unladylike and inappropriate. To the modern reader, Vasya is a wonderful character – brave, independent and rebellious – but her refusal to conform to the 14th century ideal of what a woman should be leads her into a great deal of trouble. In contrast, Olga has accepted her place in society and expects her young daughter, Marya, to follow the same course in life. Marya, though, appears to have other ideas!

I’ve said very little so far about the fantasy elements of the novel. We don’t see very much of the household spirits who played such an important part in The Bear and the Nightingale, but there are some appearances by intriguing new figures from Russian myth including the Firebird – and another, more sinister, character whose name I won’t give here so as not to spoil anything! I also enjoyed Vasya’s interactions with her magical horse, Solovey, who has begun to form a personality of his own. Last, but certainly not least, there’s Morozko, frost-demon and god of the dead.

There were hints in the previous book of a possible romance between Vasya and Morozko, and in this book their relationship is developed further. It’s definitely not a conventional love story and because of who Morozko is and the role he has to play in Russian folklore, he has a tendency to come and go throughout the novel. It’s frustrating but it worked for me and I found myself looking forward to the scenes they shared. I loved The Girl in the Tower – and the good news is that the third book in the trilogy, The Winter of the Witch, is expected this August!

Thanks to Ebury Publishing for providing a copy of this book for review via NetGalley.

This book counts towards this year’s What’s in a Name? Challenge: A title containing the word ‘the’ used twice.

Witch Week: The Wicked Day by Mary Stewart

This week Lory of The Emerald City Book Review is hosting her annual Witch Week event, a celebration of fantasy books and authors. This year’s theme is Dreams of Arthur – books which draw on the Arthurian legends. Having read and loved Mary Stewart’s Merlin trilogy a few years ago, I thought this would be the perfect opportunity to read The Wicked Day, another of her Arthurian novels.

There is some overlap between The Wicked Day and the events of the final Merlin novel, The Last Enchantment, but in this book the focus switches to Mordred, the son of King Arthur and his half-sister, the witch Morgause. At the beginning of the novel, Mordred is being raised by peasants in the Orkney Islands and is unaware of his true parentage. It is only by chance that he is brought back into contact with his real mother, Morgause, by now the widow of King Lot of Lothian and Orkney, with whom she has had four more sons. Aware of Merlin’s prophecy suggesting that Mordred will be the cause of Arthur’s death, Morgause takes the boy into her household, sensing that he could be a useful weapon against Arthur.

Eventually, Morgause and her sons are summoned south to Camelot and Mordred will have to decide where his loyalties lie. But even if he chooses Arthur, will he be able to defy the prophecy or will he prove to be his father’s downfall after all?

I enjoyed this book, though maybe not quite as much as the three Merlin novels, which is probably because I found Merlin himself a more appealing character than Mordred. Having said that, Mary Stewart’s portrayal of Mordred is much more sympathetic than I had expected. Although my knowledge of Arthurian legend is very limited, I had gained the impression from other sources that Mordred was a villain, a traitor who betrayed Arthur. Stewart’s Mordred is not like that at all. He’s by no means perfect – he does have flaws and makes mistakes – but he always has the best of intentions and although he is ambitious any trouble he does cause for Arthur is largely due to circumstances outside his control.

As well as Mordred’s relationship with Arthur, his interactions with his four half-brothers – Gawain, Agravain, Gaheris and Gareth – are also explored. Their attitudes towards Mordred range from suspicion and rivalry to reluctant acceptance and respect. As I’ve said, I don’t know a lot about the Arthurian legends, so although I had heard of King Lot’s four sons and had a basic idea of how their stories would play out, it really was only a basic idea! The advantage of going into a book knowing very little about a subject is that you can be kept in suspense wondering what is going to happen and enjoy the story for its own sake, without any preconceived opinions; on the other hand, it would have been nice to have had other versions of the story and characters in mind so that I could have made comparisons and looked for similarities and differences.

At the end of the book we are given brief retellings of the sections of Sir Thomas Malory’s Le Morte d’Arthur and Geoffrey of Monmouth’s The History of the Kings of Britain which deal with the Mordred legend. Stewart then goes on to explain why she chose to interpret Mordred’s character the way she did; I found it interesting to read that while she was writing the earlier Merlin novels she had accepted the traditional view of Mordred as a villain and only changed her mind when she came to research his story in detail.

As with Mary Stewart’s other Arthurian novels, the elements of fantasy in The Wicked Day are very subtle and understated, amounting to not much more than a few prophecies and visions. The 6th century Britain that she recreates is a real, believable place and her books feel much more like historical fiction than fantasy, which is possibly why I like them so much. I am planning to read her final Arthurian novel, The Prince and the Pilgrim, and will then see how other authors have approached the legends. When I reviewed The Last Enchantment I received lots of ideas for future reading in the comments, so I have plenty of books and authors to explore. Chris of Calmgrove has also put together a very informative guest post for Witch Week with more suggestions and recommendations.

The Bedlam Stacks by Natasha Pulley

This is Natasha Pulley’s second novel. I remember seeing lots of very positive reviews of her first, The Watchmaker of Filigree Street, a year or two ago and thinking it sounded interesting. I never got round to reading that book, but when I heard about her new one, The Bedlam Stacks – which sounded just as intriguing – I decided to give it a try.

Set mainly in Peru in 1860, The Bedlam Stacks is narrated by Merrick Tremayne, a former opium smuggler and an expert in botany. Confined to his family estate in Cornwall due to a leg injury, Merrick is trying to come to terms with the fact that he will now have to put his adventuring days behind him and find something else to do with his life. Just as he is beginning to lose hope, his old friend Clem Markham arrives with a request from Merrick’s former employers, the East India Company. To tackle the problem of treating malaria in India, a supply of quinine is urgently needed – and Merrick’s expertise with plants makes him the ideal person to travel with Clem to Peru to take cuttings of the quinine-rich cinchona tree.

At first Merrick is reluctant to agree, knowing that his disability will make it difficult for him to travel through dangerous terrain – not to mention the fact that the Peruvians have a monopoly on the trees and are not about to let anyone else steal them. The alternative, though, is to stay at home and follow his brother’s suggestion of becoming a parson, so it doesn’t take him long to reach a decision! Venturing into the uncharted depths of Peru, Merrick and Clem finally arrive in the holy town of Bedlam, a place where the boundaries between magic and reality begin to merge.

The magical realism elements in The Bedlam Stacks are much more dominant than I had expected. There are moving statues, exploding trees and several other surprises which I will leave you to discover for yourself! This wasn’t really to my taste – I think I would have found it just as enjoyable to read a novel about an expedition to Peru that was based entirely on fact, without the touches of fantasy – but it was certainly imaginative and original. I did love the concept of the Markayuq statues, which apparently really exist and are still found in the countryside in Peru, originally thought to be guarding the villages. Natasha Pulley finds a clever and fascinating way to incorporate these into the story, but again I don’t want to say too much.

The sense of place is very strong – there are some wonderful descriptions of the Peruvian landscape as well as vivid accounts of more practical considerations such as the altitude sickness experienced during the journey – but I was slightly disappointed that there wasn’t a stronger sense of the time period. Neither Merrick’s narrative voice nor the dialogue between the characters felt convincingly Victorian to me; the choice of words and phrases, the grammar and the structure of sentences just weren’t right for the 19th century. I’m aware, though, that I can be a bit pedantic about anachronistic language used in historical novels and I know it’s not something that bothers everyone!

I did find a lot to enjoy in The Bedlam Stacks, although I’m sorry that I couldn’t quite manage to love it. Maybe I’m just not the right reader for Natasha Pulley’s books, but I’m still glad I’ve tried this one – even if not everything worked for me, I can understand the appeal!

Thanks to Bloomsbury Publishing for providing a copy of this book for review via NetGalley.

Ship of Destiny by Robin Hobb

This, the third of Robin Hobb’s Liveship Traders novels, brings the trilogy to an exciting and satisfying conclusion. Having become quite attached to the characters and swept away by the story over the course of the three novels, I’m sorry to have come to the end – but I have to admit, I’m also happy that I’ve finished and can now move on to the Tawny Man books and rejoin old friends from Hobb’s Farseer trilogy. First, though, I need to post my thoughts on Ship of Destiny – and as this is a trilogy which really needs to be read in order, I can’t avoid spoiling elements of the previous two books here; if you think you might want to read them I would recommend going no further with this review until you’ve read both Ship of Magic and The Mad Ship.

Ship of Destiny picks up each of the trilogy’s many storylines from where they left off at the end of The Mad Ship. For much of the novel, our main characters are divided into small groups, each having separate adventures of their own, until fate eventually brings them together in a dramatic sequence of events which brings The Liveship Traders to a close.

First of all, there’s Malta, who has escaped from the aftermath of the earthquake in Trehaug and has found herself sailing down the hazardous Rain Wild River in the company of the childish and petulant Satrap of Jamaillia. Malta’s betrothed, Reyn Khuprus, is desperately searching for her, with the reluctant help of Tintaglia the dragon. Newly released from her cocoon, Tintaglia would prefer to be getting down to more important business, such as saving her species from extinction.

On board the liveship Paragon, Althea Vestrit, Brashen Trell and Amber the wood-carver are getting closer and closer to the Vivacia, the Vestrit family liveship which Althea has her heart set on reclaiming. But Vivacia has already bonded with her new captain, the pirate Kennit, and with Althea’s nephew Wintrow; Althea could be facing disappointment when she finally catches up with her beloved ship. Meanwhile, Ronica and Keffria are trying to rebuild and reform Bingtown following the Chalcedean invasion – but for this they will need the cooperation of Serilla, the Satrap’s Companion, whose priority seems to be to obtain power for herself.

When I wrote about The Mad Ship a few weeks ago, I mentioned that I was particularly intrigued by Amber, as she made me think of another character from the Farseer trilogy. That character, of course, is the Fool, and I was pleased to find that my suspicions were confirmed in this book. Amber recarves Paragon’s figurehead to resemble Fitz, there are discussions of destiny, and there are exchanges like this:

“You’d have to be a fool to think you could change the course of the whole world.”

She was silent until she broke out in a shaky laugh. “Oh, Paragon, in that you are more right than you know, my friend.”

Other characters continued to interest me too, particularly Malta. Who would have thought the annoying, selfish girl we met in the first book would mature so quickly and turn out to be such a shrewd negotiator? Kennit, on the other hand, goes from being a complex and strangely sympathetic character to a villain whose treatment of Althea and Paragon made me lose all respect for him – although I did find his final scenes in the book quite moving.

On reaching the end of The Liveship Traders, I didn’t feel as bereft as at the end of The Farseer trilogy, which I think is partly because, while there were plenty of characters I liked and cared about, I never felt as close to any of them as I did to Fitz. I was less emotionally involved with this trilogy, but I did still thoroughly enjoy it; I loved the world Robin Hobb created here and I was impressed by her ability to handle multiple storylines and keep track of who knows what! Also, as someone who doesn’t read a lot of fantasy, I found the dragon element fascinating, which is probably fortunate as if I’m going to continue working through Hobb’s novels I will eventually need to read The Rain Wild Chronicles which, judging by the titles, sound very dragon-heavy! First, though, I’m looking forward to the Tawny Man trilogy – I have my copy of the first book, Fool’s Errand, ready and waiting…