The Child from the Sea by Elizabeth Goudge

The Child from the Sea “To show you Roch would be such happiness,” she said. “I would show you the bay where the seals come, and perhaps they would sing to you, and the Valley of Roses at St Davids, where the stream is so cool. We would stand on the cliffs when the wind was blowing and hear the gulls screaming and the waves roaring all along the coast.”

“You love the sea?”

“I belong to it.”

Elizabeth Goudge is an author I would probably never have thought about trying if it hadn’t been for Lory of The Emerald City Book Review who is hosting a reading week devoted to Goudge’s work this week. Not knowing much about Elizabeth Goudge’s novels, I read the descriptions of some of them and The Child from the Sea sounded the most appealing to me. Although it seems to be out of print at the moment, I was able to borrow a copy from Open Library.

Goudge wrote a mixture of contemporary novels, short stories, children’s books and historical fiction; The Child from the Sea, published in 1970, is one of her historical fiction novels. It tells the story of Lucy Walter, a mistress – and possibly secret wife – of King Charles II and mother of his eldest son, the Duke of Monmouth.

The novel begins in Wales and introduces us to a young Lucy who is growing up at Roch Castle, the home of the Walter family near the Pembrokeshire coast. The story gets off to a slow start, with lots of descriptions of the scenery and countryside, Welsh customs and traditions, and some of the old myths and legends Lucy learns as a child. We also meet some of the people who live in and around Roch Castle: Lucy’s brothers, the handsome, aloof Richard and the loyal, warm-hearted Justus; her beloved nurse Nan-Nan; and Old Parson and his friend, the mysterious Sin Eater.

This first section of the book could probably have been cut a lot shorter without losing anything important, but it does all add to our understanding of who Lucy is and what a 17th century Welsh childhood may have been like. The story really picks up, though, when the action switches to London on the eve of Civil War and Lucy has her first encounter with the young Charles. Fate brings Lucy and Charles together again several years later and they fall in love, marrying secretly, but it’s not long before they are separated once more by the war raging around them.

The rest of the novel is set during Charles’s period of exile in The Hague following the Parliamentarian victory and the execution of his father, Charles I. We follow Lucy as she travels around Europe awaiting the restoration of the monarchy and hoping that one day she will be acknowledged as Charles’s wife.

Lucy Walter is a woman who really existed and really was one of Charles II’s mistresses, but very little is known about her and there doesn’t appear to be any evidence to prove whether or not she and Charles were legally married. Doing some quick research after finishing this book, it seems that the real Lucy is generally considered by historians to be a very different type of character to the gentle, loving woman portrayed in the novel. But even if this is a romanticised version of her life and her relationship with Charles, and even if it isn’t accurate in every detail, I still found it a very moving, emotional story.

Not knowing anything about Lucy before I read this book meant that I was kept in suspense wondering how the story would play out and what her eventual fate would be. I had a feeling this wasn’t going to be a book with a happy ending, and I was right. There were some heartbreaking moments in the final chapters of Lucy’s story and I had tears in my eyes at the end of the book.

I’m pleased that I gave myself plenty of time to finish this book in time for the reading week! The writing is lovely but the pace of the story is very slow and this is not a book you can rush through in a few days. You need to take your time to be able to appreciate the beauty of the writing and the insights the author is giving us into history and life in general. For this reason, and because it is quite a romantic, sentimental story, The Child from the Sea probably isn’t a book I would recommend to everyone. There’s also a spiritual aspect to the book that grows stronger as the story progresses and may not be to every reader’s taste.

I loved The Child from the Sea, though, and am pleased I chose this one as my first Elizabeth Goudge book. I will definitely be reading more!

River of Smoke by Amitav Ghosh

River of Smoke This is the second novel in Amitav Ghosh’s Ibis Trilogy. The first, Sea of Poppies, was set just before the First Opium War and introduced us to a group of people who were brought together on a voyage from India to Mauritius aboard a former slaving ship. The book ended on a cliffhanger so I was pleased that I had a copy of River of Smoke to hand and wouldn’t have long to wait to find out how the story continued.

River of Smoke was not quite what I’d expected. It does continue the story, but only for two or three of the characters. The rest of them – even the ones we spent so much time with in Sea of Poppies, such as the Indian widow Deeti and the American sailor Zachary Reid – are barely mentioned in this book. The characters who do reappear are Paulette Lambert, the orphaned daughter of a French botanist, Neel Rattan Halder, the deposed Raja of Raskhali, and his Chinese friend, Ah Fatt.

In one thread of the novel, we follow Paulette as she joins forces with Fitcher Penrose, an Englishman whom she meets in the neglected botanical garden of Pamplemousses. Together, Penrose and Paulette head for Canton where, with the help of Paulette’s childhood friend, the artist Robin Chinnery, they begin a search for the mythical golden camellia.

In a separate storyline which runs parallel with the first (and quickly begins to dominate the novel), we meet Ah Fatt’s father, Bahram Modi, an opium trader from Bombay. Bahram is transporting a large cargo of opium to China and agrees to take Neel with him as his munshi, or secretary. However, when a new commissioner arrives in Canton and the opium trade is banned, Bahram and his fellow merchants face financial ruin.

Like the first novel, River of Smoke provides us with a huge amount of historical and geographical detail. As someone who previously knew almost nothing about the Opium Wars, I now have a much better knowledge of what led to the conflict and the arguments that were used by both sides. Ghosh also brings to life the sights and sounds of Fanqui-town, the Canton settlement which was home to the foreign merchants. Unfortunately one of the devices he uses to do this involves beginning each chapter with a long letter sent by Robin Chinnery to Paulette, and this was one aspect of the book that I didn’t like at all. I had no interest in Robin as a character and it felt that his sole purpose in the novel was to write these letters, giving us pages and pages of exposition that did very little to move the story forward.

I have enjoyed both of the first two books in this trilogy, but I think I liked this one slightly more than the first. I was a bit disappointed when I discovered that River of Smoke wasn’t going to be a direct continuation of Sea of Poppies, but once I had settled into the story, I found it easier to follow because it concentrated on fewer main characters. Paulette and Neel had been two of my favourites from the previous book, anyway, and of the new ones, I found Bahram Modi a particularly well written and complex character. I couldn’t help but have some sympathy for him even though what he was doing was clearly morally wrong.

The final book in the trilogy, Flood of Fire, is due to be published soon and I’m looking forward to reading it. I’m hoping we’ll be able to catch up with the other characters from Sea of Poppies who didn’t feature in this one!

The Goddess and the Thief by Essie Fox

The Goddess and the Thief “A diamond. A curse. An obsession.” These are the words on the front cover of Essie Fox’s third novel and they give us a good idea of the type of story we can expect to find inside. The Goddess and the Thief is a Victorian Gothic novel (like the previous two books by this author – The Somnambulist, which I’ve read, and Elijah’s Mermaid, which I haven’t) and combines a complex plot with an atmospheric setting and a sense of mystery.

The novel begins in colonial India, where a little girl called Alice Willoughby is growing up in the care of her beloved ayah, Mini, having lost her mother in childbirth. Alice loves India – she loves the warmth, the vivid colours, the stories Mini tells of Parvati and Shiva – and is heartbroken when her father decides to take her back to England to live with her Aunt Mercy. Alice is lonely and miserable in her new home and finds Mercy cold and uncaring. Things become even worse when she discovers that her aunt is a medium and that she will be forced to take part in Mercy’s fraudulent séances and other spiritualist activities.

Alice’s life reaches another turning point when she and Mercy meet the mysterious Lucian Tilsbury, a man who has recently returned from India and is planning to involve the two women in an elaborate scheme…a scheme revolving around the Koh-i-Noor diamond, the famous jewel claimed by the British at the end of the Anglo-Sikh war. Some say the diamond is cursed and others that it is blessed, but one thing that is certain is that it exerts a strange power over everyone who comes into contact with it.

You may be thinking that this sounds like The Moonstone, but while there are some similarities with the Wilkie Collins mystery, this is a very different book and the story surrounding the diamond took some surprising twists and turns which I definitely wasn’t expecting! I was particularly intrigued by the occasional appearances of Queen Victoria and the Maharajah Duleep Singh, two people for whom the Koh-i-Noor has a very important significance.

The scenes set in India at the beginning of the book were among my favourites and I was sorry when we left India behind for the gloom of Aunt Mercy’s house in Windsor. The mood of the novel then becomes increasingly dark and oppressive and I was pleased that tales of the Hindu gods and of Alice’s life in Lahore continued to be woven into the plot. I liked Alice as a central character and enjoyed following her adventures, while also feeling afraid and worried for her as she found herself betrayed, badly treated and unsure of whom to trust.

My only problem with The Goddess and the Thief was that there were certain passages which I found confusing and difficult to follow, partly because the use of opium played a role in the story, which meant that the boundaries between reality and unreality often became blurred. I appreciate that this was done intentionally, to make Alice’s situation even more frightening, but it was the one aspect of the novel that didn’t work very well for me. Of course, it could have been my own fault for not concentrating hard enough!

Having enjoyed both this book and The Somnambulist (this one slightly more than the first, I think), I will have to read Elijah’s Mermaid soon!

The Edge of Dark by Pamela Hartshorne

The Edge of Dark I enjoy reading time-slip novels; I love the sense of the supernatural, the atmosphere of mystery and suspense, and the intertwining of two lives – one past and one present. Pamela Hartshorne has written three novels of this type (the other two are Time’s Echo and The Memory of Midnight) but this one is the first I’ve had the opportunity to read. I found it an entertaining, compelling and genuinely eerie read and I’m now looking forward to going back and reading her earlier novels.

The Edge of Dark is the story of Roz Acclam who, at the beginning of the novel, is preparing to start a new job as Events Director at Holmwood House, a recently restored Elizabethan building in York. This is not the first time Roz has been to York; she lived there as a small child until most of her family died in a fire and she was adopted by an aunt in London. She remembers nothing of the fire or her tragic childhood, but almost as soon as she arrives in York, memories begin to come flooding back – the only problem is, they are not her own memories but those of another woman who lived more than four hundred years earlier.

The Edge of Dark is also the story of Jane, the eldest daughter of a butcher who lived in York in the 1500s. Jane’s father is planning ambitious marriages for both of his girls and Jane soon finds herself married off to the handsome, wealthy Robert Holmwood. Joining her new husband at Holmwood House, she discovers that married life is not quite what she’d expected and she begins to long for a child of her own. But Jane’s desire to be a mother eventually grows so strong that she makes a promise she could live to regret.

As Roz tries to settle into her new job the flashbacks into Jane’s life become more frequent and she begins to question why she is having these experiences. Is Holmwood House haunted? Are Jane’s ordeals in the past somehow connected with Roz’s own problems in the present? And what really happened the night the Acclams’ house was set on fire?

Usually when I read a novel set in two time periods I find that I prefer one over the other – as I love historical fiction it tends to be the one set in the past. With this book, Roz’s story and Jane’s are so closely linked that it’s difficult to separate them; the transitions between past and present felt smooth and natural and I could easily become immersed in the lives of both women. Roz and Jane are both strong characters, but there are other interesting characters in each time period too. While some feel less developed than others, the two I found most memorable are (in the present) Helen, a jealous colleague who tries to cause trouble for Roz at work, and (in the past) Margaret Holmwood, Jane’s scheming mother-in-law.

I also liked the fact that the novel is set in York, a city I have visited many times and am quite familiar with. It was obvious that the book was written by an author who knows York, its streets and its buildings very well! Something else I found interesting was seeing what goes into opening a new tourist attraction to the public. I would have liked to have read more about Roz’s work – it sounded fascinating.

I realise I’ve come to the end of this review and haven’t mentioned the significance of the beautiful Tudor necklace on the front cover of the book, but I need to leave something for future readers to discover for themselves!

Thanks to Pan Macmillan for providing a copy of this book for review.

Jakob’s Colours by Lindsay Hawdon

Jakobs Colours There are many, many novels which deal with the subject of the Jewish Holocaust, but in Jakob’s Colours Lindsay Hawdon explores another very important but largely forgotten piece of wartime history – the Gypsy Holocaust.

Beginning in Austria in 1944, she introduces us to an eight-year-old boy called Jakob. Part Roma and part Yenish, Jakob’s world has been torn apart by the horrors of war. He is running for his life across the Austrian countryside, and as he runs, he clings to his father’s words: “Don’t be afraid, Jakob. See the colours”.

But Jakob’s is not the only story to be told here. We also go back in time to the 1920s where we get to know Jakob’s mother, Lor, and learn of her troubled childhood in England. Later, in a Swiss hospital, Lor meets Yavy, the gypsy who becomes Jakob’s father, and we follow their relationship from its beginnings up to the point where Jakob finds himself alone and on the run.

Jakob’s Colours is very different from any other World War II novel I’ve read – a real accomplishment when you consider the sheer number of books set in this period. I previously knew nothing at all about the fate of the gypsies during the war (like most people, when I think of the Holocaust I tend to think of the Jews) so it’s great to have been given this opportunity to learn something new. However, I struggled with the structure of the novel. The story constantly moves back and forth in time, with each chapter titled either This Day, Before or Long Before, which I found quite confusing and difficult to follow. It felt disjointed and it meant that I never became as fully immersed in the lives of the characters as I would have liked.

I’m disappointed that I wasn’t able to love Jakob’s Colours, especially as the historical background is so fascinating and the subject matter so poignant. It was definitely my problem with the jumping around in time that prevented me from loving it; I’m sure I would have enjoyed the book a lot more if only the story had been told in chronological order. I did still find a lot of things to admire, though – the writing is very poetic and quite beautiful in places, and I liked the colour imagery that runs throughout the novel.

Most of all, I liked the concept that however bad things become we need to continue to hope and to look for the good things in life…to see the colours.

The Last Light of the Sun by Guy Gavriel Kay

The Last Light of the Sun I’m hoping to read Guy Gavriel Kay’s Under Heaven soon for the Once Upon A Time challenge, but first I need to tell you about another of his novels which I read a few weeks ago: The Last Light of the Sun.

This is the third book I’ve read by Kay and like the other two (Tigana and The Lions of Al-Rassan) it is set in a fantasy world that closely resembles a real historical one. A blue moon and a white moon shine in the sky, faeries wait to claim the souls of the dead, and ancient magical forces lurk in the forest, yet the world portrayed in The Last Light of the Sun can easily be identified as Northern Europe in the time of the Vikings, the Anglo-Saxons and the Celts.

In this re-imagined land, the Vikings have been renamed the Erlings, the Anglo-Saxons have become the Anglycn and the Celts have been transformed into the Cyngael. While the Erlings are sea-raiders who inhabit the islands in the far north, the Anglycn live in what is surely the country we now know as England, and the Cyngael live to the west, presumably in Wales. These lands of the Cyngael, on the western edge of the known world, are the last to see the light of the setting sun – and also form the final outpost of the new religion of Jad, the sun god.

Throughout the novel, we follow the adventures of three groups of characters from each of the three cultures I’ve described above. First, we meet Bern Thorkellson, a young Erling who has lost his lands and his freedom as a result of his father being exiled for murder. Desperate to escape and build a new life for himself, Bern joins a raiding party heading for the Anglycn shores. Meanwhile, in the Cyngael lands, two young princes called Alun and Dai happen to be spending the night at the home of a rival Cyngael warrior, Brynn ap Hywll, when it is attacked by another group of Erling raiders. Finally we get to know the family of the Anglcyn king, Aeldred, who has been trying to unite his people against the threat of the Erlings.

To describe the plot in any more detail would be difficult as it does become quite complex as the lives of each of these characters become entwined with all of the others. The author doesn’t really ‘take sides’ or favour one of the three cultures over the other two – perspectives and points of view are balanced fairly between the three and there are good people and bad within each group. Feuds and rivalries are formed, but so are friendships and loyalties as Erling, Anglcyn and Cyngael find that they need to adapt to a changing world.

One thing Kay does in this book, which I’m not sure I really like, is to occasionally leave his main characters behind for a while to explore the life of a completely new character who enters the novel for a few pages and then disappears, never to be mentioned again – as Kay himself describes it: “At the margins of any tale there are lives that come into it only for a moment. Or, put another way, there are those who run quickly through a story and then out, along their paths.” I can understand the reasons for this – to show us what is going on away from the central plot and the central characters – but I did find it slightly distracting.

This is a beautifully written novel, though, and as well as being an entertaining story, it’s also very thought-provoking in places. I particularly liked these two quotes:

“It happens this way. Small things, accidents of timing and congruence: and then all that flows in our lives from such moments owes its unfolding course, for good or ill, to them. We walk (or stumble) along paths laid down by people and events of which we remain forever ignorant. The road someone else never took, or travelled too late, or too soon, means an encounter, a piece of information, a memorable night, or death, or life.”

“A hard truth: that courage can be without meaning or impact, need not be rewarded, or even known. The world has not been made in that way. Perhaps, however, within the self there might come a resonance, the awareness of having done something difficult, of having done…something.”

I’ve loved all three of the Guy Gavriel Kay novels I’ve read so far and am looking forward to reading his others, beginning with Under Heaven. Have you read any of his books, and if so do you have a favourite?

The Tapestry by Nancy Bilyeau (with giveaway)

The Tapestry The Tapestry is the third book in Nancy Bilyeau’s wonderful Joanna Stafford trilogy, which is set in Tudor England and follows the adventures of a former Dominican novice whose life has been torn apart with the dissolution of the monasteries. I loved both of the previous books in the series – The Crown and The Chalice – and had been looking forward to reading this one for more than two years. I’m pleased to be able to say that it was worth the wait!

When we first met Joanna Stafford in The Crown, she was Sister Joanna, a novice nun at Dartford Priory. With the priory under threat of closure by Henry VIII and Thomas Cromwell, Joanna became embroiled in a quest to find the legendary crown of Athelstan. Then, in The Chalice, she learned of her role in a mysterious prophecy and found herself caught up in another dangerous plot. As The Tapestry begins, Joanna is hoping to avoid any more involvement in quests and conspiracies. All she wants to do is settle down to a peaceful life in Dartford, weaving her tapestries and caring for her cousin’s little boy, Arthur. Unfortunately, people more powerful than herself have other plans for Joanna…

It seems that Joanna’s tapestries have come to the attention of King Henry VIII, who summons her to Whitehall Palace with a special commission. Almost as soon as she arrives at court, however, she discovers that her life is still in danger. Someone in the palace is spying on her – but who and why? Meanwhile, Joanna’s close friend Catherine Howard has also come to court and it is thought that the King is about to make her his fifth wife. Remembering the fates of Henry’s previous wives, Joanna is determined to do whatever she can to protect her friend as well as herself.

Like the first two Joanna Stafford novels, this is an exciting and compelling story. There are so many books set in the Tudor period that it must be difficult to find a new way to approach the subject, but this is exactly what Nancy Bilyeau has done here. I would describe these books as historical thrillers, as they are not exactly mysteries in the traditional sense – although they do all have an element of mystery in them, in this case the question of who is trying to harm Joanna. What really makes them stand out for me is Joanna herself; she’s such an interesting character, being both a former nun and also a member of the Stafford family – a niece of the late Duke of Buckingham and therefore related to the King himself.

As usual, the historical background has been well researched and some of the important events of the period are incorporated into the story, including Henry VIII’s fourth and fifth marriages to Anne of Cleves and Catherine Howard, and the downfall of Thomas Cromwell. We get some insights into what is going on elsewhere in Europe too, first through the character of the artist Hans Holbein who befriends Joanna at Whitehall, and later when Joanna embarks on a journey across Germany, a land badly affected by famine and unrest.

The Tapestry is not a romance, but there are two men who have been possible love interests for Joanna since book one – the former Dominican friar and apothecary Edmund Sommerville and constable Geoffrey Scovill. I have enjoyed watching Joanna’s relationships with both Edmund and Geoffrey develop throughout the three novels and in this final book Joanna has an important choice to make which will bring this thread of the series to a conclusion.

If you’re new to these books I would recommend reading The Crown and then The Chalice before you pick up The Tapestry; that way you’ll be able to follow Joanna’s story from the beginning. I have loved the whole trilogy and am sorry to have reached the end of Joanna’s adventures now, but I’ll look forward to reading whatever Nancy Bilyeau writes next!

The Tapestry: US Publication Date: March 24 2015; UK Publication Date: April 24 2015

The Tapestry blog tour

I read The Tapestry as part of the Historical Fiction Virtual Book Tour. Please see the tour schedule for details of more reviews, interviews and guest posts.

Giveaway

Now here’s your chance to win one of three signed hardcover copies of The Tapestry.

You can enter the giveaway here: https://gleam.io/iyF4a/the-tapestry

Rules:
Giveaway starts on March 16th at 12:01am EST and ends at 11:59pm EST on April 3rd.
Giveaway is open to residents in North America and the UK.
You must be 18 or older to enter.
Winners will be chosen via GLEAM on April 4th and notified via email.
Winners have 48 hours to claim prize or new winner is chosen.