The Virgin Queen’s Daughter by Ella March Chase

This novel, as you can guess from the title, is based on the idea that Elizabeth I, the Virgin Queen, may have had a daughter. Although there’s no real evidence to support this claim, it was apparently rumoured that Elizabeth, as a young princess, had secretly given birth to an illegitimate child who might have been fathered by Thomas Seymour, her stepmother Katherine Parr’s husband. Elizabeth was also linked throughout her life with Robert Dudley and so another theory is that he could have been the baby’s father.

The Virgin Queen’s Daughter is narrated by Elinor de Lacey (Nell), Elizabeth’s newest lady-in-waiting, a young woman who shares Elizabeth’s hair colour and love of books and learning. Nell was brought up in the countryside by John and Thomasin de Lacey, believing them to be her parents, but after her arrival at court she begins to make some discoveries about her past. Could Nell be Elizabeth’s secret daughter?

If you’ve read lots of Tudor fiction I’m not sure The Virgin Queen’s Daughter offers anything very new, but although I’ve read quite a few Tudor novels I’m not at the point where I’m bored with the period yet and so I really enjoyed this book. Although I find it hard to believe that someone in Elizabeth’s position could have concealed the fact that she was pregnant and kept the birth of her child a secret, I still thought it was an interesting subject for a historical fiction novel.

Many of the famous names of the Tudor/Elizabethan period are here: as well as Elizabeth I herself, there’s Robert Dudley, the “spymaster” Francis Walsingham, the mathematician and astrologer John Dee, Elizabeth’s beloved governess Kat Ashley, and several of the Queen’s ladies – Lettice Knollys, Isabella Markham and Mary Grey (sister of Lady Jane Grey). But the strongest characters in the book are the fictional ones: Nell de Lacey and one of the noblemen she meets at court, Sir Gabriel Wyatt. Nell is an interesting and intelligent narrator – like the Queen she enjoys reading and studying, things women were not usually encouraged to do at that time. And Gabriel was such a great character I was a bit disappointed that he didn’t really exist!

I thought Ella March Chase did a good job of portraying the intrigue and danger of life at court, where you never knew who could and could not be trusted, and where anyone believed to be a threat to the Queen could find themselves locked in the Tower. And with two of the main characters being fictional, the author could take their story in some unexpected directions, which added plenty of tension and suspense to the novel.

The Virgin Queen’s Daughter doesn’t really stand out from other historical fiction novels of this type, but overall it was a fun and entertaining read which I would recommend to fans of Philippa Gregory, Alison Weir or Karen Harper.

The Game of Kings by Dorothy Dunnett

The Game of Kings is the first of the Lymond Chronicles, a series of historical fiction novels by Dorothy Dunnett originally published in the 1960s and 70s. I’m actually quite surprised and disappointed that I had never come across these books before, especially as historical fiction is my favourite genre and for a few years was pretty much all I read. Anyway, I’ve discovered them now, which is the most important thing!

It’s 1547 and Francis Crawford of Lymond, accused of treason five years earlier, has returned to his home country of Scotland. As the leader of a band of outlaws he begins a search for the three men he believes might be able to clear his name. Lymond’s personal quest is played out during an important period in Scotland’s history: the English are hoping to marry the 4 year old Mary, Queen of Scots to 9 year old King Edward VI of England and unite the two countries – but the Scots are equally determined to prevent this from happening.

I really can’t tell you much more about the plot without spoiling the story, but I can promise you that this was one of the most gripping historical novels I’ve read for a long time – I was never bored for a minute. There are sad scenes, funny scenes, exciting scenes and moving scenes, not to mention the most thrilling sword fight I’ve ever read! I finished reading the book last weekend and since then have been trying to think of what I could possibly say about it that would do it justice…there were just so many things I loved: the wonderful plot, filled with twists and turns, surprises and revelations; the strong, memorable characters; the clever dialogue; and the accurate and well-researched historical setting. Most of all, of course, I loved Francis Crawford of Lymond, brilliant, charismatic and witty, but also very flawed and troubled. He is now high on my list of favourite fictional characters!

In fact, all of the characters in the book are incredibly well drawn. There’s so much I could say about Christian, Will, Sybilla, Kate, Richard, Mariotta and the others, but I won’t because it would be so much more fun for you to get to know these characters for yourself. They all felt like fully formed people rather than just words on a page and they lived on in my mind even when I wasn’t reading, which I always think is a sign of a good book. And I haven’t even mentioned yet the amazing sense of time and place Dorothy Dunnett creates. The amount of detail she goes into in building Lymond’s world is so impressive and everything feels completely accurate.

But much as I loved it, this was not the easiest of books to get into. There are a lot of characters to keep track of and some of them are referred to by more than one name or title, so the character list at the front of the book was very helpful! The novel also has a very, very complex plot and you really need to concentrate because the tiniest detail can turn out to be important later on. Lymond has a very good reason for almost everything he does but many of those reasons are not immediately obvious. Things that initially don’t make any sense suddenly take on new meaning a few chapters later and I found I had to keep re-reading previous sections so I could grasp what had happened.

I should also point out that Lymond’s dialogue is filled with quotes and references from history, literature, myth, nature, philosophy, nursery rhymes, songs and riddles (some of which are in French, Spanish, Latin or other languages, which are not translated for us). I soon realised there was no way I was going to understand all of the references, as unfortunately my education is sadly lacking in comparison to Lymond’s! Some of the things he says seem to mean nothing at all unless you recognise the context they are from, which in most cases I didn’t.

I know there are two Dorothy Dunnett Companions and other guides to the series that you can buy, but I think trying to read those along with The Game of Kings would have been too much for me on a first read! I decided just to enjoy the story and when I re-read the book, as I’m sure I will, I can look up the unfamiliar words and phrases then. In the meantime, there was always Google when I was desperate to know what something meant.

So, if you’re looking for a light, easy read The Game of Kings probably isn’t for you, but if you enjoy complex, well-written historical fiction then I hope you’ll give it a try. Although it could be challenging at times it was so rewarding and definitely worth the effort. I’ve already started reading the second in the series, Queen’s Play – I’m nearly 100 pages into it and loving it so far!

The Last Summer by Judith Kinghorn

In the summer of 1914, Clarissa Granville is almost seventeen years old and lives at Deyning Park, her family’s country estate. For Clarissa, her brothers and their friends, it’s a summer of parties, tennis games, walking by the lake, playing croquet, and having a good time. It’s also the summer when Clarissa meets Tom Cuthbert, the housekeeper’s son who is home from university. The two soon fall in love but their romance is in trouble from the start, as they both know that Clarissa’s parents will never allow her to marry the son of a servant. Then suddenly everything changes: Britain is at war and Clarissa’s whole world is altered forever.

So many different aspects of World War I are covered over the course of the novel, though with the story being told from Clarissa’s perspective the focus is on the effects of the war on British society and on the people left at home while their loved ones are away fighting. After the war is over we see how the world has become a very different place. We meet men who are trying to cope with the injuries and disabilities they’ve been left with, and the women who are trying to understand and to help them, as well as coming to terms with the loss of all the husbands, brothers, sons and fathers who never came home.

One of the biggest changes to Clarissa’s life is that the class structure that was in place before the war has been broken down. Many rich families like the Granvilles are left struggling financially, unable to afford to keep big houses like Deyning and all the servants they used to have. People who had previously felt secure in their comfortable, privileged lifestyles find themselves desperately trying to find a place in a new and unfamiliar world. But through it all, Clarissa will always remember that final perfect summer of 1914.

Although the story is narrated by Clarissa, we are also given occasional fragments of letters written by unnamed characters. These letters give us a different perspective on things, including some glimpses of life in France during the war, but who is writing them? It’s all revealed eventually and by the time you reach the end of the novel I can almost guarantee you’ll want to go back and read the letters again – they’ll make more sense the second time round.

The Last Summer is a beautifully written novel and one that I really enjoyed. I liked the characters, the time period is one of my favourites to read about, and Clarissa is a lovely, engaging narrator. Clarissa and Tom’s relationship is an interesting one to follow because nothing ever goes smoothly for them and so many obstacles are thrown in the way of their love. Not only are they separated by the war, they also face a lot of other problems including their differences in class and background, Clarissa’s disapproving mother, and their relationships with other people. I desperately wanted them to find happiness together but it was difficult to see how that could ever happen, and I will leave you to discover for yourself whether the book has a happy ending or not.

The Last Summer is my second book for the War Through the Generations reading challenge.

Treason by Meredith Whitford

Treason is the story of Richard III, beginning with his childhood as the youngest son of the Duke of York and moving on through the various battles of the Wars of the Roses, the reign of his brother Edward IV, Richard’s own time as King and his eventual defeat by Henry VII at the Battle of Bosworth. The story is narrated by Martin Robsart, one of only a few fictional characters in the book. As Richard’s cousin and closest friend, Martin is present at some of the most important moments in English history.

I thought telling the story from the perspective of Richard’s fictional cousin and best friend worked very well and I could almost believe Martin had really existed. He has his own storylines, including a romance with Innogen Shaxper (another fictional character), but his main role as narrator is to share with us his observations on Richard, Edward and the others.

In Treason, Richard is not portrayed as the evil, scheming hunchback he is often believed to be, thanks to Shakespeare’s play. Instead, he is shown as being brave, intelligent, loyal to his brother, respected by his men, and a loving husband to Anne Neville. And although his reign is so tragically cut short at Bosworth, during his brief time on the throne he proves himself to be a good king. He does have a few faults, but nothing that would make me think he was a man who was capable of murdering his own nephews or committing all the other crimes he’s been accused of. On the subject of the disappearance of the ‘Princes in the Tower’, by the way, the author offers an interesting and believable theory, though not one that I personally think is very likely.

I was impressed with the depth given to the other characters too. I thought Richard’s brother George, Duke of Clarence, was portrayed more sympathetically than in other books I’ve read. He did some terrible things, but I see him more as a person who was weak and easily led, and his eventual fate was, for me, one of the saddest moments of the story. Elizabeth Woodville (Edward IV’s wife) and her family are shown in a very negative light, but it’s worth remembering that we are seeing everybody through Martin’s eyes and as his loyalties lie firmly with Richard it’s understandable that his opinions of other characters aren’t always going to be completely unbiased.

The dialogue is quite modern – too modern at times, maybe – but I know this is something which is very difficult to get exactly right in historical fiction. I find that when an author tries to make the language sound more authentic, it can either work very well or very badly! I didn’t have a problem with the dialogue in this book and I could tell that Meredith Whitford had given a lot of attention to period detail (food, clothing etc) which made the descriptions of fifteenth century life feel very convincing. Battle scenes are an aspect of historical fiction that I sometimes find difficult to follow, but there are only a few in Treason and the author makes them easy to understand by concentrating on Martin’s emotions and personal experiences of the battle rather than giving us pages and pages of military tactics.

Reading Treason was proof, if I needed it, that it’s worth looking beyond the more popular names in historical fiction and taking a chance on a book I had never heard about before. It’s a shame this book is not better known as I’m sure many readers who enjoyed books like Sharon Kay Penman’s The Sunne in Splendour or Josephine Tey’s The Daughter of Time would probably enjoy this one too. And for anyone new to Wars of the Roses fiction, this would also be a good starting point – it makes a very complicated period of history both easy to understand and fun to read about. I loved it!

War Horse by Michael Morpurgo

Despite being an avid reader as a child, I somehow missed out on Michael Morpurgo. The only one of his books that I read was Twist of Gold, at an age when I was starting to consider myself ‘too old’ for the children’s section of the library, and all I can remember is that it was about two children from Ireland who go to America to find their father during the Irish potato famine, and that it made me cry. But last week I read my second Michael Morpurgo book, War Horse, because I had decided to go to see the new Steven Spielberg film and wanted to read the book first. And War Horse, like all the best children’s books, is a book that can be enjoyed by people of all ages.

War Horse has a strong anti-war message and shows us the horrors of World War I from a very unusual perspective. The story is narrated by Joey, a young thoroughbred horse, who is bought at auction by a poor farmer from Devon. The farmer soon regrets this decision but his son, Albert, forms a special bond with Joey and trains him to work on the farm, determined to prove to his father that he hasn’t wasted his money. However, the family are struggling to pay their rent and when war breaks out in 1914, Joey is sold to an army officer as a cavalry horse. The rest of the story follows Joey’s experiences in France, first with the British cavalry and then pulling ambulances and artillery for the German army, but will he survive the war and will he ever be reunited with Albert?

Being an animal lover, I’m ashamed to admit that I had never given much thought to the suffering of the horses involved in the First World War or what happened to them after the war was over. Seeing things through Joey’s eyes gave a fascinating new perspective and has helped me to learn a little bit about an aspect of the war I had never really considered. Many of the horses serving with Joey are killed in their very first battle (the thought of leading a cavalry charge into a line of machine guns is so horrible to think about) and more of them die of hunger, illness or exhaustion after being forced to pull guns that are too heavy for them up hills and through deep mud.

I couldn’t help comparing this book to Anna Sewell’s Black Beauty, another book narrated by a horse and one of my absolute favourites from my childhood. I should point out that Joey is not a talking horse and although he does interact with other horses, including his best friend Topthorn, he never actually ‘speaks’ to them in the way Black Beauty does. And yet I found Black Beauty a much more convincing horse narrator than Joey. I kept forgetting that Joey was supposed to be a horse as I thought he sounded very much like a human narrator would. But to be fair, this is a different type of book and Joey is telling his story in a different way.

War Horse has a reputation for being very sad and emotional, and yes, I did have tears in my eyes a few times. The story never becomes too sentimental, but poor Joey does go through a lot of traumatic experiences, and of course the war itself is always distressing to read about. However, because the book is so short (it can easily be read in an hour or two) many of the characters we meet are only around for a few chapters and for one reason or another don’t appear again. This made it difficult to really form a connection with them and so the story didn’t have quite the emotional impact on me that I had been expecting. I’m sure though that if I’d been reading this book at the age of nine or ten I would probably have cried from beginning to end!

One of the things I really loved about the book was that Joey, being a horse, doesn’t ‘take sides’; he doesn’t see the British as good and the Germans bad, for example. Instead he is able to tell the story from a neutral viewpoint, something that is very rare in a novel about war. Joey meets and makes friends with soldiers in both armies and also with a French civilian and his granddaughter. And although he witnesses a lot of cruelty and destruction, he also experiences kindness and compassion from people on both sides. There’s a wonderful moment when a British soldier and a German soldier leave their trenches to meet in no man’s land. I won’t tell you why they do this, but this scene and others like it are what made this book such a powerful read.

This is my first book for the War Through the Generations challenge, which has a World War I theme this year. For anyone else participating in the challenge, I would highly recommend War Horse as a quick but very moving read.

Corrag by Susan Fletcher

I first became aware of this book when Boof of The Book Whisperer said it was one of her favourites. I’ve been curious to see why she loved it so much and now that I’ve read it I agree that it’s a great book, although I didn’t think so at first.

In Corrag Susan Fletcher looks at one tragic moment in Scotland’s history – the Glencoe Massacre of 1692 in which thirty-eight members of the MacDonald clan were murdered by English soldiers and forty more died of exposure as they tried to escape. The story is narrated by Corrag, a young woman who has been branded a witch and sentenced to death for her involvement with the MacDonalds and the part she played in trying to prevent the massacre. As Corrag sits in her cell awaiting her death, she is visited by Charles Leslie, an Irish clergyman and Jacobite who is trying to find evidence to prove that the Protestant King William III was responsible for what happened at Glencoe.

Corrag tells Charles Leslie about her childhood in the north of England and the day her mother, who had also been accused of witchcraft, told her to ride into Scotland, where she believed she would be safe. With only her grey mare for company, Corrag rode “north and west” and made a new home for herself near the valley of Glencoe. Here she met the people of the MacDonald clan and experienced true friendship and love for the first time in her life. As Leslie listens to Corrag’s memories he begins to learn the truth about the Glencoe Massacre and at the same time is forced to change his own preconceived ideas about Corrag herself.

I wasn’t sure about this book when I first started reading. I actually put it down after the first chapter and decided it wasn’t for me. But then something made me pick it up a few days later and try again. Corrag’s narrative style is so unusual and original, it took me a few chapters to get used to it but after that I started to fall in love with the beautiful, lyrical writing. The writing style gives the book a very strong sense of time and place and I felt as if I was really listening to a voice from the past. Corrag is also very observant and appreciates the little details of life that most of us would never even notice. I loved seeing the beauty of the Highlands through her eyes as she rode through Scotland on her grey mare.

Each chapter of Corrag’s story is followed by a letter written by Charles Leslie to his wife at home in Ireland, telling her about his experiences in Scotland and how his opinions about Corrag are changing as he learns more about her life. Corrag of course has not done anything to deserve the accusations of witchcraft; she’s an innocent woman who loves the natural world and has a knowledge of herbalism and healing, like her mother before her and like many other innocent women who were burned at the stake. And yet no matter how hard things get for Corrag and how much cruelty she experiences at the hands of other people she remains a loving, kind-hearted person and never loses her faith in human nature.

Corrag is a beautiful, moving story and I’m so glad I didn’t give up on it.

Note: This book has also been published under the titles of Witch Light and The Highland Witch.

The Winter Palace by Eva Stachniak

I was so looking forward to reading this book. I love historical fiction novels set in Russia and this one sounded wonderful (and has such a beautiful cover too). It would be the perfect book to lose myself in over the Christmas holidays, I thought. Well, unfortunately it wasn’t. Or not for me, anyway – the majority of people who have reviewed this book seem to have loved it, which makes me feel even more disappointed that I didn’t.

The Winter Palace is described as ‘a novel of Catherine the Great’, which is slightly misleading as Catherine is not the main character and the book only covers her early years. Beginning with her arrival at court as the Princess Sophie of Anhalt-Zerbst, a prospective bride for the Empress Elizabeth’s heir, Grand Duke Peter, Catherine’s rise to power is described by her friend, Varvara Nikolayevna. Varvara is a young Polish girl, the daughter of a bookbinder, who is employed as a spy, or ‘tongue’, at the court of Empress Elizabeth. The Winter Palace is really Varvara’s story rather than Catherine’s.

This is a period of Russian history I knew almost nothing about, so I can’t comment on how accurate any of the novel is. I found some of it confusing at first, due to my unfamiliarity with the people and events of the era, though there is a useful character list at the back of the book to help with this. It’s always good to finish a historical fiction novel feeling that you were at least able to learn something about the period and by the time I reached the end of this book I did feel that I had a better knowledge of the subject.

The setting of the book – the Russian Imperial court – was as fascinating as I’d expected it to be. I did enjoy the first few chapters of the book, where Varvara first arrives at the Winter Palace and becomes a spy for the Chancellor, Count Bestuzhev. The atmosphere of claustrophobia and danger was very convincing and showed what it must have been like to live in a world where everything you said or did was being spied on and reported. Reading about all the plotting, scheming, betrayal and changing allegiances made me feel relieved that I didn’t have to experience life at the Russian court myself!

I think the book might have worked better for me if it had been narrated by Catherine herself instead of her story being secondary to Varvara’s, who was not even present at court for long sections of the novel. I didn’t feel enough connection to Varvara and her personal storyline to stay interested throughout the chapters where she was away from the Winter Palace and I thought it was a bad decision to remove her character from the Empress’s household for such a long period of time as this was what led to me becoming bored with the story.

Really, this wasn’t a bad novel; it just didn’t have the depth I was hoping for, especially considering the length of the book. I don’t think I’ll be reading the sequel, though it would be interesting to see how Eva Stachniak continues the story.