Category: Historical Fiction

Elizabeth of York: The Last White Rose by Alison Weir

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When Alison Weir’s Six Tudor Queens series came to an end last year with Katharine Parr: the Sixth Wife, I discovered that she would be moving further back in time for her next novel, The Last White Rose, which would tell the story of Elizabeth of York. Elizabeth lived through – and played a role in – one of my favourite periods of history, the Wars of the Roses, so of course I wanted to read this one!

Born in 1466, Elizabeth of York is the eldest child of King Edward IV and his wife, Elizabeth Woodville. With plans for a marriage to the Dauphin of France, Elizabeth’s future looks bright – until her father’s sudden death in 1483 sends everything into turmoil. Her younger brother, now Edward V, succeeds him, but before he can be crowned he is deposed by their uncle, the Duke of Gloucester, who reigns in his place as Richard III. Along with Elizabeth’s other brother, Richard of York, Edward soon disappears from public view completely. With marriage to the Dauphin now out of the question, Elizabeth discovers that Richard III is thinking of marrying her himself – something she is prepared to consider, despite the possibility that he may have been responsible for the disappearance of her brothers.

Then comes the Battle of Bosworth and another change of monarch; Richard is dead and Henry Tudor – Henry VII – has taken the throne. Henry is keen to unite his house of Lancaster with Elizabeth’s house of York by taking her as his wife, which means Elizabeth becomes queen at last! The years that follow will continue to be eventful, however, as she and Henry face rebellion from the Yorkist noblemen, the threat of various pretenders to the throne – and the birth of another future king, their son Henry VIII.

I enjoyed this book, with a few reservations which I’ll mention below. It’s very similar, of course, to the non-fiction book Alison Weir wrote several years ago (Elizabeth of York: A Tudor Queen and Her World), which is not surprising as most of the source material will obviously be the same. If you’ve read one you may feel that you don’t need to read the other, but I’m happy to have read both as this is a period of history that particularly interests me. I do think that as factual information on Elizabeth is quite limited, her story perhaps works better in fictional form where it’s more acceptable (in my opinion) for the author to put forward personal theories, interpretations and assumptions.

My main problem with this book was the bias towards Henry VII and against Richard III – although I was expecting that, as Alison Weir hasn’t made any secret of her views on this subject in her previous books! Just to be clear, I’m happy to keep an open mind on the disappearance of the Princes in the Tower, in the absence of any real evidence, but I certainly can’t share Weir’s absolute conviction that Richard was definitely the culprit. Loving The Sunne in Splendour as I do makes it hard to think of him in a negative light, I suppose! And to be fair, I was impressed by the way Weir writes about Elizabeth’s feelings towards both Richard and Henry in this novel – her uncertainty over which of them, if either, has killed her brothers and how she reconciles that with the idea of first one, then the other, as a potential husband. I would have preferred the matter to have been left like that, but instead, developments towards the end of the book take away all the doubt and ambiguity.

I found Weir’s portrayal of the Woodville family interesting; Elizabeth clearly loves her mother and her Woodville aunts and uncles, but is not blind to their faults, questioning whether some of their actions, such as her mother’s decision to flee to sanctuary immediately that Richard took control of the young king, may have made things worse rather than better. This is such a long book, though! I read the ebook version but the print copy has over 600 pages. It gets off to a slow start with a lot of time spent on Elizabeth’s childhood, but by the middle of the book the pace picks up and it becomes much more compelling.

Elizabeth of York: The Last White Rose is the first in a planned trilogy. The second book will be about Henry VIII and the third about Mary I. I’m looking forward to the one on Henry, as it should provide a very different perspective on the stories told in the Six Tudor Queens series!

Thanks to Headline for providing a copy of this book for review via NetGalley.

This is book 35/50 read for the Historical Fiction Reading Challenge 2022.

Joan by Katherine J. Chen

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Against all odds, fate has brought us together. You, who are your kingdom’s future, and I who am no one.

It wasn’t until I started reading this impressive new novel by Katherine J. Chen that I realised how little I know about Joan of Arc; she’s someone I’ve always been aware of, obviously, and I knew a few basic facts but apart from where she has appeared in the background in other historical novels, I’ve never read anything where Joan is the main focus of the book.

After a brief description of the political situation in France in the early 15th century, the novel opens in Domrémy, the small French village where Joan was born. It’s 1422 and France is currently engaged in the Hundred Years’ War, a conflict with England over the succession to the French throne. In quiet Domrémy, Joan grows up far away from the fighting, but faces conflict of her own – with her father, Jacques d’Arc, a violent and abusive bully who has never got over his disappointment that Joan was born a girl and not a boy. Then, one day, the village is attacked and burned by the English, Joan’s sister is raped, and Joan is left swearing revenge on the men she now sees as her enemies: the future Henry VI of England, his regent the Duke of Bedford and Philip, Duke of Burgundy.

A lot of time is devoted to these early years of Joan’s life and I did wonder when we would leave the child Joan behind and meet the warrior Joan, leading her troops into battle – but I can see why it was necessary to cover Joan’s childhood in so much detail. Only by reading about her treatment at the hands of her father, the stories told to her by her beloved uncle, her anger at the fate of her sister and her desire for revenge can we understand what made Joan the strong, determined and inspirational young woman she became. And eventually, of course, we do see Joan meeting the Dauphin of France and riding off with his army to lift the siege of Orléans.

What we don’t see at any point in this novel are miracles, visions or any other religious phenomena of any sort. Katherine J. Chen explains in her author’s note that this was a deliberate decision; her portrayal of Joan is a personal one rather than a traditional one and is a ‘reimagining’ of her life. Removing the religious aspects from Joan’s story makes her feel human, flawed and real, but at the same time the 15th century was a period in which religion was an important part of most people’s daily lives and taking this away from the story of a woman who has been declared a saint seems a bit odd.

This is a beautifully written novel and although I wish authors would stop using the present tense, it does work quite well here, as it did in Annie Garthwaite’s Cecily (a book this one is being compared with – and I would definitely agree with that comparison). It was good to have the opportunity to learn a bit more about Joan of Arc, even if this is only one author’s interpretation and a largely fictional one; if anyone has read any other books about her, I would love to hear your recommendations.

Thanks to Hodder & Stoughton for providing a copy of this book for review via NetGalley.

This is book 33/50 read for the Historical Fiction Reading Challenge 2022.

The Trial of Lotta Rae by Siobhan MacGowan

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Sometimes the books that are the most difficult to read are also the most compelling. This was one of those books; although I was horrified by what I was reading, I was so engrossed in the story I didn’t want to put it down.

Charlotte Rae – known to her family and friends as Lotta – is an ordinary young woman working in the office of a London brewery in the early 1900s. After an argument with her boyfriend at the brewery Halloween party, Lotta wanders outside for some fresh air, where she is approached by an older man, Henry Allen Griffiths. Pretending that he has come to comfort her, Griffiths takes her arm, leads her down a secluded street and then rapes her. With the support of her parents, who report the crime to the police, Lotta decides to testify against her attacker in court. She has faith in the justice system and is sure her lawyer, William Linden, will do his best to defend her.

Once the trial is over and a verdict has been reached, Lotta tries to move on with her life, joining the Suffragette movement and working towards fairness and equality for women. Then she makes the unpleasant discovery that William Linden had betrayed her during the trial and her world falls apart again. Unable to forgive William for what he has done, Lotta begins to search for a way to take her revenge.

Although Lotta Rae, as far as I can tell, is a fictitious character, the description of her trial seemed so real I was convinced it must have been a true story! I have rarely felt so angry and frustrated when reading a novel as I did here; all the odds are stacked against Lotta from the beginning and some of the developments in court are disgusting and shocking to read about, even if not entirely surprising. During and after the trial things go from bad to worse for poor Lotta and her story is truly heartbreaking.

I found the second half of the book slightly weaker than the first, which is understandable after such a powerful opening. It does provide some fascinating insights into the suffragette movement, particularly as we see this partly through the involvement of William Linden’s son, Raff, one of a group of men actively campaigning for women’s suffrage. Lotta’s feelings for Raff are complicated because she loves him for the person he is, but hates the fact that he is the son of her corrupt lawyer, and this adds another interesting angle to the story.

There’s a supernatural element that feels a bit out of place and I wished the story could have ended in a different way, but otherwise I loved this book, despite it being so sad and infuriating! I wasn’t aware until after I’d finished the book that Siobhan MacGowan is the sister of Shane MacGowan from The Pogues, as well as a successful journalist and musician in her own right. This is her first novel and I hope she’ll be writing more.

This is book 32/50 read for the Historical Fiction Reading Challenge 2022.

Godmersham Park by Gill Hornby

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I enjoyed Gill Hornby’s previous novel, Miss Austen, about the life of Jane Austen’s sister Cassandra. Her new one, Godmersham Park, is also inspired by the Austens, telling the story of Anne Sharp, who became one of Jane’s closest friends after taking up the position of governess to her niece, Fanny.

We first meet Anne in 1804 on the day of her arrival at Godmersham Park, the estate in Kent that is home to Edward Austen Knight, his wife Elizabeth and their many children. (If you’re in the UK and have a current £10 note to hand, Godmersham Park is the house depicted on the back beside the portrait of Jane Austen). At thirty-one years old, Anne has no experience of teaching or caring for children, but following the death of her mother she has found herself in need of employment and somewhere to live. This change of circumstances comes as a shock to Anne and it takes her a while to settle into her new job and way of life.

When Anne’s eleven-year-old charge, Fanny, shows her the letters she has been receiving from her Aunt Jane (yes, that Jane), Anne finds them charming and immediately decides that Jane is her ‘favourite Austen’. Anne will have to wait a long time for her chance to meet this mysterious letter-writer, but first she makes the acquaintance of another Austen – Jane and Edward’s brother Henry, who comes to stay at Godmersham Park and quickly befriends the new governess.

This is a lovely novel and, like Miss Austen, although it doesn’t self-consciously try to recreate the style of Jane Austen’s work, the language still transports you back to the early years of the 19th century. There are no glaring anachronisms that I noticed and it even feels like the sort of story Austen herself could have written. The pace is slow and apart from a subplot involving a mystery surrounding the whereabouts of Anne’s father, nothing very dramatic happens, yet I was drawn in by the characters and the setting and found it quite absorbing. It was particularly interesting to read about Anne’s experience of working as a governess and how she struggled to find her place within the household, not being fully accepted either as one of the family or one of the servants.

The novel is inspired by the diaries kept by Fanny Austen Knight, letters exchanged between Anne Sharp and Jane and Cassandra Austen, and a first edition of Emma that Jane signed for Anne. All of these things add to our knowledge of Anne’s life and personality and provide evidence of her close friendship with Jane Austen. However, almost nothing is known of Anne’s background before she arrived at Godmersham Park and Gill Hornby explains in her author’s note that she had to use her imagination to create a backstory for Anne. The overall result is a convincing blend of fact and fiction, which I really enjoyed.

Thanks to Century for providing a copy of this book for review via NetGalley.

This is book 6/20 from my 20 Books of Summer list.

This is book 31/50 read for the Historical Fiction Reading Challenge 2022.

The White Hare by Jane Johnson

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‘Once you’ve lived in this valley, you’ll never be free of it. Its uncanny beauty gets inside you, right into the marrow. It has its own climate, its own peculiar character. In the same way as people can draw you in and repel you at the same time; both beguile and frighten you.’

I love Jane Johnson’s books; they always have such fascinating settings – 17th century Morocco in The Sultan’s Wife, 15th century Spain in The Court of Lions, and the author’s native Cornwall in The Tenth Gift. She returns to Cornwall again for her new novel, The White Hare, a book steeped in the myths and legends of that region of England.

The novel begins in 1954, with Mila Prusik, her mother Magda and five-year-old daughter Janey arriving at White Cove near Eglosberyan on the Cornish coast. Having left Poland for England during World War II, the family had been settled in London until a disastrous relationship with a married man left Mila desperate to make a fresh start. She and Magda have bought a neglected old house in the Cornish countryside and are planning to restore it to its former glory and turn it into a guest house. However, not everyone is happy to see the house under new ownership and the Prusiks receive a hostile welcome.

As Mila and her mother begin their restoration work, they hear hints from their neighbours that the house has a sinister past and should be left alone. The two women think this is nonsense and continue with their plans, but Mila becomes increasingly concerned about the changes in Janey’s behaviour – particularly her obsession with Rabbit, a stuffed toy that seems to have a mind of its own. How is all of this related to sightings of the legendary White Hare and to the strange symbols and carvings Mila finds all over the house and its grounds?

The White Hare is one of the most atmospheric books I’ve read for a while, not just because of the supernatural aspects – which are subtle, ambiguous and unsettling – but also because of the way the setting is so beautifully described. As Jane Johnson explains in her author’s note, the town of Eglosberyan and its valley are not real but are inspired by several real places. I could picture the white house surrounded by dark woodland, the stream tumbling between mossy rocks, the lonely beach framed by granite cliffs – they are all brought so vividly to life.

I also found it interesting to follow the relationship between Mila and Magda. When they first arrive in Cornwall, Mila is timid and submissive, allowing herself and Janey to be bullied by the hard and domineering Magda, but both characters do grow and change throughout the novel as the valley works its magic on them. There’s also a love interest for Mila, but although I did like him I felt that this part of the story took too much of a dramatic turn towards the end. Still, this is a very enjoyable novel and, while it’s quite different from the other Jane Johnson books I’ve read, being set entirely in one period and not as far into the past, I liked it just as much.

I still have three novels by Jane Johnson left to read: The Sea Gate, The Salt Road and Pillars of Light. If you’ve read any of them, please help me decide which I should read next!

Thanks to Head of Zeus for providing a copy of this book for review via NetGalley.

The Colour Storm by Damian Dibben

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Damian Dibben’s previous novel, Tomorrow, was a fascinating and unusual story of an immortal dog searching for his master across two centuries (it was better than it sounds, honestly!). I was curious to see what his next book, The Colour Storm, would be like, but it turns out that it’s a much more conventional historical novel this time. It’s also a very good one; although the subject reminded me of another of my recent reads, The Fugitive Colours by Nancy Bilyeau, the setting gives it a very different feel.

The Colour Storm is the story of the Italian painter Giorgio Barbarelli, who lived and worked in Venice during the Renaissance. He was a real person, as are many of the other characters in the novel, and you may already be familiar with his paintings – if not, you can easily find images online of some of the pieces attributed to him which will give you an idea of the quality of his work.

At the beginning of the novel, Barbarelli – or ‘Zorzo’ as he is called throughout the book – is finding life difficult. Work is becoming hard to find, the competition from other artists is fierce and Zorzo’s debts are increasing. He’s responsible not only for himself, but also for his team of young apprentices and assistants, so he urgently needs to find some way of gaining commissions from rich clients. An opportunity arises when a wealthy German merchant, Jakob Fugger, arrives in Venice and is said to be looking for an artist to paint an altarpiece for St Peter’s Basilica. When Zorzo hears that Fugger also possesses a new colour, a pigment known as ‘prince orient’, he becomes even more determined to bring himself to the merchant’s attention.

In an attempt to win Fugger’s favour, Zorzo agrees to paint a portrait of his wife, Sybille – but as he becomes closer to Sybille, he finds that he has become involved in a conspiracy which could have huge implications for the people of Europe. And then, while Zorzo is still considering his next move, a new threat arrives in Venice…the plague:

Only the poorest folk, who have no choice but to go to work, are continuing as normal, but they’re wary, treading more carefully than usual. Many cover their faces with their sleeves or improvised masks and everyone keeps their distance. From behind closed windows and shutters, Zorzo’s aware of families pressed together, restless shadows, watching and fretting as to whether this episode will pass – as most do – without significant horror, or if this one will be severe.

Still very relevant, isn’t it? The plague plays a part in the later stages of the novel, but before that we follow the story of Zorzo’s search for the prince orient and his entanglement with Jakob and Sybille (also real historical figures). We are given some insights into the workings of an artist’s studio in Renaissance Venice and there are appearances by other famous names from the art world, including Bellini, Titian, Michelangelo and Leonardo da Vinci. By focusing on the dark side of life in 16th century Venice, Dibben creates plenty of atmosphere, and although the parts of the book that concentrate on Zorzo’s relationships with Sybille and her husband interested me less, I found this an enjoyable read overall.

Thanks to Michael Joseph for providing a copy of this book for review via NetGalley.

This is book 4/20 from my 20 Books of Summer list.

This is book 30/50 read for the Historical Fiction Reading Challenge 2022.

Privilege by Guinevere Glasfurd

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I enjoyed both of Guinevere Glasfurd’s previous novels, The Words in My Hand and The Year Without Summer, so I hoped for good things from her latest novel which sounded just as intriguing as the other two. The title Privilege could refer to all sorts of things, but in this case it’s a reference to the system in pre-Revolutionary France where publishers had to obtain a ‘royal privilege’ before a book could be published.

The novel begins in Rouen in 1749, where Delphine Vimond is being raised by her father, having lost her mother at an early age. Delphine’s father runs a pottery, but he is also a collector of books and Delphine inherits from him a love of literature and a desire for learning. Finding the key to his library, she discovers a whole new world of adventure and knowledge in the pages of his books. However, when a volume by Milton on the killing of kings is found in his possession, Delphine understands for the first time that not all books are seen as appropriate and that some are even forbidden.

Meanwhile, in London, we meet Chancery Smith, an apprentice printer. A box of papers from Paris signed only with the letter ‘D’ has been received at the print shop and Chancery is given the job of visiting France to try to identify this mysterious author. It’s not going to be an easy task – as the papers contain potentially dangerous writings, Chancery must avoid letting them fall into the hands of the censors who would see the papers destroyed and the courier punished. On arriving in Paris, his path crosses with Delphine Vimond’s and together they set off in search of ‘D’, while trying to stay one step ahead of the royal censor, Henri Gilbert, and his spies.

Privilege is a thought-provoking read, exploring issues such as censorship, the power of the monarch, and the freedom – or lack of it – to write and think about topics that matter to us. Before reading this novel I didn’t really know how the ‘royal privilege’ system worked and how it lead to books written in France having to be published in other countries and smuggled back in, so I found that aspect of the story fascinating. I also picked up lots of other snippets of information on the early publishing industry along the way – I had never heard of France’s ‘blue library’, for example.

I found the mystery/thriller aspect of the novel slightly less successful, maybe because the identity of the unknown author seemed too obvious. Still, with two engaging protagonists in Delphine and Chancery, as well as a strong cast of secondary characters, and with such an interesting subject at the heart of the story, it’s a book that I enjoyed reading.

Thanks to John Murray Press for providing a copy of this book for review via NetGalley.

This is book 29/50 read for the Historical Fiction Reading Challenge 2022.