When we think about slavery it’s not usually the capture and sale of white Europeans that comes to mind, but that is the topic at the heart of Jane Johnson’s The Tenth Gift. In August 1625, a church in Mount’s Bay, Cornwall was raided by Barbary pirates who took sixty men, women and children into captivity to be sold at the slave markets of Morocco. In The Tenth Gift, Johnson imagines the story of one of these captives – a young woman called Catherine Anne Tregenna.

When we first meet Catherine, or Cat as she is known, she is working as a lady’s maid at a large manor house in Cornwall. A marriage has been arranged for her with her cousin, Robert Bolitho, but Cat wants more out of life. Her skills with a needle have won her a commission from the Countess of Salisbury and she dreams of joining a guild and becoming a master embroiderer, even if she has to leave Cornwall to do it. However, she is soon to travel further from Cornwall than she could ever have imagined. Abducted from church by Barbary corsairs along with her friends, family and neighbours, Cat finds herself on a ship heading towards North Africa, her fate to be decided by the corsair captain.

But Cat’s is not the only story to be told in this novel. In the present day, we meet Julia Lovat, a woman who has been having an affair with Michael, her best friend’s husband, a seven-year relationship which has just come to an end. As a parting gift, Michael gives her an old book of embroidery patterns, but when Julia opens the book she is confronted by something unusual – a series of diary entries written in the margins by someone called Cat who lived in the seventeenth century. Julia is soon engrossed in reading about Cat’s ordeal, but it is only when she visits Morocco herself that she is able to put together all the pieces of Cat’s story.

I found a lot to enjoy in The Tenth Gift, which isn’t surprising as I’ve previously enjoyed two of Jane Johnson’s other Moroccan novels, The Sultan’s Wife and Court of Lions. She writes so vividly about Morocco, describing all of the sounds, sights and smells with a vibrancy that really brings the setting to life. Her depiction of seventeenth century Cornwall is equally well done and it’s obvious that she knows both places very well. The two storylines – past and present – fit together perfectly and the links between them don’t feel too contrived, although there are some supernatural undertones, particularly towards the end, that I thought seemed unnecessary.

I liked Cat and found her story fascinating but, as happens so often with these dual timeframe novels, I thought the present day one was much weaker. I never really managed to warm to Julia and didn’t have much sympathy for her relationship problems; I did become more invested in her story once she arrived in Morocco, but I think the book would have worked better as a straight historical novel without the modern day sections. Cat’s adventures are so interesting and I appreciated the way Jane Johnson tries to give an explanation for why the corsairs behaved the way they did and explores both the similarities and differences between Christian and Islamic cultures.

If you do read this book and enjoy it, you might also enjoy The Sealwoman’s Gift by Sally Magnusson, which deals with a different pirate raid, this time on Iceland’s Westman Islands in 1627, or The Sea-Hawk by Rafael Sabatini, a wonderfully entertaining novel which also takes us from Cornwall to the Barbary Coast.

Thanks to Head of Zeus for providing a copy of this book for review via NetGalley.