Review: Testament of Youth by Vera Brittain

I chose to read this book as part of the Women Unbound Reading Challenge. I selected this book for Women Unbound because it is the memoirs of a woman who lived through World War I and it’s considered an important example of feminist literature.

I don’t read many non-fiction books or biographies/autobiographies so this was something different for me.

Vera Brittain was born in 1893 and grew up in Buxton, Derbyshire. Her father was the owner of a paper mill, therefore she had a comfortable, privileged childhood. Vera was well-educated and ambitious and longed to break away from what she frequently refers to as her ‘provincial’ life in Buxton. She already considered herself to be a feminist and wanted more out of life than just to leave school and get married like most of the other girls she knew. Her father finally agreed that she could go to Oxford University, but just as she was beginning her studies, war broke out in Europe. With her fiance Roland, brother Edward, and two close friends fighting on the front line, she was unable to concentrate on her studies and decided to enlist as a V.A.D. nurse.

It was fascinating to read a personal account of the effects the war had on one woman’s life and on society as a whole. Reading this book made me realise how little I actually knew about World War I. A lot of the places and events mentioned in the book were unfamiliar to me and left me wanting to find out more.

Rather than just relying on her memory, Brittain uses a number of different sources, including her private diaries and correspondence and verses from poems, some of which were written by Roland or Vera herself. As I read about all the pain and sorrow she was forced to endure, I became completely absorbed in Vera Brittain’s story. I found it very inspirational that despite having her entire world torn apart by the war, she was still able to go on to build a successful career for herself as a novelist, feminist and pacifist.

Although Testament of Youth was a long, demanding and often heartbreaking book, I’m glad I read it and I feel I learned a lot from it.

Highly Recommended

Genre: Non-Fiction (Autobiography)/Pages: 640/Publisher: Virago/Year: 1933/Source: borrowed a copy

Review: Les Miserables by Victor Hugo


“…there comes a point moreover, where the unfortunate and the infamous are grouped together, merged in a single, fateful word. They are les miserables – the outcasts, the underdogs. And who is to blame? Is it not the most fallen who have most need of charity?”

How do you begin to review a book like this one? Les Miserables is one of the longest books I’ve ever read (and I’ve read a lot of long books) and as someone with very little knowledge of French history, it was also one of the most challenging. Of course, I could have bought an abridged version but I make a point of never doing this as I prefer to read a book the way the author intended.

If you’re unfamilar with the plot, here is a brief summary:

Jean Valjean has just been released from prison after nineteen years (he had been sentenced to five years for stealing a loaf of bread to feed his starving family, and then a further fourteen years for making several attempts to escape). As an ex-convict arriving in the town of Digne, Valjean finds himself rejected by everybody he approaches until the kindly Bishop Myriel takes him in and gives him shelter for the night. However, Valjean repays him by stealing his silverware. When the police catch him and take him back to the bishop’s home, the bishop tells them they’ve made a mistake – he had given the silverware to Valjean as a gift. He then tells Valjean to “never forget that you have promised me to use this silver to become an honest man”. The bishop’s simple gesture of kindness has a profound effect on Valjean, filling him with the determination to be a better person.

After establishing himself as a successful factory owner and becoming mayor of Montreuil-sur-Mer, Valjean promises a dying woman that he will take care of her daughter, Cosette. The rest of the book follows Valjean’s attempts to escape the investigations of Inspector Javert and to build a new life for himself and Cosette. Along the way we meet a gang of criminals, a group of revolutionary students, and a greedy innkeeper called Thenardier.

Most of the characters are very well developed and Hugo spends a considerable amount of time introducing us to them. In fact, he spends the first 50 pages of the book describing the personality of the Bishop of Digne. This is not vital to the plot and could quite easily have been shortened to just a few pages, yet it helps the reader understand why Jean Valjean was so touched by the bishop’s kindness and compassion and why it was a life changing experience for him. However, I didn’t find the characters of Marius and Cosette very interesting, despite their central roles in the book – I thought some of the secondary characters were much stronger, such as the street urchin Gavroche and the Thenardiers’ eldest daughter Eponine.

I did find my attention wandering in places because of all the lengthy digressions on the Battle of Waterloo, life in a convent, the July Revolution of 1830, the Paris sewer system etc (thankfully my edition took a couple of these out and placed at the end in an appendix). Although these pages are often interesting and informative and contain some beautiful writing, they have very little direct relevance to the plot and interrupt the flow of the story. However, this is really the only negative thing I can say about the book. It’s worth persevering through all the social commentary, politics and history to get to the actual story itself – and the wonderful, moving, thought-provoking, suspenseful story is why I loved Les Miserables.

Highly Recommended

Genre: Classic/Pages: 1232/Publisher: Penguin Classics – translated by Norman Denny/Year: 1862/Source: My own copy bought new

A Poem For Halloween: Ulalume by Edgar Allan Poe

As today is Halloween, I decided to post one of my favourite poems by Edgar Allan Poe. Like a lot of Poe’s work this poem looks at the themes of loss and death. The narrator is walking through the woods on a dark night in October and finds himself at the tomb of Ulalume, whom he had buried there on the same night the year before.

There are several references to mythology throughout the poem and you may need to look up the meanings of any unfamiliar words and phrases. The name Ulalume, for example, is thought to be taken from the Latin verb ululare which means to shriek or wail.

(Note: The following poem is in the public domain)

The skies they were ashen and sober;
The leaves they were crisped and sere–
The leaves they were withering and sere;
It was night in the lonesome October
Of my most immemorial year:
It was hard by the dim lake of Auber,
In the misty mid region of Weir–
It was down by the dank tarn of Auber,
In the ghoul-haunted woodland of Weir.

Here once, through an alley Titanic,
Of cypress, I roamed with my Soul–
Of cypress, with Psyche, my Soul.
These were days when my heart was volcanic
As the scoriac rivers that roll–
As the lavas that restlessly roll
Their sulphurous currents down Yaanek
In the ultimate climes of the pole–
That groan as they roll down Mount Yaanek
In the realms of the boreal pole.

Our talk had been serious and sober,
But our thoughts they were palsied and sere–
Our memories were treacherous and sere,–
For we knew not the month was October,
And we marked not the night of the year
(Ah, night of all nights in the year!)–
We noted not the dim lake of Auber
(Though once we had journeyed down here)–
Remembered not the dank tarn of Auber,
Nor the ghoul-haunted woodland of Weir.

And now, as the night was senescent
And star-dials pointed to morn–
As the star-dials hinted of morn–
At the end of our path a liquescent
And nebulous lustre was born,
Out of which a miraculous crescent
Arose with a duplicate horn–
Astarte’s bediamonded crescent
Distinct with its duplicate horn.

And I said: “She is warmer than Dian;
She rolls through an ether of sighs–
She revels in a region of sighs:
She has seen that the tears are not dry on
These cheeks, where the worm never dies,
And has come past the stars of the Lion
To point us the path to the skies–
To the Lethean peace of the skies–
Come up, in despite of the Lion,
To shine on us with her bright eyes–
Come up through the lair of the Lion,
With love in her luminous eyes.”

But Psyche, uplifting her finger,
Said: “Sadly this star I mistrust–
Her pallor I strangely mistrust:
Ah, hasten! -ah, let us not linger!
Ah, fly! -let us fly! -for we must.”
In terror she spoke, letting sink her
Wings until they trailed in the dust–
In agony sobbed, letting sink her
Plumes till they trailed in the dust–
Till they sorrowfully trailed in the dust.

I replied: “This is nothing but dreaming:
Let us on by this tremulous light!
Let us bathe in this crystalline light!
Its Sybilic splendour is beaming
With Hope and in Beauty tonight!–
See! -it flickers up the sky through the night!
Ah, we safely may trust to its gleaming,
And be sure it will lead us aright–
We safely may trust to a gleaming,
That cannot but guide us aright,
Since it flickers up to Heaven through the night.”

Thus I pacified Psyche and kissed her,
And tempted her out of her gloom–
And conquered her scruples and gloom;
And we passed to the end of the vista,
But were stopped by the door of a tomb–
By the door of a legended tomb;
And I said: “What is written, sweet sister,
On the door of this legended tomb?”
She replied: “Ulalume -Ulalume–
‘Tis the vault of thy lost Ulalume!”

Then my heart it grew ashen and sober
As the leaves that were crisped and sere–
As the leaves that were withering and sere;
And I cried: “It was surely October
On this very night of last year
That I journeyed -I journeyed down here!–
That I brought a dread burden down here–
On this night of all nights in the year,
Ah, what demon hath tempted me here?
Well I know, now, this dim lake of Auber–
This misty mid region of Weir–
Well I know, now, this dank tarn of Auber,
This ghoul-haunted woodland of Weir.”

[Ulalume – Edgar Allan Poe]

Review: An Echo in the Bone by Diana Gabaldon

An Echo in the Bone is the 7th book in Diana Gabaldon’s Outlander series (or Cross Stitch as it’s known here in the UK) and takes place during the American Revolution. I’ve been following the adventures of Jamie Fraser and his time-travelling wife Claire for more than 10 years now and although this book won’t be published in the UK until 2010, I ordered it from the US Amazon site as I couldn’t wait to read it.

This review may contain spoilers if you haven’t read the previous 6 books in the series

If you haven’t read (or like me, have read but didn’t enjoy) the spin-off Lord John series, you might struggle with certain sections of this book. I would recommend reading Lord John and the Brotherhood of the Blade before beginning, as a number of characters from that book feature quite prominently in Echo. In fact, there are so many chapters (mainly in the first half of the book) devoted to Lord John, William Ransom, Percy Wainwright, Hal and Dottie, that at times this felt more like a Lord John book than an Outlander one. I do like both Lord John and William as characters though, and towards the end of the book their storylines begin to tie together with Jamie and Claire’s.

According to Diana Gabaldon, the image on the book cover is a caltrop – a weapon with four spikes each ending in a sharp point. The caltrop represents the four main storylines running simultaneously throughout the book: Jamie and Claire visiting Scotland to collect Jamie’s printing press, following the fire that destroyed their home at Fraser’s Ridge; the adventures of Jamie’s son, William, a Lieutenant in the British army; Young Ian trying to come to terms with the break-up of his marriage to Emily whilst being pursued by a vengeful old man, and Roger and Brianna following Claire and Jamie’s fate via a box of old letters.

Due to all the storylines which were taking place, the story was told from many different viewpoints – Claire, Jamie, Roger, Brianna, Young Ian, William, Lord John, Rachel Hunter (a Quaker girl who falls in love with Ian) and even one or two pages from Fergus and Jemmy’s points of view. This technique gave the book a slightly different feel to the rest of the series, though I personally preferred the style of the earlier books which were told mostly by Claire.

I know this review has so far sounded a bit negative, but there were plenty of things I loved about the book. The story was filled with bizarre coincidences and almost-forgotten characters from previous books reappearing when you least expected them, and although you had to suspend belief at times, I enjoyed this aspect of the book.

I also enjoyed the Roger and Brianna sections, as they began to read Jamie and Claire’s letters one by one in the relative safety of 20th century Lallybroch. Later in the book, though, Roger and Brianna’s story takes a more sinister turn, and they discover that they’re not quite as safe as they thought they were!

I had been looking forward to Jamie, Claire and Young Ian returning to Scotland again and being reunited with Jenny and Ian Murray – however, this didn’t happen until near the end of the book, and when they finally did get to Lallybroch, it certainly wasn’t the happy reunion I was expecting! From this point onwards, the plot suddenly started moving at a whirlwind pace. Apparently this was intentional (this section was even entitled “Reap the Whirlwind”). I think I’ll probably need to read the book again to be able to fully understand everything that was happening.

We were left with a lot of loose ends and cliffhangers, which wouldn’t be a problem if we weren’t going to have to wait another 3 or 4 years for the next book! Still, Diana Gabaldon has given us plenty to think about, as there are now an infinite number of ways in which the various storylines could progress. Although this was not my favourite in the Outlander series, I still enjoyed it and am already looking forward to Book 8!

Recommended

Genre: Historical Fiction/Pages: 820/Year: 2009/Publisher: Delacorte Press/Source: My own copy bought new