Category: Reviews

I, Mona Lisa by Natasha Solomons

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Many of us will, on a trip to Paris, have stood in the Louvre in front of Leonardo da Vinci’s Mona Lisa. We may also know some of the details of the painting’s history – its creation in Renaissance Italy, its theft from the Louvre in 1911. However, this new novel by Natasha Solomons adds a whole new dimension to the Mona Lisa story, taking us inside the mind of the painting itself and showing us the world through the eyes that look out from the portrait. Whether or not you enjoy this book will probably depend on whether you can accept that a painting is narrating the story. If you’re happy with that idea, then I think you’ll find I, Mona Lisa an interesting and entertaining read.

Most of the novel is set in 16th century Florence, during the period when Leonardo is working on his most famous masterpiece. From the painting’s own perspective, we get to know some real historical figures such as Lisa del Giocondo, the woman who sits for the portrait; Michelangelo and Raphael, da Vinci’s rivals; Niccolò Machiavelli, who approaches da Vinci with a scheme to divert the Arno River; and Salaì, a student in Leonardo’s workshop who is jealous of his master’s relationship with Mona Lisa. Although Mona is an inanimate object, she is portrayed in the novel as having the thoughts and feelings of a real woman, with an emotional attachment to her creator Leonardo.

When Leonardo eventually dies, leaving her vulnerable and unprotected, Mona embarks on the journey that will lead her to France. As the centuries go by, she spends time at the court of the Sun King in Fontainebleau and then at Versailles during the French Revolution, before finding her way to the Louvre where, as the 20th century dawns, she forms a new friendship with another great artist.

I, Mona Lisa is an unusual novel and a unique way of exploring some key moments in history. However, because so much time is spent in Renaissance Italy, the parts of the novel set in France feel more rushed and the characters less well developed. This was maybe the author’s intention, as Mona finds it difficult to bond with the people she meets after Leonardo’s death and makes it clear that her heart will always be in Florence, but it also meant that I felt less engaged with these sections of the book.

I do think that if you’re going to write a book about a painting with human emotions, the Mona Lisa is a perfect choice as it’s such a realistic and iconic portrait. The Mona of the novel is obviously very limited in what she can see and experience (and with whom she can communicate – just Leonardo and a handful of other painters and paintings), but Natasha Solomons does a great job of bringing Mona and her world to life. This is the third of her books I’ve read – the others are The Novel in the Viola and House of Gold. Three very different books, but I would recommend any or all of them.

Thanks to Hutchinson Heinemann for providing a copy of this book for review via NetGalley.

This is book 4/50 read for the Historical Fiction Reading Challenge 2022.

A Bad Business by Fyodor Dostoevsky

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Translated by Nicolas Pasternak Slater and Maya Slater

This is the second collection of classic short stories I’ve read from the Pushkin Press Essential Stories series. The first was I Would Prefer Not To by Herman Melville, an author I had never tried before, and I found it a good introduction to his work. In the case of Dostoevsky, I have previously read two of his novels (Crime and Punishment and The Idiot) but was curious to see what his shorter fiction would be like. This collection contains six stories, all in new translations by Nicolas Pasternak Slater and Maya Slater. They are all quite different in subject and style and I think they would give new readers a good idea of what his writing is like, while also being of interest to readers like myself who are only familiar with his full-length novels.

I think my favourite of the six stories was The Crocodile (1865), in which a civil servant, Ivan Matveich, is swallowed alive by a crocodile being exhibited in St Petersburg. There’s not much more to the plot than that, as the rest of the story revolves around the conversations Matveich has with various people from inside the crocodile, but I found it entertaining and surprisingly funny, not something I’ve really associated with Dostoevsky’s work before. It also takes a satirical look at the economic situation in Russia at that time – the German owners of the crocodile refuse to have its stomach slit open to free Matveich because they would be losing their investment, particularly as the crocodile has now increased in value due to becoming so famous!

Conversations in a Graveyard (1873), also published as Bobok, is another satire in which the narrator is sitting in a cemetery after attending a funeral and hears the disembodied voices of the recently buried telling each other their stories. The literary critic Mikhail Bakhtin describes this story as “almost a microcosm of Dostoevsky’s entire creative output,” because it involves many of the themes, ideas and character types that appear in his other work. I probably haven’t read enough of Dostoevsky to be able to fully appreciate this, but I did still find the story interesting – and it reminded me very much of Lincoln in the Bardo!

The title story, A Bad Business (1862), follows a general in the civil service who, after discussing his political ideals with friends, decides to test one of his theories by being nice to people from lower social classes. Unfortunately, when he arrives, uninvited and unwelcome, at the wedding feast of one of his subordinates, things quickly begin to go wrong. A very different type of story is A Meek Creature (1876), about the relationship between a pawnbroker and one of his customers, a girl who pawns items to earn money so that she can advertise in the newspaper for work as a governess. This is a darker story than most of the others in the book and not one of my favourites.

The four stories mentioned so far take up more than 90% of the book, which means that the final two are much shorter. One is The Heavenly Christmas Tree (1876), a sentimental and poignant little story with a fairy tale feel, and the other is The Peasant Marey (also 1876), in which the narrator recalls a childhood memory of being comforted by a peasant after convincing himself there was a wolf in the woods. I liked both of these stories but felt that they suffered from being placed at the end of the collection; I would have preferred the shorter stories to alternate with the novella-length ones to provide more variety.

Although I don’t think any of these are stories I would want to read again, apart from maybe The Crocodile, it was good to have the opportunity to explore Dostoevsky further. I’m hoping to read my copy of The Brothers Karamazov soon.

Thanks to Pushkin Press for providing a copy of this book for review via NetGalley.

The Silver Wolf by JC Harvey

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The Silver Wolf is the first in a new series, Fiskardo’s War, set in Europe during the Thirty Years’ War. This conflict, which took place between 1618 and 1648, is one I’m not very familiar with, so I thought it would be interesting to read a book set in a period that I don’t know much about.

This novel has quite a simple premise: an orphan, Jack Fiskardo (also known as Jacques or Jag to various people at various times) sets out on a quest to find his father’s killers and take revenge. However, the plot is anything but simple! Jack’s adventures take him from the French countryside to the home of an Amsterdam merchant and then to the battlefields of Germany and along the way we meet a huge cast of characters ranging from army scouts and soldiers to tavern keepers, farmers and noblemen. All of these people interact with Jack in one way or another and many of them have intriguing stories of their own, but it’s a lot to keep track of, so be aware that this is certainly not a quick, light read.

The Silver Wolf is divided into three sections: in the first, which begins in 1619, we meet Jack for the first time on the docks of Amsterdam; the second part takes us back several years to fill in some of the details of Jack’s childhood in the village of Belle-Dame near La Rochelle; and finally, in the third section we find Jack in Germany, playing his part in the events of the war while carrying out his private mission of revenge. My favourite was the middle section as it answered some of my questions and gave me a better understanding of what was going on. But although I thought the way the book was structured was quite effective, it did mean that lots of new characters were still being introduced very late in the novel, which I found slightly overwhelming.

The book is written in a lively, often playful style, and the author has opted to use modern speech and slang; I personally prefer dialogue in historical fiction to feel more ‘historical’, but I can see that the choice of language here probably suited the gritty, sometimes brutal, wartime setting. As for the Thirty Years’ War itself, as I’ve said, I previously knew very little about it, so it was good to learn more. The author’s note at the beginning of the book provides a basic outline of the war, why it was fought and the effect it had on the population of Europe, which I found very helpful!

Although I didn’t enjoy The Silver Wolf as much as I’d hoped to, for the reasons I’ve described above, I do think it’s an impressive and ambitious debut novel. I’m not sure whether I will read the second book, but I suspect it will be easier to follow than this one now that the scene has been set, so maybe I’ll be tempted!

Thanks to Allen & Unwin for providing a copy of this book for review via NetGalley.

This is book 3/50 read for the Historical Fiction Reading Challenge 2022.

The Man in the Brown Suit by Agatha Christie

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A new year means a new Agatha Christie reading challenge! After participating in all twelve monthly reads for Read Christie 2021, I’m not planning to do the same again this year – I do love Christie, but there are so many other authors I want to read too. However, I will still be dipping into Read Christie 2022 throughout the year whenever I’m tempted by the monthly theme. The topic for January is ‘A story inspired by Agatha’s travels’ and the suggested book is The Man in the Brown Suit, one that I hadn’t read before and that sounded quite appealing to me.

Published in 1924, this book is not part of the Poirot or Marple series, although it does feature another of Christie’s recurring characters, Colonel Race. Like They Came to Baghdad or The Secret Adversary, it’s more thriller than mystery; a murder does take place near the beginning, but this is only a starting point and not the main focus of the novel.

Most of the novel is narrated by Anne Beddingfield, the recently orphaned daughter of a famous archaeologist. Finding herself alone in the world, with a small inheritance to spend, Anne longs for an adventure to come her way so she can imitate the heroines of her favourite books and films. This wish becomes reality when she witnesses an accident in a London tube station and picks up a piece of paper dropped by the doctor who examines the victim. On this scrap of paper are some numbers and the words ‘Kilmorden Castle’; Anne is sure that these are clues and that she has found the adventure she’s been waiting for. When a woman is found dead the next day in the home of Sir Eustace Pedler, Member of Parliament, a man in a brown suit is suspected of the crime. Convinced that the two incidents are related, Anne deciphers the clues on the paper and boards a ship sailing to Cape Town, hoping to track down the brown-suited man.

Anne is a wonderful narrator and her intelligence, courage and quick wits mean that she is often – although not always – one step ahead of the villains. However, there’s also a second narrator and that is Sir Eustace Pedler. Sir Eustace’s narrative is interspersed with Anne’s and takes the form of a diary in which, in contrast with Anne, he describes his dislike of adventure, as well as his frustration with his annoying secretary Mr Pagett. The diary entries add a lot of humour to the story and I enjoyed hearing Sir Eustace’s voice now and then as a change from Anne’s.

Christie’s novels are always entertaining, but this is one I found particularly fun to read. Stolen diamonds, a revolution, travel through South Africa, a criminal mastermind known only as the ‘Colonel’…there’s such a lot happening and so many things to enjoy. The one aspect of the novel that I didn’t like was the romance between Anne and another character; I thought it seemed to come very suddenly out of nowhere and I was disappointed that Anne, being such a strong person in other respects, had the view that a woman should admire a man’s strength and prepare to be submissive.

Going back to the theme for this month’s read, this novel was inspired by a round-the-world trip taken by Agatha and her first husband Archie Christie in 1922. You can see the full list of categories for Read Christie 2022 at the bottom of the challenge page on the Agatha Christie website.

Black Plumes by Margery Allingham

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Margery Allingham, one of the four Golden Age ‘Queens of Crime’, was best known for her Albert Campion detective series, but she also wrote several standalone crime novels. I have previously read and enjoyed The White Cottage Mystery, so had high hopes for this one, Black Plumes.

First published in 1940, Black Plumes is set almost entirely in the London home of the Ivory family and the art gallery they own in the building next door. The family matriarch is the elderly Mrs Gabrielle Ivory and the story is written from the perspective of her granddaughter, Frances. As the novel opens, Frances’ father, Meyrick, is on business abroad and has left his son-in-law Robert Madrigal (who is married to Frances’ half-sister Phillida) to run the gallery while he is away. In his absence, however, strange things have been happening: a broken vase, a slashed painting – and finally, an argument between Robert Madrigal and the artist David Field, after which Robert disappears.

A few weeks later, Robert’s dead body is discovered and suspicion quickly falls upon David – leaving Frances in a difficult situation, as David is the man she has just agreed to marry. She tells herself that he must be innocent, but how can she be sure?

As I’ve said, there is no Albert Campion to solve the mystery in this book, which could be a good or a bad thing depending on whether you’re a Campion fan. Instead, there’s Detective Inspector Bridie, an elderly Scotsman from Orkney who is brought in to investigate. However, we don’t really get to see any of his investigations and he doesn’t have a large part to play in the story. I didn’t solve the mystery myself – although I had narrowed it down to two suspects and one of them was correct – but since we see everything through Frances’ eyes rather than the detective’s, I think that made it more complicated.

There’s a touch of romance in the story too, particularly at the beginning where Frances and David agree to announce a fake engagement in order to prevent Frances having to marry someone else, but this storyline turned out not to be as much fun as it promised to be at first (Georgette Heyer does that sort of thing much better). It didn’t help that I found David so annoying; in fact, I didn’t like any of the characters much at all, although I enjoyed most of Gabrielle Ivory’s scenes and the contrast between her Victorian values and her granddaughter’s more modern ones.

After finishing this book, I looked at some other reviews and was confused when I saw everyone complaining about the use of a certain racist term to describe one of the suspects. It seems that this word has been edited out of the new edition I read and replaced with a less offensive term, which I think was a good idea in this case. The racist sentiment is still there, but it’s clear that it’s supposed to be the view of one of the characters rather than Allingham herself.

I think Black Plumes is worth reading if you like Allingham’s writing, but if it had been the first book I’d read by her, I’m not sure that I would have wanted to read more.

A Terrible Kindness by Jo Browning Wroe

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The Welsh village of Aberfan is a place many of us associate with the 1966 mining disaster where a landslide of coal waste collapsed onto the village school, killing 116 children and 28 adults. Among the many volunteers who arrived in Aberfan to help deal with the aftermath of the tragedy were several hundred embalmers. A Terrible Kindness imagines the story of one of these embalmers, the fictional William Lavery.

William is just nineteen years old and newly qualified when the disaster happens, but he works tirelessly alongside older and more experienced embalmers to help identify and tend to the bodies of the victims. Not surprisingly, this will have a profound effect on him and leave him psychologically damaged for years to come. It also brings back memories of other traumatic moments that occurred earlier in William’s life – including one particular incident that led to the breakdown of his relationship with his mother. This incident is only hinted at throughout the book and it’s not until the final chapters that we find out what happened.

The Aberfan disaster is something that is still within living memory for a lot of people, so it’s important that authors handle things like this with care and sensitivity – and I think Jo Browning Wroe does this very well. These scenes are naturally very sad and moving, but also filled me with admiration for these people who voluntarily carried out such an unpleasant, difficult but essential task. However, Aberfan is only the starting point for William’s story and apart from two or three chapters, the rest of the book is set elsewhere.

A lot of time is spent on William’s years as a young chorister at a choir school in Cambridge, the friendships he made there and the events that made him abandon his promising singing career and go into the family embalming business instead. The complex relationships between William, his mother, his uncle and his uncle’s partner are also explored and this is the real focus of the book rather than what happened at Aberfan. I did have a lot of sympathy for William, who was clearly struggling, but I wished he had been able to get help and find a way to move on rather than making life so unhappy for himself and his loved ones for so many years. His mother, Evelyn, also frustrated me with her inability to consider other people as well as herself and I felt that the revelation of the incident that caused her estrangement from William was a bit of an anticlimax.

I think the inclusion of the Aberfan storyline will draw a lot of readers to this book, but will also put other readers off and I do wonder whether a fictional tragedy would have served the purpose of the plot just as well. As an exploration of grief and forgiveness, though, it’s an excellent read and an impressive first novel by Jo Browning Wroe.

Thanks to Pigeonhole for the opportunity to read this book.

This is book 2/50 read for the Historical Fiction Reading Challenge 2022.

A Fatal Crossing by Tom Hindle

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I was drawn to A Fatal Crossing first by the cover, then when I saw that it was a Golden Age-style mystery novel set at sea in the 1920s, I was even more interested. I read the book in October and loved it, but have waited to post my review until publication day, which is today (here in the UK).

The whole story takes place over a four day period in November 1924 as the cruise liner Endeavour approaches New York from Southampton with two thousand passengers and crew on board. When an elderly man is found dead at the bottom of a staircase, the ship’s captain assumes – and hopes – that it’s an accident. However, James Temple, a Scotland Yard inspector, happens to be one of the passengers on the voyage and, after examining the body, he is convinced that the old man has been murdered. The captain gives Temple permission to investigate the crime, but only if he agrees to be accompanied by one of the ship’s officers, Timothy Birch.

Birch has no experience as a detective but follows Temple around the ship as he looks for clues, speaks to suspects and establishes alibis. They quickly discover a link between the dead man and a priceless painting stolen from another passenger, but the mystery deepens when more deaths occur and Temple and Birch find themselves racing against time to uncover the truth before the ship reaches its destination.

This is a complex and engaging mystery novel, with plenty of suspects, lots of red herrings and a strong sense of time and place. Although I felt that there were times when the plot was starting to become quite convoluted and I was struggling to keep track of who was who and who did what, I kept going and was rewarded by some spectacular plot twists near the end which I thought I had worked out in advance, but most definitely hadn’t!

Temple and Birch make an interesting partnership, particularly as it’s a very reluctant one! As an intelligent, competent and experienced detective, Temple is not at all happy about having an inept and bumbling ship’s officer shadowing his every move, saying the wrong things and interfering with the investigation. Birch is our narrator, and as we only see things from his point of view, Temple comes across as bad-tempered, rude and hostile, but there are hints that there’s more to each character than meets the eye. While Temple’s past and his reasons for boarding the Endeavour are shrouded in mystery, we learn that Birch is haunted by the disappearance of his young daughter Amelia and the breakdown of his marriage.

As well as the unusual detecting duo and that unexpected ending, I also loved the setting and the atmosphere. A ship on a long sea voyage is the ideal location for a murder mystery, as all of the suspects are confined in one place with nobody able to arrive or depart until the destination is reached. There’s some wonderful attention to detail as the action moves around the ship from the elegant first class decks to the less luxurious third class areas and the officer’s quarters.

A Fatal Crossing is Tom Hindle’s first novel; having enjoyed it so much, I’m already looking forward to his next one!

Thanks to Century for providing a copy of this book for review via NetGalley.