Sleeping Murder by Agatha Christie

I was doing so well with the Read Christie 2020 challenge earlier in the year. I read the suggested novels for January, February and March (Murder on the Orient Express, A Murder is Announced and The Hollow) but then, distracted by Covid-19 and lockdown, I never picked up April’s book – or May’s or June’s or July’s. I think I’ve officially failed this year’s challenge now, don’t you? Anyway, Sleeping Murder is the book I was supposed to have read in April. Published in 1976, it’s a Miss Marple mystery and was the final book in the Marple series.

The novel opens with a young woman, Gwenda Reed, arriving in England from New Zealand. Her husband, Giles, is due to come and join her soon, and Gwenda hopes to have found somewhere to live in time for his arrival. As soon as she sees Hillside, a house in the seaside town of Dillmouth, she decides she wants to buy it. There’s something about the house that feels strangely familiar and in fact, she seems to know things about it that she really shouldn’t know at all. When she suddenly has a vivid memory of seeing a dead body at the bottom of the staircase, Gwenda panics, believing that she is losing her mind.

After confiding in Miss Marple, who is related to Giles’ cousin, Gwenda discovers that there is a logical explanation for her recent experiences: Hillside had actually been her home as a very small child, before she left England for New Zealand. Convinced that a murder must have taken place in the house – and that she herself had witnessed the aftermath – Gwenda and Giles begin to investigate. However, Miss Marple has serious forebodings; she likes the young couple and is worried that they could put themselves in danger by trying to uncover secrets that have remained buried for almost twenty years. The only way to protect her new friends is to solve the mystery herself and catch the murderer before he or she has the chance to strike again!

I haven’t read all of Christie’s Marple novels yet, but this is one of my favourites so far. I didn’t manage to solve the mystery – I thought I had, but I was wrong – and I was surprised to find out who the murderer really was. The clues were all there, but I didn’t pick up on them; in fact, the biggest clue went over my head because I didn’t have the general knowledge to be able to interpret it. I can’t explain what I mean without spoiling the story, but if you’ve read the book you’ll know which clue I’m talking about.

I love the atmosphere Christie creates in this novel, with a sense of lingering evil from the moment Gwenda walks through the doors of Hillside. With the crime being one that took place in the past and which needs to be solved in retrospect, I was reminded of the Poirot mystery Five Little Pigs, although I enjoyed reading this one more, maybe because the present day characters are more actively involved in the story. We see most of the investigation unfold from Gwenda’s perspective, but Miss Marple herself has a large role to play in the novel. Although the book wasn’t published until the 1970s, it was actually written much earlier in Christie’s career (possibly in 1940) so Marple is actually younger and livelier than she is in some of the other books in the series which were published before this one!

Have you read Sleeping Murder? Which is your favourite Marple novel?

This is book 9/20 from my 20 Books of Summer list.

Six Tudor Queens: Katheryn Howard, the Tainted Queen by Alison Weir

Alison Weir’s Six Tudor Queens series aims to retell, in fictional form, the stories of all six of Henry VIII’s wives. This is the fifth book in the series so, as you would expect, the focus is on the fifth wife, Katheryn Howard. Having enjoyed the first three – on Katherine of Aragon, Anne Boleyn and Jane Seymour – I had been slightly disappointed by the one on Anne of Cleves, but I’m pleased to say that I thought this latest book was a return to form.

When Henry VIII sets aside Anne of Cleves and takes nineteen-year-old Katheryn Howard as his next wife, he believes her to be pure, innocent and virtuous, qualities he values highly in a woman. Telling her she is his ‘rose without a thorn’, he is delighted with his young bride and looks forward to her producing another son to secure his lineage. But what Henry doesn’t know is that Katheryn has had more experience with men than he has been led to believe.

Katheryn is surprised to find that, despite the age difference, she is becoming genuinely fond of her obese and ailing husband. The man she really loves, however, is Thomas Culpeper, one of the King’s courtiers, whom she continues to meet in secret even knowing that if they are discovered both of their lives could be in danger. Then there’s Francis Dereham, with whom she was sexually involved before her marriage to the King; Francis won’t leave her alone, insisting that she had been pre-contracted to marry him before she ever met Henry, and Katheryn lives in fear of the King hearing of their relationship.

Of course, history tells us that Katheryn (as Alison Weir chooses to spell her name) will fail to keep her past a secret, that her love affairs with Dereham and Culpeper will become public knowledge and that she will face the same fate as her cousin, Anne Boleyn – but that doesn’t mean there is no tension in this retelling of her story. We know from the start that Katheryn is doomed and we have to watch her make one mistake after another, choose the wrong people to trust and head irreversibly down a path which will lead her to the scaffold. Despite knowing what will eventually happen, though, we are kept in suspense waiting for the moment when she will be betrayed and her secrets will be revealed to Henry.

The novel sticks closely to the known facts of Katheryn Howard’s life; although obviously there are some areas where Weir has to use her imagination or make decisions as to how certain things should be interpreted, she doesn’t seem to invent large chunks of the story as she did in Anna of Kleve, Queen of Secrets. I suppose Katheryn’s life is more well documented than Anne of Cleves’ and already dramatic enough without the need for too much invention.

Although Katheryn is frustratingly naive and reckless, I did have a lot of sympathy for her. A lot of time is spent discussing her early life before her marriage to Henry, when she lived in the household of her father’s stepmother, the Dowager Duchess of Norfolk. The household included several other young women who were also wards of the Duchess and it seems that there was very little supervision and discipline; Katheryn appears to have been easily influenced and sometimes even encouraged by the other girls to behave in a way that would have been seen as promiscuous in the 16th century. Because of the nature of Katheryn’s story, there is a lot of focus on her sex life and her liaisons with various men and this does become a little bit repetitive and tedious at times, but I still found it a more compelling read than the previous book in the series.

I am looking forward to the final novel, which isn’t available yet, but which I’m assuming will be about Katherine Parr, the sixth and final wife.

Thanks to Headline for providing a copy of this book for review via NetGalley.

This is book 8/20 from my 20 Books of Summer list.

The Silver Collar by Antonia Hodgson

It’s been a four-year wait but The Silver Collar, the fourth book in Antonia Hodgson’s wonderful Thomas Hawkins series, is here at last. If you haven’t yet had the pleasure of meeting ‘Half-Hanged’ Hawkins and Kitty Sparks, this book does work as a standalone, but I would recommend going back to the beginning and starting with The Devil in the Marshalsea.

The Silver Collar is set in 1728. After their adventures in Yorkshire in the previous novel, Tom and Kitty are back in London running Kitty’s bookshop, The Cocked Pistol – ‘an establishment of such ill repute that a brief glance through its window could tarnish the soul‘. The couple still aren’t married and their relationship is still affectionate but stormy – and there are those who seem to want to drive them apart, such as Sir John Gonson, Tom’s old enemy, and the sinister Lady Vanhook.

When Tom is attacked in the street one day by men who appear to be intent on killing him, he is saved only by the intervention of his young ward Sam Fleet, son of an infamous underworld villain. With Sam’s help, Tom begins to investigate, determined to find out who was behind the attack, but while he is preoccupied, Kitty is facing problems of her own and has become reacquainted with a very unwelcome face from her past.

The Silver Collar also introduces another intriguing character by the name of Jeremiah Patience. Jeremiah’s story unfolds in the middle of the book, incorporating escaped slaves, a plantation in Antigua and a little girl forced to wear a silver collar – this was interesting, sensitively written and certainly very topical, but I felt it was a bit too similar to other storylines I’ve been coming across in historical fiction recently. I did like Jeremiah, though, and had a lot of sympathy for his situation.

It was also lovely to meet Tom and Kitty again after such a long wait. Tom, who narrates most of the novel in the first person, is such a great character – a lovable rogue who is always trying his best to reform himself but never quite managing it. In this book, though, his associations with other disreputable figures such as Sam Fleet and his mother Gabriela prove to be very helpful! Kitty is another strong character; I’ve enjoyed getting to know her over the course of the four books and I keep forgetting how young she still is. I didn’t think the parts of the book written from her perspective worked as well as Tom’s, though; they are written in the second person, which always feels a bit strange, I think.

This book is less of a mystery novel than the previous one (A Death at Fountains Abbey); historical thriller is probably a better description. However, we do see Tom keen to put the mystery-solving skills he gained in Yorkshire to good use by establishing a sort of Georgian-style detective agency. Sadly, he becomes too distracted by his own problems to spend much time worrying about other people’s, but maybe this is something that will be returned to in a future book.

I’ve enjoyed all four books in this series, including this one, but I still think The Devil in the Marshalsea was the best. Such a high standard was set with that book, it was always going to be hard for the others to live up to it. They are all entertaining reads, though, and I will look forward to a fifth book and finding out what the future has in store for Tom and his friends.

Thanks to Hodder & Stoughton for providing a copy of this book for review via NetGalley.

This is book 7/20 from my 20 Books of Summer list.

City of Dragons by Robin Hobb

This third novel in Robin Hobb’s Rain Wild Chronicles is my favourite of the series so far – although it doesn’t really have a lot of competition, as I was disappointed with the previous two books. If you’re new to Robin Hobb, don’t start with the Rain Wild quartet; they are part of a larger sequence and not only are they not as good as the earlier books, they also fall towards the end of the sequence. You need to begin with the Farseer Trilogy, the Liveship Traders Trilogy and the Tawny Man Trilogy, all of which are excellent!

Anyway, getting back to City of Dragons, it continues the story where the previous novel, Dragon Haven, left off: with our band of stunted, poorly formed dragons and their human keepers within reach of the fabled Elderling city of Kelsingra at last. Separated from the city by the swollen, fast-flowing waters of the Rain Wild River, the group need to make their way across – but only one of the dragons, Heeby, has successfully learned to fly. The magical properties of Kelsingra could restore the dragons to their former glory, but first they need to find a way to get there…

I think the fact that I enjoyed this book more than the first two in the series is mainly due to the wonderful, atmospheric descriptions of Kelsingra. Although most of the dragons and keepers are stranded on the opposite banks of the river, a few of the characters do manage to make trips back and forth to explore the abandoned city. Different characters hope for different things from Kelsingra. Historian Alise Finbok tries to leave the buildings and treasures untouched, determined to make a careful record of everything she finds before word of the discovery begins to spread and traders and scavengers from Bingtown descend upon the city. Rapskal and Thymara, however, part Elderling now themselves, know that Kelsingra is not quite the dead, empty place it may at first appear, and they are able to connect with the memories it holds in a way that Alise cannot:

“Some of the streets she [Thymara] ran through were dark and deserted. But then she would turn a corner and suddenly be confronted by torchlight and merrymakers, a city in the midst of some sort of holiday. She had shrieked the first time, and then she recognized them for what they were. Ghosts and phantoms, Elderling memories stored in the stone of the buildings she passed.”

Although the Kelsingra sections of the book interested me most, the action moves away from the city now and then so that we can catch up with some of the other characters and subplots from earlier in the series: Alise’s estranged husband, Hest, waiting in vain for Sedric to return to Bingtown with dragon parts to cure the invalid Duke of Chalced; Leftrin, captain of the liveship Tarman, who is heading back to Cassarick to claim the keepers’ payment for the expedition; and Malta and Reyn Khuprus, expecting the birth of their first child at any moment. There’s a lot going on in this novel and the way the various storylines begin to converge towards the end sets things up nicely for the fourth and final book, Blood of Dragons, which I hope to read soon.

This is book 6/20 of my 20 Books of Summer.

Dombey and Son by Charles Dickens

Dealings with the Firm of Dombey and Son: Wholesale, Retail and for Exportation (I think we can see why the title is usually shortened) was originally published in monthly parts between 1846 and 1848. It’s the book I was supposed to read for a Classics Club Spin over a year ago, but I struggled to get into it at the time and decided to wait until I was more in the mood for Dickens. And you definitely need to be in the right mood for a book of this length – more than 900 pages in the edition I read! I’ve loved other very long Dickens novels, though, such as the wonderful Our Mutual Friend, so I hoped I would end up loving this one too. Unfortunately I didn’t, but I did still find a lot to enjoy.

The Dombey of the title is the wealthy owner of a shipping company who dreams of having a son and heir who will be able to continue the family business. Dombey gets his wish early in the novel when his wife gives birth to a son, Paul. However, she dies shortly after the birth, leaving Paul to become the sole focus of his father’s attention – even though Dombey already has a six-year-old daughter, Florence. Florence loves her father and does her best to please him, but no matter how hard she tries, it’s obvious that all of Dombey’s hopes and ambitions lie with Paul and that Florence is just a useless girl and an inconvenience.

Whether or not the proud and arrogant Dombey will ever come to love and value his daughter as she deserves is the question at the heart of the novel, but as you would expect from Dickens, there are also plenty of diversions and subplots and lots of larger than life characters to get to know. Of these, my favourites were Captain Cuttle, the kind-hearted retired sea captain with a hook for a hand, and Susan Nipper, Florence’s loyal nurse and one of the few people who will stand up to Dombey for his neglect of his daughter. There’s a great villain too: James Carker, the scheming manager of Dombey and Son, with gleaming white teeth and a devious brain. There are too many others I could have done without, though – mainly the ones who seem to be there purely for their comedy value, such as Major Bagstock, Sir Barnet Skettles and Cousin Feenix, without actually adding much to the central plot.

Dickens gets a lot of criticism for his treatment of female characters (I think Dora in David Copperfield is his worst), but the women in this book are well-drawn and interesting. Yes, Florence can be too good to be true at times, but her father’s rejection of her is so cruel and hurtful that it’s impossible not to have sympathy for her. Her stepmother, Edith Dombey, though, is one of the strongest female characters I’ve come across in a Dickens novel: a woman filled with self-loathing after being pushed into marriage by her mother, who then decides to take her fate into her own hands.

Although I really enjoyed parts of this book, other sections dragged and I’m afraid I can’t list it amongst my favourite novels by Dickens. Nicholas Nickleby is the next one I’m planning to read, so I’m hoping for better luck with that one.

This is book 17/50 read from my second Classics Club list.

The Sin Eater by Megan Campisi

Megan Campisi’s unusual first novel is based around the historical concept of sin eating: the idea that a person close to death could call on a ‘Sin Eater’ to spiritually take on their sins. The dying person would do this by confessing to the Sin Eater, who would then consume a ritual meal consisting of a different type of food to represent each transgression. As you can imagine, this is not a pleasant job and certainly not something most people would want to do…but May Owens, the fourteen-year-old narrator of the novel, has no choice in the matter. After being arrested for stealing a loaf of bread, she is sentenced to live as a Sin Eater for the rest of her life.

With that sentence, everything changes for May. Overnight, she has become a social outcast. She is exiled to live alone on the edge of town and is forbidden to speak or be spoken to, except when listening to a confession. The heavy brass collar she is forced to wear around her neck, marked with an ‘S’, identifies her as someone to be avoided at all costs. It’s a lonely and miserable life, but May is a strong and resilient person and tries to carry out her work to the best of her ability.

Early in the novel, May accompanies another Sin Eater to the royal court to hear the deathbed confession of one of the Queen’s ladies. However, when the ritual meal is prepared, an extra item of food – the heart of a deer – is included, although it does not represent any of the sins confessed by the lady. What does the heart mean and who put it there? When another courtier falls ill and the same thing happens again, May decides to investigate.

By now you’re probably wondering about the time period in which this story is set. Well, it’s Elizabethan England – but not quite. Instead of Queen Elizabeth, Queen Bethany is on the throne, and her half-sister – the previous queen – was not Mary, but Maris. Bethany’s father did have six wives, but he was Harold II rather than Henry VIII. God is The Maker and England is Angland.

Megan Campisi states in her author’s note that the story is ‘spun out of fantasy’ and I can understand that using a fictitious setting rather than a real one would have given her more freedom to tell the story without needing to stick too closely to historical fact. It also gives the novel a bit of a fairy tale feel, as does the way most of the other characters are referred to not by names but by nicknames such as ‘Country Mouse’, ‘Willow Tree’ or ‘Fair Hair’. Sadly, though, I didn’t think any of these intriguing-sounding secondary characters really came to life; May herself was the only one who felt believable. And I’m afraid I found the thinly-disguised parallels with the Elizabethan court irritating; I think the story would have worked just as well set either at the real Elizabethan court or in an entirely fictional world.

Despite not enjoying this book as much as I’d hoped to, I do think the concept was fascinating and I can honestly say that I’ve never read anything quite like it!

Thanks to Pan Macmillan/Mantle for providing a copy of this book for review via NetGalley.

This is book 5/20 of my 20 Books of Summer.

When We Fall by Carolyn Kirby

Carolyn Kirby’s new novel, set during World War II, was published in May to coincide with the 75th anniversary of VE day; unfortunately, I was in the middle of a lockdown-induced reading slump at that time, but I added the book to my 20 Books of Summer list to ensure that I would still read it sooner rather than later.

When We Fall, set in 1943, follows the stories of two women leading very different lives but both playing their part in the war effort. First, we are introduced to Valerie – Vee – Katchatourian, a British pilot whose job is to fly planes between airfields for the Air Transport Auxiliary. Forced to make an emergency landing due to fog one day, Vee encounters a Polish airman, Flight Sergeant Stefan Bergel of 302 Squadron. It’s only a brief meeting, but Stefan makes a big impression on Vee and she finds that she is unable to forget about him.

Meanwhile, in the city of Poznań in occupied Poland, Ewa Hartman is helping her father to run his guest house. At the same time as offering hospitality to German officers, Ewa is carrying out undercover work for the AK (the Polish resistance) – a dangerous thing to do, which becomes even more dangerous when she begins to attract the attention of a high-ranking German guest, SS-Obersturmführer Heinrich Beck. Ewa becomes close to Beck, but in her heart she remains loyal to her former lover, Stefan Bergel, whom she has not seen since he became a prisoner of the Soviet army a few years earlier.

Stefan provides the link between Ewa and Vee, but who is he really and where do his true allegiances lie? He is a complex and enigmatic character whose motives and loyalties are never clear, even to the reader who sees both sides of the story, unlike Ewa and Vee who see only their own. This, along with Ewa’s support for the resistance and the dangers of Vee’s work as a pilot, keeps the novel filled with tension and suspense until the end as there is no guarantee that any or all of our characters are going to survive the war.

The novel switches between the two storylines, although Vee’s almost disappears for a while in the middle of the book while most of the action is taking place in Poland. I liked both characters and both settings, but Ewa’s story was the most compelling, I thought. In all of my reading about the war, I don’t seem to have come across many books that describe life in occupied Poland, so I found it very interesting to read about the challenges Ewa faced on a daily basis. With the Nazi occupiers in the process of renaming streets and towns to make them sound more ‘German’ – Poznan becomes Posen, for example – Ewa must learn to respond to the German form of her own name (Eva), to avoid lapsing into her native language, and to come to terms with the local synagogue being converted into a swimming pool.

Names are also important for Vee, who was born in England but whose Armenian surname makes her the subject of prejudice and suspicion, as well as the prejudice she already experiences as a female aviator – even though the ATA was notable for paying women the same as men, Vee senses that she is not always considered an equal. Although I’m not really interested in aviation, Vee’s enthusiasm for her work as a pilot and for the different types of planes she is asked to fly comes across strongly.

Finally, I should mention the Katyn Massacre, a wartime atrocity which marked its 80th anniversary this year and casts its shadow over the lives of the characters in this book. I won’t say too much about it but will leave you to find out how it affects Stefan, Ewa and Vee if you decide to read When We Fall – which I do recommend, as it’s such an interesting and moving novel, very different from Carolyn Kirby’s previous book, The Conviction of Cora Burns, which I also enjoyed!

Thanks to No Exit Press for providing a copy of this book for review via NetGalley.

This is book 4/20 of my 20 Books of Summer. I am actually doing better with this than it seems – I have also read another four books from the list and just need to finish writing my reviews!