Howards End by E.M. Forster

howards-endThis is only the second book I’ve read by E.M. Forster – the first one being A Room with a View. With plenty of his books left to choose from, I decided that the next one I read would be Howards End, which was recommended to me by almost everyone who commented on my review of A Room with a View back in 2013!

Howards End is the story of two sisters, Margaret and Helen Schlegel, and their relationship with the Wilcox family. At the beginning of the novel, Helen – the younger and more impulsive of the two – accepts an invitation to visit Howards End, the Wilcox country home, where she becomes romantically involved with the younger son, Paul Wilcox. Although their romance is quickly broken off, the two families stay in touch and the elder Schlegel sister, the more practical and sensible Margaret, becomes good friends with Paul’s mother, Ruth.

Ruth Wilcox longs to show Margaret Howards End, feeling that her new friend will appreciate the house more than her own children do. Margaret never gets a chance to visit while Mrs Wilcox is alive, but when she dies, early in the novel, she tries to bequeath Howards End to Margaret. However, the rest of the Wilcox family choose not to inform Margaret and burn the note which describes Ruth’s dying wish, leaving Margaret none the wiser. As time goes by, Margaret gets to know Ruth’s widowed husband, Henry, and a friendship forms which soon develops into something more. Could Margaret end up living at Howards End one day after all?

Meanwhile, Helen has also made a new friend: Leonard Bast, a young insurance clerk who is married to an older woman, Jacky. Acting on advice from Henry Wilcox, the Schlegels warn Leonard that the company he works for is in trouble and that he should look for another job. Leonard follows this advice, but when things go wrong and he ends up with nothing, Helen blames Henry for his misfortunes.  Will she ever be able to forgive him?

Published in 1910, Howards End explores the relationships between these three families, each occupying a different position in the British class system. The Wilcoxes are wealthy, materialistic capitalists who have made their money from the Imperial and West African Rubber Company. The Schlegels, who are half German, are cultured, intellectual and idealistic, and apparently based on the real-life Bloomsbury Group. Finally, the lower-middle class Leonard Bast has found himself impoverished and stuggling to get by, but is trying to improve his lot in life by exposing himself to music and literature.

Class is obviously an important theme in this novel, then, but there are others too, such as gender roles and feminism. With such a variety of characters, we get a variety of views ranging from Henry Wilcox saying that “the uneducated classes are so stupid”, Mrs Wilcox’s opinion that “it is wiser to leave action and discussion to men”, and Margaret thinking to herself, “Ladies sheltering behind men, men sheltering behind servants – the whole system’s wrong.” It’s interesting to think that within a few years of this book being published, the outbreak of war in Europe and also the progress of the women’s suffrage movement would bring social change to Britain and the world Forster is describing would no longer exist.

Howards End is a beautifully written novel and a fascinating and thought-provoking one. However, I don’t think I can say that I loved it, partly because I found so many of the characters difficult to like and care about.  Although Forster himself writes about each character with warmth and empathy, I didn’t feel that I was forming a very strong connection with any of them.  I preferred A Room with a View, but I’m probably in the minority with that as so many people have told me that this one is their favourite by Forster. I’m still looking forward to reading more of his novels, though, and I think A Passage to India will be next.

Strangers in Company by Jane Aiken Hodge

strangers-in-company Published in 1973, Strangers in Company reminds me of Mary Stewart’s romantic suspense novels, or maybe M.M. Kaye’s Death In… series. It is set in Greece and follows the story of Marian Frenche, who is looking for a new job after finding herself at a loose end when her children move away to live with her ex-husband. Marian finds work with an agency who arrange for her to accompany a troubled young woman called Stella Marten on a coach tour of the major Greek archaeological sites. She is given very little information about Stella and her background, apart from a warning that she should be left on her own as little as possible, but after only a few hours in Stella’s company, Marian finds her to be rude, angry and irritable. It’s going to be a difficult trip!

As they set off on their tour, Marian’s time is divided between dealing with Stella’s moods, seeing the sights of Greece and getting to know the other people on the bus. Their fellow passengers include several young schoolteachers, a classics professor, an oddly-matched honeymoon couple and a handsome Greek tour guide. On the surface, they’re just a group of people hoping to enjoy a holiday in the sun and possibly learn something new along the way, but when accidents begin to befall members of the party – too many to be a coincidence – Marian is forced to accept that there could be someone on the tour who is not as innocent as he or she appears. Worse still, it seems that Marian herself could be the next target…

My first introduction to the work of Jane Aiken Hodge came a few years ago when I read and enjoyed Watch the Wall, My Darling, a gothic novel set in 19th century Sussex. Strangers in Company feels very different, having a contemporary setting, but I enjoyed this one even more. I loved the descriptions of Greece and its ancient historical sites, and with the benefit of Google to find pictures of the less famous places the characters visit, I almost felt as though I’d been on the tour myself! I did become very aware of my limited knowledge of more recent Greek history, particularly the period following the civil war of the 1940s, but although I wished I’d read up on this before starting the book, it wasn’t really a problem at all.

I’ve said that this book felt similar to a Mary Stewart novel (some of hers have a Greek setting too) and I think I was right to make that comparison because halfway through the book there’s a scene where Marian spends an afternoon relaxing with a copy of Stewart’s My Brother Michael! I don’t think Jane Aiken Hodge’s writing is as good as Stewart’s, however, and the characters are not as likeable or as well drawn (I found it hard to tell some of the members of the tour group apart). I was also slightly disappointed with the final few chapters of the book – I felt that, as the mystery began to unfold and revelations were made, the plot became very far-fetched and difficult to believe. Otherwise, though, I thought this was a great read!

I have another of Jane Aiken Hodge’s novels, Red Sky at Night, on my shelf still to be read. Has anyone read that one – or any of her others?

Historical Musings #22: Books to look out for in 2017

Historical Musings

As I mentioned last week, I’m beginning 2017 with no real reading plans or targets for the year ahead. I’m sure I’ll be reading plenty of historical fiction, though, and as usual I would expect to be reading a mixture of older books and new releases. For my first Historical Musings post of the year, I thought I would highlight some books being published in 2017 which have caught my attention.

The publication dates I’ve given are for the UK only and may be subject to change.  The dates for other countries could be slightly different – maybe you’ve already had the opportunity to read some of these!  I haven’t provided a synopsis for each book, but the ‘find out more’ links will take you to Goodreads or other sites where you can find more information.

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the-good-people

The Good People by Hannah Kent (UK publication date: 9 February 2017) – Find out more

I enjoyed Hannah Kent’s first novel – Burial Rites – so I was pleased to see that she has another book coming out soon.  As with Burial Rites, her new one is inspired by real historical events but otherwise it sounds quite different, being set in Ireland in 1825.

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the-coroners-daughter

The Coroner’s Daughter by Andrew Hughes (UK: 23 February 2017) – Find out more

A few years ago I read Andrew Hughes’ debut novel, The Convictions of John Delahunt. I loved it enough to give it a place on my list of top books of 2014 and have been eagerly awaiting his next book. Like the first one, this new book is set in 19th century Dublin and sounds like another dark and mysterious read.

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the-witchfinders-sister

The Witchfinder’s Sister by Beth Underdown (UK: 2 March 2017) – Find out more

Set in the 17th century, this is a novel about Matthew Hopkins, who was known as the ‘Witchfinder General’.  I’ve had a review copy of this one for a while but have been waiting until nearer the publication date to read it.  I’m looking forward to it!

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the-confessions-of-young-nero

The Confessions of Young Nero by Margaret George (UK: 9 March 2017) – Find out more

I’ve only read one of Margaret George’s historical novels so far – Elizabeth I – but I did enjoy it and have been wanting to read more of her work. Her new book is about the Roman Emperor, Nero, and should be fascinating.

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crimson-and-bone

Crimson and Bone by Marina Fiorato (UK: 18 May 2017) – Find out more

This dark tale by Marina Fiorato is set in London in 1853 and is being compared to Fingersmith and The Crimson Petal and the White. I’ve enjoyed several of this author’s previous novels, so I’m looking forward to reading this one.

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anne-boleyn-a-kings-obsession

Six Tudor Queens: Anne Boleyn, A King’s Obsession by Alison Weir (UK: 18 May 2017) – Find out more

Following last year’s Katherine of Aragon, The True Queen, Alison Weir continues her Six Tudor Queens series with a novel about Henry VIII’s second wife, Anne Boleyn. I have read about Anne many times before, but I found the first book in this series interesting and I’m curious to see how Weir approaches Anne’s story.

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The Lymond Chronicles by Dorothy Dunnett and King Hereafter by Dorothy Dunnett (UK: September 2017; No cover images available yet) – Find out more

Great news for Dorothy Dunnett fans and for those yet to discover her work – Dunnett’s six-volume series, The Lymond Chronicles, and her standalone, King Hereafter, are being reissued in September with her other series, the House of Niccolò, to follow in 2018.  A TV deal with Mammoth Screen has also been announced, although I’m not sure how I feel about that!

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China by Edward Rutherfurd (UK: 7 September 2017; No cover image available yet) – Find out more

Each of Edward Rutherfurd’s novels tells the story of a particular country or city over a period of time.  I loved his earlier books, which include London, Sarum and Russka, but had mixed feelings about his more recent ones such as New York and Paris. I’ve been wondering since finishing Paris where his next book was going to take us and now it has been revealed that it’s China!

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a-column-of-fire

A Column of Fire by Ken Follett (UK: 21 September 2017) – Find out more

This will be Follett’s third novel set in the cathedral city of Kingsbridge, this time moving forward by several centuries to the Elizabethan period.  The first in this series, The Pillars of the Earth, seems to be the sort of book people either love or hate, but I’m one reader who is already looking forward to book three!

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What about you?  Are you excited about any of the books I’ve mentioned above?  Are there any other new historical fiction releases or reissues you’re looking forward to in 2017? 

The Shadow Sister by Lucinda Riley

the-shadow-sister-lucinda-rileyThis is the third book in Lucinda Riley’s Seven Sisters series based loosely on the mythology of the Pleiades (or ‘seven sisters’) star cluster. There will eventually be seven novels each telling the story of one of the adopted daughters of an enigmatic millionaire known as Pa Salt. The girls, who are all from very different backgrounds and who grew up together in Switzerland on Pa Salt’s Lake Geneva estate, are named after the stars in the cluster – Maia, Alycone (Ally), Asterope (Star), Celaeno (CeCe), Taygete (Tiggy) and Electra. There should have been a seventh sister, whose name would have been Merope, but for some reason which has not yet been revealed only six girls were adopted rather than seven.

The first book in the series, The Seven Sisters, tells Maia’s story, while the second, The Storm Sister, tells Ally’s. In The Shadow Sister, we get to know more about the third sister, Star. This novel works as a standalone, but it also follows a similar pattern to the first two, beginning just after the sisters learn of Pa Salt’s death and each receive a set of clues which he has left behind to help them discover the secrets of their origins. Star’s clues include a black panther figurine and the address of a bookshop in London. As fate would have it, she is about to move into a new London apartment with her sister CeCe, who is due to begin an art course at college. Star, who is a shy, quiet person, would prefer to live a simple life in the countryside, but she and CeCe have always done everything together – which usually means doing whatever CeCe wants.

In London, it’s not long before Star’s curiosity gets the better of her and she finds herself pushing open the door to Arthur Morston Books ready to take the first step towards uncovering the truth about her past. As Star begins to investigate, she learns of a possible connection with Flora MacNichol who grew up at Esthwaite Hall in England’s Lake District in the early 20th century and became a friend of the children’s author Beatrix Potter. With the help of Orlando Forbes, the eccentric owner of Arthur Morston Books, and his brother, the intriguingly named Mouse, Star attempts to piece Flora’s story together and in the process finds the courage to step out of CeCe’s shadow and take control of her own destiny.

I have enjoyed all three books in this series so far, but I think this one is my favourite. How could I not love a book that’s set (at least partly) in a bookshop? The characters Star meets on her journey of discovery are wonderful too – they are all so well drawn, from the melodramatic Orlando and the troubled Mouse to their artist cousin Marguerite and her little boy, Rory, who loves Superman and making chocolate brownies. I couldn’t work out, at first, exactly how Star could be linked to these people, but I wanted, desperately, for her to find a place within this family – and the relationships do all become clear eventually, with a few surprises along the way!

Flora’s story is a fascinating one too, filled with love, betrayal and deception and encompassing some of the most prominent figures in Edwardian society, including King Edward VII himself, and his mistress, Alice Keppel. I was as engrossed in Flora’s storyline as I was in Star’s; usually when a novel is set in more than one time period I find that I prefer one over the other, but with this book I enjoyed reading about both periods equally.

I was sorry that we saw nothing of Maia, Tiggy or Electra in The Shadow Sister, but it was nice to see a few appearances from Ally, the heroine of the previous novel, and to briefly pick up some of the threads from her story again. The title of book four will be The Pearl Sister and it will focus on CeCe. I was intrigued by CeCe’s character in this book – while I initially found her bossy and controlling, I can see now that there’s a lot more to her than meets the eye and I’m looking forward to getting to know her.

Thanks to the publisher for providing a copy of this book for review.

Alathea by Pamela Belle

alathea A few years ago, I read the first two books in Pamela Belle’s Heron series, The Moon in the Water and The Chains of Fate. I loved them but because I didn’t have a copy of the third novel ready to start immediately, I never moved on with the series. The books have recently been reissued by Endeavour Press and I’m pleased to have finally had an opportunity to read the next Heron novel, Alathea (originally published in 1985).

Alathea is the eldest daughter of Francis and Thomazine Heron, whose stories are told in the previous two novels. Although Francis and Thomazine do appear in this book, the focus is firmly on Alathea, which means it wouldn’t be absolutely necessary to have read the first two books before this one. I would still recommend starting at the beginning, though; I think you will get more out of the story if you understand Alathea’s family background and the relationships between the characters.

The novel opens in 1660. Charles II has just been restored to the throne and thousands of Royalists exiled after the recent Civil War are on their way back to England – amongst them Simon Heron, whose return means that Alathea and her family must move out of the Herons’ Suffolk estate of Goldhayes and go back to Ashcott in Oxfordshire. It is there that Alathea meets a boy called John Wilmot for the first time – but it will be several years before their paths cross again.

At the age of eleven, Alathea’s talent for drawing is becoming apparent, and she already has dreams of building a successful career for herself as an artist. Her dreams move a step closer to reality when her parents send Alathea to live with her Aunt Lucy in London in the hope of separating her from her jealous half-brother, Kit. Here Alathea has the opportunity to study with the famous female artist, Mary Beale, and as the years go by she begins to establish herself as a portrait painter.

It is through her painting that Alathea is brought back into contact with John Wilmot, better known as the notorious Earl of Rochester. An attraction quickly forms between the two of them, but Rochester is not the only man interested in our heroine; Jasper, the son of Thomazine’s dearest friend, has decided Alathea is the woman he wants to marry, while Kit is also growing increasingly obsessed with his beautiful half-sister. Will any of them succeed? With Alathea reluctant to sacrifice her independence, she will need to find a way to reconcile her personal life with the career for which she has worked so hard.

I’m actually glad that I waited a while before reading Alathea; I think if I’d read it straight after The Chains of Fate, I would have been disappointed that there wasn’t more of Thomazine and Francis, but allowing some time to pass meant that I was able to enjoy Alathea’s story in its own right. And it is an enjoyable story. Although there are some sad moments and some dramatic ones, there’s also plenty of humour (in particular, I’m thinking of a certain scene involving a dinner party and Rochester’s pet monkey). I’m sure Rochester must have been a fascinating character to write about; I’ve read about him once or twice before, but never in as much detail and never in a way that made him feel so human.

There are some beautiful descriptions of the countryside surrounding Ashcott and Goldhayes, as well as of life in Restoration London – the section set during the Great Fire stood out for me as being particularly vivid. I also loved the way some of Rochester’s poetry is incorporated into the story, and the painting of his famous portrait, complete with monkey. What I found most interesting, though, was the portrayal of a young woman trying to make her own way in a male-dominated world, at a time when it was not at all common or very socially acceptable for a woman to earn a living as an artist.

I didn’t like this book quite as much as The Moon in the Water and The Chains of Fate which I think was simply because I loved following the ups and downs of the romance between Thomazine and Francis, so was more emotionally invested in their story than I was in Alathea’s. I still thought Alathea was a great book and I’m hoping to read Pamela Belle’s other series, Wintercombe, this year too.

The Man in the Iron Mask by Alexandre Dumas

the-man-in-the-iron-mask I had considered starting 2017 by posting some reading plans and resolutions but, to be honest, after failing to keep most of last year’s, I don’t want to make any for this year. I do have one goal for 2017, though: I would like every book I read to be a potential book of the year. That’s unrealistic, I know, but it’s something to keep in mind when I’m choosing which books to read and when I’m deciding whether or not it’s worth continuing with a book I’m not enjoying. And I’m already off to a great start with my first January read – The Red Sphinx by Alexandre Dumas! I’m looking forward to telling you about that one after I’ve finished reading it, but in the meantime here are my thoughts on another Dumas novel I read just before Christmas.

The Man in the Iron Mask is the last book in the d’Artagnan series which began with The Three Musketeers and continued with Twenty Years After, The Vicomte de Bragelonne and Louise de la Vallière. The final three in the series were originally published as one novel, which must have been enormous; it’s easy to see why most publishers now split it into separate volumes! I think most people probably just go straight from The Three Musketeers to The Man in the Iron Mask – after all, they are the two best known and the most often filmed of the d’Artagnan stories – but I don’t regret having taken the time to read the ones in between. I did enjoy them all, particularly Twenty Years After, and it meant that I went into this, the final book, with the background knowledge I needed to be able to get straight into the story.

Unlike The Vicomte and Louise, which deal mainly with the political and romantic intrigues of various members of the 17th century French court, in The Man in the Iron Mask, the focus returns to d’Artagnan and his three friends, Athos, Porthos and Aramis. The first half of the novel revolves around Aramis and a plot involving a man imprisoned in the Bastille who bears a striking resemblance to the King of France. I won’t say too much about this as I wouldn’t want to spoil the story for future readers, but suffice it to say that things don’t go exactly as according to plan and both Aramis and Porthos (who, as usual, has become implicated in the schemes of others while blissfully unaware of what is really going on) find themselves in trouble.

We then catch up with Raoul, the young Vicomte de Bragelonne, who is trying to come to terms with the discovery that his beloved Louise de la Vallière is now the mistress of Louis XIV. Devastated by the loss of Louise, Raoul agrees to accompany the Duc de Beaufort on an expedition to Africa. How will his father, Athos, cope in his absence? D’Artagnan, meanwhile, has remained loyal to the king and for much of this novel he is caught up in the final power struggle between the two rival finance ministers, Fouquet and Colbert. When his duties bring him into conflict with Aramis and Porthos, however, d’Artagnan must find a way to serve his king without betraying his friends.

This is a much more exciting, action-packed book than the two preceding ones. The actual ‘man in the iron mask’ has a relatively small role to play but the plot has serious consequences which are explored throughout the remainder of the novel as we follow our old friends, the musketeers, to the end of their careers. I was pleased to see so much more of d’Artagnan and his friends than we did in the last two books, but I was disappointed by the lack of scenes with all four together (it was the relationship between the four of them, in my opinion, that made the first Musketeers novel such a joy to read) and that Athos’ storyline seemed to barely intersect with the others. Athos was my favourite character in the original Musketeers book and I really dislike the direction Dumas took him in throughout the later books in the series, particularly after Raoul became more prominent in the story. It’s funny that Aramis, my least favourite, ended up being the character I found the most interesting!

Towards the end, The Man in the Iron Mask also becomes a very sad book; after spending so much time with these characters – literally thousands of pages over the last few years – I didn’t want to have to say goodbye to any of them. Dumas ties things up very neatly in the final chapters…a bit too neatly for me; I would have preferred a happier ending with more left to the imagination! Still, I did enjoy this book and was delighted to discover that Dumas had written yet another, often forgotten, sequel to The Three Musketeers. It’s called The Red Sphinx and is being made available in a new English translation this month. I’m reading it now and am pleased to say that so far it’s definitely living up to my expectations!

My Commonplace Book: December 2016

It’s time for my last Commonplace Book post of 2016. I now have twelve lovely collections of quotations and images to look back on from my year’s reading, so I think I’ll be doing this again – or something very similar – in 2017!

A summary of this month’s reading, in words and pictures.

commonplace book
Definition:
noun
a notebook in which quotations, poems, remarks, etc, that catch the owner’s attention are entered

Collins English Dictionary

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Looking back on the past six months, Margaret realised the chaotic nature of our daily life, and its difference from the orderly sequence that has been fabricated by historians. Actual life is full of false clues and sign-posts that lead nowhere. With infinite effort we nerve ourselves for a crisis that never comes. The most successful career must show a waste of strength that might have removed mountains, and the most unsuccessful is not that of the man who is taken unprepared, but of him who has prepared and is never taken.

Howards End by E.M. Forster (1910)

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Time is the tricksiest of all tricksters, and I should know. I was a jester by profession, but I never had the skills of Mistress Time. She can stretch herself into a shadow that reaches so far you think it’ll never come to an end or she can shrink to the shortest of mouse-tails.

The Plague Charmer by Karen Maitland (2016)

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Talk, inevitably, turned to the projected portrait, and he was able to describe what he wanted. “I have it all quite plain in my mind’s eye: I stand by a table, so, and I’m holding out a laurel wreath over Strephon’s head, while turning to look out of the picture, and Strephon sits on a pile of books on a table, preferably eating them.”

“All highly symbolic. Are you sure you don’t want, say, a dwarf or a blind fiddler or any other accessory? Just yourself, and the monkey?”

Alathea by Pamela Belle (1985)

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Angel thought: What is this errand I am going on? Perhaps all this girl has told me is false; how do I know? Perhaps all I have heard of her is a lie, too. What is it that I have in common with her? Why do I like and trust her? For the same reason as I was hurt by the death of the manatee – we’re all females, slaves, helpless.

Night’s Dark Secrets by Marjorie Bowen (1936)

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henry-vii

Somehow, he’d thought that as he got older he would achieve a measure of free will. When he was a man, he had often told himself after being chastised or set some complicated task of learning that no one would tell him what to do. Now he lay on his back in the dense forest, aware of the mist rising from the damp earth, the murmuring of men settling in for the night, and knew he was part of a story that had started long before he was born and would continue long after his death.

Accession by Livi Michael (2016)

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“Nice!” Stella’s anger overflowed suddenly. “And this is a nice bus, and what a lot of nice people we are, this nice morning.”

Marian managed a laugh. “You’re quite right. It’s a terrible word. I used it in an essay once, and my tutor made me read Northanger Abbey before I wrote another one.”

“Oh God, Jane Austen,” said Stella.

Strangers in Company by Jane Aiken Hodge (1973)

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There are misfortunes in life that no one will accept; people would rather believe in the supernatural and the impossible.

The Man in the Iron Mask by Alexandre Dumas (1850)

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full-moon

The moon was full and, urged by a restless excitement, she had been unable to remain in her room. She walked without conscious direction through a grove of oleanders and came out on the shore, pale gold sands silvered by the moonlight, a line of slowly curling surf white as ivory, and a sea of violet blue. Above her the Southern moon seemed huge and very near and she felt as if she could catch it in her hand.

Forget Me Not by Marjorie Bowen (1932)

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“First his secretary, seated in his master’s chair, was shot,” he said slowly. “Then his butler, who was apparently after his master’s Scotch, got poisoned. Then his chauffeur met with a very mysterious accident, and finally a man walking with him down the street got a coping stone on his head.” He sat back and regarded his companion almost triumphantly. “What do you say to that?” he demanded.

“Shocking,” said the young man. “Very bad taste on someone’s part. Rotten marksmanship, too,” he added, after some consideration. “I suppose he’s travelling for health now, like me?”

Mystery Mile by Margery Allingham (1930)

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jane_shore_-_weir_collection

She raised her eyes – they lighted on the masquer. The pressure of the people had forced him so close to her that their hands touched. Shore lent forward to speak to his father. The mysterious personage seized the occasion, pressed that gloved hand with ardour, and whispered in her ear.

“You have done unwisely – you might have been the beloved of a king.”

Jane Shore by Mary Bennett (1869)

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“There are many forms of love, Violet. One can love a parent in one way, a sibling in another, a lover, a friend, an animal…each in different ways.”

Flora watched Violet’s face as everything it contained seemed to soften and a veil fell from her eyes.

“Yes, yes! But Flora, how can we possibly choose whom we love when society dictates it?”

“Well, even though outwardly we must do as society dictates, the feelings we hold inside us may contradict that completely.”

The Shadow Sister by Lucinda Riley (2016)

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Favourite books this month: Alathea, The Man in the Iron Mask and The Shadow Sister.

As you can see, I’m very behind with my reviews, which isn’t ideal at the start of a new year. However, I do have most of them written and scheduled to be posted throughout January. For now, I would like to wish you all a Happy New Year!