2014 Historical Fiction Reading Challenge…and wrapping up this year’s challenge

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2014hf2 This year I’ve been taking part in the Historical Fiction Reading Challenge hosted by Historical Tapestry. I signed up at the Ancient History level, which meant I needed to read 25+ books, and as historical fiction is my favourite genre I actually read 32.

I’m happy to see that Historical Tapestry will be hosting the challenge again next year. The challenge runs from 1 January to 31 December 2014 and you can choose from the following levels:

20th century reader – 2 books
Victorian reader – 5 books
Renaissance Reader – 10 books
Medieval – 15 books
Ancient History – 25 books
Prehistoric – 50+ books

I will be aiming for Ancient History (25 books) again but will see how close I can get to the Prehistoric level!

And now, to wrap up the 2013 challenge, here are the historical fiction novels I’ve read and reviewed this year.

Historical Fiction Reading Challenge 2013 1. The Florentine Emerald by Agustin Bernaldo Palatchi
2. Gemini by Dorothy Dunnett
3. The Forgotten Queen by D.L. Bogdan
4. The King’s General by Daphne du Maurier
5. Master and Commander by Patrick O’Brian
6. The Iron King by Maurice Druon
7. The Chalice by Nancy Bilyeau
8. The Agincourt Bride by Joanna Hickson
9. The Master of Bruges by Terence Morgan
10. Shadow on the Crown by Patricia Bracewell
11. Lady of the English by Elizabeth Chadwick
12. The Poisoned Island by Lloyd Shepherd
13. The Scent of Death by Andrew Taylor
14. Queen’s Gambit by Elizabeth Fremantle
15. She Rises by Kate Worsley
16. The Forbidden Queen by Anne O’Brien
17. The Memory of Lost Senses by Judith Kinghorn
18. King Hereafter by Dorothy Dunnett
19. Paris by Edward Rutherfurd
20. Midnight in St Petersburg by Vanora Bennett
21. The Sacred River by Wendy Wallace
22. Elizabeth I by Margaret George
23. Bring up the Bodies by Hilary Mantel
24. Post Captain by Patrick O’Brian
25. The Wild Girl by Kate Forsyth
26. Wars of the Roses: Stormbird by Conn Iggulden
27. Dragonwyck by Anya Seton
28. Colossus: The Four Emperors by David Blixt
29. Hungry Hill by Daphne du Maurier
30. The Firebird by Susanna Kearsley
31. The Nine Day Queen by Ella March Chase
32. The King Must Die by Mary Renault

I enjoyed most of these books and I’m sure a few of them will be appearing on my best of the year list when I compile it later this month!

The Tudors: A Very Short Introduction by John Guy

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The Tudors Just a short post today to discuss a very short book!

The Tudors: A Very Short Introduction is part of a series of books which offer, as the title suggests, a very short introduction to a wide variety of different topics. Looking at the list of other titles available (and there are hundreds of them) you can choose from subjects as diverse as Folk Music, Feminism or Contemporary Art; Chinese Literature, Biblical Archaeology or American Politics. This one is devoted to the Tudors although, admittedly, I probably didn’t really need a short introduction to them, having recently read Peter Ackroyd’s much longer book on the same subject! I had the opportunity to receive a review copy, though, and was curious to see what the series was like.

In this book, historian John Guy takes us through the reigns of each Tudor monarch – Henry VII, Henry VIII, Edward VI, Lady Jane Grey, Mary I and Elizabeth I. All of the basic facts are here, presented in a format that is easy to follow and understand. There are also some illustrations, genealogical tables, a chronology and a list of suggested further reading. As I already have quite a good knowledge of the Tudor period, very little of the information in this book was new to me, but for those readers who don’t know much about the Tudors this will be an excellent starting point.

While this was not as interesting or compelling as Ackroyd’s book (and I know it’s not fair to compare the two as they are clearly aimed at different readers and have different purposes) I did enjoy reading this Very Short Introduction and would consider trying another one. As well as being short (just over 100 pages), these books are also very small and would be the perfect size to take with you on a train or bus journey or to fit into a bag or pocket so that you could dip into it when you have a few spare moments to read. And if you don’t feel like actually reading it from cover to cover, it would be a good reference book to keep on your shelf for times when you might want to quickly look up some dates or facts.

You can find a full list of all the Very Short Introductions on the Oxford University Press website.

After the Sunday Papers #14

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Richard III In my last Sunday post, I promised to give you an update on the FutureLearn course on England in the time of Richard III that I’m participating in. I’m three weeks into the course now and have mixed feelings about it so far. The format of the course is very different from the courses I’ve previously taken with Coursera which have been in the form of video lectures. This course is delivered through a mixture of written articles, audio clips and short videos, and this method of learning actually suits me better as I have found it difficult in the past to concentrate on the longer Coursera videos. The disadvantage is that the course feels more impersonal and there’s less direct engagement with the course leader.

I had been looking forward to starting the course as this is one of my favourite periods of history. I understand that the course assumed no prior knowledge so had to start at a very basic level, but so far I’m not sure I’ve actually learned much more about England in the time of Richard III than I already knew at the beginning. Although the third week was more challenging, taking us through the development of the written word and the technicalities of medieval scripts, some of the articles during weeks one and two felt more like pages from a school textbook than something you would expect from the University of Leicester. It does seem that the idea of the course is not to go into a lot of depth but to just provide a starting point for further research and discussion. I’m enjoying reading the comments of other participants (there are some very knowledgeable people taking part) and I think I’m learning more from their comments than I am from the course material itself.

As this is my first FutureLearn course I don’t know if they will all be very similar or if the quality and methods of teaching will vary from course to course. I’ve signed up for some others starting next year so will find out soon.

What I’m reading…

Larkswood This week I’ve finished two books: the first was The Plantagenets by Dan Jones, a fascinating biography of the Plantagenet monarchs who ruled England from 1154-1399; the other was my re-read of The Game of Kings by Dorothy Dunnett, which I’m pleased to say I loved as much as the first time! I will be starting a re-read of Queens’ Play soon.

I am now reading Larkswood by Valerie Mendes and the second of Elizabeth Peters’ Amelia Peabody books, The Curse of the Pharaohs. I’m enjoying both!

What have you been reading? Are you ready for Christmas?

The King Must Die by Mary Renault

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The King Must Die After my post on The Odyssey last Friday, I’m staying with an Ancient Greece theme again this week – but in the form of historical fiction this time.

Beginning with his childhood in Troizen, The King Must Die tells the story of Theseus, a story which I’m sure will already be familiar to many readers. Theseus lives with his mother but has never known the true identity of his father, believing him to be the god Poseidon. When he succeeds in raising a boulder to reveal his father’s sword, Theseus learns that he is actually the son of Aigeus, the King of Athens, and sets off for Athens to find him. After an eventful journey during which Theseus becomes King of Eleusis, he arrives in Athens and meets his father at last. But when King Minos of Crete demands that fourteen young people are sent to him to train as bull-dancers, Theseus makes the decision to become one of the fourteen…and finds himself facing the Minotaur in the Labyrinth of the Palace of Knossos.

Mary Renault is an author I’ve been wanting to read for a long time and I became even more interested when I noticed that on the back covers of my Vintage editions of the Lymond Chronicles by Dorothy Dunnett, it says that Dunnett’s writing ‘inspires comparisons with Mary Renault and Patrick O’Brian’. I’ve now read some of Patrick O’Brian’s books and enjoyed them (though not as much as Dunnett) so it seemed a good idea to try Mary Renault too. However, I’ve been hesitant because, as I explained in my Odyssey post, mythology and Ancient Greece are not subjects that really appeal to me. It was finally making it to the end of The Odyssey a few weeks ago that gave me the motivation to pick up The King Must Die at last.

I was curious to see how this book could be described as historical fiction, as a story with a plot involving Poseidon and the Minotaur sounded more like mythology to me. Having read the novel, I now understand that The King Must Die is not simply a re-telling of the Theseus myth but a more realistic recreation of his life, portraying Theseus as a real human being rather than a character from Greek mythology. Most of the essential elements of the myth are here, but they are cleverly incorporated into the historical setting and given logical, plausible explanations.

My favourite part of the book was the section describing Theseus’s adventures in Knossos as a bull-dancer, learning new skills and techniques, and bonding with the other members of his team. I also enjoyed learning about the different customs and rituals of the various cultures and communities Theseus visits on his journey, including the Hellenes, the Minyans and the Cretans. There’s a fascinating author’s note at the end of the book in which Mary Renault explains how she was able to link parts of the Theseus legend to historical fact.

While I did enjoy this book, I do feel disappointed that I didn’t love it as much as I had hoped to. There was nothing specific that I disliked about the book or that I could say didn’t work for me; I certainly couldn’t fault the quality of the writing or the amount of research that must have gone into recreating Theseus’s world. It’s probably just that, as I’ve mentioned, I’m not particularly drawn to this subject or setting. I do still want to read the second half of Theseus’s story in the sequel, The Bull from the Sea!

The Odyssey – translated by T.E. Lawrence

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The Odyssey - Homer Ten years have passed since the Trojan War ended but Odysseus has still not returned home, having been held captive by the nymph Calypso, who has fallen in love with him. At home in Ithaca, his wife, Penelope, has found herself besieged by a large group of suitors who are hoping to persuade her to marry one of them. The suitors have taken over Odysseus’s palace and are helping themselves to his food and drink; his son, Telemachus, is desperate for them to leave but doesn’t have the courage to throw them out.

The Odyssey tells the story of Odysseus and his journey home to Ithaca – a journey involving encounters with the one-eyed Cyclops, the witch Circe, the sea monster Scylla, and the tempting music of the Sirens. But it’s also the story of Telemachus and his quest to find out what has happened to his father; of Penelope, faithfully waiting for her husband to return; and of the Greek gods and goddesses who try to help or hinder Odysseus on his travels.

I’m so happy to have finally read The Odyssey as it was one of the least appealing books on my Classics Club list, not necessarily because I was intimidated by it (well, maybe a little bit) but because I’m just not very interested in mythology. I can’t really explain why I’m not a fan; I did enjoy reading Greek myths as a child, but since then my reading has taken me in other directions. I know that probably puts me in a minority as most people seem to love mythology and have a lot more knowledge of the subject than I do!

I’ve started to read The Odyssey before but didn’t finish it so this is the first time I’ve actually read it from beginning to end. I did already know most of the story, partly from school and partly because this is the sort of story that I think many people will have at least some familiarity with even if they’ve never read it in its entirety. There were some things I wasn’t aware of, though – for example, I was surprised by how little time is actually devoted to Odysseus’s journey. This section of the epic, in which Odysseus describes his adventures and the monsters and mythical beings he outwits, is by far the most well-known section, but it actually only takes up four of the twenty-four books that make up The Odyssey. The rest of the time is spent on the suitors, Telemachus and Penelope, and what Odysseus does after he eventually returns to Ithaca.

There are lots of different themes and ideas contained in The Odyssey – storytelling, disguise and deception, temptation, and the relationship between mortals and gods are a few that I noted and I’m sure there are others that I missed. There is also a lot of focus on hospitality. It seemed a weary traveller would be made welcome wherever they went, offered food, a bath and a bed for the night.

There are many different editions and translations of The Odyssey, some in verse and some in prose, but the book I read was the Wordsworth Classics edition pictured above from 1992 with a 1932 prose translation by T.E. Lawrence (better known as Lawrence of Arabia). There was no special reason why I decided to read this version, other than that I happened to have it on my shelf (I can’t remember where I got it from). I’m not sure if you can even still buy this particular translation in this edition anymore. However, this turned out to be a perfect translation for me. I know I’ve probably missed out on a lot of the beauty of The Odyssey by reading a prose version, but I don’t get on very well with narrative poems – apart from The Epic of Gilgamesh which I loved in verse form – so reading it in prose was probably a much better choice for me personally.

I have no idea how technically accurate Lawrence’s translation might be, but all I was really hoping for was something enjoyable and reasonably easy to read, and that’s what I got. I was surprised by how exciting and readable it actually was; I wonder if the fact that Lawrence himself had such an eventful life was an influence here in helping him to convey the drama of Odysseus’s adventures in such a compelling way.

I’m sorry about the lack of insight and analysis in this post. It doesn’t seem right to just ‘review’ an epic like The Odyssey as I would any other book, but that’s what I’ve had to do as I really don’t feel that there’s much I can add to everything that’s already been said about it over the centuries. It’s actually been a lot harder to write about The Odyssey than it was to read it!

Have you read The Odyssey? If I read it again, is there a translation you would recommend?

The Nine Day Queen by Ella March Chase

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The Nine Day Queen When King Edward VI dies unmarried and childless in 1553, there are several claimants to the throne. One of these is Lady Jane Grey, who has Tudor blood through her mother, Frances Brandon, a niece of Henry VIII’s. Finding herself at the centre of a plot by her parents and the Duke of Northumberland (the father of her husband, Guildford Dudley), Jane becomes Queen of England…but only for nine days. Deposed by Edward’s Catholic half-sister, Queen Mary, Jane is imprisoned in the Tower of London and eventually beheaded. The story of Jane’s short reign and tragic fate forms part of this historical fiction novel by Ella March Chase, but this is not just Jane’s story – it’s also the story of her two younger sisters, Katherine and Mary.

On the same day that Jane married Guildford Dudley, Katherine was married to Henry Herbert, son of the Earl of Pembroke, but after Jane’s downfall the Herberts want to break their ties with the Grey family, so Katherine and Henry’s marriage is annulled. Later, Katherine falls in love with Edward Seymour but their secret romance incurs the wrath of the new queen, Elizabeth I, and Katherine finds that her own life could be in danger. Although the youngest Grey sister, Mary, is not such a central part of her parents’ plotting (possibly because she suffers from what sounds like a severe form of spinal curvature), she is still affected by Jane’s death and Katherine’s misfortunes. This fictional account of the Grey sisters is a great introduction to Mary and Katherine for those of us who know very little about them!

I had a good idea of what I could expect from The Nine Day Queen, having read another book last year by this author, The Virgin Queen’s Daughter, which I enjoyed. I knew it wouldn’t be a particularly ‘literary’ historical novel (you can probably guess that from the cover, though it’s not always fair to make assumptions) but not as light and fluffy as some. I can’t really say much about the accuracy of the book as I’ve only read one other novel about Lady Jane Grey (Innocent Traitor by Alison Weir) and no non-fiction beyond the few brief paragraphs she is usually given in books about the Tudors. As far as I could tell the story does stick to the basic facts, with some obvious inventions, as you would expect in a book that is fiction rather than non-fiction – and the author does use her Author’s Note at the end to explain where she has deviated away from the known facts.

The sisters are given such different personalities – Jane is sensible, studious and a devout Protestant, Katherine warm, compassionate and pretty, and Mary outspoken and impulsive – and with each girl narrating her own chapters of the book, the opportunity was there for the author to develop a different narrative voice and style for each of them. I was disappointed that she didn’t make the most of this opportunity and the voices of the three girls were very similar, so much so that there were times when I found it hard to tell who was narrating the chapter I was reading and had to look back at the chapter heading to remind myself.

I did like the fact that the story was told from the perspective of all three Grey sisters, though, and I was surprised to find that Jane’s death comes not near the end of the book as you might expect, but in the middle. The focus is then on Katherine and Mary for the remainder of the novel and I thought this was good because while Jane’s story is well known, the other two sisters have been largely forgotten by history and it was nice to have an opportunity to learn more about them both. Another thing that was surprising was the portrayal of the two queens, Mary I and Elizabeth I. In a reversal of what you would usually expect, Mary is portrayed as kind and considerate whereas Elizabeth comes across as spiteful and vindictive. They both felt more like caricatures than realistic characters to me, but it was interesting to see such a different perspective!

Are there any other books anyone can recommend on Lady Jane Grey and her sisters, either fiction or non-fiction? I’ve just received a copy of the new Elizabeth Fremantle novel, Sisters of Treason, from Netgalley so will be interested to see how that one compares.

Note: This book has also been published under the title Three Maids for a Crown.

Speaking from Among the Bones by Alan Bradley

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Speaking from Among the Bones Speaking from Among the Bones is Alan Bradley’s fifth novel featuring the wonderful Flavia de Luce. Flavia’s intelligence, her passion for chemistry (particularly poisons), and the fact that she is still only eleven years old makes her one of the most fascinating and unusual detectives in fiction. The series is set in the 1950s in the small English village of Bishop’s Lacey where Flavia lives with her father and two sisters, Ophelia and Daphne, at the family’s ancestral home, Buckshaw. In each book Flavia investigates a murder mystery, torments (and is tormented by) her sisters, conducts experiments in her chemical laboratory, and desperately searches for information about the mother she has never known.

Flavia’s fifth adventure begins as she excitedly awaits the removal of St Tancred’s bones from his tomb in the church crypt to commemorate the five-hundredth anniversary of his death. She is hoping to be the first person in Bishop’s Lacey to see the saint’s bones, but what she eventually discovers when the tomb is opened is something quite different: the body of the church organist, Mr Collicutt, who had disappeared a few weeks earlier. Who murdered him and what was their motive? And why is he wearing a gas mask? These are the questions Flavia must try to answer – hopefully before Inspector Hewitt solves the mystery first! Accompanied by her trusty old bicycle, Gladys, Flavia begins to search for clues, but as well as making some discoveries regarding the organist’s death and the possible identity of his killer, she also starts to uncover some of the secrets of her mother’s past.

I’ve enjoyed every book in the series so far, but I think this one might be my favourite (either this or the Christmas-themed one, I am Half-Sick of Shadows). As I’ve mentioned in my previous Flavia reviews, I love this series because I love Flavia, the supporting characters, and the setting of Bishop’s Lacey. The actual murder mysteries are not usually very complex or difficult to solve and are not the attraction of these books for me, but I thought this was an improvement on the previous ones. It was tightly plotted with lots of clues, suspects and red herrings and during her investigations Flavia finds herself crawling through underground tunnels, entering secret locked rooms, encountering a wooden effigy that appears to have started weeping blood in the church, and discovering that she is not the only amateur detective in Bishop’s Lacey!

While Flavia is still just eleven and has only aged slightly over the course of the series, I do think we’ve seen her grow up and mature since the first book. There has been development with some of the other characters too, particularly Ophelia (Feely) and Daphne (Daffy), Flavia’s two sisters, who are not quite as horrible to Flavia in this book as they have been previously – or maybe Flavia is just learning to deal with them better. Also in this book, their father is continuing to have financial difficulties, forcing him to consider putting Buckshaw up for sale and this shared trauma helps to bring the whole family together for once. By ‘family’ I’m including the servants, Mrs Mullet and Dogger. Dogger is a great character and a true friend to Flavia – I like him more and more with every book!

If you’re new to this series, beginning with book five probably wouldn’t be a problem, but if possible I would recommend starting with the first one, The Sweetness at the Bottom of the Pie, and enjoying all of Flavia’s adventures in order. This is the only one to finish with a cliffhanger ending, which means I now can’t wait to read the sixth book, The Dead in Their Vaulted Arches!