The Fraud by Zadie Smith

When I saw this year’s longlist for the Walter Scott Prize, one of the books I was most interested in reading was The Fraud. I haven’t read any of Zadie Smith’s other books, but the subject and setting of this one sounded appealing to me.

At the heart of the novel is a real-life court case in which a man many believe to be Arthur Orton, a butcher’s son from London, claims to be Roger Tichborne, the missing heir to a baronetcy thought to have died in a shipwreck in 1854. The ‘Claimant’, as he becomes known, is immediately identified as Roger by his mother, but the rest of the Tichborne family insist that he’s an imposter. The dispute goes on for several years and captures the imagination of the public, with people travelling for miles to come and watch the case play out in court. Two of the people following the proceedings with interest are Sarah Ainsworth and Eliza Touchet, who are central characters in Smith’s novel.

Eliza Touchet is a cousin by marriage of the novelist William Harrison Ainsworth and has lived with him as his housekeeper – and occasional lover – since the 1830s, while also growing close to his first wife, Frances. By the time of the Tichborne trial several decades later, William has been widowed and married again, this time to Sarah, his former maid. Sarah is obsessed with the Tichbornes and convinced that the Claimant is telling the truth and it is she who persuades Eliza to accompany her to court. Here Eliza finds herself drawn not to the supposed Sir Roger, but to one of the key witnesses – Andrew Bogle, an elderly black man who was Roger’s uncle’s servant and is one of the few people to speak up in support of the Claimant.

The novel moves backwards and forwards in time between the 1830s and 1870s, with the story unfolding through a series of very short chapters, sometimes only a page or two long. I wasn’t really a fan of this structure, as it made it difficult to become fully immersed and keep track of what was happening. And there’s a lot happening! As well as the coverage of the Tichborne trial, there’s a long digression into the early life of Andrew Bogle as a slave on a plantation in Jamaica, discussions of the Victorian literary scene and domestic details of life in the Ainsworth household. There were too many separate storylines for one book and some of them didn’t really seem to lead anywhere or integrate with the others. Having said that, I still found things to enjoy and my overall feelings about the book are probably slightly more positive than negative!

Most of the people who appear in The Fraud really existed, although not necessarily as Zadie Smith describes them. Eliza Touchet, for example, was a real person but died much earlier than she does in the novel and wouldn’t have been around by the time of the Tichborne case, so while there’s a lot to learn from this book it’s worth remembering that it’s not all factually correct. I did find it interesting to read about the life and work of William Harrison Ainsworth, whose books were hugely popular at the time – particularly Jack Sheppard, one of the ‘Newgate novels’ Claire Harman discusses in her true crime book, Murder by the Book – but have largely been forgotten today. Smith explores Ainsworth’s rivalry with Charles Dickens, as well as allegations that he stole some of the ideas for his novels from his illustrator, George Cruikshank. Is it just the Tichborne Claimant who is the ‘fraud’ of the title or could it also be Ainsworth himself?

Although there were parts of The Fraud that I enjoyed, I think there was really enough material here for two or three books and I ended up feeling overwhelmed. Maybe a different Zadie Smith book would have been a better starting point for me after all.

Book 15/50 for the Historical Fiction Reading Challenge 2024

Clairmont by Lesley McDowell

I have read several novels about the Romantic poets and their social circle, including Jude Morgan’s Passion and Guinevere Glasfurd’s The Year Without Summer, but Claire Clairmont has always seemed a shadowy character, who hasn’t come to life as strongly as other women such as Mary Shelley or Lady Caroline Lamb. This new novel by Lesley McDowell changes that by giving Claire a voice and placing her at the forefront of her own story.

Clairmont follows Claire throughout three different periods of her life, beginning in 1816 when she accompanies her stepsister Mary Godwin (later Mary Shelley) to Geneva. Claire, Mary and Mary’s married lover, Percy Bysshe Shelley, with whom she already has a baby son, are renting a house by the lake, while Shelley’s friend Lord Byron is staying at the nearby Villa Diodati with his doctor, John Polidori. Claire is pregnant with Byron’s child, but it’s becoming clear that he now views her as an inconvenience and would prefer it if the child was never born.

The Geneva episode taking place in 1816, the ‘year without a summer’ which followed a volcanic eruption in Indonesia, is the part of Claire’s life most people will be familiar with (if they’re familiar with her at all). It was during their stay at the Villa Diodati that Mary began to write her famous novel Frankenstein, and it’s through her own relationships with Byron and the Shelleys that Claire has gained historical significance. In addition, this novel also follows Claire during her time working as a governess in Russia in 1825 and later when she settles in Paris in the 1840s, and we gradually begin to see how those events of 1816 have impacted the rest of her life.

There were things that I liked about this book and things that I didn’t (more of the latter than the former, unfortunately). To start with a positive, I appreciated having the opportunity to learn more about Claire Clairmont, having previously known very little about her beyond her involvement with the Romantic poets. I had no idea what she did or where she went later in life, so I found that interesting. The story is not told in chronological order, but moves back and forth in time, with a Russia chapter followed by a Paris one then back to Geneva again, which I thought was quite confusing, particularly as the gaps between the timelines aren’t adequately filled in and no backstory is given for the characters prior to 1816. It felt as though half of the story was missing and it made it difficult to become fully immersed.

The writing is beautiful and dreamlike and at times reminded me of Maggie O’Farrell’s Hamnet (especially since, like the O’Farrell novel where Shakespeare is never referred to by name, here Byron is always referred to by his nickname, Albe, and never Byron). However, sometimes beautiful writing isn’t enough and I didn’t get on very well with Hamnet so maybe it’s not surprising that I didn’t get on with this book either. The constant jumping around in time and the vagueness of the plot made it hard for me to really get to know Claire and understand her actions. Although I had a lot of sympathy for her because of the terrible way Byron treated her during and after her pregnancy (which has been well documented, including in his own letters), I had no idea what attracted her to him in the first place or how their relationship had reached this point, because none of that is explained or touched upon. Throughout the book, we are continually being dropped into situations that don’t make much sense without being given the full context.

Don’t let me put you off this book if you want to try it – there are plenty of other books I didn’t care for that other people have loved! This will probably be a good read for the right reader; it just wasn’t for me.

Thanks to Headline for providing a copy of this book for review via NetGalley.

Book 7/50 for the Historical Fiction Reading Challenge 2024

The Bone Hunters by Joanne Burn

The cliffs and beaches of Lyme Regis on the south coast of England are famous for their fossils, particularly the remains of dinosaurs and other prehistoric reptiles, some of which were discovered in the 19th century by the fossil collector and scientist, Mary Anning. In her new novel The Bone Hunters, Joanne Burn takes inspiration from Anning’s life and work to create the fictional story of another female fossil hunter, Ada Winters.

Ada is twenty-four years old when her story begins in 1824. Since her father’s death, she and her mother have been struggling to pay the rent and are at risk of losing their little cottage by the sea. Much to her mother’s frustration, Ada is reluctant to look for a job, instead spending her days wandering on the beach and insisting that the collection of bones and fossils she is acquiring will one day make their fortune. Ada receives a setback when her request to join the Geological Society of London is rejected, but her disappointment turns to excitement when she discovers what she believes to be the remains of a previously unidentified species.

When Ada meets another geologist, Dr Edwin Moyle, by the cliffs one day, she must decide whether to trust him with what she has found. Edwin’s support means she will be more likely to be taken seriously when she presents her discovery to the Society, but what if he tries to claim the skeleton for himself? Having come so close to achieving her dream, Ada is determined not to let anyone take it away from her!

The Bone Hunters is a beautifully written novel. I loved the descriptions of the landscape – the beach, the harbour, the cliffs of Black Ven with their ‘dark, forbidding crag face looming high above’ – and the town itself. The relationship between the people of Lyme and their natural environment is something that comes up again and again throughout the book: the dangers of landslides that can happen without warning; the severe flooding that can destroy homes and take lives. It’s one of those novels where the geographical setting takes on as much importance as the characters and the plot.

As I read, it was difficult not to make comparisons with Remarkable Creatures, Tracy Chevalier’s novel about Mary Anning, but I think I enjoyed this one more. Inventing a character based on Anning rather than writing about Anning herself allowed Joanne Burn to bring more drama into the story and to introduce other fictional characters and storylines. I particularly liked Josiah and Annie Fountain, an elderly couple who run a bookshop together and have taken Ada under their wing, and Isaac, a young man who has come to Lyme to collect local myths and legends. Ada herself frustrated me because of her single-mindedness and selfishness – I felt sorry for her mother who was making herself ill washing fleeces in a factory all day while Ada refused to go to work – but at the same time I could admire her ambition and determination as a woman trying to make a name for herself in a male-dominated field. As for Edwin, part of the story is written from his point of view which adds an extra angle of interest, but I won’t tell you whether he turns out to be hero or villain!

Joanne Burn is a new author for me. I haven’t read either of her previous novels, but I do now want to read The Hemlock Cure, based on the real life story of the village of Eyam during the Great Plague.

Thanks to Little, Brown Book Group UK for providing a copy of this book for review via NetGalley.

Book 5/50 for the Historical Fiction Reading Challenge 2024

The Spendthrift and the Swallow by Ambrose Parry

I loved the first four novels in Ambrose Parry’s Raven and Fisher mystery series and although there doesn’t currently seem to be any news of a fifth, I was pleased to come across this digital short story available free for Kindle. It fits into the series chronologically between the third and fourth books but if you come to it late, as I did, it doesn’t matter at all as it works as a standalone story.

Ambrose Parry is a pseudonym used by the crime author Chris Brookmyre and his wife Dr Marisa Haetzman, a consultant anaesthetist. Marisa’s knowledge is crucial to the series, which is set against the backdrop of the medical world of 19th century Edinburgh. Our two main characters are Dr Will Raven, assistant to the renowned Scottish obstetrician Dr James Simpson, and Sarah Fisher, who also assists at Simpson’s clinic but is struggling to find a way to achieve her own dream of becoming a doctor. Each book in the series features a mystery to be solved, as well as details of Victorian medical procedures and treatments.

The Spendthrift and the Swallow is only 52 pages long, including a preview for Voices of the Dead, and can easily be read in about twenty minutes. The story is set in January 1853 and we follow Will and Sarah as they investigate the death of one of Dr Simpson’s patients, Cora Carlton, the wife of an entrepreneur. The circumstances of Cora’s sudden death could raise questions over the doctor’s medical abilities, so Will and Sarah hope to uncover the truth quickly enough to save his reputation. Meanwhile, Simpson has begun experimenting with the increasingly popular science of mesmerism and places a loud and difficult patient under hypnosis with startling results. I was interested to read in the author’s note at the end of the book that both of these incidents were based on real historical cases.

If you’re new to the Raven and Fisher books, reading this story first wouldn’t be a problem as it doesn’t really spoil anything from the main series and it’s a satisfying mystery in its own right. However, it’s too short for any character development or any background information to help you understand the relationship between Sarah and Will and what has happened to them up to this point. My recommendation is to start with the first full-length novel, The Way of all Flesh. For existing Parry readers, though, this is an entertaining little book and provides an introduction to the mesmerism storyline that will play such a big part in Voices of the Dead.

Book 3/50 for the Historical Fiction Reading Challenge 2024

The Beholders by Hester Musson

‘Beauty is in the eye of the beholder’ and the cover of this debut novel by Hester Musson is certainly a beautiful thing to behold.

We begin in June 1878 with Clara Gethin on trial at London’s Old Bailey for the murder of her own child, whose body has been pulled from the River Thames. As the wife of a highly respected politician who has provided evidence against her, things look very bleak for Clara, but there’s one person who believes – or at least wants to believe – in her innocence. This is Harriet Watkins, her lady’s maid and the only friend she has in the world.

We then go back several months to Harriet’s arrival in Clara’s household following the death of her previous employer. Her mother wants her to return home to marry her fiancé, but Harriet isn’t at all convinced that William is the man she wants to spend her life with, so instead she accepts a new position as housemaid at Finton Hall, the Gethins’ Hertfordshire estate. When Harriet begins her new job, she quickly senses that something is very wrong at Finton Hall. The housekeeper is hostile and unwelcoming, the footman seems to be hiding secrets, and the master, although largely absent, casts a shadow over the entire household. Harriet makes an effort to befriend her new mistress and is rewarded with promotion to lady’s maid, but she is concerned by Clara’s lack of affection for her baby son and her habit of dismissing servants seemingly on a whim.

The story unfolds through the pages of Harriet’s diary as she gives her account of her early days at Finton Hall and the things she experiences and observes there. The diary entries are long and detailed – sometimes more detailed than they really need to be – but otherwise the format is a good way to convey Harriet’s growing sense of unease as she learns more about what is really going on within the Gethin household. However, I think I’ve read too many similar books recently, because I found it easy to guess what was happening and wasn’t surprised at all when it was revealed. It also seemed to take far too long to reach that point – the first half of the book consists of a lot of very slow build-up and there were times when I struggled to stay engaged.

The pace picks up in the second half as the action finally moves outside the confines of the house and we learn more about the fate of Clara Gethin’s baby. This part of the book felt more original and I was less able to predict what was going to happen; I also liked the romantic storyline which developed towards the end – although it felt slightly rushed, the love interest was not the person I’d expected earlier in the book and I was glad the author hadn’t gone in that direction. Overall, I think my feelings about The Beholders are more positive than negative; I just wish it hadn’t taken so long for the plot to emerge!

Thanks to Fourth Estate for providing a copy of this book for review via NetGalley.

Book 2/50 for the Historical Fiction Reading Challenge 2024

The Black Feathers by Rebecca Netley

The Black Feathers is an eerie Gothic novel, a perfect book to curl up with indoors on a cold, dark night.

It’s 1852 and Edward Stonehouse is returning to Guardbridge, his family estate on the Yorkshire Moors, bringing with him his second wife, Annie, and their baby boy, John. The couple have been married for a year, but this is Annie’s first visit to the house and she is full of apprehension, having been warned by a friend that Guardbridge has a reputation as ‘a place where bad things happen’.

As Annie begins to explore the narrow hallways and dimly-lit staircases of her new home, she finds traces everywhere of Edward’s first wife, Evie, and their young son, Jacob. She longs to know what happened to them, but Edward has made it clear that the subject is not to be discussed, so she turns instead to the other inhabitants of the house – Edward’s sister, Iris, and her old nurse, Mrs North. But here Annie only finds yet more mysteries. Can Iris really communicate with the dead, as she claims, and why does she refuse to venture outside the walls of Guardbridge? And what are the black feathers appearing around the house? Is it true that they mark the spot where a ghostly presence has visited?

The Black Feathers has some obvious similarities with Daphne du Maurier’s Rebecca, as well as a setting reminiscent of Wuthering Heights, but there are enough original elements to make it an enjoyable read in its own right and not too derivative of older classics. I found Annie a likeable character, but Iris intrigued me more, with her passion for spiritualism, interest in taxidermy and the agoraphobia that has kept her indoors for so many years. I wanted to know what had happened to make into the person she became, and although we do eventually find out, Netley keeps us wondering before beginning to reveal the truth. Edward is equally mysterious – seen through Annie’s eyes, he is distant and aloof, a man she has married through necessity and hasn’t yet learned to trust. When we see things from his sister’s perspective, there are hints that he could be quite a different man to the one Annie thinks she has married, but again, we have to wait to find out what sort of person Edward really is and what happened to his first wife and child.

The novel is atmospheric and creepy in places, particularly when Annie begins to see some ghostly apparitions, but I didn’t find it too frightening, which is good as I don’t want to be terrified when I’m reading at bedtime! I felt that the final few chapters let the book down slightly – the unravelling of the house’s secrets involves too much exposition and long stretches of dialogue – but the final twist is clever and unexpected. Rebecca Netley has written another ghost story, The Whistling, which I haven’t read but would like to, having enjoyed this one.

Thanks to Michael Joseph for providing a copy of this book for review via NetGalley.

This is book 47/50 for the 2023 Historical Fiction Reading Challenge.

Learned by Heart by Emma Donoghue

Emma Donoghue’s new novel, Learned by Heart, is the story of Anne Lister and Eliza Raine, two real historical figures. Lister, best known for her diaries in which she writes about her lesbian relationships as well as her daily life in West Yorkshire, has been made famous to modern audiences thanks to the recent BBC/HBO drama series, Gentleman Jack. Eliza Raine, her first lover, is believed to be a possible inspiration for Bertha Mason, Mr Rochester’s wife in Charlotte Brontë’s Jane Eyre.

Eliza was born in Madras (now Chennai), the younger daughter of an Indian mother and an English father, who was working there as a surgeon for the East India Company. Following her father’s death, Eliza and her sister were sent to England to live with a Yorkshire family, the Duffins. We join Eliza at her boarding school in York, where she has made several friends but still feels that she doesn’t entirely fit in due to her background and skin colour. When Anne Lister arrives at the school one day in 1805 and is told to share Eliza’s bedroom, Eliza is immediately drawn to the new girl. Lister, as she prefers to be known, is a strong personality – intelligent, rebellious and an ‘outsider’ like Eliza herself. As the two grow closer, their friendship develops into romantic love, but as two fourteen-year-olds in 19th century England they are denied the freedom to be who they really are.

Interspersed with the account of their schooldays are several letters written by Eliza to Lister ten years later. Through these letters, we are aware from the beginning of the novel that Eliza will end up in an asylum, but we don’t know exactly how or why she came to be there. Although we do learn a little bit more as the story progresses, it’s not fully explained until Emma Donoghue’s author’s note at the end of the book. The novel itself concentrates almost entirely on Lister and Eliza’s time at the Manor School in York, something I hadn’t expected when I first started reading, and I do feel that rather than the letters, it would have been more interesting to have had a sequel continuing the story after they leave school and become adults.

After last year’s Haven, an unusual novel about a group of 7th century monks settling on an uninhabited island, Donoghue is on more familiar territory with this one (several of her earlier books have also been set in the 18th and 19th centuries). A huge amount of research has obviously gone into the writing of this book and her portrayal of everyday life in an English girls’ school during the time of the Napoleonic Wars feels vivid and real. However, I don’t think we really needed so many long, detailed descriptions of every game the girls played at school!

Anne Lister is an intriguing character and seeing her only through Eliza Raine’s eyes gives a real sense of the qualities that Eliza finds so attractive. It also means that we don’t fully get to know Lister or to understand her innermost thoughts and feelings, so she is always surrounded by a slight aura of mystery. I didn’t always like her and as she was clearly the dominant force in their relationship, I felt concerned for Eliza as it seemed obvious she was going to get hurt.

As I’ve said, I think I would have been more interested in learning about the adult lives of the characters, but I did still enjoy the book and thought it was a great introduction to the lives of these two fascinating women.

Thanks to Picador for providing a copy of this book for review via NetGalley.

This is book 14/20 of my 20 Books of Summer 2023

This is book 35/50 for the 2023 Historical Fiction Reading Challenge.