House of Names by Colm Tóibín

After talking recently about my desire to read more fiction set in Ancient Greece, I was pleased to have the opportunity to read Colm Tóibín’s new novel House of Names. It retells the tragic story of the House of Atreus, described in Aeschylus’ famous trilogy, the Oresteia. Not being very familiar with this story, I had no problem following the plot of the novel, but couldn’t help wondering how different my experience would have been if I was already more well-versed in the Greek classics.

House of Names begins in dramatic style with Agamemnon sacrificing his eldest daughter, Iphigenia. In return the gods will bring about a change in the wind which will allow his army to sail to Troy. Iphigenia’s mother, Clytemnestra, is forced to witness the terrible scene – made even worse by the fact that she had believed she was coming to watch her daughter’s wedding, not her murder. The first section of the novel is narrated by Clytemnestra and I thought it was wonderful, vividly describing the moment of the sacrifice and perfectly capturing the agony and heartbreak of a mother at the loss of her child and the bitter fury of a wife at the treachery of her husband. Angry and grieving, Clytemnestra returns to Mycenae to await her husband’s return from Troy and her chance to take revenge:

Her screams as they murdered her were replaced by silence and by scheming when Agamemnon, her father, returned and I fooled him into thinking that I would not retaliate. I waited and I watched for signs, and smiled and opened my arms to him, and I had a table here prepared with food. Food for the fool! I was wearing the special scent that excited him. Scent for the fool!

But what effect will Clytemnestra’s next actions have on her two remaining children, Orestes and Electra? We don’t have to wait long to find out as sections written from the perspective of each of those characters follow. Orestes’ is told in the third person and describes his kidnapping from the palace of Mycenae and his later escape with the help of two other boys, Leander and Mitros. Together, far from home and away from their families, Orestes and his friends must find a way to survive into adulthood. His sister Electra, meanwhile, pushed aside after Iphigenia’s death, watches Clytemnestra and her lover Aegisthus and begins to plot a revenge of her own…

This has been a difficult review for me to write as I still can’t quite decide what I thought of House of Names! I loved the powerful opening section of this novel but, two weeks after finishing the book, that’s the only part that has really stayed with me. The Orestes and Electra sections, although I found them interesting at the time, felt strangely detached and emotionless. The writing style helped to create an eerie, otherworldly feel at times, but it came at the expense of the passion and intensity I would have preferred from a story like this.

I do think that my lack of knowledge of the Oresteia and the fate of the House of Atreus could have been an advantage rather than a disadvantage as far as this book is concerned. I’ve read several other reviews that mention being confused by Tóibín’s decision to change so many details of the story, such as the use of the character of Leander to fill the role of Pylades, but not being familiar with the original I didn’t even notice things like this. Maybe I should have an attempt at reading the Oresteia itself one day. Does anyone know of a good translation to read?

As for Colm Tóibín, I’m looking forward to reading more of his work. Brooklyn is the only other one of his novels that I’ve read and the two couldn’t be more different. Which of his books do you think I should try next?

Thanks to Penguin for providing a copy of this book via NetGalley for review.

Historical Musings #25: Ancient Greece

Historical Musings As discussed in a previous Historical Musings post, despite my love of historical fiction I have never really felt drawn to novels set in the ancient world. I’m not sure why this should be, but I have certainly read very few books set in Ancient Rome, Greece, Egypt or other ancient cultures, and feel much more comfortable with settings from the medieval period onwards. Since that previous post, when I specifically asked for suggestions of Roman novels to try, I have read Robert Harris’ Cicero trilogy (which I loved and can’t recommend highly enough), Margaret George’s The Confessions of Young Nero, and my current read, I, Claudius by Robert Graves, so I think I’m over my aversion to Ancient Rome! Now I need some help with Ancient Greece…

Thinking about books I’ve already read that are set in Ancient Greece, there are some but not many. I have read Homer’s Odyssey (in a translation by TE Lawrence), though not the Iliad yet – it’s debatable whether you would consider those to be historical fiction, I suppose, but they’re obviously a good starting point for exploring Greek history and myth.

Based, like the Iliad, on the Trojan War, there’s The Song of Achilles by Madeline Miller, which tells the story from the perspective of Patroclus, and Hand of Fire by Judith Starkston, this time retelling events through the eyes of Briseis. Briseis is also one of the main characters – the other is Chryseis – in Emily Hauser’s For the Most Beautiful, which I read last year and enjoyed. I’ve recently received a review copy of the next book in the series, For the Winner, a book about Jason and the Argonauts and the Golden Fleece.

The books I’ve mentioned so far are all inspired by Greek mythology, some of them including appearances by gods or other mythological beings. Burning Sappho by Martha Rofheart is a bit different, concentrating on the life of Sappho, the Greek lyric poet from the island of Lesbos.

Finally, I must mention Mary Renault, a beloved author of many readers when it comes to historical novels set in Ancient Greece. So far I have only read The King Must Die, the first of her two novels telling the story of Theseus in a way which gives plausible explanations for elements of the Theseus myth. I enjoyed it, but didn’t fall in love with it the way I’d hoped to, and still need to read the sequel, The Bull from the Sea.

What are your favourite books set in Ancient Greece? Have you read any that I’ve mentioned here?

Burning Sappho by Martha Rofheart

burning-sappho There are some historical women whose lives have been written about in fiction many times but I think it’s safe to say that Sappho, the Greek lyric poet, doesn’t seem to be one of them. This novel, first published in 1974, is the first I’ve come across that tells her story and much as I do enjoy reading about Tudor queens and medieval princesses, it’s always refreshing to have the opportunity to read about somebody different!

Very little is known for certain about Sappho’s life. We do know that she was born on the Greek island of Lesbos, possibly between 630 and 612BC, and grew up in the port town of Mitylene. We know the probable names of some of her family members and we know that she was exiled from Mitylene twice. Beyond this, most of the information we have about Sappho is unreliable or based on the remaining fragments of her poetry, which may or may not have been autobiographical. It’s enough to build a novel around, though, and in Burning Sappho Martha Rofheart uses the known facts as a starting point to give a possible interpretation of what Sappho’s life could have been like.

We don’t have much factual information about the other characters who appear in the novel either – and I have to admit, I hadn’t even heard of most of them and didn’t know whether they were real or fictional, so Google proved very useful there! Some of the most notable characters include Gorgo, a girl from Sparta who angers Sappho by befriending Andromeda, the Nubian slave purchased by Sappho’s father; Alkaios, a fellow poet and the man Sappho loves; Pittakos, who rules Mitylene after the downfall of the Tyrant, Melanchros; and the famous courtesan Doricha, known as Rhodopis. I was also pleased to see Aesop make a few appearances – one character I had at least heard of!

The novel is divided into five sections; there are two narrated by Sappho herself and one each from the points of view of Alkaios, Doricha/Rhodopis and the sea trader, Kerkylas of Andros. There’s not a lot of difference between the voices of the narrators so it took a while to adjust to each change of perspective, but otherwise I thought the structure worked well. I preferred Sappho’s own narration, but hearing from other people who were close to her helped me to form a more balanced view of her as a person. There seems to be a lot of debate surrounding Sappho’s sexuality (the word lesbian is derived from the name of Sappho’s home, Lesbos), but Rofheart portrays her as having relationships with both men and women. In particular, she is shown to be in love with a girl called Atthis, whose name is mentioned in some of her love poetry.

I always admire people who write fiction set in ancient periods; I think it must be very difficult, when we have such limited knowledge of how people lived in those times. On reading Martha Rofheart’s Author’s Note and list of acknowledgments at the end of the book, I can appreciate the efforts she went to in researching her novel – for example, she states that as the geographical landscape has changed so much over the centuries, she has based her descriptions of the Greek islands on how they appeared in ancient writings rather than modern day ones. However, I still felt that there was something a little bit too ‘modern’ about this book – maybe it was the attitudes of some of the characters and the language they used. It wasn’t a huge problem, but the best way I can explain it is that I was always conscious that I was reading a story written in the 1970s, rather than being completely swept away to another time and place.

Still, I thought this was a fascinating novel and an educational one too. I knew absolutely nothing about this period before I started to read so I don’t feel qualified to comment on the historical accuracy or the choices Rofheart makes, but even if not everything happened as she describes it, I feel that I’ve learned a lot about the history of Lesbos. Although the focus is usually on Sappho and her music, she lived through a time of political turmoil; one of the most memorable scenes in the book describes the overthrow of Melanchros the Tyrant (which is sparked, in Rofheart’s version of events, by Sappho’s performance of a song she has written in protest against the custom of child sacrifice).

Burning Sappho (also published as My Name is Sappho) was an enjoyable read. Although it wasn’t quite as immersive as I would have liked, I thought it was much better than Lionheart, the other Martha Rofheart book I’ve read. She has written several other historical novels, all set in different periods, and I’m looking forward to working my way through them. As for Sappho, I can only find details of one or two other novels about her, but there seems to be plenty of non-fiction, including collections of her surviving writings. Now that I’ve been introduced to this fascinating woman, I’m interested in reading more about her!

Note: The spellings of names and places used in this review are as they appear in the novel and may vary between different sources.

I received a review copy of this book from the publisher via NetGalley.

For the Most Beautiful by Emily Hauser

For the Most Beautiful “For the most beautiful”. These are the words inscribed on a golden apple presented by Paris, Prince of Troy, to the goddess Aphrodite whom he has chosen over her rivals, Hera and Athena. In return, the goddess rewards Paris with Helen of Sparta, the most beautiful woman in the world – but unfortunately, Helen is already married. Not surprisingly, her husband, Menelaus, is enraged by the theft of his wife and sends the mighty armies of Greece, led by his brother King Agamemnon, to the shores of Troy to bring her back.

The story of the Trojan War is one that has been told many times before and with which a lot of readers will already be familiar before picking up Emily Hauser’s debut novel, For the Most Beautiful. However, this book retells the story from a feminine perspective and focuses on two female characters – Krisayis and Briseis – who both have important roles to play yet have not been given much attention in other versions such as Homer’s Iliad.

Krisayis (whose name is usually spelled Chryseis) is the daughter of a Trojan priest and companion to Cassandra, a princess of Troy. As the novel begins, we learn that Krisayis is in love with Cassandra’s brother, Troilus, and that, much against her wishes, she is about to become a priestess devoted to the god Apulunas. Our other main character, Briseis, is a princess of Lyrnessus who has unexpectedly found love with her husband Mynes, despite growing up under the shadow of a prophecy which seemed to rule out the possibility of happiness. With the onset of war, the lives of both young women are thrown into turmoil; their paths cross while held captive in the Greek camp, but will they be able to change fate and save Troy?

I found For the Most Beautiful a very enjoyable read. I think it was probably aimed at a younger audience but there was enough depth to keep an adult reader happy too. Having only read two or three other novels about Troy (including Madeline Miller’s The Song of Achilles and Judith Starkston’s Hand of Fire) I found that while I knew the basic outline of the story, a lot of it was new to me and the approach the author took made it feel fresh and original. It was interesting to see how Emily Hauser interpreted the characters of not just Krisayis and Briseis but also Achilles, Patroclus, Paris, Hector, Cassandra and others.

The stories of our two heroines unfold in alternating chapters and I thought these sections of the book were well written and emotionally engaging (both Briseis and Krisayis suffer the death of a loved one and then face further ordeals and difficult decisions after their capture by the Greeks). However, these chapters are interspersed with short scenes in which we witness the gods on their mountain observing and manipulating the lives of the mortals below – and this is the one aspect of the book which really didn’t work for me. The writing style in these sections is quite different – the language feels much more modern and the tense changes from past to present – and the gods come across as bored, shallow and petulant. I think I can see what the author was trying to do here and I’m sure other readers will enjoy the light-hearted, comedy feel of these scenes, but it just made me impatient to get back to Briseis and Krisayis!

After finishing this book, I was pleased to discover that it’s the start of a new Golden Apple trilogy. Greek mythology is not a subject that particularly interests me, but I was still captivated by For the Most Beautiful and am looking forward to reading another two books by Emily Hauser.

I received a copy of this book from NetGalley for review.

Hand of Fire by Judith Starkston

perf6.000x9.000.indd In this wonderful combination of historical fiction and Greek mythology, Judith Starkston reimagines events from the Iliad, telling the story of the Trojan War through the eyes of Briseis, a woman who plays an important role in Homer’s epic despite being only briefly mentioned. In Hand of Fire, Briseis is finally given the attention she deserves.

At the beginning of the novel, Briseis is a young priestess of the healing goddess Kamrusepa, but is sadly unable to prevent her own mother from dying. There is more sadness to follow for Briseis when she is married off to Mynes, a prince of Lyrnessos, and finds him to be a violent and abusive man. Sustained by the compassion of her elderly nurse, Eurome, and by visions of the handsome, half-immortal Greek warrior, Achilles, the turning point comes when the city of Lyrnessos falls to the Greek army and Briseis is taken captive. How can she reconcile her love for Achilles with her new position as slave?

Hand of Fire surprised me; I really didn’t expect to enjoy it quite as much as I did. I love reading historical fiction but tend not to choose books set in the ancient world. I often find that I have trouble identifying with the characters – I sometimes feel that even the non-mythological ones seem more like mythological beings than real people. That was not a problem here: this is a very human story with characters I could love and care about. Briseis herself is a great protagonist and I liked her from the beginning. She has great strength and resilience, all the more impressive when you consider everything she has to endure – the loss of her mother, marriage to a man who treats her badly, personal tragedy in the face of war, life as a captive slave, and her tumultuous relationship with Achilles.

Achilles is more difficult to understand. His personality is complex and conflicted; in battle he is a fierce, mighty warrior gripped by an unstoppable rage, but when he is alone with Briseis we see the gentler, more sensitive side of his nature. Of the secondary characters, there are two in particular that I found very well developed and memorable. One is Eurome, Briseis’ elderly maid, a caring, warm-hearted person and a devoted friend Briseis can trust and rely upon. The other is Patroklos, the beloved companion of Achilles, the only person apart from Briseis who is able to quell his rage.

This is a novel that has been thoroughly researched, which is evident from Judith Starkston’s author’s note in which she describes her reasons for writing this story, the things she discovered during the writing process and the decisions she needed to make. She does an excellent job of drawing on her knowledge of the period to create a convincing picture of what life may have been like for a woman who lived during the Bronze Age. The history of medicine is something I’ve always found very interesting, so I enjoyed the parts of the book that describe Briseis’ work as a healer (which consists mainly of using herbs and magical rituals as unlike her brother, Iatros, she is unable to study to be a physician).

Even for a reader like myself who only has a limited knowledge of Ancient Greece and hasn’t actually read the Iliad, I found this novel very accessible and easy to follow. I appreciated the fact that the author takes the time to flesh out the background to the story and doesn’t just assume that every reader will be familiar with the time period and the mythology. I was also pleased to find that there’s not too much emphasis on the battle scenes! This is Briseis’ story and the focus is on her personal life and on her relationships with Achilles, Mynes and the others. I really enjoyed spending time in her world and will be looking out for more novels from Judith Starkston in the future.

Hand of Fire tour graphic I read Hand of Fire as part of a Fireship Press Virtual Book Tour. You can find the tour schedule here.

The King Must Die by Mary Renault

The King Must Die After my post on The Odyssey last Friday, I’m staying with an Ancient Greece theme again this week – but in the form of historical fiction this time.

Beginning with his childhood in Troizen, The King Must Die tells the story of Theseus, a story which I’m sure will already be familiar to many readers. Theseus lives with his mother but has never known the true identity of his father, believing him to be the god Poseidon. When he succeeds in raising a boulder to reveal his father’s sword, Theseus learns that he is actually the son of Aigeus, the King of Athens, and sets off for Athens to find him. After an eventful journey during which Theseus becomes King of Eleusis, he arrives in Athens and meets his father at last. But when King Minos of Crete demands that fourteen young people are sent to him to train as bull-dancers, Theseus makes the decision to become one of the fourteen…and finds himself facing the Minotaur in the Labyrinth of the Palace of Knossos.

Mary Renault is an author I’ve been wanting to read for a long time and I became even more interested when I noticed that on the back covers of my Vintage editions of the Lymond Chronicles by Dorothy Dunnett, it says that Dunnett’s writing ‘inspires comparisons with Mary Renault and Patrick O’Brian’. I’ve now read some of Patrick O’Brian’s books and enjoyed them (though not as much as Dunnett) so it seemed a good idea to try Mary Renault too. However, I’ve been hesitant because, as I explained in my Odyssey post, mythology and Ancient Greece are not subjects that really appeal to me. It was finally making it to the end of The Odyssey a few weeks ago that gave me the motivation to pick up The King Must Die at last.

I was curious to see how this book could be described as historical fiction, as a story with a plot involving Poseidon and the Minotaur sounded more like mythology to me. Having read the novel, I now understand that The King Must Die is not simply a re-telling of the Theseus myth but a more realistic recreation of his life, portraying Theseus as a real human being rather than a character from Greek mythology. Most of the essential elements of the myth are here, but they are cleverly incorporated into the historical setting and given logical, plausible explanations.

My favourite part of the book was the section describing Theseus’s adventures in Knossos as a bull-dancer, learning new skills and techniques, and bonding with the other members of his team. I also enjoyed learning about the different customs and rituals of the various cultures and communities Theseus visits on his journey, including the Hellenes, the Minyans and the Cretans. There’s a fascinating author’s note at the end of the book in which Mary Renault explains how she was able to link parts of the Theseus legend to historical fact.

While I did enjoy this book, I do feel disappointed that I didn’t love it as much as I had hoped to. There was nothing specific that I disliked about the book or that I could say didn’t work for me; I certainly couldn’t fault the quality of the writing or the amount of research that must have gone into recreating Theseus’s world. It’s probably just that, as I’ve mentioned, I’m not particularly drawn to this subject or setting. I do still want to read the second half of Theseus’s story in the sequel, The Bull from the Sea!

The Odyssey – translated by T.E. Lawrence

The Odyssey - Homer Ten years have passed since the Trojan War ended but Odysseus has still not returned home, having been held captive by the nymph Calypso, who has fallen in love with him. At home in Ithaca, his wife, Penelope, has found herself besieged by a large group of suitors who are hoping to persuade her to marry one of them. The suitors have taken over Odysseus’s palace and are helping themselves to his food and drink; his son, Telemachus, is desperate for them to leave but doesn’t have the courage to throw them out.

The Odyssey tells the story of Odysseus and his journey home to Ithaca – a journey involving encounters with the one-eyed Cyclops, the witch Circe, the sea monster Scylla, and the tempting music of the Sirens. But it’s also the story of Telemachus and his quest to find out what has happened to his father; of Penelope, faithfully waiting for her husband to return; and of the Greek gods and goddesses who try to help or hinder Odysseus on his travels.

I’m so happy to have finally read The Odyssey as it was one of the least appealing books on my Classics Club list, not necessarily because I was intimidated by it (well, maybe a little bit) but because I’m just not very interested in mythology. I can’t really explain why I’m not a fan; I did enjoy reading Greek myths as a child, but since then my reading has taken me in other directions. I know that probably puts me in a minority as most people seem to love mythology and have a lot more knowledge of the subject than I do!

I’ve started to read The Odyssey before but didn’t finish it so this is the first time I’ve actually read it from beginning to end. I did already know most of the story, partly from school and partly because this is the sort of story that I think many people will have at least some familiarity with even if they’ve never read it in its entirety. There were some things I wasn’t aware of, though – for example, I was surprised by how little time is actually devoted to Odysseus’s journey. This section of the epic, in which Odysseus describes his adventures and the monsters and mythical beings he outwits, is by far the most well-known section, but it actually only takes up four of the twenty-four books that make up The Odyssey. The rest of the time is spent on the suitors, Telemachus and Penelope, and what Odysseus does after he eventually returns to Ithaca.

There are lots of different themes and ideas contained in The Odyssey – storytelling, disguise and deception, temptation, and the relationship between mortals and gods are a few that I noted and I’m sure there are others that I missed. There is also a lot of focus on hospitality. It seemed a weary traveller would be made welcome wherever they went, offered food, a bath and a bed for the night.

There are many different editions and translations of The Odyssey, some in verse and some in prose, but the book I read was the Wordsworth Classics edition pictured above from 1992 with a 1932 prose translation by T.E. Lawrence (better known as Lawrence of Arabia). There was no special reason why I decided to read this version, other than that I happened to have it on my shelf (I can’t remember where I got it from). I’m not sure if you can even still buy this particular translation in this edition anymore. However, this turned out to be a perfect translation for me. I know I’ve probably missed out on a lot of the beauty of The Odyssey by reading a prose version, but I don’t get on very well with narrative poems – apart from The Epic of Gilgamesh which I loved in verse form – so reading it in prose was probably a much better choice for me personally.

I have no idea how technically accurate Lawrence’s translation might be, but all I was really hoping for was something enjoyable and reasonably easy to read, and that’s what I got. I was surprised by how exciting and readable it actually was; I wonder if the fact that Lawrence himself had such an eventful life was an influence here in helping him to convey the drama of Odysseus’s adventures in such a compelling way.

I’m sorry about the lack of insight and analysis in this post. It doesn’t seem right to just ‘review’ an epic like The Odyssey as I would any other book, but that’s what I’ve had to do as I really don’t feel that there’s much I can add to everything that’s already been said about it over the centuries. It’s actually been a lot harder to write about The Odyssey than it was to read it!

Have you read The Odyssey? If I read it again, is there a translation you would recommend?