A year ago I read The Child from the Sea as part of Lory of The Emerald City Book Review’s birthday celebrations for Elizabeth Goudge. This year, Lory is hosting another day devoted to the same author and this seemed like a good time to read my second book by Goudge. There were plenty to choose from – some historical and some contemporary, some for adults and some for children – but I decided on The White Witch. I loved The Child from the Sea, which was set in the seventeenth century and told the story of Lucy Walters, a mistress of Charles II, so as The White Witch is set in the same period the chances were good that I would love this book too – and I did.
The English Civil War forms the historical backdrop to the story, but the focus of the novel is on the inhabitants of a small Oxfordshire village and the ways in which their lives are touched by the greater changes taking place in the country as a whole. The ‘white witch’ of the title is Froniga, a healer and herbalist who has family ties with both the Puritan household of Robert Haslewood, the village squire, and with the band of Romany gypsies who camp nearby. Caught between both of these worlds while fully belonging to neither, Froniga is the character around whom all the others revolve.
Froniga is a fascinating character, but there were others whose stories interested me too, particularly Francis Leyland, the secretive stranger who offers to paint a portrait of Haslewood’s two young children, and the mysterious Yoben, who is in love with Froniga. There’s a ‘black witch’ too – and a parson who tries to save her soul – and a vengeful gypsy woman who causes trouble wherever she goes. Whether Parliamentarian or Royalist, Puritan or Catholic, nobleman or gypsy, in the hands of Elizabeth Goudge each of these characters becomes a well-rounded, believable human being – a person we can sympathise with even if we don’t necessarily agree with their views or their choices.
In this novel, the conflicts that take place in an individual’s heart or soul are as important as those which take place on the battlefield, though we do get to see some military action as several of our characters become involved in the major battles and events of the Civil War. But what I loved most about this book were the details of daily village life in the seventeenth century, the beautiful descriptions of the English countryside, and the undercurrents of magic, mystery and mythology which run throughout the story.
The White Witch, although never boring, has a slow pace and – as it was originally published in 1958 – it is written in a style which may not appeal to readers who prefer more modern historical novels and as with The Child from the Sea, there are strong religious and spiritual elements. I love Goudge’s writing style, though; it’s warm and gentle and comforting. I’m looking forward to working through the rest of her novels…and would like to thank Lory for introducing me to her work!