This is Katherine Clements’ third novel set in 17th century England, but it has a different feel from the previous two. Rather than being a straight historical novel like The Crimson Ribbon and The Silvered Heart, The Coffin Path is a ghost story with a lonely rural setting and this time there is much less focus on the political and social events of the period.
It’s 1674 and there are signs that spring is on its way to the Yorkshire moors. The first lamb of the season is about to make its appearance, but it is a difficult birth and requires human assistance. Mercy Booth of Scarcross Hall, who farms the land and tends the sheep for her elderly father, helps to deliver the lamb into the world but its mother dies in the process – the first of several bad omens. Next, three ancient gold coins go missing from her father’s collection and reappear in unexpected places – and then Mercy begins to hear noises coming from a disused bedchamber upstairs.
Around this time, a stranger arrives looking for work. His name is Ellis Ferreby and although the local people are slow to trust him, he soon proves himself to be a good shepherd and a reliable worker. Ellis, however, is a man with secrets and it seems that he could have reasons of his own for coming to Scarcross Hall.
We slowly get to know both Mercy and Ellis as their stories alternate with each other throughout the novel. We hear what Mercy’s life has been like, growing up without a mother, with only her eccentric father, Bartram, and the servants for company – and we learn of her hopes for the future, which centre around the knowledge that one day, as her father’s only heir, she will inherit her beloved Scarcross Hall. As for Ellis, his background is shrouded in mystery and the truth about both his past and his purpose in being at Scarcross is only revealed later in the novel.
The 17th century is obviously a period which interests Katherine Clements and of which she has a lot of knowledge: The Crimson Ribbon was the story of a servant in the household of Oliver Cromwell, while The Silvered Heart was about a highwaywoman in the aftermath of the English Civil War. The Coffin Path is set just a few decades after those two books yet I felt that the story would have worked just as well if it had been set in almost any other period, either an earlier century or a later one. Although the effects of the recent Civil War do still linger in the lives of our characters, this only has any real significance towards the end of the book – otherwise, perhaps because Scarcross Hall is so isolated from the wider world, there is a general feeling of timelessness.
However, what the novel lacks in sense of time is made up for in sense of place. There are some wonderful descriptions of the moors surrounding Scarcross Hall, bringing to life this harsh but beautiful landscape. We also explore some of the old traditions and beliefs which survive in this remote part of England: the White Ladies is an ancient stone circle which the villagers associate with evil, while the Coffin Path of the title refers to the old track down which coffins would be carried from the moors to the church for burial. It’s no wonder that in a place like this, people like Ellis and Mercy are viewed with suspicion and distrust – Ellis because he is an outsider and Mercy because she is an independent, unconventional woman, still unmarried in her thirties and doing ‘a man’s work’ on the farm.
I enjoyed following the personal stories of both main characters and I liked the supernatural elements too: they were suitably eerie, but at the same time subtle enough to keep me wondering whether there really were ghosts involved or whether something else was happening. My only problem with the book (other than the fact that, like many novels these days, it is written in present tense) was that there were times when the plot seemed to be moving forward very slowly. It didn’t help that the first few chapters are devoted to describing, in great detail, the birth of a lamb; I would have preferred a stronger opening to pull me straight into the story.
Of the three books by Katherine Clements I have read, I think I liked both of the others better than this one, but it’s good to see that she has tried something slightly different here. What will she write next, I wonder?
Thanks to Headline for providing a copy of this book for review via NetGalley.
12 thoughts on “The Coffin Path by Katherine Clements”
I agree with you that there wasn’t a real sense of the time in which the story was supposed to take place. I kept finding myself imagining the Brontes living just across the moor, not ex-Roundheads or Cavaliers! However, like you, I thought the atmosphere of the moor was brilliantly evoked.
Yes, it felt much more like the 19th century than the 17th! The atmosphere was wonderful, though. 🙂
There are things about this story that definitely intrigue me. Thanks for the warning about the slow opening. But I have to ask…does the ending wrap things up satisfactorily? Or are you left with questions about the whole ghost thing? Not that I’m trying to make you give up any spoilers. But if the ending disappoints, then I’d rather pass on this one. 🙂
Hmm…the main plot is wrapped up nicely at the end, but I didn’t feel that the ghostly elements were properly explained. It’s worth reading, but not a must-read.
Ah, you nearly had me until you mentioned present tense – can’t take any more of them! But it does sound wonderfully spooky – the disappearing coins gave me a nice little shiver… not to mention the disused bedroom!
Yes, very spooky, especially if you’re reading late at night! I’ve had enough of books written in present tense too, but it’s getting difficult to avoid them.
I love a good ghost story.
Yes, me too. This is a good one.
Oh this does sound intriguing – but the present tense? It gives me such an irritable feeling. but maybe it works for a ghost story. I love a strong sense of place – but historical fiction without a real sense of time sounds odd. If I see this in the library I’ll have a look, but otherwise maybe not a book for me.
The present tense irritates me too. It almost never feels necessary and can be quite distracting. The story itself is good, though, and I think it’s worth reading if you can get it from the library.
I like the eerie elements in this book even if at the end there are no explanations for them. The moors lend themselves for that kind of gothic feel, perhaps because of the Brontes? I think I would enjoy this novel even if the historical fiction element is virtually nonexistent.
Yes, it’s difficult not to think of the Brontes when you read a book set on the Yorkshire moors! I didn’t really mind the lack of explanation for the ghostly elements, because for me, this book was all about the atmosphere and the eeriness.