Category: Historical Fiction

Marry in Haste by Jane Aiken Hodge

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This is the third Jane Aiken Hodge novel I’ve read and my favourite so far. Based on an earlier story, Camilla, which was serialised in Ladies’ Home Journal in 1961, Marry in Haste was originally published in 1969 and has just been reissued by Ipso Books. It is set in England and Portugal during the Napoleonic Wars and has just the combination of romance, suspense and history that I am coming to expect from her novels.

The saying “marry in haste and repent at leisure” perfectly describes Camille de Forêt’s situation. Having fled to England with her father, a French Comte, and changed her name to Camilla Forest to distance herself from her French origins, she has spent several years in the home of the Duchess of Devonshire. Following the death of the Duchess, Camilla found a position as governess in another household but when we meet her at the beginning of the novel she has been dismissed from her job and sent away with no money and nowhere to go.

A chance encounter with the Earl of Leominster when his carriage passes her on the road seems to provide the perfect solution to Camilla’s problems. She needs a husband, a home and some money; Leominster (or Lavenham, as he is known to his friends) needs a wife in order to claim his inheritance. In the sort of plot development which will be familiar to readers of Georgette Heyer’s Regency romances, Lavenham proposes to Camilla and she accepts – on the condition that it will be a marriage in name only. Of course, it doesn’t take long for Camilla to discover that she is falling in love with her husband after all…but will Lavenham, who has a distrust of women based on a bad experience in his past, ever return her feelings?

Marry in Haste is an enjoyable and entertaining novel; it’s not particularly original (as I said, it feels quite similar to some of Georgette Heyer’s books, among others) and most of the plot twists are very predictable, but that doesn’t make it any less fun to read. The romance between Lavenham and Camilla is thwarted by misunderstandings, lies and communication problems, which makes it feel very contrived at times, but it’s satisfying overall – and anyway, things which would be likely to annoy me in a more ‘serious’ novel feel much more acceptable in this sort of book. There’s also a secondary romance later in the book, involving Lavenham’s younger sister, the lively and irresponsible Chloe, and I enjoyed this storyline too.

Most of the action takes place in Portugal, where Lavenham is sent early in the novel to carry out secret diplomatic work. Camilla and Chloe accompany him there and promptly find themselves caught up in the conflict involving France, Britain, Spain and Portugal which has been escalating in Europe. There are some lovely descriptions of Portugal and enough historical detail to give the reader a basic understanding of the Peninsular War, but the focus is always on the characters and the relationships between them. I was disappointed that Lavenham kept abandoning his wife and sister for long periods while he was away on undercover work, but I can see that it was necessary for the plot and enabled them to have some adventures of their own while trying to escape the French and make their way back to the safety of England.

I’m looking forward to reading more Jane Aiken Hodge as so far I’ve only read this one, Strangers in Company and Watch the Wall, My Darling (three very different books). I already have a second-hand copy of Red Sky at Night on my shelf as well as another new reissue, First Night, from NetGalley – and I think it’s time I tried her sister, Joan Aiken’s, books too!

Thanks to Ipso Books for providing a copy of this book for review via NetGalley.

The Coffin Path by Katherine Clements

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This is Katherine Clements’ third novel set in 17th century England, but it has a different feel from the previous two. Rather than being a straight historical novel like The Crimson Ribbon and The Silvered Heart, The Coffin Path is a ghost story with a lonely rural setting and this time there is much less focus on the political and social events of the period.

It’s 1674 and there are signs that spring is on its way to the Yorkshire moors. The first lamb of the season is about to make its appearance, but it is a difficult birth and requires human assistance. Mercy Booth of Scarcross Hall, who farms the land and tends the sheep for her elderly father, helps to deliver the lamb into the world but its mother dies in the process – the first of several bad omens. Next, three ancient gold coins go missing from her father’s collection and reappear in unexpected places – and then Mercy begins to hear noises coming from a disused bedchamber upstairs.

Around this time, a stranger arrives looking for work. His name is Ellis Ferreby and although the local people are slow to trust him, he soon proves himself to be a good shepherd and a reliable worker. Ellis, however, is a man with secrets and it seems that he could have reasons of his own for coming to Scarcross Hall.

We slowly get to know both Mercy and Ellis as their stories alternate with each other throughout the novel. We hear what Mercy’s life has been like, growing up without a mother, with only her eccentric father, Bartram, and the servants for company – and we learn of her hopes for the future, which centre around the knowledge that one day, as her father’s only heir, she will inherit her beloved Scarcross Hall. As for Ellis, his background is shrouded in mystery and the truth about both his past and his purpose in being at Scarcross is only revealed later in the novel.

The 17th century is obviously a period which interests Katherine Clements and of which she has a lot of knowledge: The Crimson Ribbon was the story of a servant in the household of Oliver Cromwell, while The Silvered Heart was about a highwaywoman in the aftermath of the English Civil War. The Coffin Path is set just a few decades after those two books yet I felt that the story would have worked just as well if it had been set in almost any other period, either an earlier century or a later one. Although the effects of the recent Civil War do still linger in the lives of our characters, this only has any real significance towards the end of the book – otherwise, perhaps because Scarcross Hall is so isolated from the wider world, there is a general feeling of timelessness.

However, what the novel lacks in sense of time is made up for in sense of place. There are some wonderful descriptions of the moors surrounding Scarcross Hall, bringing to life this harsh but beautiful landscape. We also explore some of the old traditions and beliefs which survive in this remote part of England: the White Ladies is an ancient stone circle which the villagers associate with evil, while the Coffin Path of the title refers to the old track down which coffins would be carried from the moors to the church for burial. It’s no wonder that in a place like this, people like Ellis and Mercy are viewed with suspicion and distrust – Ellis because he is an outsider and Mercy because she is an independent, unconventional woman, still unmarried in her thirties and doing ‘a man’s work’ on the farm.

I enjoyed following the personal stories of both main characters and I liked the supernatural elements too: they were suitably eerie, but at the same time subtle enough to keep me wondering whether there really were ghosts involved or whether something else was happening. My only problem with the book (other than the fact that, like many novels these days, it is written in present tense) was that there were times when the plot seemed to be moving forward very slowly. It didn’t help that the first few chapters are devoted to describing, in great detail, the birth of a lamb; I would have preferred a stronger opening to pull me straight into the story.

Of the three books by Katherine Clements I have read, I think I liked both of the others better than this one, but it’s good to see that she has tried something slightly different here. What will she write next, I wonder?

Thanks to Headline for providing a copy of this book for review via NetGalley.

The Wicked Cometh by Laura Carlin

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With such a beautiful cover and with the enticing subtitle “A novel of darkest London”, Laura Carlin’s The Wicked Cometh was impossible to resist. I was looking forward to reading it but, having seen a mixture of reviews over the last few weeks, some very positive and others less so, by the time I started it my expectations weren’t as high as they had been.

The novel is set in the early 1830s, during the reign of William IV, and opens with The Morning Herald reporting on the increasing number of men, women and children being declared missing in London. One young woman who has been following the news reports closely is Hester White; she is growing concerned about her cousin Edward who had arranged to meet her at Smithfield three weeks ago and has failed to arrive. Hester’s life has not been easy since the death of her parents a few years earlier; finding herself alone in the world she has been living with her father’s former gardener, Jacob, and his wife, Meg. Their home is a London slum, very different from the parsonage in rural Lincolnshire where Hester grew up, and she has been hoping that Edward can offer her an opportunity to start a new life away from the city.

When Hester is knocked down and injured by a carriage belonging to Calder Brock, suddenly another way of escape presents itself. Calder, who is a doctor, takes her to his family’s country estate, Waterford Hall, to recuperate, and explains to her that he would like her to stay and be educated by his sister Rebekah. With his interest in social reform, he hopes this experiment will show that even those from the poorest slums are capable of learning and improving themselves. Hester can already read and write, but is happy to pretend otherwise to avoid having to go back to Jacob and Meg. And so her lessons with Rebekah begin and a special friendship starts to form…

Everything I’ve described so far happens in the first half of the book and up to that point I found that I was really enjoying it. I liked Hester and although present tense first-person narration isn’t my favourite, her voice was strong and compelling. Her relationship with Rebekah felt natural and right, and I was pleased that it took time to develop. I was curious about the disappearances in London too and wanted to know more.

Then, in the middle of the book, there was a change of pace. As Hester and Rebekah began to investigate and uncover the truth, I felt that the author was trying too hard to incorporate every possible trope of the 19th century sensation novel, from family secrets to hidden documents to clandestine marriages. The story began to feel very melodramatic and contrived and lost its effectiveness. There were aspects of the plot that reminded me of Fingersmith by Sarah Waters, as well as one or two developments that made me think of The Woman in White, and I suspect that if I hadn’t read so many similar books I would probably have enjoyed this one a lot more. This was a particular problem at the very end of the novel where something which should have been a big surprise was too easy to predict.

I did like Laura Carlin’s writing and the atmosphere she creates; The Wicked Cometh is already receiving a lot of attention and as a debut novelist I’m sure she has a successful career ahead of her. For me, though, this is a novel of two very different halves. Some readers will prefer, as I did, the slow scene-setting of the first half and others the dramatic revelations of the second. If it sounds like your sort of book, give it a try – maybe you’ll love it more than I did!

Thanks to Hodder and Stoughton for providing a copy of this book for review via NetGalley.

Court of Lions by Jane Johnson

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The Court of the Lions is part of the Alhambra, the magnificent palace and fortress in the Spanish city of Granada which forms the setting for Jane Johnson’s latest novel. Having read and enjoyed one of her previous books (The Sultan’s Wife, set in 17th century Morocco), I’m pleased to have had the opportunity to read Court of Lions as part of a blog tour organised by publisher Head of Zeus. You can see the schedule for the other stops on the tour at the end of this post.

Court of Lions is a novel set in two different time periods. First, in the present day, we meet Kate Fordham, who has fled from a troubled marriage in England and is working in a bar in Granada, hoping she has done enough to prevent her husband from finding her. One day, exploring the gardens of the Alhambra, she discovers a scrap of paper pushed into a crack in a wall. Written on it is a message in an unfamiliar language and although Kate is unable to translate it, she senses that it could be important. And she is right, because her discovery leads her to form new relationships and to find the strength she needs to move on.

Alternating with Kate’s story is another story, set in the late 15th century and introducing us to Abu Abdullah Mohammed, the last Sultan of the Emirate of Granada, given the name Boabdil by the Spanish, but referred to in the novel as Momo. We get to know Momo from the point of view of a fictional character, Blessings, a slave child brought from Morocco to be his companion. Growing up together at the Alhambra, Momo and Blessings become close friends – and a loyal friend is what Momo desperately needs as he prepares to face the challenges which await him: a struggle for the throne against his own father and uncle, and war with Catholic Spain, led by King Ferdinand and Queen Isabella.

I found the 15th century storyline completely fascinating and compelling. I have read a little bit about the fall of Granada before, but not from this perspective, so most of it was new to me. The sequence of events leading up to the surrender of the city is described in just the right amount of detail and left me wanting to explore the period further, which is something all good historical fiction should do. Momo’s personal life, his marriage and the fates of his children are also given some attention, all seen through the eyes of Blessings – who is not exactly an unbiased observer as it quickly becomes clear that what he feels for the young Sultan is more than just friendship. Blessings himself is also an interesting character and although I don’t want to say too much here, there are revelations later in the book which answered some of the questions I had about him.

The modern day sections of the novel were slightly less successful. I did like Kate and enjoyed watching as she made new friends in Granada and learned about their culture and lifestyle, but I found the storyline involving her disastrous marriage very melodramatic (again I don’t want to give too much away). Although some of the threads linking the two time periods together are a bit too coincidental to be convincing, I liked the fact that the two share common themes such as religious conflict, prejudice and tolerance – things which were relevant in Momo’s day and are still just as relevant in ours.

The descriptions of Spain and the Alhambra itself are beautifully written. One of my aims for 2018 is to read more fiction set in countries other than my own so I have taken a step towards achieving that aim by reading Court of Lions. Thanks to Head of Zeus for providing a copy for review.

A Falling Star by Pamela Belle

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The third book in Pamela Belle’s Wintercombe series moves on to the next generation of the St Barbe family. Having enjoyed both Wintercombe and Herald of Joy last year, I decided to wait a little while before beginning A Falling Star; I think that was the right decision as it meant I could approach it with a mind open to meeting new characters and embarking on new storylines, rather than just wanting more of Silence and Nick.

A Falling Star is set in the 1680s, several decades after Herald of Joy ended. It opens with the return to Wintercombe of Sir Alexander St Barbe, who has been living in exile in the Low Countries but has come home to take up his inheritance following his father’s death. Alexander (or Alex as we will now call him) brings with him a reputation for drunkenness and debauchery, but this doesn’t deter his cousin Louise, another new arrival at Wintercombe. Louise, who was brought up in France, has been sent to England in the hope that she will find a nice Protestant husband there. Alex is presumably not the sort of man her mother has in mind, but Louise is instantly drawn to him and it seems that the attraction is mutual.

Not everyone is pleased to have Alex home, though. Another cousin, Charles St Barbe, still hasn’t given up hope of inheriting Wintercombe himself. After all, he had been helping Alex’s father to run the estate for several years, and unless Alex can produce a legitimate child of his own, Charles is the next heir. If only Alex had stayed away, Wintercombe could have been his. Unfortunately, Alex does nothing to endear himself to Charles and what begins as a natural resentment quickly develops into hatred. Outside the walls of Wintercombe, meanwhile, rebellion is brewing as the Duke of Monmouth prepares to launch his attempt to overthrow James II. There’s a lot of support for Monmouth’s cause throughout Somerset and its neighbouring counties, but which side will the St Barbes choose?

I have read about the Monmouth Rebellion before, but it has only been touched on briefly in other novels I’ve read. This is the first fictional account I’ve read that has gone into so much detail and I found it all fascinating, from the views of the people of South West England and their reasons for supporting (or not supporting) the Duke, to the descriptions of the battles and the fate of the men who fought in them. Because two of Silence’s grandchildren – Bram and Ben – are directly involved, the reader is pulled into the heart of the action rather than just hearing about events from a distance.

We do see quite a lot of Silence and a little bit of Nick as well, but this is definitely the story of the younger generation. If you have read the previous books, you will remember that Silence and Nick had quite a few children and stepchildren between them – and now those children each have families of their own. I felt slightly overwhelmed by the number of new characters at first, and the relationships between them, but it quickly became clear which ones were going to have a significant role in the story and which I didn’t need to worry about too much. I have already mentioned Bram and Ben, Louise, Alex and Charles, all of whom are interesting characters in their different ways; the other St Barbe cousin with an important part to play is Phoebe, Alex’s sister. I loved Phoebe, whose strength of character more than makes up for her physical weaknesses.

The way the book ends sets things up nicely for the finale, Treason’s Gift, which I’m sure I’ll be reading soon!

The Mermaid and Mrs Hancock by Imogen Hermes Gowar

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The Mermaid and Mrs Hancock opens in 1785 with merchant Jonah Hancock sitting in his London counting house waiting for his ship to return. Imagine his horror when his captain arrives at the door and confesses that he has sold the ship in exchange for a mermaid. The captain assures him that people will come from all over the world to see the mermaid and that it will make him a fortune, but Mr Hancock is not at all convinced…

Angelica Neal has been living in comfort as the mistress of a rich duke. When the duke dies, leaving her with nothing, Angelica needs to find another way to support herself. The obvious solution is to return to her former employment in Mrs Chappell’s brothel, but Angelica is more ambitious these days and decides to make her own way in the world instead. Her path crosses with Mr Hancock’s when his mermaid is exhibited at a party she is attending and an unlikely friendship begins to form between these two very different people.

The first thing to say about The Mermaid and Mrs Hancock is that although mermaids and the legends surrounding them are symbolically important to the story, the part they play in the novel is relatively small. This could be a good or a bad thing depending on how you feel about magical realism, but be aware that the mermaid element of the story might not be what you are expecting. Their role is similar, in some ways, to the role of the serpent in Sarah Perry’s The Essex Serpent, one of several books to which this one has been compared.

As for the humans, I thought Angelica and Mr Hancock were both interesting, well drawn characters. Whenever the ambitious, strong-willed Angelica appeared on the page I was reminded of Becky Sharp from Vanity Fair and Sugar from The Crimson Petal and the White. It took me a while to warm to her and I still can’t say whether I actually liked her, but I did have some sympathy for her and, by the end, some admiration as well. Jonah Hancock is a very different type of character – a quiet, humble, middle-aged widower who is haunted by memories of his wife and son. Since their deaths, he has allowed his sister Hester and niece Sukie to take charge of his life, but his relationship with Angelica introduces another dynamic into the household.

There’s a colourful cast of secondary characters too, particularly the girls from the ‘nunnery’ as they ironically call it, and their grotesque ‘abbess’, Mrs Chappell, but I found that I was less interested in finding out what would happen to these characters than I was in reading about Mr Hancock and Angelica. One of them, Polly – a prostitute from a mixed race background who finds herself, like the mermaid, viewed as a sort of curiosity by the men who visit the brothel – had a lot of potential but her storyline was not really developed until late in the book.

The novel’s setting (Georgian England) is one I usually like and I was quite impressed by the author’s attention to detail and her attempts to recreate an 18th century world. The language and dialogue generally feels suited to the period, although I think Francis Spufford’s wonderful Golden Hill does this more effectively. Actually, it’s difficult to read this book without drawing comparisons with Golden Hill and if you enjoy one of them I think there’s a good chance you’ll enjoy the other!

The Mermaid and Mrs Hancock will be published in the UK on Thursday and although I didn’t love it as unreservedly as I’d hoped, I predict it will be a big success for Imogen Hermes Gowar.

Thanks to Harvill Secker for providing a copy of this book for review via NetGalley.

Traitor by David Hingley

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This is the third in a series of novels featuring Mercia Blakewood, a 17th century Englishwoman recruited by Charles II to carry out secret missions on his behalf. If you think that sounds far-fetched, it is worth noting that while Mercia is a fictional character, the King really did employ female spies, among them the playwright and novelist Aphra Behn. I haven’t read Mercia’s earlier adventures, but Traitor sounded so intriguing that I jumped at the chance to read it despite my usual preference for starting a series at the beginning.

The novel opens in 1665 and even without having read the previous novels, I quickly picked up all the background information I needed to be able to understand and follow the story. I discovered that Mercia’s father has been branded a traitor and executed following the English Civil War. His manor house has ended up in the possession of Mercia’s uncle, Sir Francis, but Mercia has not given up hope of regaining it, hence her desire to win the King’s favour.

At the beginning of the novel she has arrived back in England from America where she had been sent on a quest for the King and became caught up in the capture of New Amsterdam, now renamed New York. She has barely set foot on the shore when she receives a summons from Charles’ mistress, Barbara Palmer, Lady Castlemaine, who explains her next task to her. The country is now at war with the Dutch and it seems that someone close to the War Council is passing on secrets to the enemy. Mercia’s task is to identify the spy – a woman using the code name Virgo – but her investigations could endanger her own life as well as her young son’s.

I love books set in the seventeenth century but while I’ve read quite a lot about subjects such as the Civil War, the restoration of Charles II, the plague and the Great Fire of London, the specific setting for this novel – the Second Anglo-Dutch War – is something I’ve come across less often. Although the focus is on Mercia’s personal mission and her efforts to uncover the spy, the war provides an interesting backdrop for the story.

Mercia is a strong heroine and despite not having read the first two books in which she appears, I felt that I knew her well by the end of the novel. Other characters who stood out for me were Nicholas Wildmoor, the servant who has accompanied Mercia to and from America, and One-Eye, a sinister old woman who runs a ring of smugglers. There are also five suspects who could each be Virgo and although some of these characters are less developed than others, they are representative of different opinions and different positions in society. Helen Cartwright, for example, is delighted with the black boy, Tacitus, whom she receives as a gift and uses as a sort of fashion accessory, whereas Lavinia Whent has seen the results of slavery first hand in Barbados and has returned with more progressive ideas. Mercia herself is modern enough in her views to make her easy for a modern reader to like and identify with, but not so much that she feels entirely out of place in the seventeenth century either.

The mystery element of the novel worked well. I didn’t guess who Virgo was, although I did have my suspicions as to who else might be involved and wanted to scream at Mercia not to trust anybody! Along the way there’s plenty of suspense as both Mercia and Nicholas get themselves into some difficult and dangerous situations.

This was the first book I finished in 2018 but I have held back my review until now so I could take part in the Traitor blog tour. Other stops on the tour are shown in the image below. As I’ve said, I prefer to read a series in the correct order, but I enjoyed this book so much I think I’ll have to go back and read Birthright and Puritan now!

Thanks to Allison & Busby for providing a copy of Traitor for review.