The People’s Queen by Vanora Bennett

The Peoples Queen They say you should never judge a book by its cover and in the case of The People’s Queen, I have found that to be very true. The image on the cover of this particular book gives the impression that this is a typical ‘royal court’ novel, maybe similar to the sort of book you might expect from Philippa Gregory. If you take away the cover, the novel itself – written in third person present tense and with a focus on politics, money and trade rather than love and romance – feels much more like Hilary Mantel’s Wolf Hall.

Our heroine, if it’s possible to call her that, is Alice Perrers, most famous for being a mistress of England’s King Edward III (who reigned from 1327 to 1377). Alice was never a queen and, as far as I can tell, was never popular with the people either, so I’m not sure where the title of the novel comes from – other than that she was a woman from a humble background who rose to a position of power. I have read fictional portrayals of Alice before, but only as a secondary character, so I was curious to see how she would fare as the protagonist of her own story.

The People’s Queen is structured around the medieval concept of the Wheel of Fortune. As the novel opens, Alice is riding at the top of the wheel, at the height of her power and influence. During her rise, Alice has made a lot of enemies…but also some friends, including the poet Geoffrey Chaucer, who has gained a new position as comptroller of customs for the Port of London under Alice’s patronage. It is said that pride comes before a fall, however, and Alice’s fortunes are about to change.

Aware that the King is starting to grow old and infirm and won’t be around forever, Alice begins to make plans for the future. Knowing that she will lose his financial support when he dies, she enters into an unscrupulous business venture, confident that nobody will discover what she has been doing. Eventually, of course, Alice’s schemes start to fall apart as the Wheel of Fortune begins to turn again.

Alice’s story takes place during an interesting and eventful period of English history: the novel incorporates the Black Death and the Peasants’ Revolt and features characters such as John of Gaunt, the Black Prince, Katherine Swynford and Wat Tyler. Somehow, though, Vanora Bennett manages to make a potentially fascinating story feel boring and passionless. I mentioned a similarity to Hilary Mantel, but the similarity is in the style of writing only. Where Wolf Hall is a compelling and enjoyable novel, The People’s Queen just isn’t, at least not in my opinion. Not being particularly interested in economic history, I thought there was too much time spent discussing taxes, budgets, loans and interest rates. I was also disappointed in the lack of medieval atmosphere; I think the author was trying to draw parallels with modern life and modern politics, but I felt that this came at the expense of creating a sense of time and place.

I do think Bennett does a good job of making Alice a complex, well-rounded character. She is shown to be greedy, ambitious and manipulative, as well as intelligent and shrewd…but she also has a softer, more vulnerable side, and it can’t be denied that she does provide some happiness and comfort to Edward. The way in which she becomes involved with Wat Tyler and the Peasants’ Revolt appears to be completely fictional and does not feel convincing, but I liked the portrayal of her friendship with Geoffrey Chaucer (which forms a major part of the story). There is some historical basis for this as they did know each other and Alice is believed by some historians to be the inspiration for the Wife of Bath in Chaucer’s Canterbury Tales. Despite finding Alice an interesting character, though, I didn’t feel any sort of connection with her. I didn’t expect to actually like her, but it was disappointing to find that I didn’t care at all what happened to her.

I haven’t given up on Vanora Bennett yet because I did like Midnight in St Petersburg a lot more than this book and I also still have Queen of Silks on my shelf to be read. I’ll hope for a better experience with that one!

Around the World in Eighty Days by Jules Verne

Around the World in 80 Days When Frenchman Jean Passepartout starts a new job as valet to a wealthy English gentleman called Phileas Fogg, he is pleased to find that his master is a quiet, solitary man who lives his life to a strict routine. Having previously worked as a singer, a circus acrobat and a fireman, Passepartout is looking forward to leading a settled, domestic life for a change. To his dismay, no sooner has he taken up his new position than Phileas Fogg informs him that they will be leaving at once to go on a journey around the world. He has made a bet with some friends at London’s Reform Club based on a newspaper article which claims that, with the opening of a new railway in India, it is now possible to travel around the entire world in eighty days.

Travelling by train, boat, sledge and even by elephant, Fogg and Passepartout begin a race against time through Europe, Africa, Asia and North America, crossing both the Pacific and Atlantic Oceans. Along the way they rescue an Indian widow, are attacked by Sioux warriors…and find themselves pursued by a detective who believes there is more to Fogg’s eccentric behaviour than meets the eye.

Around the World in Eighty Days is the first book I’ve read by Jules Verne. It has been on my Classics Club list from the beginning, while other titles have been added and deleted, but it has never seemed to be the right time to read it. Last week I wanted to take a break from the very long novel I’m in the middle of reading (Kristin Lavransdatter by Sigrid Undset) and have a change of pace, so I decided to give this one a try – and it was the perfect choice. This is a short book with short chapters, and the rate at which Fogg and Passepartout move from one adventure to the next makes this a very quick and entertaining read.

Putting the novel in historical context – it was published in 1873 – it really must have seemed that the world was getting smaller and more accessible. It seems such a waste, though, to be determined to travel the world at such a speed! If I had the opportunity – and the money – to make a journey like that, I would want to spend some time exploring each of the countries I passed through on the way, but Phileas Fogg appears to have no curiosity at all:

Mr. Fogg, after bidding good-bye to his whist partners, left the steamer, gave his servant several errands to do, urged it upon him to be at the station promptly at eight, and, with his regular step, which beat to the second, like an astronomical clock, directed his steps to the passport office. As for the wonders of Bombay — its famous city hall, its splendid library, its forts and docks, its bazaars, mosques, synagogues, its Armenian churches, and the noble pagoda on Malabar Hill, with its two polygonal towers — he cared not a straw to see them.

We do still learn a little bit about the geography and history of the various places Fogg and Passepartout visit (and Passepartout, who shares my frustration at Fogg’s lack of interest, does occasionally manage to do some sightseeing on his own, with mixed results) but the main focus of the story is on the journey itself and whether they actually will succeed in going around the world in eighty days. There’s also a romance, which I found difficult to believe in as we rarely even see the characters involved speaking to each other, but I suppose the hints were there! I loved the relationship between Fogg and Passepartout, though; they are such different men yet have so much loyalty to each other.

I enjoyed Around the World in Eighty Days much more than I thought I would when I first decided to put it on my Classics Club list. I’ll have to keep Jules Verne in mind for my second list – which I’ve already started to compile despite still having twenty books to read from the first one!

Fire by C. C. Humphreys

Fire 1666 is famous for being the year of the Great Fire of London. For the religious sect known as the Fifth Monarchists it was also the year in which they believed the monarchy would be overthrown, clearing the way for the kingdom of Jesus. These two events form the basis of C.C. Humphreys’ new novel, Fire, a sequel to Plague, which I read in 2014. Don’t worry if you haven’t had the opportunity to read Plague yet – you will still be able to understand and enjoy Fire, which works as an exciting historical thriller in its own right as well as being a sequel.

As the novel opens we are reacquainted with our old friends, Captain Coke, a reformed highwayman, and Pitman, a ‘thief-taker’. These two men fought on opposite sides in the recent Civil War, but have now formed an unlikely partnership to fight crime in the London area. With Charles II the target of a plot by the Fifth Monarchists, Coke and Pitman have been given the task of foiling the attempt on the king’s life. Assisted by Dickon, a young homeless boy rescued by Coke from a life on the streets, the pair begin to investigate, determined to save the king even if it means putting their own lives in danger.

It’s not only themselves they need to worry about, of course. Pitman is a married man with children, while Coke’s lover, the actress Sarah Chalker, is pregnant. Acting is not considered a suitable career for a respectable woman, but Sarah enjoys it and relies on it as a source of income. Unable to work because of her pregnancy, Sarah is left alone and penniless when Coke finds himself the victim of a cruel betrayal. And then, in the early hours of a September morning, a fire breaks out at Thomas Farriner’s bakery on Pudding Lane…

Fire is an enjoyable read and a fascinating journey through 17th century London life. I’ll have to be honest and say that it’s maybe not the deepest or most literary of historical novels but, like Plague, it’s entertaining and fun to read. Before I started reading I had been afraid that it might be too similar to another book I read earlier this year – The Ashes of London by Andrew Taylor – which is also set during the Great Fire of London and features a plot by the Fifth Monarchists, but the two books are actually completely different.

This is an action-packed novel, taking us to a variety of different settings. We visit the theatre for a production of Hamlet, we find out what conditions were like for those unlucky men pressed into the navy against their will, and we see inside a debtors’ prison, where women and children live in squalor praying that their fortunes will change soon. A map is provided at the front of the book to help us locate each of the London sites mentioned in the story and to show how the fire spreads and progresses day by day.

Something that surprised me about this novel is that the Great Fire itself doesn’t start until we are more than halfway through the book. Instead, Humphreys spends most of the novel setting the scene, moving the characters into place, so that by the time the fire breaks out we are already emotionally invested in the story and are desperate to find out whether our heroes and heroines can find their way out of the dangerous situations they are in.

If C.C. Humphreys brings some of these characters back for a third adventure, I would love to read it; otherwise I’ll investigate his earlier books – I’ve already read Vlad: The Last Confession, but some of his others look interesting too.

Thanks to Century for providing a copy of this book for review.

Prince Rupert: The Last Cavalier by Charles Spencer

Prince Rupert As someone who prefers to learn through fiction, I often struggle to find the motivation to start reading a long non-fiction book, especially one by an author I’ve never tried before. I’ve had this one on my Kindle since last year waiting until it was the right time to read it – and that time came a couple of weeks ago after I read The White Witch by Elizabeth Goudge, a novel in which one of the main characters fights alongside Prince Rupert in the English Civil War. Rupert has a relatively minor role in that novel, and in others that I’ve read, but I thought it would be interesting to find out more about him.

Prince Rupert of the Rhine, as he is usually known, was born in Prague in 1619. His mother, Elizabeth, was the sister of King Charles I of England, while his father, Frederick, was the Elector Palatine and – briefly – the King of Bohemia. When Frederick lost his crown to the Habsburg Emperor, his wife and young children were forced to flee Prague and take refuge in The Hague. Growing up in exile, Rupert gained military experience in the Thirty Years War before coming to England and joining his uncle, Charles I, at the beginning of the Civil War.

As the commander of the Royalist cavalry, Rupert was one of the most colourful characters of the Civil War. When most of us think of a ‘cavalier’ we probably form a mental image of someone very like Prince Rupert: young, tall and handsome, with long, flowing hair and dressed in the latest court fashions. To the Parliamentarians, however, the cavaliers were villains, guilty of theft, rape, drunkenness and all sorts of debauchery. As the most iconic of the cavaliers, and the King’s most famous general, Rupert was the main target of enemy propaganda – he was even accused of witchcraft and his beloved white poodle, Boye, was suspected of being his familiar.

Rupert Earlier in the conflict, Rupert led the Royalists to some impressive victories, before suffering defeats at Marston Moor and Naseby. While Charles Spencer’s portrayal of Rupert is generally very favourable, I do think he does a good job here of showing why the Royalist cause ultimately failed and why rivalries and divisions between Rupert and his fellow commanders, as well as some very poor decisions, contributed to their downfall. Spencer does seem to like and admire Rupert (which must be an advantage when writing historical biography) but at the same time, he is aware of Rupert’s negative points and not just his positive ones.

The Civil War years only take up about a third of the book, but Prince Rupert’s military career continued after his part in the war ended. After being banished from England in 1646, he became a Royalist pirate, attacking Parliament’s shipping in the Caribbean. Then, following the Restoration of his cousin, Charles II, in 1660, he returned to England and fought in the Second and Third Anglo-Dutch Wars as a senior naval commander. Both of these episodes of the Prince’s life are given a lot of attention in this book, as are his final years (he died in 1682).

I thoroughly enjoyed this fascinating biography – Charles Spencer’s writing is clear and easy to follow, and I even found the descriptions of battle tactics and military strategies compelling, which is unusual for me! The only time I thought it began to drag a little bit was during the naval sections (I always seem to struggle with books set at sea, which I accept is usually my fault rather than the authors’).

What I found particularly interesting was the information on Rupert’s other accomplishments away from his army and navy career: his scientific work and the part he played in the founding of the Royal Society; his role in the development of the mezzotint printing technique; and his governorship of the Hudson’s Bay Company (Rupert’s Land in Canada was named after him). I wasn’t aware of any of this and hadn’t appreciated just how much Prince Rupert had achieved in his lifetime.

I would be happy to read more non-fiction by Charles Spencer but I’m not sure that any of his other books really appeal to me. He is the younger brother of the late Princess Diana (something I didn’t know when I first started reading) and most of his work seems to be concerned with his family history. If anyone has read any other books on Prince Rupert, though – either fiction or non-fiction – I would love some suggestions.

The Heir of Redclyffe by Charlotte M Yonge

The Heir of Redclyffe I was supposed to be writing about Kristin Lavransdatter today – it was the book chosen for me in the last Classics Club Spin and today is the deadline for reading it – but there’s been a change of plan. For the last few weeks I’ve been engrossed in a completely different classic novel, so Kristin has had to wait. I’ve started reading it at last (and like what I’ve read so far) but for today, I’m going to talk instead about The Heir of Redclyffe.

When the elderly Sir Guy Morville dies, his title and his estate of Redclyffe pass to his grandson, another Guy. Being only seventeen years old, the new Sir Guy is taken in by another branch of the family, the Edmonstones, who provide him with a home and an education. With his generous, warm-hearted nature, Guy quickly wins the respect of Mr and Mrs Edmonstone, the friendship of three of his cousins – Charles (crippled with a disease in the hip), the beautiful Laura, and little Charlotte – and the love of the fourth, Amabel (known as Amy). In fact, the only person who doesn’t seem to like Guy is Philip Morville, another cousin.

To Guy’s dismay, Philip – who happens to be the next heir to Redclyffe – makes no secret of his dislike for him. Philip is a well-educated, confident and accomplished young man, and based on a long-ago family rivalry, is determined to disapprove of Guy, finding fault with everything he does. After Guy and Amy declare their love for each other, Philip decides to do everything he can to put a stop to their marriage. Meanwhile, he himself has fallen in love with Amy’s sister, Laura, but due to his financial situation he is reluctant to make their romance public and so he asks Laura to keep their relationship secret from her parents.

And that’s really all I want to say about the story, as it does become quite convoluted and I wouldn’t want to spoil things for future readers. I knew very little about this novel before I started it (although I remember that Lisa enjoyed it a few years ago) and part of the pleasure in reading it was wondering how things would turn out for Guy and Amy, Philip and Laura, and the others. Yonge took me completely by surprise once or twice with some plot developments that I hadn’t expected, one of which was very sad – although I would have been prepared for that if only I’d remembered that in Little Women, Jo March is found “eating apples and crying over The Heir of Redclyffe”!

I liked Guy – it would probably be difficult not to – and I also liked Amabel, although it irritated me that she is always referred to (by herself and others) as ‘silly little Amy’ when it’s obvious that she has far more sense and strength of character than anybody gives her credit for. I never felt that I really knew or understood Laura, but as for Philip, I found him completely annoying, arrogant and overbearing. He’s not a villain exactly (there are no villains in this book – only flawed human beings) and he does seem to believe that he’s acting with the best intentions, but those actions cause a lot of unnecessary misery for a lot of people. My favourite character, though, was probably Charles, one of the few people prepared to stand up to Philip and say what he thinks, while also trying to come to terms with his own illness and disability.

First published in 1853, The Heir of Redclyffe was a popular bestseller throughout the 19th century, yet how many people still read this book today? It seems that Charlotte Mary Yonge’s novels haven’t stood the test of time as well as books by other female Victorian authors, which is a shame as I found a lot to like about The Heir of Redclyffe. Maybe it’s too sentimental for modern tastes and with too much emphasis on faith and spirituality – not that any of those things stopped me from enjoying this book. I would definitely consider reading more of Yonge’s work in the future!

Jane Steele by Lyndsay Faye

Having enjoyed Lyndsay Faye’s Timothy Wilde trilogy, I was both intrigued and dubious when I heard that her new novel, Jane Steele, was going to be a retelling of Jane Eyre. I always have doubts about books that are based on or inspired by classic novels and usually try to avoid them, but because I loved Faye’s other work so much I was happy to give this book a try.

Jane Steele Once I started to read, I quickly discovered that Jane Steele is not so much a retelling of Jane Eyre as a homage or tribute to Jane Eyre. Jane Steele herself is a fan of the Charlotte Brontë classic, which she reads over and over again, and she can’t help noticing that there are some unmistakable parallels between her own life and Jane Eyre’s.

Like the Brontë heroine, Jane Steele has an unhappy childhood. She and her widowed mother live in a cottage in the grounds of Highgate House, the home of her late father’s family. When her mother dies a sudden and unexpected death, Jane finds herself at the mercy of her cold-hearted Aunt Patience and vile Cousin Edwin, but unlike Jane Eyre she takes drastic measures to defend herself against them. I won’t go into too much detail, but the words “Reader, I murdered him” on the front cover should be a clue!

Sent away to Lowan Bridge School, Jane’s life again seems to be following the same pattern as Jane Eyre’s. Lowan Bridge is a harsh and forbidding place, presided over by the tyrannical Vesalius Munt, and the only positive thing Jane takes away from her time there is a close friendship with a younger girl known as Clarke. Forced to resort to murder again – not just once but several times, though always to protect herself and her friends – Jane eventually has the chance to return to Highgate House as governess to Sahjara, the young ward of the house’s new master, Mr Thornfield.

As Jane settles into her new position – and begins to search for evidence that will prove she is really the rightful heir of Highgate House – she gets to know the new inhabitants of her childhood home. Mr Thornfield has recently returned from the Punjab and all of his servants are Sikhs, including the butler Sardar Singh, whom Jane suspects of not being all he appears to be. Mr Thornfield himself, as you’ve probably guessed, takes the role of Jane Eyre’s Mr Rochester, but before Jane Steele can allow herself to love him, she wants to know how he will react to the revelation that his new governess is actually a serial killer…

You may be thinking that I’ve given away the entire story here, but I can promise you that there’s still a lot I haven’t told you. More than half of the novel is devoted to the time following Jane’s return to Highgate House, the development of her romance with Mr Thornfield (a more instantly likeable character than Mr Rochester, by the way), and an intricate mystery involving stolen jewels, of which I’ll say no more other than that it felt like something Wilkie Collins might have written.

I liked Jane Steele but I can’t say that I loved it as unreservedly as most other readers seem to have done. The first half of the book was great – Jane has a very distinctive, darkly funny narrative voice and it was fun to spot the echoes of Jane Eyre in the childhood and school chapters. I also enjoyed reading about Jane’s adventures in London (before starting her governess job) and the Dickensian characters she meets there, such as Mr Grizzlehurst, publisher of the “Daily Report of Mayhem and Mischief”.

The second half of the novel felt quite different from the first, with the focus on the stolen treasure and the history surrounding the Anglo-Sikh Wars. I have read a lot of historical mysteries set in the Victorian period, as well as a lot of Victorian sensation novels, and I just didn’t feel that I was reading anything new here (apart from the details of Sikh culture, which were interesting to read about). It didn’t help that this part of the story includes a lot of long accounts of past events and people we previously knew nothing about. I found it difficult to care about this new set of characters and just wanted to get back to reading about Jane and her life.

This is only a small criticism, though, of what was otherwise a very enjoyable novel and I do love the fact that Lyndsay Faye avoided writing a simple retelling and instead came up with something so brave and imaginative. I would personally have preferred another Timothy Wilde mystery, but having written three of those books I can understand why Faye might have wanted to write something else, and I think Jane Steele will have wider appeal. Reader, you’ll probably love it.

Thanks to Headline for providing a copy of Jane Steele for review.

Dictator by Robert Harris

Dictator This is the third and final volume of Robert Harris’s fictional biography of Marcus Tullius Cicero, the Roman philosopher, lawyer and statesman. I loved the previous two novels, Imperium and Lustrum, so you won’t be surprised to hear that I loved Dictator too. Until recently, I didn’t have much interest in Ancient Rome and would never have thought that I could find reading about the intricacies of Roman politics so exciting and fascinating. How wrong I was! In fact, the only negative thing I can say about this trilogy is that it has now come to an end.

Dictator covers the last fifteen years of Cicero’s life, though as the title suggests, the focus of the book is on the rise and fall of Julius Caesar. At the beginning of the novel, Cicero has been forced into exile by his enemy, Publius Clodius Pulcher, and with the triumvirate of Caesar, Pompey and Crassus now governing Rome it seems unlikely that he will be able to return. Loyalties and allegiances change quickly in the Roman Republic, however, and eventually it does become possible for Cicero to come home, to be reunited with his family and to return to politics and the senate.

As he tries to settle back into his old life in Rome, Cicero discovers that it is not the same city he left just a year before and when the tensions between Caesar and Pompey lead to civil war, he knows he is witnessing the destruction of the republic. With the assassination of Caesar after several years of dictatorship comes the sense that Rome is entering a new era, but Cicero will face further challenges with the rise to power of the dictator’s adopted son, Octavian (the future Emperor Augustus, founder of the Roman Empire).

As Dictator is the book which brings the trilogy to a close, there’s a sadness which wasn’t present in the first two books, with the deaths of several major characters and the collapse of the Roman Republic. It’s also sad to see Cicero’s relationship with his wife, Terentia, deteriorate beyond repair. It was never a very happy marriage, but now Cicero acknowledges that Terentia has had enough:

“Only at that moment did I realise how much she must have suffered, living in Caesar’s Rome and being married to me. I cannot say I felt love for her any more, but I did feel great pity and affection and sadness, and I resolved there and then to make no mention of money or property – it was all done with, as far as I was concerned.”

Like the first two novels, this book is narrated by Tiro, Cicero’s slave and secretary, a man who really did exist and who is credited with inventing an early form of shorthand. After Cicero’s death, Tiro published his master’s letters and collected works, and is thought to have also written a biography of Cicero which was lost during the fall of Rome. Tiro’s role in this trilogy is primarily to tell Cicero’s story, recording his words and actions and making observations on his master’s character and the characters of Rome’s other leading figures. Here he describes meeting Julius Caesar:

“How unreal it felt to watch the approach of this titan who had so dominated everyone’s thoughts for so many years – who had conquered countries and upended lives and sent thousands of soldiers marching hither and thither, and had smashed the ancient republic to fragments as if it were nothing more substantial than a chipped antique vase that had gone out of fashion – to watch him, and to find him, in the end…just an ordinary breathing mortal!”

Over the course of the three novels we see how Cicero comes to rely on Tiro not just as a servant but also as a friend – one of the only people in the world he knows he can truly trust. Tiro’s admiration and affection for Cicero also come across strongly but this doesn’t mean he is unable to see Cicero’s faults. Through Tiro’s eyes, Cicero is portrayed as a brilliant yet flawed man, his wisdom, talent and generosity offset by vanity and self-importance. He is sometimes too quick to speak before he thinks, particularly when he is unable to resist making a joke at someone else’s expense, and this often has serious consequences. I enjoyed getting to know Cicero, with all his faults, and was sorry to come to the end of his story.

Imperium, Lustrum and Dictator are three wonderful books – well-written, well-researched and with a feeling of authenticity. Highly recommended, but try to read them in order if possible. I’m now looking forward to returning to the Roman Empire with an earlier Robert Harris novel, Pompeii.