The Eagle of the Ninth by Rosemary Sutcliff – #1954Club

The second book I’ve read for Karen and Simon’s 1954 Club this week is a children’s classic by Rosemary Sutcliff. This book has been on my TBR for years because, although I’ve enjoyed a few of Sutcliff’s other novels set in other time periods, the Roman period has never been a favourite of mine and I wasn’t sure whether I would love this book the way everyone else seems to have done. Of course, I needn’t have worried; The Eagle of the Ninth is a beautifully written novel with wonderfully vivid and colourful descriptions, a gripping plot inspired by historical fact, a very likeable young hero and even a touch of romance – what’s not to love?

The novel tells the story of Marcus Flavius Aquila, a young centurion posted at a fort in Roman Britain. When Marcus is badly injured during a battle, he is discharged from his duties and goes to stay with his uncle while he recuperates. Here he forms three new relationships, all of which will have an impact on his future life: the first is with Esca, a defeated gladiator Marcus purchases as a slave at the Saturnalia Games in order to save him from a worse fate; the second, with Cub, a tame wolf-cub adopted by the household as a pet; and finally, with Cottia, a young woman from the Iceni tribe who is being raised as a Roman, something she resents very much. Marcus also listens to tales of the Ninth Legion who, several years earlier, marched north to suppress a rising of the Caledonian tribes and disappeared into the mists of Northern Britain, never to be seen again.

The story of the missing Ninth Legion has special significance for Marcus because it was his father’s legion and his father was one of the men who vanished. When his injuries heal enough for him to be able to travel, Marcus decides to head north himself in the hope of learning more about the legion’s disappearance and of retrieving the eagle standard of the legion, which was also lost – and in the hands of Rome’s enemies could take on new symbolic meaning.

Esca is freed from slavery by Marcus, but the two have become good friends and he chooses to accompany Marcus on his journey. The second half of the novel follows their adventures as they travel beyond Hadrian’s Wall and further north into Caledonia. Although there is plenty of drama as they encounter hostile tribes and search for the lost eagle, I particularly enjoyed watching the changes in the relationship between Marcus and Esca as their bond grows stronger while at the same time their difference in status forms a barrier:

You could give a slave his freedom, but nothing could undo the fact that he had been a slave; and between him, a freed-man, and any freeman who had never been unfree, there would still be a difference. Wherever the Roman way of life held good, that difference would be there.

Sutcliff based this novel on the fact that the Legio IX Hispana (Ninth Legion) disappeared from historical records around the year 117 and at the time when she was writing, it was thought that the legion had probably been destroyed in what is now modern-day Scotland. Historians have other theories now, but the way Sutcliff depicts the loss of the legion in this book still feels believable to me. She was also inspired by the discovery of a wingless Roman eagle in Silchester.

I also loved her descriptions of the places Esca and Marcus see as they travel north through Roman Britain, like this one as they approach the mountain Ben Cruachan:

It was an evening coloured like a dove’s breast; a little wind feathered the shining water, and far out on the dreaming brightness many scattered islands seemed to float lightly as sleeping sea-birds. In the safe harbourage inshore, a few trading-vessels lay at anchor, the blue sails that had brought them from Hibernia furled as though they, too, were asleep. And to the north, brooding over the whole scene, rose Cruachan, sombre, cloaked in shadows, crested with mist; Cruachan, the shield-boss of the world.

The Eagle of the Ninth is a lovely novel and I never really felt that I was reading a book for children – I think it’s one of those books that can be enjoyed equally by readers of all ages. I know there are other books in the series following later generations of the Aquila family, but the only one I currently own is Sword at Sunset, which I’m hoping can be read out of order.

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This is also book 18/50 read for the Historical Fiction Reading Challenge 2022.

The Toll-Gate by Georgette Heyer – #1954Club

This is the first of two reviews I’ll be posting this week for Simon and Karen’s 1954 Club, one of their twice-yearly events where we all read and review books published in the same year. Georgette Heyer was such a prolific author I find there’s usually a book of hers to read for any year that is chosen! The Toll-Gate is her 1954 novel and one I hadn’t read before.

Like many of Heyer’s novels, this one is set in the Regency period. Our hero, the ‘overpoweringly-large’ Captain John Staple, has just returned from the Peninsular War and is finding it difficult to settle back into the monotony of civilian life. During a particularly tedious dinner party celebrating his cousin’s engagement, John decides to escape the next day and travel north to visit an old friend. Setting off alone on horseback, he becomes lost in the dark and rain and stumbles upon an isolated toll-gate somewhere in the Peak District. A frightened ten-year-old boy is collecting the tolls in the absence of his father, who has disappeared without explanation, so John decides to stay overnight to keep the boy company in the hope that his father will be back in the morning.

When the gatekeeper fails to return the next day, John finds himself helping to man the toll-gate for much longer than he’d expected, encountering highwaymen, thieves and Bow Street Runners. This is so much more exciting than one of cousin Saltash’s boring parties and John soon discovers that he’s in no hurry to leave, particularly when he meets Nell Stornaway, attractive, intelligent and, most importantly, tall – nearly as tall as John himself! Nell lives with her dying grandfather at nearby Kellands Manor and the old man’s heir has recently arrived, accompanied by a disreputable friend. But is it just the inheritance that has drawn them to Kellands or could they be mixed up in the disappearance of the gatekeeper?

Like The Quiet Gentleman, this is a Heyer novel where the focus is on the mystery rather than the romance. The romance is still there, but in a more understated way than usual. However, even though it’s love at first sight, it’s a romance I could believe in, because the hero and heroine seemed perfect for each other. I liked both of them – they are two of Heyer’s more sensible and mature characters, despite John’s love of adventure. And he certainly finds plenty of adventure when he chooses to spend the night at the toll-gate! The opening chapter set at Lord Saltash’s engagement party really doesn’t fit with the rest of the novel at all – it feels as though Heyer is setting up an Austen-style comedy of manners in that chapter, but once John sets out on his journey that aspect of the novel is abandoned and none of the characters we’ve met appear again. I was interested to learn that Heyer wrote the first chapter before deciding on the rest of the plot and had originally intended John’s family background to play a bigger part than it eventually did.

The dialogue is peppered with Heyer’s usual Regency slang, as well as the thieves’ cant used by characters such as Chirk the highwayman, and this adds colour and authenticity to the story. However, although I did enjoy this novel, it hasn’t become a favourite by Heyer; it seemed to lack her usual humour and I do tend to prefer her funnier books! Still, it was an entertaining read and a good choice for me for 1954 Club.

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Other books from 1954 previously reviewed on my blog:

Jeeves and the Feudal Spirit by PG Wodehouse
Three Singles to Adventure by Gerald Durrell
Mary Anne by Daphne du Maurier

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This is also book 17/50 read for the Historical Fiction Reading Challenge 2022.

The Stone Rose by Carol McGrath

The Stone Rose is the final book in Carol McGrath’s She-Wolves Trilogy, but don’t worry if you haven’t read the first two – each one stands alone and tells the story (in fictional form) of a different medieval queen of England. In The Silken Rose we met Eleanor of Provence and in The Damask Rose Eleanor of Castile; now, in this latest novel, it’s the turn of Isabella of France. Isabella was the daughter of Philip IV of France and the wife of Edward II of England, but also a powerful and influential woman in her own right. The Stone Rose explores Isabella’s story both from her own perspective and through the eyes of Agnes, a female stonemason who designs Isabella’s tomb.

Isabella is only fifteen years old when the novel opens in 1311, and much as she tries to love her husband – at least at first – she is already becoming aware that Edward is perhaps not the best person to be ruling the country. He is too easily led by his favourites, particularly the handsome young Piers Gaveston, ignoring the advice of older, more experienced noblemen, and spends his time thatching roofs and digging ditches like a peasant rather than taking part in more courtly pursuits. Worse, he seems determined to send England into a series of battles with the Scots that nobody really has the heart for.

As the years go by, the pleasant and relatively harmless Piers is replaced by a new favourite, the scheming, ambitious Hugh Despenser the Younger, and Isabella begins to fear for her own position, especially when she starts to suspect that Edward loves Despenser more than he loves her. As tensions grow at court and across England, Isabella returns to France to visit her family – and here she meets Roger Mortimer, an English baron who has recently escaped from imprisonment in the Tower of London and shares her hatred of Hugh Despenser.

I won’t say much more about the plot, as if you’re familiar with the history you’ll already know what Isabella does next – and if you’re not, you’ll probably prefer to find out for yourself when you read the book. As far as I could tell, Carol McGrath sticks quite closely to the known facts, except where it’s necessary to use her imagination to help bring the characters to life and fill in gaps in the story or where there is some historical controversy, for example regarding the eventual fate of Edward II.

Despite Isabella’s “she-wolf” nickname (one which has also been applied to several other unpopular queens) I found her a sympathetic character here. It was sad to see her marriage gradually disintegrate as Edward spends more and more time with his favourites, falling completely under their power and refusing to listen to other points of view. I also found it interesting to read about Isabella’s interactions with the other women at court, particularly the three de Clare sisters, one of whom – Eleanor – is the wife of Hugh Despenser. Because of Isabella’s conflict with Eleanor’s husband, the two women can never be friends, but they are forced to spend long periods of time together over the years and their relationship, as you can imagine, is a very uncomfortable one.

The previous two books in this trilogy have each included a second protagonist, whose story unfolds alongside the queen’s and is given almost equal attention. In this third novel, that role falls to Agnes, the stonemason – a real historical figure who really did work on Isabella’s tomb. I was slightly disappointed that we don’t see very much of Agnes; there are only a few sections written from her point of view, with the focus very much on Isabella’s story. I understand, though, that Agnes only entered Isabella’s life in the 1350s and played no part in what came before, so maybe it would have been difficult to weave the two narratives together more closely. Still, The Stone Rose is a fascinating read and I enjoyed adding to my knowledge of Isabella, Edward II and Roger Mortimer. Now that the trilogy has come to an end I will have to try Carol McGrath’s earlier novels, while I’m waiting to see what she writes next!

Thanks to Headline for providing a copy of this book for review via NetGalley.

This post is part of the blog tour for The Stone Rose – you can see details of the other stops on the tour in the image below.

This is book 16/50 read for the Historical Fiction Reading Challenge 2022.

In a Lonely Place by Dorothy B. Hughes

This is the book that was chosen for me to read in the recent Classics Club Spin – a result I was very pleased with, having loved two other novels by Dorothy B. Hughes, The Expendable Man and Ride the Pink Horse (two of my books of the year in 2020 and 2021 respectively).

Originally published in 1947, In a Lonely Place is set in Los Angeles just after World War II. Dix Steele, who had served as a fighter pilot in the Air Force, is staying in an apartment belonging to an old acquaintance, Mel Terriss, who has gone to Rio for a while. Like many young men who have returned from the war, Dix has been left damaged by his experiences and is taking advantage of the peace and quiet to finish writing his new crime novel. At least, that’s what he tells people. It is quickly made obvious to the reader that the writing is a cover for something else and that Dix is actually spending his time doing something very different.

Deciding to contact a wartime friend, Brub Nicolai, who also lives in LA, Dix is surprised to learn that Brub is now working as a police detective. Brub is delighted to renew their friendship, introducing Dix to his wife, Sylvia, and telling him about the case he is investigating – a series of stranglings that have been taking place across the city. Dix is envious of Brub’s close relationship with Sylvia, which serves as a constant reminder of his own sense of loneliness and isolation. When he meets Laurel Gray, a beautiful young actress who lives in his apartment building, it seems that he has a chance to form a new relationship of his own…if Laurel can avoid becoming the strangler’s next victim.

I had high hopes for this novel and it certainly didn’t disappoint! I’ve actually found it quite a difficult book to write about because I’m not sure what would be considered a spoiler and what wouldn’t. Having said that, there’s not really a lot of mystery involved; we know from very early in the book who the murderer is – the suspense is in waiting to find out how, if and when they will get caught. However, there are still a few surprises and some revelations that don’t come until later in the story. All three of the books I’ve read by Hughes have been so much more than just straightforward crime novels; she takes us right inside the minds of her characters and although they may be damaged, unhappy and not the most pleasant of people, she makes them feel believable and real, if not exactly sympathetic!

This book is wonderfully atmospheric – dark and tense and with the reader, like Dix, wondering who can be trusted and who knows more than they’re admitting to. It’s another great read and I’ll look forward to reading more by Dorothy B. Hughes.

This is book 28/50 read from my second Classics Club list

Shadow Girls by Carol Birch

Having enjoyed two of Carol Birch’s earlier novels – Orphans of the Carnival and the Booker Prize nominated Jamrach’s Menagerie – I decided to try her new book, Shadow Girls. I enjoyed this one too, but it’s a very strange novel and not quite what I’d expected!

From the blurb, I had thought this was going to be a ghost story, but for the first half of the book at least, it’s much more of a ‘school story’. Our narrator, Sally, is a fifteen-year-old girl growing up in 1960s Manchester and the time and place are vividly evoked with references to the music, films, fashion and culture of the decade woven into the narrative. Like most girls her age, then and now, Sally’s life revolves around schoolwork and spending time with her friends and her boyfriend, and this is the focus of the first section of the book. Through Sally’s eyes we get to know her best friend, Pamela, a rebellious troublemaker nobody else likes, and their ‘enemy’ Sylvia Rose, a girl from a posh background who is a talented classical singer. She also describes her feelings for Rob, her first serious boyfriend, whom she is starting to have doubts about.

The supernatural element of the story isn’t introduced until surprisingly late in the novel, when Sally has a mysterious encounter with Sylvia that will haunt her for the rest of her life. The pace picks up from this point and it does become the ghost story I had expected – in fact, it’s quite a creepy one, particularly as, like many good ghost stories, it’s never completely clear which of Sally’s experiences are real and which are in her mind.

Despite not much happening for half of the book, I found it all very absorbing and was pulled into Sally’s world from the first page. I’m not sure whether so much build up was really necessary, but I enjoyed it anyway and found the book so difficult to put down that I ended up reading most of it in one day. Now I’m interested in reading Carol Birch’s previous ghost story, Cold Boy’s Wood. Has anyone read that one – or any of her other books?

Thanks to Head of Zeus for providing a copy of this book for review via NetGalley.

The Dark Queens by Shelley Puhak (non-fiction)

Their ghosts are everywhere; we just need to know where to look.

This is a fascinating dual biography of two little-known medieval queens, Brunhild and Fredegund, who belonged to the Merovingian dynasty and ruled over large swathes of the lands we now know as France and Germany. I don’t often find myself drawn to non-fiction, but this book was a great choice for me as it’s both educational and entertaining – and every bit as readable as fiction.

Most people today have probably never heard of Brunhild and Fredegund and it seems there’s a good reason for that: as Shelley Puhak explains, following the deaths of the two queens, their stories were rewritten – and some of their achievements erased altogether – by the rulers who came after them, including their own son and nephew Clothar II, and later by Charlemagne’s Carolingian dynasty. And yet the influence of these two Merovingian women lived on, in legends and fairy tales, in the naming of roads, and in the character of Brunhild the Valkyrie from Wagner’s opera Der Ring des Nibelungen. Most intriguingly, a battle strategy of Fredegund’s appears to have inspired, whether directly or indirectly, the ‘Birnam Wood comes to Dunsinane’ episode of Shakespeare’s Macbeth.

The two queens came from very different backgrounds. Brunhild was a princess from Visigothic Spain who was married off to King Sigibert of Austrasia in 567 as part of a political alliance. Austrasia was the north-eastern territory of the Kingdom of the Franks; Neustria to the west and Burgundy to the south were ruled by Sigibert’s brothers, Chilperic I and Guntram, respectively. Fredegund, a former slave, rose to power when she married Chilperic of Neustria following the death of his wife under suspicious circumstances. This was only the first of many murders with which Fredegund would be connected; she went on to be associated with a whole series of poisonings, tortures and political assassinations. Brunhild is portrayed as a much more sympathetic character, but the prejudices of the sources do need to be considered!

After the deaths of their husbands, both Brunhild and Fredegund reigned as regents on behalf of their young sons and grandsons. Their kingdoms of Austrasia and Neustria were engaged in war for many years, fuelled by a rivalry between the two queens, which originated in Fredegund allegedly being responsible for the murders of both Galswintha, Brunhild’s sister, and King Sigibert, Brunhild’s husband. However, they were willing to work together where necessary and both queens proved themselves to be strong, intelligent, politically astute women in a world dominated by men.

The Dark Queens is not a particularly academic book. It’s written in the style of narrative non-fiction, drawing on the available primary sources such as the writings of Gregory of Tours and Venantius Fortunatus but sometimes finding it necessary to speculate in order to fill in the gaps. Despite this, it’s clear that Shelley Puhak has carried out a huge amount of research in writing this book and she does include a list of all of her sources, both primary and secondary, at the end, along with a comprehensive section of notes and references. Although The Dark Queens may not satisfy readers who are looking for something more scholarly, I thoroughly enjoyed it and am so pleased I’ve had the chance to get to know Brunhild and Fredegund. I’m surprised they haven’t been written about more widely; they would be wonderful subjects for historical fiction and would make a nice change from the Tudors!

Thanks to Head of Zeus for providing a copy of this book for review via NetGalley.

Traitor in the Ice by KJ Maitland

Traitor in the Ice is the second book in KJ Maitland’s new historical crime series set in the early 1600s during the reign of James I of England and VI of Scotland. The first, The Drowned City, introduces us to Daniel Pursglove as he searches for a mysterious Catholic conspirator known as Spero Pettingar in the aftermath of the failed Gunpowder Plot. That book is set in Bristol just after the devastating Bristol Channel Floods of 1607; Traitor in the Ice takes place the following winter – a particularly cold winter referred to as the Great Frost.

In these freezing, icy conditions a man has been found dead in the grounds of Battle Abbey in Sussex. The man was one of the King’s agents, sent to infiltrate the Montague household at Battle to try to root out those with Catholic sympathies. Lady Magdalen, Viscountess Montague is believed to be sheltering Catholic priests within the abbey walls, but the agent has been killed before having the chance to send his report to London. A replacement is needed, so Daniel Pursglove finds himself summoned by the King’s man, Charles FitzAlan, once more and sent to Battle to find evidence of treachery. He quickly discovers that almost everyone in the abbey has something to hide, but when more murders take place Daniel begins to wonder whether he is on the trail of the elusive Spero Pettingar at last.

One of the things I liked about the previous book in this series was the setting; I knew nothing about the Bristol floods and found the descriptions of the city in the aftermath quite eerie and otherworldly. The frozen landscapes of Sussex described in this second novel are equally atmospheric: the ‘withered brown bracken, each frond encased in its own ice-coffin’; the pink light of dawn ‘sending sparks of light shivering across the frost’. It’s the perfect setting for a murder mystery and Maitland weaves her usual mix of superstition and legend into the plot, adding to the sense of time and place. I was particularly intrigued by the practice of ‘night-creeping’, which Maitland explains in more detail in her very comprehensive author’s note at the end of the book.

I had hoped to learn more about Daniel Pursglove in this novel, but that doesn’t really happen and he is still very much a man of mystery by the final page. Although it’s not essential to have read the previous book first, I was pleased that I had as it meant I was familiar with at least some of Daniel’s background and wasn’t quite as confused as I might otherwise have been. I do like Daniel, though, and enjoyed following him through his investigations.

However, I had the same problem with this book that I had with the first one: there was just too much happening! The chapters set at Battle Abbey alternate with others set at court where through the eyes of two cousins, Richard and Oliver, we watch the rise to power of the King’s new favourite, Robert Carr. We also see Robert Cecil, Earl of Salisbury, working to maintain his own influence over King James, while in the streets and taverns of London violence is brewing between gangs of local youths and the Scottish courtiers who are newly arrived in the city. All of this is very interesting, but too much for one book on top of the murders and the Catholic conspiracies! With a tighter focus on just one or two threads of the plot, I think this would be a much stronger series. Anyway, I did enjoy this second novel overall and will be looking out for a third one.

Thanks to Headline for providing a copy of this book for review via NetGalley.

This is book 15/50 read for the Historical Fiction Reading Challenge 2022.