The Paying Guests by Sarah Waters

The Paying Guests This is Sarah Waters’ sixth novel, published in 2014. I have read and enjoyed all of her previous five, but after seeing some very mixed reviews of The Paying Guests around the time of publication, I decided I wasn’t in any hurry to read this one. I knew I would read it eventually, but I wanted to wait until I was in the right mood for it.

This book is set in London in 1922 which I was pleased about as, surprisingly, I have preferred Sarah Waters’ 20th century novels (The Little Stranger and The Night Watch) to the Victorian ones (Fingersmith, Affinity and Tipping the Velvet). I always find the 1920s an interesting decade to read about; it was so soon after the end of the war and, for most people, life would never be the same again.

In The Paying Guests we meet twenty-six-year-old Frances Wray, a young woman whose life has certainly been affected by the war – her two brothers were killed in action and her father died not long after, leaving Frances and her mother alone and struggling financially. Frances is now doing the work that the servants used to do and, to avoid having to sell the house, she and her mother have decided to take in lodgers or ‘paying guests’.

The paying guests are a young married couple, Leonard and Lilian Barber, and from the moment of their arrival the atmosphere in the house changes. The Barbers belong to what Frances calls the ‘clerk class’ and they have different views, different attitudes and different ways of living their lives. Sarah Waters captures perfectly what it feels like to suddenly have to share your home with strangers:

Water was run after that, and then another odd noise started, a sort of pulse or quick pant – the meter again, presumably, as the gas ran through it. Mrs Barber must be boiling a kettle. Now her husband had joined her. There was conversation, laughter… Frances caught herself thinking, as she might have done of guests, Well, they’re certainly making themselves at home. Then she took in the implication of the words, and her heart, very slightly, sank.

As Frances gets to know the new lodgers, she finds herself increasingly attracted to Lilian. Having ended an earlier romance with another girl, Christina, for the sake of her family, Frances is determined not to let another chance of happiness slip away. This time, though, she faces not only the disapproval of her mother, but also an even bigger obstacle in the form of Lilian’s husband, Leonard.

The relationship between Frances and Lilian develops slowly throughout the first half of the novel. Although it’s difficult to tell what Lilian is truly thinking or feeling, there’s no doubt about the intensity of Frances’s emotions. While I can’t say that I particularly liked Frances, I did feel worried for her: she had already been through so much in the past and I could sense that there would be more trouble coming her way in the future. And I was right. The tension builds and builds in the Wray household and there is the sense that something big and significant is going to happen. Eventually something does happen (something horrible, dramatic and shocking) and from that point the plot begins to go in a very different direction.

The second half of the book is still interesting and compelling in its own way, but it does feel like an entirely different story and I think I might have been happier if this had continued to be the quiet 1920s domestic novel it seemed to be at the beginning. I did enjoy The Paying Guests, though, and I’m intrigued by the list of books Sarah Waters mentions as her influences; I’m particularly interested now in reading A Pin to See the Peepshow by F. Tennyson Jesse.

The People’s Queen by Vanora Bennett

The Peoples Queen They say you should never judge a book by its cover and in the case of The People’s Queen, I have found that to be very true. The image on the cover of this particular book gives the impression that this is a typical ‘royal court’ novel, maybe similar to the sort of book you might expect from Philippa Gregory. If you take away the cover, the novel itself – written in third person present tense and with a focus on politics, money and trade rather than love and romance – feels much more like Hilary Mantel’s Wolf Hall.

Our heroine, if it’s possible to call her that, is Alice Perrers, most famous for being a mistress of England’s King Edward III (who reigned from 1327 to 1377). Alice was never a queen and, as far as I can tell, was never popular with the people either, so I’m not sure where the title of the novel comes from – other than that she was a woman from a humble background who rose to a position of power. I have read fictional portrayals of Alice before, but only as a secondary character, so I was curious to see how she would fare as the protagonist of her own story.

The People’s Queen is structured around the medieval concept of the Wheel of Fortune. As the novel opens, Alice is riding at the top of the wheel, at the height of her power and influence. During her rise, Alice has made a lot of enemies…but also some friends, including the poet Geoffrey Chaucer, who has gained a new position as comptroller of customs for the Port of London under Alice’s patronage. It is said that pride comes before a fall, however, and Alice’s fortunes are about to change.

Aware that the King is starting to grow old and infirm and won’t be around forever, Alice begins to make plans for the future. Knowing that she will lose his financial support when he dies, she enters into an unscrupulous business venture, confident that nobody will discover what she has been doing. Eventually, of course, Alice’s schemes start to fall apart as the Wheel of Fortune begins to turn again.

Alice’s story takes place during an interesting and eventful period of English history: the novel incorporates the Black Death and the Peasants’ Revolt and features characters such as John of Gaunt, the Black Prince, Katherine Swynford and Wat Tyler. Somehow, though, Vanora Bennett manages to make a potentially fascinating story feel boring and passionless. I mentioned a similarity to Hilary Mantel, but the similarity is in the style of writing only. Where Wolf Hall is a compelling and enjoyable novel, The People’s Queen just isn’t, at least not in my opinion. Not being particularly interested in economic history, I thought there was too much time spent discussing taxes, budgets, loans and interest rates. I was also disappointed in the lack of medieval atmosphere; I think the author was trying to draw parallels with modern life and modern politics, but I felt that this came at the expense of creating a sense of time and place.

I do think Bennett does a good job of making Alice a complex, well-rounded character. She is shown to be greedy, ambitious and manipulative, as well as intelligent and shrewd…but she also has a softer, more vulnerable side, and it can’t be denied that she does provide some happiness and comfort to Edward. The way in which she becomes involved with Wat Tyler and the Peasants’ Revolt appears to be completely fictional and does not feel convincing, but I liked the portrayal of her friendship with Geoffrey Chaucer (which forms a major part of the story). There is some historical basis for this as they did know each other and Alice is believed by some historians to be the inspiration for the Wife of Bath in Chaucer’s Canterbury Tales. Despite finding Alice an interesting character, though, I didn’t feel any sort of connection with her. I didn’t expect to actually like her, but it was disappointing to find that I didn’t care at all what happened to her.

I haven’t given up on Vanora Bennett yet because I did like Midnight in St Petersburg a lot more than this book and I also still have Queen of Silks on my shelf to be read. I’ll hope for a better experience with that one!

Around the World in Eighty Days by Jules Verne

Around the World in 80 Days When Frenchman Jean Passepartout starts a new job as valet to a wealthy English gentleman called Phileas Fogg, he is pleased to find that his master is a quiet, solitary man who lives his life to a strict routine. Having previously worked as a singer, a circus acrobat and a fireman, Passepartout is looking forward to leading a settled, domestic life for a change. To his dismay, no sooner has he taken up his new position than Phileas Fogg informs him that they will be leaving at once to go on a journey around the world. He has made a bet with some friends at London’s Reform Club based on a newspaper article which claims that, with the opening of a new railway in India, it is now possible to travel around the entire world in eighty days.

Travelling by train, boat, sledge and even by elephant, Fogg and Passepartout begin a race against time through Europe, Africa, Asia and North America, crossing both the Pacific and Atlantic Oceans. Along the way they rescue an Indian widow, are attacked by Sioux warriors…and find themselves pursued by a detective who believes there is more to Fogg’s eccentric behaviour than meets the eye.

Around the World in Eighty Days is the first book I’ve read by Jules Verne. It has been on my Classics Club list from the beginning, while other titles have been added and deleted, but it has never seemed to be the right time to read it. Last week I wanted to take a break from the very long novel I’m in the middle of reading (Kristin Lavransdatter by Sigrid Undset) and have a change of pace, so I decided to give this one a try – and it was the perfect choice. This is a short book with short chapters, and the rate at which Fogg and Passepartout move from one adventure to the next makes this a very quick and entertaining read.

Putting the novel in historical context – it was published in 1873 – it really must have seemed that the world was getting smaller and more accessible. It seems such a waste, though, to be determined to travel the world at such a speed! If I had the opportunity – and the money – to make a journey like that, I would want to spend some time exploring each of the countries I passed through on the way, but Phileas Fogg appears to have no curiosity at all:

Mr. Fogg, after bidding good-bye to his whist partners, left the steamer, gave his servant several errands to do, urged it upon him to be at the station promptly at eight, and, with his regular step, which beat to the second, like an astronomical clock, directed his steps to the passport office. As for the wonders of Bombay — its famous city hall, its splendid library, its forts and docks, its bazaars, mosques, synagogues, its Armenian churches, and the noble pagoda on Malabar Hill, with its two polygonal towers — he cared not a straw to see them.

We do still learn a little bit about the geography and history of the various places Fogg and Passepartout visit (and Passepartout, who shares my frustration at Fogg’s lack of interest, does occasionally manage to do some sightseeing on his own, with mixed results) but the main focus of the story is on the journey itself and whether they actually will succeed in going around the world in eighty days. There’s also a romance, which I found difficult to believe in as we rarely even see the characters involved speaking to each other, but I suppose the hints were there! I loved the relationship between Fogg and Passepartout, though; they are such different men yet have so much loyalty to each other.

I enjoyed Around the World in Eighty Days much more than I thought I would when I first decided to put it on my Classics Club list. I’ll have to keep Jules Verne in mind for my second list – which I’ve already started to compile despite still having twenty books to read from the first one!

Historical Musings #14: Close to home or far away

Historical Musings One of the things I love about reading historical fiction is that it gives me an opportunity to learn about times and places about which I previously knew nothing at all.

In the last few years I have read about subjects as diverse as the Narváez expedition to the New World (The Moor’s Account by Laila Lalami), the Siege of Constantinople (Master of Shadows by Neil Oliver) and the Opium Wars (the Ibis Trilogy by Amitav Ghosh). I have visited, through fiction, 17th century Mughal India (The Twentieth Wife by Indu Sundaresan), 18th century Portugal (The Devil on her Tongue by Linda Holeman) and 15th century Iceland (To Lie with Lions by Dorothy Dunnett).

Much as I enjoy reading about new places, it can also be nice to read books with a more familiar setting. As I’m English I tend to read a lot of historical fiction novels set in England but most of them focus on London and the South. Living in the North East of England, it’s not often that I come across historical fiction set in my part of the country, which is a shame as it’s an area with plenty of history to write about! Here are a few historical novels I’ve thought of that are set at least partly in Northumberland or County Durham:

Edwin High King of Britain Edwin: High King of Britain and Oswald: Return of the King by Edoardo Albert – These are the first two books in a fascinating trilogy telling the story of the 7th century kings of Northumbria.

Lion of Alnwick by Carol Wensby-Scott (and the sequels Lion Dormant and Lion Invincible, which I haven’t read yet) – Set in the 14th and 15th centuries, this trilogy follows the story of the Percy family, Earls of Northumberland in the years leading up to the Wars of the Roses.

The Lymond Chronicles by Dorothy Dunnett – This series takes us all over 16th century Europe, North Africa and beyond, but Northumberland also features in several of the books as some of the main characters live near Hexham on the fictional estate of Flaw Valleys.

The Queen’s Promise by Lyn Andrews – This is a novel about the relationship between Anne Boleyn and Henry Percy, son of the 5th Earl of Northumberland. The book focuses more on Henry than Anne, so large sections of the story are set in Northumberland.

Devil WaterRed Rose, White Rose by Joanna Hickson – Cecily Neville (mother of Edward IV and Richard III) was known as the Rose of Raby and the early chapters of this novel are set in the area surrounding Raby Castle in County Durham.

Devil Water by Anya Seton – This is the story of Charles Radcliffe, brother of the Earl of Derwentwater, who marries a Northumberland girl called Meg Snowdon. The Radcliffes were real historical figures and were involved in the Jacobite rebellion of 1715.

If anyone knows of any more examples, I would love to hear what they are.

And now it’s your turn to tell me:

Do you prefer to read books set in places you know or places you don’t know?

Can you think of any historical fiction novels set in your own town/city or part of your country? If you live somewhere like London there will be hundreds, so in that case – which is your favourite?

Fire by C. C. Humphreys

Fire 1666 is famous for being the year of the Great Fire of London. For the religious sect known as the Fifth Monarchists it was also the year in which they believed the monarchy would be overthrown, clearing the way for the kingdom of Jesus. These two events form the basis of C.C. Humphreys’ new novel, Fire, a sequel to Plague, which I read in 2014. Don’t worry if you haven’t had the opportunity to read Plague yet – you will still be able to understand and enjoy Fire, which works as an exciting historical thriller in its own right as well as being a sequel.

As the novel opens we are reacquainted with our old friends, Captain Coke, a reformed highwayman, and Pitman, a ‘thief-taker’. These two men fought on opposite sides in the recent Civil War, but have now formed an unlikely partnership to fight crime in the London area. With Charles II the target of a plot by the Fifth Monarchists, Coke and Pitman have been given the task of foiling the attempt on the king’s life. Assisted by Dickon, a young homeless boy rescued by Coke from a life on the streets, the pair begin to investigate, determined to save the king even if it means putting their own lives in danger.

It’s not only themselves they need to worry about, of course. Pitman is a married man with children, while Coke’s lover, the actress Sarah Chalker, is pregnant. Acting is not considered a suitable career for a respectable woman, but Sarah enjoys it and relies on it as a source of income. Unable to work because of her pregnancy, Sarah is left alone and penniless when Coke finds himself the victim of a cruel betrayal. And then, in the early hours of a September morning, a fire breaks out at Thomas Farriner’s bakery on Pudding Lane…

Fire is an enjoyable read and a fascinating journey through 17th century London life. I’ll have to be honest and say that it’s maybe not the deepest or most literary of historical novels but, like Plague, it’s entertaining and fun to read. Before I started reading I had been afraid that it might be too similar to another book I read earlier this year – The Ashes of London by Andrew Taylor – which is also set during the Great Fire of London and features a plot by the Fifth Monarchists, but the two books are actually completely different.

This is an action-packed novel, taking us to a variety of different settings. We visit the theatre for a production of Hamlet, we find out what conditions were like for those unlucky men pressed into the navy against their will, and we see inside a debtors’ prison, where women and children live in squalor praying that their fortunes will change soon. A map is provided at the front of the book to help us locate each of the London sites mentioned in the story and to show how the fire spreads and progresses day by day.

Something that surprised me about this novel is that the Great Fire itself doesn’t start until we are more than halfway through the book. Instead, Humphreys spends most of the novel setting the scene, moving the characters into place, so that by the time the fire breaks out we are already emotionally invested in the story and are desperate to find out whether our heroes and heroines can find their way out of the dangerous situations they are in.

If C.C. Humphreys brings some of these characters back for a third adventure, I would love to read it; otherwise I’ll investigate his earlier books – I’ve already read Vlad: The Last Confession, but some of his others look interesting too.

Thanks to Century for providing a copy of this book for review.

Prince Rupert: The Last Cavalier by Charles Spencer

Prince Rupert As someone who prefers to learn through fiction, I often struggle to find the motivation to start reading a long non-fiction book, especially one by an author I’ve never tried before. I’ve had this one on my Kindle since last year waiting until it was the right time to read it – and that time came a couple of weeks ago after I read The White Witch by Elizabeth Goudge, a novel in which one of the main characters fights alongside Prince Rupert in the English Civil War. Rupert has a relatively minor role in that novel, and in others that I’ve read, but I thought it would be interesting to find out more about him.

Prince Rupert of the Rhine, as he is usually known, was born in Prague in 1619. His mother, Elizabeth, was the sister of King Charles I of England, while his father, Frederick, was the Elector Palatine and – briefly – the King of Bohemia. When Frederick lost his crown to the Habsburg Emperor, his wife and young children were forced to flee Prague and take refuge in The Hague. Growing up in exile, Rupert gained military experience in the Thirty Years War before coming to England and joining his uncle, Charles I, at the beginning of the Civil War.

As the commander of the Royalist cavalry, Rupert was one of the most colourful characters of the Civil War. When most of us think of a ‘cavalier’ we probably form a mental image of someone very like Prince Rupert: young, tall and handsome, with long, flowing hair and dressed in the latest court fashions. To the Parliamentarians, however, the cavaliers were villains, guilty of theft, rape, drunkenness and all sorts of debauchery. As the most iconic of the cavaliers, and the King’s most famous general, Rupert was the main target of enemy propaganda – he was even accused of witchcraft and his beloved white poodle, Boye, was suspected of being his familiar.

Rupert Earlier in the conflict, Rupert led the Royalists to some impressive victories, before suffering defeats at Marston Moor and Naseby. While Charles Spencer’s portrayal of Rupert is generally very favourable, I do think he does a good job here of showing why the Royalist cause ultimately failed and why rivalries and divisions between Rupert and his fellow commanders, as well as some very poor decisions, contributed to their downfall. Spencer does seem to like and admire Rupert (which must be an advantage when writing historical biography) but at the same time, he is aware of Rupert’s negative points and not just his positive ones.

The Civil War years only take up about a third of the book, but Prince Rupert’s military career continued after his part in the war ended. After being banished from England in 1646, he became a Royalist pirate, attacking Parliament’s shipping in the Caribbean. Then, following the Restoration of his cousin, Charles II, in 1660, he returned to England and fought in the Second and Third Anglo-Dutch Wars as a senior naval commander. Both of these episodes of the Prince’s life are given a lot of attention in this book, as are his final years (he died in 1682).

I thoroughly enjoyed this fascinating biography – Charles Spencer’s writing is clear and easy to follow, and I even found the descriptions of battle tactics and military strategies compelling, which is unusual for me! The only time I thought it began to drag a little bit was during the naval sections (I always seem to struggle with books set at sea, which I accept is usually my fault rather than the authors’).

What I found particularly interesting was the information on Rupert’s other accomplishments away from his army and navy career: his scientific work and the part he played in the founding of the Royal Society; his role in the development of the mezzotint printing technique; and his governorship of the Hudson’s Bay Company (Rupert’s Land in Canada was named after him). I wasn’t aware of any of this and hadn’t appreciated just how much Prince Rupert had achieved in his lifetime.

I would be happy to read more non-fiction by Charles Spencer but I’m not sure that any of his other books really appeal to me. He is the younger brother of the late Princess Diana (something I didn’t know when I first started reading) and most of his work seems to be concerned with his family history. If anyone has read any other books on Prince Rupert, though – either fiction or non-fiction – I would love some suggestions.

The Heir of Redclyffe by Charlotte M Yonge

The Heir of Redclyffe I was supposed to be writing about Kristin Lavransdatter today – it was the book chosen for me in the last Classics Club Spin and today is the deadline for reading it – but there’s been a change of plan. For the last few weeks I’ve been engrossed in a completely different classic novel, so Kristin has had to wait. I’ve started reading it at last (and like what I’ve read so far) but for today, I’m going to talk instead about The Heir of Redclyffe.

When the elderly Sir Guy Morville dies, his title and his estate of Redclyffe pass to his grandson, another Guy. Being only seventeen years old, the new Sir Guy is taken in by another branch of the family, the Edmonstones, who provide him with a home and an education. With his generous, warm-hearted nature, Guy quickly wins the respect of Mr and Mrs Edmonstone, the friendship of three of his cousins – Charles (crippled with a disease in the hip), the beautiful Laura, and little Charlotte – and the love of the fourth, Amabel (known as Amy). In fact, the only person who doesn’t seem to like Guy is Philip Morville, another cousin.

To Guy’s dismay, Philip – who happens to be the next heir to Redclyffe – makes no secret of his dislike for him. Philip is a well-educated, confident and accomplished young man, and based on a long-ago family rivalry, is determined to disapprove of Guy, finding fault with everything he does. After Guy and Amy declare their love for each other, Philip decides to do everything he can to put a stop to their marriage. Meanwhile, he himself has fallen in love with Amy’s sister, Laura, but due to his financial situation he is reluctant to make their romance public and so he asks Laura to keep their relationship secret from her parents.

And that’s really all I want to say about the story, as it does become quite convoluted and I wouldn’t want to spoil things for future readers. I knew very little about this novel before I started it (although I remember that Lisa enjoyed it a few years ago) and part of the pleasure in reading it was wondering how things would turn out for Guy and Amy, Philip and Laura, and the others. Yonge took me completely by surprise once or twice with some plot developments that I hadn’t expected, one of which was very sad – although I would have been prepared for that if only I’d remembered that in Little Women, Jo March is found “eating apples and crying over The Heir of Redclyffe”!

I liked Guy – it would probably be difficult not to – and I also liked Amabel, although it irritated me that she is always referred to (by herself and others) as ‘silly little Amy’ when it’s obvious that she has far more sense and strength of character than anybody gives her credit for. I never felt that I really knew or understood Laura, but as for Philip, I found him completely annoying, arrogant and overbearing. He’s not a villain exactly (there are no villains in this book – only flawed human beings) and he does seem to believe that he’s acting with the best intentions, but those actions cause a lot of unnecessary misery for a lot of people. My favourite character, though, was probably Charles, one of the few people prepared to stand up to Philip and say what he thinks, while also trying to come to terms with his own illness and disability.

First published in 1853, The Heir of Redclyffe was a popular bestseller throughout the 19th century, yet how many people still read this book today? It seems that Charlotte Mary Yonge’s novels haven’t stood the test of time as well as books by other female Victorian authors, which is a shame as I found a lot to like about The Heir of Redclyffe. Maybe it’s too sentimental for modern tastes and with too much emphasis on faith and spirituality – not that any of those things stopped me from enjoying this book. I would definitely consider reading more of Yonge’s work in the future!