Tag: 1960s

Gabriel’s Moon by William Boyd

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William Boyd’s The Romantic was one of my books of the year in 2022, so I was excited about reading his new one, Gabriel’s Moon – although it did sound very different. Unlike The Romantic, which follows the entire life story of its hero, this book is a spy novel set over a much shorter period of time.

It’s 1960 and travel writer Gabriel Dax is visiting what is now the Democratic Republic of the Congo, where he has the opportunity to interview the new Prime Minister, Patrice Lumumba. During the conversation, which Gabriel captures on tape, Lumumba explains that he has enemies who want him dead and he provides the names of the three people he thinks are plotting to kill him. On his return home to London, Gabriel is convinced somebody has been inside his house in his absence and has been searching for something. It seems that somebody wants Gabriel’s tapes of the Lumumba interview – and their attempts to obtain them become more desperate once news emerges that Lumumba has been executed by a firing squad.

His accidental involvement in the Lumumba conspiracy brings Gabriel into contact with the mysterious Faith Green, an MI6 intelligence officer who sends him on a series of missions, the purpose of which Gabriel doesn’t fully understand. In a secondary storyline – which explains the title of the novel – Gabriel decides to consult a psychoanalyst, Dr Katerina Haas, in an attempt to get to the bottom of the mental health issues that have plagued him all his life, ever since his mother was killed in a house fire when he was six years old. The official cause of the fire was given as Gabriel’s night light, a candle inside a moon-shaped globe, but Gabriel’s memories of what actually happened that night are very different.

I enjoyed this book overall, but I found it a bit slow at times and, as a thriller, not particularly thrilling. There’s a lot of travel to various locations in Europe and Africa (all beautifully evoked), with a lot of sitting around in bars drinking and talking, but I never really felt that Gabriel was in much danger. Having said that, I was never bored and became fully drawn into the world of espionage, spies and double agents that Boyd creates, all set against a backdrop of the Cold War. I found it slightly unbelievable that the spies Gabriel meets all speak to him so openly, readily sharing secret information with him – but then, Gabriel doesn’t always know how to interpret that information and it’s his very innocence and gullibility that makes him so useful to Faith Green and MI6. As the story progresses, he eventually decides it’s time to stop being the self-described ‘useful idiot’ and try to take control of his own destiny.

Faith Green remains a bit of a shadowy, enigmatic character throughout the book and because I felt I never really got to know her, I became irritated by Gabriel’s obsessive infatuation with her, particularly as he already has a girlfriend, Lorraine – whom he looks down on because of her working-class background, while at the same time admitting that he’s only with her because he finds working-class women sexually attractive. Although I didn’t dislike Gabriel in general, some of his attitudes leave a lot to be desired!

One of the most interesting aspects of the novel for me was seeing Gabriel work through his hazy memories and his feelings of guilt about the tragic fire that took his mother’s life. Through his psychoanalysis sessions with Dr Haas, Gabriel is inspired to carry out his own investigations into the night of the fire and begins to uncover the truth. I thought this storyline worked well alongside the espionage one and gave us some more insights into Gabriel’s character.

Although Gabriel’s Moon works perfectly as a standalone, there were some loose threads left at the end that made me think this could be the first in a series – and I was pleased to find that William Boyd is indeed working on a second book. I’ll be looking out for it, but I also have lots of Boyd’s earlier novels still to read. I would be happy to hear your recommendations!

Thanks to Viking for providing a copy of this book for review via NetGalley.

Book 53 for the Historical Fiction Reading Challenge 2024

The Undetective by Bruce Graeme – #ReadIndies

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It’s good to see so many forgotten Golden Age crime authors being brought back into print by various publishers. Bruce Graeme (Graham Montague Jeffries) is another I had never heard of until my eye was caught by the bright and colourful cover of this recent reissue of The Undetective. Graeme appears to have been very prolific, particularly during the 1930s and 40s, but this is a later novel from 1962. It’s a real gem and I highly recommend it to classic crime fans! Along with several of Graeme’s others, it’s published by Moonstone Press, which makes it a perfect choice for Karen and Lizzy’s #ReadIndies month.

Our narrator, Iain Carter, has abandoned a career in law to become a crime writer, but is finding it less profitable than he expected. Luckily, his brother-in-law, Edward, happens to be a police detective who is often indiscreet when discussing his work with his family, and Iain decides to use Edward’s inside knowledge as the basis for a new series of books. He creates a superintendent character based on Edward’s boss, whom he portrays as a bumbling idiot incapable of solving any crimes – more of an ‘undetective’ than a detective!

In order to avoid getting Edward into trouble, Iain publishes under a pseudonym – John Ky. Lowell – and goes to great lengths to ensure that nobody can ever trace Lowell back to him. The new series proves to be a huge success and everything is going well for Iain…until a man is found murdered and it emerges that the main suspect is John Ky. Lowell! Can Iain divert suspicion away from his alter ego without making himself a target?

I found this an entertaining read from beginning to end. As an author himself and a founding member of the Crime Writers’ Association, Graeme pokes fun at the publishing industry and his fellow CWA members, namedropping people like John Creasey, Christianna Brand and Julian Symons (who writes a bad review of one of Iain Carter’s books). He also offers some interesting insights into the world of publishing, the royalties an author could expect in 1962, and the reasons for writing under a pseudonym. The schemes Carter comes up with for trying to hide Lowell’s true identity are ingenious!

Although a murder does take place, this is not really a conventional murder mystery, and it’s not a police procedural either as we only hear about the police investigations and theories from Iain’s perspective, due to his friendship with Edward. Iain is not really interested in trying to solve the mystery – he just wants to make sure that neither he nor the non-existent Lowell can be connected with it. With the help of his wife, Susan, he begins planting false clues and red herrings to try to lead the police in the wrong direction and part of the fun is in wondering how long this can go on before he eventually makes a mistake and gets caught out!

I enjoyed this book so much I’m definitely planning to read more by Bruce Graeme, as well as maybe trying some of the other authors available from the same publisher.

Moonstone Press is a member of the Independent Publishers Guild and focuses on “detective, crime and humorous fiction published before 1965”.

Endless Night by Agatha Christie

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There are still a few weeks left in this year’s Read Christie 2023 challenge, but plans for Read Christie 2024 have already been announced! You can find out more and register for full details on the Agatha Christie website here. You don’t need to commit to reading a book every month – I just join in with any that appeal to me or that I haven’t read before.

Back to the 2023 challenge and the prompt for November is a motive: greed. Endless Night, the suggested title for this month, was first published in 1967 and is a standalone novel, not featuring Poirot, Miss Marple or any of Christie’s other famous detectives. It’s also one of only a small number of her novels to be written in the first person (apart from some of the Poirots, which are narrated by Captain Hastings). In fact, it’s really not a typical Christie novel in any way, but I still enjoyed it and apparently it was one of Agatha’s own favourites.

Many of Christie’s novels have titles inspired by nursery rhymes, poems or other works of literature. This one is taken from William Blake’s Auguries of Innocence:

“Every Night and every Morn
Some to Misery are born.
Every Morn and every Night
Some are born to Sweet Delight.
Some are born to Sweet Delight,
Some are born to Endless Night.”

Michael Rogers, our narrator, is an attractive, charming young man but one who has been jumping from one job to another with no real aim in life. When he stumbles upon an old house called The Towers – or ‘Gipsy’s Acre’ as it is known locally – and sees that it’s for sale, he dreams of buying it and settling down there, if only he could afford it. As luck would have it, he meets and falls in love with Ellie, a young American heiress, and soon the two are married and have bought the property, knocking down the old house to build a new one designed by their architect friend, Rudolf Santonix.

Unfortunately, it seems that Michael and Ellie are not destined to be happy in their new home. Gipsy’s Acre has a bad reputation and they are told by an old fortune teller, Esther Lee, that the land is cursed. As Mrs Lee continues to appear, issuing more warnings, Michael wonders whether there really is a curse or if the old woman is trying to drive them away. Then there’s Ellie’s friend and companion, Greta Andersen, who moves in with them when Ellie injures her ankle. Ellie is very close to Greta, but Michael complains that she’s too controlling and has too much influence over his wife.

Christie continues to build tension and suspense in this way until a murder eventually takes place, late in the book. With no detective to investigate the crime and with only Michael’s impression of the other characters to base our opinions on, it’s a difficult mystery to solve. I was convinced I knew who the murderer was, but I wasn’t even close and was completely taken by surprise when the truth was revealed. Although I’m not planning to do it at the moment, I think it would be fascinating to read it again and see how I managed to miss the clues entirely.

I don’t think this ranks as one of my absolute favourites by Christie because I did find it a bit slow in the middle, but that unexpected ending made up for it. I also think it’s one of the most atmospheric of her books, with a real sense of unease and foreboding. I’m not sure yet whether I’ll be able to fit next month’s Read Christie book into my December reading, but I’m definitely signing up again for 2024!

The Progress of a Crime by Julian Symons

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Remember, remember, the Fifth of November,
Gunpowder, treason and plot,
I see no reason why gunpowder treason,
Should ever be forgot

It’s the fifth of November today, so no better time to review one of my recent reads, Julian Symons’ The Progress of a Crime, first published in 1960 and subtitled A Fireworks Night Mystery. For those not in the UK or familiar with British culture, this is the night when people traditionally light bonfires and set off fireworks to mark the anniversary of when Guy Fawkes was caught preparing to blow up Parliament with gunpowder in 1605. The Progress of a Crime, the first book I’ve read by Julian Symons, deals with a murder committed at a Bonfire Night celebration.

Hugh Bennett, reporter with the Gazette, has been covering a news story in the village of Far Wether on November the fifth and decides to stay on to watch the lighting of the bonfire on the village green. However, he witnesses more than just a fire that evening when a gang of youths arrive and begin throwing fireworks and causing a disturbance. Things escalate and a man is stabbed to death, but although there are many witnesses, in the darkness nobody is able to say with any certainty which of the boys was the culprit.

All of the group are arrested and questioned, but two quickly emerge as the most likely suspects: the leader, Jack ‘King’ Garney, and his most faithful friend, Leslie Gardner. There’s enough evidence to bring the two to trial and Hugh Bennett is drawn into the investigations due to both his role as a local journalist and as a witness to the crime. Hugh has his own opinions on what happened in Far Wether that night, but when he begins to fall in love with Jill Gardner, Leslie’s sister, things become more complicated.

The Progress of a Crime is an interesting portrayal of society in the early 1960s, but will probably disappoint anyone looking for a more conventional mystery novel. There’s very little suspense and not much actual ‘detecting’ as there are only really two suspects and we know who they are from the beginning. The most exciting part of the book comes in the second half when Garney and Gardner stand trial and we are given some insights into the preparations for the court case, the cross examining of the witnesses and the tensions between family members as they worry over what will happen in court.

According to Martin Edwards’ introduction, Symons took his inspiration for this novel from a real crime, and the book as a whole does feel realistic and gritty. It explores a range of topics including the causes and consequences of juvenile crime, the methods of extracting information used by the police, and the role of the press in reporting on the investigations and maybe even influencing the outcome. This British Library Crime Classics edition also features a short story by Symons, The Tigers of Subtopia, which has obviously been selected for inclusion because it covers similar themes. I can’t really say that I enjoyed either the novel or the short story as I found them quite bleak and depressing, with some very unlikeable characters, but they are interesting from a social history perspective and I would be happy to read some of Symons’ other books.

The Wolves of Willoughby Chase by Joan Aiken – #1962Club

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I’ve read and enjoyed several of Joan Aiken’s adult novels over the last few years – my favourite so far is Castle Barebane – but until now I’ve never read the book for which she’s most famous, The Wolves of Willoughby Chase. It was first published in 1962, which makes it a perfect choice for this week’s 1962 Club hosted by Simon and Karen.

This is obviously a book aimed at younger readers and I’m sure I would have loved it if I’d read it as a child; however, I was pleased to find that it also has a lot to offer an adult reader. I’m definitely planning to continue with the next book in the series.

The Wolves of Willoughby Chase is set in England in an alternate history where the Stuarts are still on the throne in the 19th century. It’s 1832, early in the reign of King James III, and a tunnel between Dover and Calais has recently been completed, allowing the migration of a large number of wolves from Europe. In reality, of course, the Channel Tunnel wouldn’t open until 1994, so Joan Aiken really was ahead of her time – although obviously the idea had existed in theory for much longer! Other than the tunnel and the presence of wolves, the world described in this book doesn’t seem very different from the real world of 1832, but I’m assuming the alternate history element becomes more significant later in the series.

Being a children’s book, the story is told from the perspectives of two children – Bonnie and Sylvia Green. Sylvia, an orphan, lives in London with her elderly Aunt Jane, but at the beginning of the novel she travels north by train to Willoughby Chase to stay with her cousin Bonnie. Bonnie’s parents, Sir Willoughby and Lady Green, are going abroad for health reasons and have engaged a governess, Miss Letitia Slighcarp, to take care of the children while they are away.

Left alone with Miss Slighcarp, the girls discover that their new governess is not what she claims to be and has another motive for coming to Willoughby Chase. Soon Bonnie and Sylvia are sent off to a horrible school for orphans run by the cruel Gertrude Brisket. Hungry and miserable, they begin to plan a daring escape, but will they succeed – and if so, where will they go? Will their friend, Simon the goose-boy, be able to help them? And what exactly is Miss Slighcarp planning to do now that she is in full control of Willoughby Chase?

Now that I’ve read this book I can see why it is considered a children’s classic and has been so popular with generations of younger readers over the years. It has an exciting plot, child protagonists to relate to, kindly adult characters to love and villainous ones to hate, and an atmospheric setting with snowy, icy landscapes and packs of wolves roaming the countryside. Speaking of the wolves, they play a big part in two memorable scenes near the beginning of the book, but are barely mentioned after that as the human ‘wolves’ come to the forefront of the story instead. The influence of Victorian literature on Aiken’s writing is also very obvious, from the Dickensian names of the characters – Letitia Slighcarp, Josiah Grimshaw, Mr Gripe, Mr Wilderness – to the portrayal of Mrs Brisket’s school, surely inspired by Lowood School in Jane Eyre.

I thoroughly enjoyed this book and just wish I hadn’t come to it so late! I’m already looking forward to reading the second one in the series, Black Hearts in Battersea.

This is book 41/50 for the 2023 Historical Fiction Reading Challenge.

Due to a Death by Mary Kelly – #1962Club

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This week Karen of Kaggsy’s Bookish Ramblings and Simon of Stuck in a Book are hosting another of their club weeks, where we all read and write about books published in the same year. This time, the year is 1962 and what a great year for publishing it has turned out to be! There were lots of tempting books to choose from, but I decided to start with one from the British Library Crime Classics series by an author who is new to me: Mary Kelly.

Due to a Death is a very different kind of BLCC book; it’s not really a detective novel, not really a thriller, not a country house or locked room mystery – not even much of a mystery at all. Although there is an element of crime, I would describe this more as a character study and an exploration of the lives of women in a small community in the early 1960s.

Our narrator, Agnes, lives in Gunfleet, a fictional village in the marshlands of Kent. Agnes used to be a teacher but her marriage to Tom meant she was no longer expected to work. It’s not a very happy or satisfying marriage and Tom, who works in a museum, spends most of his free time with his friends, Ian (who is also his stepbrother) and Tubby. Agnes appears to have no friends of her own so Tubby, Ian, and their wives Carole and Helen (whom she doesn’t particularly get along with), form her entire social circle. When Hedley Nicholson, a newcomer to the village, joins their little group he seems to sense that Agnes is lonely and bored and begins to spend more and more time with her, teaching her to drive – something she hopes will provide independence and freedom.

In the opening chapter, we learn that the body of a young woman has been found in the marshes. The rest of the novel is then told in the form of a flashback as Agnes sits in a church, thinking back over the events of the summer. The identity of the dead woman and her connection with the other characters is slowly revealed, but the focus of the book is always on Agnes and her relationships with Hedley, Tom, Ian and Tubby. It’s an interesting study of how, despite living in a small, claustrophobic community where everybody knows everybody else’s business, it’s still possible to feel isolated and alone.

I was very impressed with this book and although it has a slow pace, I found it difficult to put down. However, everything about it is relentlessly bleak, from the desolate marshland setting to the dreary lives of the characters and the tragic motive behind the young woman’s death. I liked it but, as I’ve said, it’s not a typical crime novel, so be prepared!

I hope to have at least one more 1962 review for you later in the week. Meanwhile, here’s my list of other 1962 books previously read and reviewed on my blog.

Night Train to Marrakech by Dinah Jefferies

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Night Train to Marrakech is the third and final book in Dinah Jefferies’ Daughters of War trilogy, but if you haven’t read the previous two books that shouldn’t be a problem as I think this one would also work well as a standalone. While Daughters of War and The Hidden Palace followed the stories of the three Baudin sisters, Hélène, Élise and Florence, during World War II, this third novel moves forward to the 1960s to focus on Élise’s daughter, Vicky.

In July 1966, Vicky Baudin arrives in Morocco to visit her grandmother for the first time. Having lost her father during the war, Vicky has only recently discovered that his mother, Clemence, is still alive and living in the mountains outside Marrakech. Vicky has just received a diploma in fashion design from a London art college, so this seems like a good time to travel abroad before beginning a postgraduate course in Paris. As her train arrives at Marrakech station, Vicky is looking forward to getting to know Clemence – and is determined to find a way to meet her hero, the French designer Yves Saint Laurent, who also lives in Marrakech.

In her mountain home, the Kasbah du Paradis, Clemence is awaiting her long-lost granddaughter’s arrival with mixed emotions. Vicky will want to know why she played no part in her son’s life and Clemence doesn’t feel ready to explain. However, she’s forced to confront the memories she’s tried so hard to forget when a man from her past reappears, threatening to reveal her secrets. Meanwhile, Vicky and her cousin Bea also stumble into trouble when they become witnesses to a crime.

Night Train to Marrakech has a much stronger thriller element than the previous two books, which I found quite surprising. The novel is set against a backdrop of rising political tensions – a few months before the novel begins, the Moroccan revolutionary Mehdi Ben Barka is abducted in Paris (a real life incident) – and although this doesn’t form a large part of the plot, it does give a sense of the danger for two young women who unintentionally become mixed up in a situation they don’t fully understand. The descriptions of Morocco itself – the scenery, the buildings, the food, the sounds and smells – are also beautifully done.

The three sisters from the first two books (Vicky’s mother, Élise, and her two aunts, Hélène and Florence) do eventually make an appearance in this one, but I was disappointed that we don’t see very much of them. This is very much Vicky’s story and Clemence’s, and although having two completely new characters to get to know so late in the trilogy unsettled me slightly, I did warm to them later in the book. I found Clemence in particular an intriguing character as she seems so cold and secretive at first but as more and more of her story unfolds, the reason for this becomes clear and by the end of the book I had gained a lot of respect and sympathy for her.

I didn’t enjoy this book as much as Daughters of War and The Hidden Palace – as the third in a trilogy I would have preferred it to be more closely linked with the first two books rather than moving on to the next generation – but the gripping plot and evocative setting still made it worthwhile. As for whether or not Vicky achieves her dream of meeting Yves Saint Laurent, you’ll have to read the book to find out!

Thanks to HarperCollins for providing a copy of this book for review via NetGalley.

This is book 40/50 for the 2023 Historical Fiction Reading Challenge.